Drama Recaps
Beethoven Virus: Episode 5
by | September 25, 2008 | 34 Comments

Have tried to make the recap more coherent instead of jumping from scene to scene, as is my wont. πŸ˜€

Screencaps credit to Luv.

KMM, the consummate conductor.


Beethoven Virus OST – “λ“€λ¦¬λ‚˜μš”” (Do you hear it) by Tae Yeon [ Download ]

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Episode 5

We start off from last’s week’s shocker revelation: Gun Woo will not be playing in the concert because his superiors absolutely refuse to allow him a day off for the concert.

However, an entire solo has been allotted to him, and it’s no use moving it to someone else after two months of intense practice. Kang refuses to allow Gun Woo to back out, but the younger man goes home anyway.

After practice, Ru Mi visits Gun Woo with the reassurance that there are 5 candidates for the trumpet positions. What’s worrying her is Gun Woo’s general lackluster mood, as well as his abrupt abandonment of his conducting ambitions. Instead of giving a direct answer, Gun Woo steals a brochette from Ru Mi and munches on it.

He comments that it needs marinating in soju, which then segues into a monologue about how he had actually tried many different things when he was young and just out of the army. It wasn’t that he didn’t like being carefree and doing things on his own schedule, but rather that money always remained an issue.

To Gun Woo, things like the performance are not necessary. He does have a passion for conducting, but he would prefer to live an ordinary, quiet life (with a wife and 2.4 kids – middle-ageism is catching). It’s really a fear of trying and then failing, because Gun Woo thinks that afterwards, he won’t have anything to fall on.

A rather melancholy trumpet plays in the background as Gun Woo makes fun of himself for being so useless, even if ordinary life is already hard enough. Ru Mi is, as we all know, a very sympathetic kind of person, and immediately rushes to make him feel better. He hands the brochette back to her, and tells Ru Mi to leave.

Once inside his room, we see that Gun Woo is less decided than he says he is – the trumpet and police uniform are laid out side by side on his bed.

Another night, another practice, and of course, another obstacle to a good concert – Ru Mi’s fellow alumnae and senior is moving away with his company. It’s just a few days before the performance and Ru Mi’s headache just gets worse.

Park meets up with Gun Woo at a roadside eatery and tries to convince himself that moving away and withdrawing from the orchestra is the right thing to do. He fails, but alcohol does the job.

Meanwhile, the city’s music hall buzzes with the arrangements for the upcoming concert. Posters of Kang are placed everywhere, there is excitement in the air (and a general impression of doom, too, for the people who saw the preview).

Racking up points on the Drama Improbability Scale, Ru Mi bumps into Gun Woo in the street. He’s dressed (very sharply) in his official police uniform, while she’s got her performance clothes in a plastic cover. They stand at quite a distance from each other, and converse cordially. (JGS has gone back to the Angsty Silent Hero Standard.)

During the conversation, Ru Mi lies rather badly about having found another trumpeter, and moves the topic to him – is he sure he won’t regret not participating in the performance? Gun Woo looks pained but only mentions that her shoes don’t match.

We get a glimpse at all the orchestra members’ preparations for the concert.

Of particular note is Park’s distinct unhappiness at having to go with his company. He even yells at his well-meaning (and pregnant) wife for spending money unnecessarily on a new tux for the performance. (Dude, never unreasonably yell at a pregnant woman. She will cry, and then slap you to death.)

Hee Yun’s husband catches news from the corner veggie store about his wife’s whereabouts and runs off in fury. (And the trouble begins…)

At the performance centre, the two sisters complain that the entire audience seems to be composed of elementary school kids. Well, they have a right to, I mean, the mayor cut corners on the advertising with the intention to sabotage and now they can only rely on the schools to pull off a full house. (Which isn’t too smart of the mayor – his political future is rather dependent on the success of this performance, you’d think he would try to make everything work – though maybe he thinks people will forget about it, the way people often do.)

The other trumpeter, Bae Yong Gi, is having fun entertaining the kids down in the lobby. Ahh, little kids. How cute, and yet how fearsome in packs. Bae and the violin sisters wonder where both their ‘Kang maestros’ are…

Well, Gun Woo is back in traffic police uniform, and a very calm Kang approaches him, risking his life in the process of crossing the street with no regard for moving cars. (The man does not dodge or weave, he is confident that no car would dare to hit him. He may be right.)

Calm or not, the older man intends to put the fear of God/music into Gun Woo. He snarks about Gun Woo wasting his conducting lessons on directing traffic, and reminds him that the performance is at 6, and he is still expected to play the solo. I love KMM’s expression when he asks Gun Woo whether or not he is happy in his job – it’s the right mix of anticipation, disdain and fond exasperation.

When Gun Woo turns away to direct traffic, Kang questions his insistence on viewing conducting as an unattainable dream. If Gun Woo isn’t trying, then it only means that he doesn’t want it enough. You know, Kang really sounds like a father upbraiding his son for not having enough courage to go after what he wants in life. πŸ˜€

Kang goes above and beyond the usual duty of a conductor to convince Gun Woo to pursue conducting (really, it’s no skin off his nose if GW doesn’t) – he knows that Gun Woo will probably regret it for the rest of his life. With that, Kang leaves to see to the performance.

At the music hall, the mayor greets an assortment of distinguished guests and sits down. On the other side of the stage, Kang finds his inner peace and takes up his conductor’s baton with a reverent look. He hears the strains of cello from nearby and peeks into a practice room to see Hee Yun putting herself through a few bars that have been giving her trouble – and leaves her to practice.

Outside on the street, Gun Woo is dealing with his existential angst. Well, the traffic is going ignored – and predictably, minor disaster ensues.

The orchestra members gather in a small hall the minutes before the performance. Poor Ru Mi is going through migraines again and swallows what looks like her fourth bottle of painkillers as Bae notes that Hee Yun isn’t here.

Hee Yun is in a bathroom stall, trying to compose herself. When she realizes what time it is, she rushes out of the bathroom, only to come face to face with the hubby. Well, he drags her away in a fit of fury, while Bae unsuccessfully tries to free her.

He runs back to Ru Mi in the entryway of the music hall, who decides to let everyone enter anyway. Just then a sharp peal rings (I’m not sure if it’s the door or Ru Mi’s ears) and Ru Mi falls to the ground in the type of pain that usually induces the lead female to faint. (But she’s made of sterner stuff than that, even if her acting pales in comparison to KMM.)

On the stage, Ru Mi’s world dissolves in a monotone ringing, and then all sound gets muffled. Kang shakes hands with her, a traditional gesture of courtesy between the first violin and the conductor for all the hard work the other has put in. Kang notices something wrong, and Ru Mi tells him that she can’t hear anymore – he only nods, and resumes his place at the podium.

The beginning of the piece goes really well, but then Ru Mi begins to notice the others looking at her strangely. There’s a moment of being lost, and then she looks back at Kang, who draws her in and anchors her into the piece, guiding her through the playing. In a rather clever bit of sound-editing, we exchange perspectives from Ru Mi’s to Kang’s – first we feel her panic at being in a sea of silence, and then we have Kang’s voiceover cutting in with his typical common-sense instruction to follow his gestures.

(How do they communicate? I shall put it down to the holy union between a good conductor and his instrumentalist.)

It just goes to show how good Kang is, that he can make Ru Mi understand what to do in a situation like this. Ru Mi doesn’t really hear silence, as it is, it’s more of a really low note that thrums threateningly.

Other than that, the piece really is quite nice.

Far away, Gun Woo is in the middle of a chaotic mess of enraged drivers and one heck of a congested intersection. The beeping of the cars slowly morph into a rather tinny version of the piece the orchestra is playing – and he feels himself transported to a beautiful river. Gun Woo understands what this means, and drops his traffic baton. (Run, Forrest, run!)

Stress levels have gone down after the successful run through their first piece, and Ru Mi regains her hearing during Kang’s personal mike test (consists of calling her all sorts of names, hee).

The second piece begins, and Gun Woo is still running (goodbye, hat). Kang is in his element, directing a flawless-sounding orchestra.

During the interlude, everyone walks off for a small bout of refreshing and retuning. Gun Woo, to Kang’s annoyance, still hasn’t made an appearance. As he’s making a tour of the changing rooms, he notices Hee Yun’s abandoned cello case and remembers her rant of unhappiness. Kang asks for Ru Mi’s cellphone and calls Hee Yun.

We switch scenes to see a tearful Hee Yun being driven home by her wrathful husband. When she picks up the phone, Kang tells Hee Yun that she is to play the solo (um, which will involve a good amount of shuffling and alteration on the partition, or is this solo thing negotiable?) Anyhoo, due to a fortuitous distraction, Hee Yun is able to get off the car and start running back.

In order to wait for the soloist, Kang has shuffled the order of the pieces. The mayor is confuzzled, until Jung Myung Hwan explains the obvious – there’s a problem with the soloist.

Park, sitting in an army of cardboard boxes at his office, is glued to the internet broadcast of the concert. He notes also that the order has been shifted – just as his wife walks in and drags him off to the concert. (She knows that he is just itching to be there.) They make it in time for the end of the third piece.

Thing are going well on the orchestra side, but the little kids in the audience are getting restive, and finally erupt into noisy shrieking. Kang looks like he’s just on this side of restraining himself from killing the children.

(Before… and after…)

Well, the mess in the audience does play into Kang’s need to wait for his soloist(s). He plays ‘Ah vous dirai-je, Maman’ (aka ‘Twinkle twinkle, little star’) on the piano, and proceeds to entertain the children while subtly reminding them of the rules of behaviour in the music hall. (Well, as subtle as you can get with kids.)

Jung Myung Hwan laughs himself to death in the audience (the mayor is only bemused) – well, Jung probably has a right to be amused when the Kang he knows is usually so dour.

Hee Yun rushes up in time to get her cello and settle on the soloist position. Various members of the audience register their astonishment, because Hee Yun really isn’t the best of their orchestra. Yi Deun opines that Kang has gone crazy at last.

Her husband runs in after her and stands right under the stage threateningly. Hee Yun thinks of all the things she’s suffered and steels herself through the solo. Gun Woo runs in from the audience’s entrance, way too winded to be of any use even if he did arrive in time.

Yay! Hee Yun pulls the solo off flawlessly and receives a standing ovation.

(Sevenses takes a moment to soak up the happy.)

Gun Woo changes with the speed of light and makes his way to the stage after the second interlude. Kang makes a salutary speech as to why they chose to end with William Tell (only parts of the overture, not the entire thing :D). The instrumentalists are all pumped and ready, and what’s more, they know he has faith in them. They start off on the piece.

At the pivotal moment of silence before the final crescendo, everyone takes a moment to remind themselves to do well – this is where they always make a mistake. However, tonight it’s a success!

Another standing ovation, and even if Kang has his poker face on, he’s totally happy. Happy members of the orchestra are taking pictures in every available corner, with their family, friends etc. Gun Woo looks for his supervisor, but Ru Mi manages to nab him for a photo in the changing rooms.

During the exceptionally long posing, Gun Woo answers Ru Mi’s whispered query – he’s now completely without a job. He jokingly tells her that she’s responsible for him now, and holds onto her hand. (Sneaky.) Then he mentions that standing together like this makes them look like a married couple. (Headdesking ensues. Subtlety, thy name is not Kang Gun Woo.)

Ru Mi likes it, for all she pretends to be amused.

Kim Gab Yong, the elderly oboist, packs up his oboe and leaves without anyone noticing him. Hee Yun smiles sadly at the her fellow instrumentalists, surrounded by exclaiming friends and family, and goes out in the hallway to call her husband (he’s probably breathing fire by now).

But oh! Surprise! He’s waiting for her and cuts her apology short with a speech of his own. It seems that in the days she’s been gone, he has begun to finally appreciate what she has been doing for the family, and is willing to let this continue if she does her share of the housework.

Awww. They take a photo together in the empty hallway.

Outside, Park leaves with the rest of the audience, answering his daughter’s questions and absolutely refusing to go in and congratulate his erstwhile orchestra. He’s a rather unsubtle reminder of what Gun Woo could become (wife, kids, job 2.0) if he doesn’t follow what he loves: torn between two things and unable to enjoy either one.

Ru Mi is collecting partitions from the stands when she sits down and remembers Kang guiding her through the piece.

Tae Yeon’s ‘I’m a Fool‘ plays:

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Kang is standing at the entrance to the stage, demanding his partitions. He changes his mind and asks her to mail them to New York. He’s planning to leave right away. Ru Mi gets all teary and asks if he can’t possibly stay for a while longer.

Meanwhile, the mayor’s secretary (he who is slyly supportive) grabs Gun Woo and asks him for Kang’s location, because there is Big News. Gun Woo himself is also looking for Kang, but for a different reason.

On the stage, Ru Mi does her puppy dog eyes, but Kang is obstinate and insists on knowing why he should stay longer in Korea. He demands twelve reasons and Ru Mi gives them to him – they’re all the same – in order to understand him better.

Even better for dramatic tension, Gun Woo walks in and relays the message from the mayor for a meeting. Kang callously asks Gun Woo to translate Ru Mi’s cryptic speech, which confuses Gun Woo. When they’re alone, Ru Mi changes the subject super fast and runs off to the celebration banquet.

The mayor is doing major damage control here, as the performance has impressed enough important people that he now wants to establish it as a permanent institution. He needs to be in the conductor’s good books for that to happen. Kang refuses. (What I want to know is, why is Jung there?) He cites a very busy schedule.

In the changing rooms, the orchestra breathlessly asks one question after another to the secretary, but it all hinges on whether or not Kang is willing to lead them.

Ru Mi calls Kang, knowing that he’d refuse, however, he turns the phone off without even answering. The mayor leaves, having to butter up to other people (the ones who give him money for this project, I bet).

Aha! Jung is there to talk Kang around to the idea. He mentions that the conditions for acceptance are very enticing: this orchestra comes with a lifetime contract, which means it would belong to Kang and Kang only.

It’s what Kang has wanted his entire life. Jung leaves, but Kang is still undecided. (It’s obvious that he really wants it.)

At the celebratory dinner, everyone is simmering with speculation over what Kang will decide. When Kang gets to the restaurant, everyone stands up and salutes him – and breaks into applause when he announces the intent to stay with the city’s orchestra.

The catch is, he intends to do it with professional instrumentalists. (Kang, when will you learn the power of the proletariat?)

End episode.


– Well, that’s it, the Ru Mi – Gun Woo relationship is doomed. Kang gets both shmoopy love songs from the soundtrack, which means, well, you know what it means. Admittedly the second one is only the instrumental version (Hwan Hee) but still. That counts for a lot.

– Mr. Convenient plot device, hello and goodbye. I hope Ru Mi goes for a check-up anyway, because tinnitus followed by temporary deafness usually spells something worse lurking around. Or she doesn’t, you know, and this boomerangs back 10 episodes later to distress everyone.

– The beginning was really quite depressing. At one point I wanted to bash Gun Woo with the Rock of Awareness because it’s obvious he won’t be happy with policing after working with the orchestra, but he has to go all stubborn on us and create plot troubles.



34 Comments from the Beanut Gallery
  1. abe

    THanks for the recap!
    “Ru Mi bumps into Gun Woo in the street”, it’s not so improbable, don’t they live on the same street? or at least very close for her to go trumpet stalking.

  2. itsbonbonxp

    very very detailed!
    gyah!! i’ve been waiting what feels like forever(but only like a day LOLS)
    to see what happens, either raw,subbed or summarized and here it is!
    omg.thank you so much for doing all this work!
    i’m totally hyped up and everything for this drama ^^

  3. mily2

    dear.. you are doing WONDERFUL on the recaps.. i feel that w/ a series like this, people should both watch AND read the recaps to get everything that is going on.. You are doing fine darling..I personally feel that your recaps are entertaining & witty. Everyone has a different style of writing.. so please don’t give yourself any pressure.. know that your recaps ALWAYS put a smile on my face. * hugs*

  4. Luv

    Oohhh…episode 5 recap…Thank you so much Sevenses. Luv you…hehe…

    “Well, that’s it, the Ru Mi – Gun Woo relationship is doomed.”…

    I already know they won’t end up together before I even watch the drama…hehe… but it still makes me sad when I read that part…

    They look so good together…He’s a good guy…caring…and they already “look like a married couple”…hehe…aww…that’s too bad…hehe…

    I knew it…this drama is from the Fashion 70’s team right?…I’m always so torn…I like both choices…I guess I’ll be happy either way.

  5. asianromance

    love your recap. though i’m not watching the drama now, i love reading your recap!

    “Well, that’s it, the Ru Mi – Gun Woo relationship is doomed. Kang gets both shmoopy love songs” –> I hope Ru Mi ends up with no one- keep Kang and Ru Mi as student/mentor and go for the ‘inspirational’ instead of the romance angle. Korean dramas seem to want to always pair the main female and male characters. I’m hoping this drama will follow the route of some japanese dramas and leave people single but still happy and fulfilled. To me, from the summaries, it’s already got that j drama feel- with characters coming together to do something, mentoring and inspiring each other, and with the glimpses of the side characters’ lives.

    I’m hoping the sappy music is a red herring. But i’m afraid the writer will pair Ru Mi and Kang together just because Kang’s getting old and you know, gotta marry him off before he suffers any more years in lonely singledom.

  6. favoree

    Thank you very much sevenses for recap, I always wait for your recap, even if I read soompi thread too, but yours is usually makes order in my head.
    I only have to add, that this drama is good,AND though I like very much JGS, but here I would certainly prefer the older Kang, if I were Du Ru Mi. The guy is great.

  7. katy rose.

    do my eyes decieve me or did i REALLY just read “2.4 kids”? Lol. Intentional or typo? Anyways;; thanks for the summary. I laaaaaaaavaaa you.

  8. McJayJay

    oh crap, she cant end up with that older man? he is like.. OLD!
    i hope it would be like my sweet seoul were she ends up with the unexpected guy. i hope this wont be like any typical kdrama where u’ll be able to tell from the poster who ends up with whom.
    i love gun woo <3

  9. KTX

    Thanks for the recap!! “Rock of Awareness” hehhee. I also don’t want Ru Mi to pair up with older Kang – he’s too old! I really dislike these younger woman, older man couples.

  10. 10 sujini

    Wow, you are so fast. Thanks so much for the summary !

  11. 11 joni

    Thanks so much for recap.
    I wonder why the Senior Kang is always so hard on Gun Woo since he was a child up until now? Master Kang always shout at, or stiff talk to the young guy;look at the ways Master Kang talked to other children during the concert, tough but was really gentle with a little smile . He nerver smiles like that with Gun Woo, poor Geun Woo!!

  12. 12 Ajussi

    This was a great episode….near cathartic….KangMa (Kang Maestro) is AWESOME to watch especially when he’s being sarcastic.

  13. 13 anna

    His skin is pretty bad. But I gotta admit, the makeup and camera do wonder.

  14. 14 Sevenses

    Thank you for the encouragement! I can’t say anything about the pairings – too early and not the writer for this show. πŸ˜€

    katy rose: 2.4 kids is a joke – statistics a while ago showed the average US family having 2.1 (?) kids, but obvious impossibility there.

    joni: I think he holds Gun Woo to a higher standard than the kids (I hope so) and is therefore much ‘meaner’. But he means well.

    anna: Yeah, I know. Back in HGD days he was baby-faced and pretty. *sigh*

  15. 15 bethany

    i think my heart just broke about the no gun woo… SIGH.

    comment: i really liked this recap more than the previous ones… i think scene-by-scene recaps have a time and place, but i really really liked how you did this one! it was more wholistic and became a better story. (i always wonder what the exact delicate difference is between a screenplay and a novel… and i think its kind of being worked out here)

  16. 16 hanneebuff

    thanks sevenses once again.

    but i kept on wondering why the cello wasn’t all broken up since it fell when hee yun was struggling with her husband. it should also be out of tune by that time.

  17. 17 faith

    Uhmm i looked up TaeYeon’s solo on youtube and it’s called λ“€λ¦¬λ‚˜μš” in korean, so isn’t it translated into “can you hear me” not “like a fool” or do they not name it literally in english o.o i don’t know so i thought i would let you know

  18. 18 javabeans

    Faith, I should have checked that. Thanks for the correx.

  19. 19 Sevenses

    Hanneebuff – maybe one of the other cellists kept it tuned for her? Lol, thanks for pointing that out.

    Faith – Err, oops. I took the translation from soompi. Sorry!

  20. 20 chajjye

    can heeyun really play? cause it looks very real!

  21. 21 Sevenses

    ^ I don’t think so (surely they would have mentioned it) – though they’re more careful to sync it this time – if you look at other scenes of the orchestra playing, the bow motions don’t really match the music.

  22. 22 Rich

    wat was the title of the song played when hee yun went solo?

  23. 23 Young

    anyone know the name of the song of the Jung Hee-Yun’s solo?

  24. 24 AC

    It’s Libertango by Astor Piazzolla.

  25. 25 Nonbirira

    ” …bash Gun Woo with the Rock of Awareness.” HA! HA! HA! I burst out laughing! Great job, Sevenses! I’m a bit slow at getting to this drama but greatly enjoying it! Thanks!

  26. 26 maisy

    though i’m now at ep 17 now, reading your recaps are really funny πŸ˜‰
    yea, initially i was SOOOO heartbroken for Gun Woo, but now i’m like all fangirl over Kang Mae πŸ˜›

  27. 27 janice

    i love the music and the twist in this episode….
    can anyone share what the title of the 3 symphonies that was played during the concert?
    thank you, sevenses…

  28. 28 Jan

    When I found this site I was like. whoa~!
    haha! The episodes are gettin more intense. :))
    I read this recap first before watching the movie. :)) crazy but true XD.


  29. 29 destriana

    i love Jung Hee-Yun’s solo, it makes me goosebumps
    great scene..

  30. 31 Rebe

    You know, after this episode, you really gotta like Kang’s rival conductor. He really knows how to make Kang realize things. Or convince him otherwise. But shooo! As soon as I saw Kang smiling as he announced that he took the job, I just knew he had something up his sleeve. Although at times I understand Kang’s methods, he never gives them the easy way out, does he? Well I guess he does push them to do their best. Also, this Drama shows how much KDramas have changed over 3 years. Anyway, LOVING the show. I dont know why I hesitated to watch it! It’s definitly one of my top favs!

  31. 32 Michael

    Susan Somyung Lee, the CC translator, has a sense of humor, using English slang like “da bomb” and “phat”, even though the actors didn’t use English.

  32. 33 jako

    did any one know the symphonia that was playing on the consert of this ep ?? thanx for ur summery anyway

  33. 34 rosmini

    please help me about info the name of the song of the Ru Mi solo?

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