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“Boys Before Flowers,” aka the Korean Hana Yori Dango

I’m a little late to this info, but this news gets me excited. And apprehensive. But excited!

So the Japanese manga Hana Yori Dango has been made into an anime series, a Taiwanese drama (Meteor Garden), and a Japanese dorama. The Japanese versions are already popular in Korea, but now a kdrama adaptation of the drama has been announced, with the tagline that “Third time’s the charm!” But really, when every version has enjoyed immense popularity throughout Asia (and the world), the tagline is a bit misapplied, methinks.

The production team behind the series is none other than Group Eight, who did Fantasy Couple and Goong S, and says they were selected by the copyright holder Kamio Yoko (the original manga writer) and Japanese publishing house Shueisha based on the strength of those prior drama series.

I could go into a whole long post about why I really dug Hana Yori Dango, but OH LOOKY HERE you mean I already did? I just love when I do my own work for myself. (Btw, that link doesn’t have any substantial spoilers, but there are screencaps and I mention, in a vague way, some of the larger plot elements.)

So the immediate question on everyone’s mind becomes the casting, particularly the fearsome foursome “F4″ who rule the school as quasi-celebrities, and the Doumyouji character in particular, its hard-hearted (and -headed) leader. A Group Eight rep explains, “Rather than casting based on popularity alone, we’re going for actors in the Korean F4 who fit the original characters best,” and intends to scour talent from already famous stars to unknowns in search of the most suitable F4 candidates.

I actually think going with unknowns can be a good move, because a super-popular series casting super-popular actors can overshadow what’s already a compelling, time-tested story. (But, might I suggest: Choi Shiwon would make a great Doumyouji, wouldn’t he? He’s got the right mix of popularity and freshness, and if he can manage the character’s mix of brutish assholery and thick-headed charm, he might just be perfect.)

Still, I think the big concern ought to be how to make the Korean version a series in its own, and yet remain true enough to the original story to please its existing (sizable) fan base. Also, how do you top the excellence of the Japanese version, made so recently? The dorama version was superlative in its adaptation, its casting, its music, its lighting, its production. Every aspect of the series was handled with great care, and it was rewarded with large success. Furthermore, the current Wikipedia news (so take with a grain of salt, obvs) indicates the Japanese series is planning to wrap things up with Hana Yori Dango: The Movie, to be released in the summer of 2008. Group Eight is certainly no stranger to expensive, gorgeous-looking sets with Goong S, but they’ve got their work cut out for them.

The series is set for a 24-episode run and, for now, aims for an airdate in the latter half of 2008. Dude. I am so there.

(And now all this Hanadan talk makes me want to rewatch the drama. Weekend marathon!)

Via My Daily

SONG OF THE DAY

Anamu & Maki - “ひとつだけ” (hitotsu dake / only one). Neither the song nor the group have anything to do with Hana Yori Dango; merely an excuse to post a Japanese song. [ zShare download ]

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Open Thread #19

open-thread-19

Happy Leap Year (Day?)! Any Leap Year babies here? Poor kids — I always wondered if they had to relegate their birthdays to February 28 or March 1.

Been behind on the news (and everything!) this week, so tell me, what have I missed?

SONG OF THE DAY

Feist - “Monarch.” I know they’re/she’s most known for that iPod commercial, but this my favorite Feist song, just for that lovely string intro. [ zShare download ]

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Hong Gil Dong: Episode 18

Ooh. Who else was afraid for a second that our hero had crossed over to the dark side? A great moment, wasn’t it?

SONG OF THE DAY

Heritage - “Mama Song” [ zShare download ]

HONG GIL DONG Episode 18 >>

Hong Gil Dong: Episode 17

Just when I’d thought we’d settled into a pattern of plots and bad guys, trust the Hong sisters to mix things up. Yay for unpredictability.

SONG OF THE DAY

Sorri (소히) - “누구에게” (To whom) [ zShare download ]

HONG GIL DONG Episode 17 >>

Another “Host”-inspired creature feature

Now here’s interesting casting. Charismatic actor Uhm Tae Woong has recently been cast in director Shin Jeong-won’s latest film (prior work includes Sisily 2km), which is phonetically titled cha-woo [차우] — I’m trying to figure out if it translates to Chow, Ciao, or some other onomatopoeic rendering of the term.

In any case, while I normally don’t get excited about mega-expensive blockbusters, and certainly not those that appear to be chasing the Host’s success, but this time I’m particularly interested with the latest casting of Jung Yumi opposite Uhm Tae Woong. She was brilliant in Que Sera Sera — she’s got this wonderful mix of quirkiness, fragility, and strength — and I always find Uhm intense and gritty (Devil, Resurrection, Delightful Girl Chun Hyang). With not just one but two particularly talented actors in place, perhaps this big-budget horror thriller will turn into something more than a throwaway gorefest.

Plotwise, Jung plays a zoologist; Uhm once again plays a cop, though this time he’s a demoted one. The two work together on the case, and develop a romance as well (they’re both strong actors, so I look forward to seeing how that chemistry sparks). The story unfolds when a series of strange, brutal murders occurs one summer in a mountain village; signs seem to point at a sort of wild beast; hunters and an animal specialist are brought in; the plot thickens.

The film will shoot in San Francisco starting in March, and has brought onboard noted computer-graphics specialist Hans Uhlig (The Day After Tomorrow, Sky Captain and the World of Tomorrow, Star Wars: Episodes 1, 4, & 5).

Via Han Kyung, My Daily

SONG OF THE DAY

Pearl’s Day - “One” [ zShare download ]

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