Drama Recaps
The Return of Iljimae: Episodes 1-2
by | January 22, 2009 | 86 Comments

MBC’s Return of Iljimae premiered on Wednesday, and from the first two episodes, my first impressions are:

  1. It is SO pretty. Amazing cinematography.
  2. The music is freaking gorgeous.
  3. Nice pacing of the story.
  4. Pretty solid acting, good casting.
  5. Yes, the narration gets annoying.


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The drama premiered to a strong 18.5% rating, taking over the Wednesday-Thursday slot on the first try. (The second episode held onto the #1 spot with a 17.1%.) I’m a little surprised at how quickly it reached that number, but I suppose people were eager for a new series — KBS’s sageuk Kingdom of the Wind just ended and is currently airing a four-episode minidrama (Kyung-sook, Kyung-sook’s Father), while SBS’s A Star’s Lover is starting to drag.

I haven’t decided whether to keep doing recaps, because while I liked the series, this drama may require more work. I’ll see if I’m up for it after watching some more…


SBS’s Lee Junki; MBC’s Jung Il-woo

It’s amazing how you can take one concept — one character — and build such contrasting worlds from it.

As you may know, I didn’t really like Lee Junki‘s version of Iljimae that aired on SBS last year. I found it over-the-top, slapstick, and melodramatic. I understand the allure of a hottie cast with Lee Junki, Park Shi-hoo, and Han Hyo-joo, but two of those three couldn’t really act and it was like the third tried to overcompensate by overacting. The story was also too overwrought for my taste.

I often say I dislike tragedy and melodrama, but I don’t mean I dislike all sad things. Actually, tragedy can be kind of beautiful in a melancholy way. What I dislike is the conventional kdrama depiction of tragedy as wailing, chest-beating, loud, exaggerated. That’s the style of storytelling that turned me off the SBS series.

The Return of Iljimae is vastly different from SBS’s Iljimae. Its tone is more delicate, its emotions played more subtly, the humor less a presence but drier when there is any. If you thought that SBS’s Iljimae was the best thing ever, I’m not sure how you’d feel about this version, because it has a completely different approach. It’s not hip or trendy; it’s more artistically inclined. While I don’t think its aesthetics top Painter of the Wind — that one set the bar really, really high — it’s much more in that vein than Lee Junki’s Iljimae or Hong Gil Dong.


Episode 1 got off to an odd start, in my opinion, by placing Iljimae in the current world. My first impression was that it was a mistake to frame the series in the context of the modern, although by the end of the episode I kind of liked what they did with it (it ties in with the theme that Iljimae “returns” in each generation, in addition to its literal meaning of how he returns home in the story). Suffice to say that this is similar to what Hong Gil Dong did at its end — but if I had to choose, I’d rather see the modern segment up front (and then forget about it) than end a series with it.

In any case, a masked man (actor Jung Il-woo) infiltrates a building, saves a hostage, and fights off bad guys, all while being observed by a Lois Lane-type photographer (Yoon Jin-seo).

She’s fascinated by the mysterious man, yet doesn’t recognize him (he recognizes her) when they bump into each other shortly thereafter. He picks up her dropped cell phone and returns it — along with a plum blossom, Iljimae’s signature.

The narration tells us that if you trace history through its turbulent times, you can find the emergence of a hero who rises up to defend the weak; thus Iljimae isn’t just a story about a specific person, but a metaphor for those kinds of heroes. And then we jump back in time to the origin of the legend.

We’re in the reign of Joseon king Injo, who ruled from 1623 to 1649. The international situation is shaky, with Korea (Joseon)’s relationship to Manchu deteriorating and corruption abounding domestically.

In Hanyang (the capital), we have a villain on the rampage, this ogre-ish giant who terrorizes with his brute strength and, yes, actual baby-eating.

He’s a menace to society and about to kill a kid (Cha-dol) one night when a young man (Iljimae) intervenes. He attempts some traditional fighting maneuvers, but his blows hardly register on the giant, so it takes some swift moving to get the better of him. After getting thrown around a bit, Iljimae delivers a final blow to the giant in a particular style that goes noticed by one bystander, who recognizes Iljimae’s fighting technique. (The giant doesn’t die, but is incapacitated for life.)

However, the particular martial art was said to have died out a few years ago. The chief policeman (actor Kim Min-jong) knows of only one person who could know it — the mysterious Iljimae.

Officer Gu is troubled by the news. Iljimae had been known a few years ago (perhaps for his heroics? — we’re not quite sure why), but had disappeared. Now it seems he’s returned.

Cha-dol enthusiastically recounts a blow-by-blow telling of Iljimae’s battle to villagers the next day. One woman, Wol-hee, takes special interest in the story and asks Cha-dol to tell her if he ever manages to find Iljimae. When asked why, she says, “I think he’s somebody I know.”

A flashback told through Iljimae’s eyes shows us a girl with whom he shared a young love. The actress (Yoon Jin-seo) also plays Wol-hee, but the character descriptions tell us this is Dal-yi, Iljimae’s first love, to whom Wol-hee bears a striking resemblance.

The two witnesses to the fight are Cha-dol and the gentleman Bae, who took particular note of Iljimae upon his first encounter with him years ago. He has begun recording Iljimae-related incidents through drawings and descriptions, feeling that he has some kind of cosmic fate with Iljimae: If he has one purpose in this world, it is to make the hero’s exploits known.

Together, the duo sneak out over a series of nights to witness Iljimae taking on bandits and bad guys, which are compiled into a collection of stories.

And then, we jump back even further to Iljimae’s childhood. He was born to a slave woman (Jung Hye-young), who was taken advantage of by the son of the household she served. To keep from ruining the young man’s future, she is forced to give away her child and told that the household will make sure he will be raised safely. She begs to leave the boy a message to be read when he’s older, and writes of the plum blossoms that had been in bloom when she was forced to surrender him.

She’s kicked out of her position and, with no other options left to her, becomes a gisaeng (an entertainer like a geisha), not knowing that her son is immediately left out to die in the cold. Through a stroke of luck, he is discovered by a kind beggar like Moses in the reeds. The man takes a liking to the boy and tries to raise him, although that requires that he wander the village begging for a woman to nurse the baby.

When he asks for help at the gisaeng house, Iljimae’s mother, who has now adopted the gisaeng name Baek-mae, feels compassion. She nurses the boy, imagining this is her son and not knowing it actually is (believing her son to be safe in a noble household). She gives the beggar a pricey ornament, telling him to sell it to clothe the baby.

Seeing the beggar with an expensive trinket, a younger Officer Gu becomes suspicious, and drags the beggar back to the gisaeng house. Thinking the man a thief, he is shocked when Baek-mae confirms the beggar’s words. He is also instantly smitten by her — perhaps not just her looks, but by her beautiful and sad aura. After that initial meeting, he goes back to the gisaeng house nightly to gaze at her from the shadows.

Some days later, the beggar once again goes out to beg another woman to nurse the baby. Despite the warnings of the monk (the beggar often stays at the shrine), he wanders into a richer neighborhood and is seen by the matriarch who’d forced Baek-mae out. Upon hearing the details of the baby’s discovery, the old woman recognizes him as Baek-mae’s son. This means the boy must be killed (again), and men are sent to do the deed.

However, the monk has sensed this danger and steals the boy away to safety, taking him to China. There, he encounters a kindly couple who hear that the boy is orphaned, and decide to adopt him. They name him Iljimae.

Thus the boy Iljimae grows up privileged and loved, although his adopted father does insist he learn martial arts to toughen him up, to offset his too-pretty face. (Ha! Cheeky nod to Jung Il-woo’s pretty-boy status?) He grows into a quiet, refined, and principled young man, who one day stands up to a malicious nobleman’s son who is beating up a Korean kid just for being Korean.

Although Iljimae believes himself to be Chinese, he has sympathy for the Korean boy’s plight, and when the mean son picks a fight, Iljimae fights back. The boy and his buddies outnumber Iljimae, but are no match for his skills.

This lands Iljimae in trouble, because afterward, the mean son is spitting mad at being beaten and demands punishment. The proud Iljimae refuses to apologize when it should be the other guy apologizing, not backing down even when the boy’s father arrives.

Surprisingly, the father is ashamed of his son’s cowardice — ganging up on one person in a fight — and asks Iljimae to accept his apology. Iljimae does, and his gracious acceptance earns the father’s approval. Iljimae doesn’t discover until the man leaves that that was the powerful Huang Taiji (who becomes first emperor of the Qing Dynasty), son of Nurhaci (founding father of the Manchu state).

Iljimae is impervious to the female attention pointed his way because of his refined looks, but one lady takes a strong fancy to him. She’s the daughter of a powerful nobleman, and Iljimae is engaged to her.

But one day a man arrives from Korea, ordered by madam matriarch to deliver gifts to Iljimae’s new family. The matriarch had been told by the monk of Iljimae’s fate, and thereafter sent gifts every year to the adoptive family, who every year refused them. Once more he is refused, but this time he is noticed by one oddball — a man named Wang Hweng-bo with a nose for mischief.

Hweng-bo finds the Korean nobleman and kills him, taking the fine gifts for himself and discovering Baek-mae’s letter among them. Realizing he’s sitting on a valuable piece of information, Hweng-bo takes the package to Iljimae, and announces (rather unceremoniously) that he is adopted.

This news is a shock in Iljimae’s otherwise calm, contented life. However, in the face of this knowledge, Iljimae senses the truth in the man’s claims. It explains his feeling of not quite belonging, the connection he felt with Korean outsiders, and vague memories from his past.

Hweng-bo seems up to no good, and slyly offers to take Iljimae along with him when he returns to Korea tomorrow. Iljimae wrestles with the dilemma of whether to go, finally deciding that he will do so to find out once and for all what the truth is.

He leaves behind a letter for his parents, and when they find it, all hell breaks loose. For one, this means he’s of different (lesser) birth than initially believed, which is insulting to his fiancee’s family. The girl’s father announces a huge bounty on Iljimae’s head, dead or alive.

While on their journey, Iljimae starts to sense that all is not well when they’re attacked more than once. Hweng-bo explains that his parents put a bounty on his head, having grown resentful of the cost to raise a son not their own. Iljimae doesn’t believe that — they would never have done that — but the fact remains that they are chased, and barely manage to escape their pursuers.

(Hweng-bo is a shifty fellow and certainly not trustworthy, but it’s difficult to get a read on his character because he tells Iljimae the truth, and helps him fend off attackers.)

The two finally arrive at the port, from which they’ll depart for Korea. Iljimae is almost aboard the boat when a group of men, led by his former teacher, call for him to stop. Seeing his teacher gives him pause, but Iljimae is resolved in his mission to seek his mother, and turns to board.

That’s when hidden men spring up from camouflaged hiding places and throw ropes around Iljimae’s wrists. While he’s bound and surrounded, Hweng-bo leaps into the air to fight off the mob…


The action scenes leave something to be desired. I suppose they’re serviceable, but the wire work is really obvious and adds an element of silliness to what should be serious moments. I think you’re going to get some degree of bad stunts in any sageuk incorporating action sequences, but it doesn’t mean I have to like it.

Yeah, the narration gets pretty obtrusive. I think what’s worse than the narration itself is the voice doing it — it isn’t cutesy like in Goong or introspective like The World We Live In, but almost didactic. Like in an educational documentary. There’s too much of it and a tendency to state the obvious.

On the upside, unlike acting or directing, narration is something that can be remedied at the last minute, so I hope the director takes note of the public reaction (mostly annoyed) and adjusts accordingly. I found myself getting used to it and wasn’t so bothered — maybe it’s because a narrator filling in the blanks can negate the need for clunky exposition scenes, and I appreciated that the first episode was only an hour long (Hong Gil Dong started to kill me when its later episodes went on for nearly an hour and twenty minutes).

The beginning modern scenes felt unnecessary, although I understand the purpose behind it. But when you have a beautifully shot, lush period drama, do you really want to start it right off with an ordinary-looking opening?


The Look of the Drama

I mean, just look at it! It’s stunningly shot. I don’t know if they used CG, but it doesn’t look too fake, so well done on that score.


MBC’s Return of Iljimae acquired the rights to the hit manhwa series, and it shows in the storytelling. The pacing is steady, and it seemed to me as though there was a confidence in the narrative that I don’t always get from dramas — sometimes shows start out feeling wobbly and uncertain. Here, I feel like they really know where they’re going and how they’re going to get there.


This may be my favorite aspect so far. Transitions make sense — even when the narrative skips forward and backward in time — and the music is fantastic. The scenery is lovely, the filming assured. Objectively, the acting may not be outstanding (yet?), but the director uses the actors well and teases out little bits of emotion from small looks. I dig that.

There are opportunities for action, for emotional beats, for introspection, but it doesn’t feel pretentious (unlike, say, The World They Live In). A few times I think they were in danger of making a serious moment unintentionally amusing, so that could be one area to watch, but I appreciate the absence of the slapstick. “Fusion sageuk” does not have to equal gimmicky jokiness! (Not that this is a typical fusion sageuk.)




We didn’t get to see a lot of acting from most of the characters, but I liked what I saw, particularly Kim Min-jong as the policeman and Jung Hye-young as Iljimae’s birth mother. Kim has a lovely gentleness about him, but as a police chief, he’s also in a position of command. I’ve seen a lot of evil magistrates and pushy, corrupt officers in dramas, but he’s got a different energy that intrigues me. Both Kim and Jung speak volumes with their eyes, and are wonderfully expressive.

Yoon Jin-seo I’m less familiar with. There wasn’t much of her so far, but I had a generally favorable impression. I know she’s not idol-star pretty like some other actresses, but I find her quite beautiful in a clean, classical Korean sort of way that suits the drama very well. She has a serene air about her that’s a bit unusual for one her age (25).

As for Jung Il-woo — you know, he’s not bad. I wasn’t blown away, and I think he’s capable of more passion, but the story’s just getting started and I think there’s time for that. Aside from a few moments in the modern part, he carried off the intense looks and hard stares well. I remember when Lee Junki would glare, I always wanted to laugh; for some reason Jung pulls it off. He doesn’t mug, and that’s a relief. I wasn’t a fan of the fighting sequences (thought they needed more dynamic energy) but it looks like Jung is doing a lot of stunts (which explains the exhaustion). I also really like that they gave this Iljimae an aura of quiet elegance.

The verdict? I’m cautiously optimistic.


86 Comments from the Beanut Gallery
  1. Vanessa N

    I was waiting for this the entire week!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
    amazing review

  2. fizzle

    That giant looks oddly familiar……………..ahem

    Yoon Jin-seo does have a unique kind of beauty. I can’t believe she’s that young.

  3. Anonymous

    ahhhhh, it does indeed look GORGEOUS! i can’t wait to watch it, thanks for the recap! [been refreshing all day, haha]

  4. lovin it

    wasnt interested in leejunki’s iljimae… maybe i’ll check this one out! thanks for the recap!

  5. cholitaa

    AH i love DEAR CLOUD (:

  6. Anonymous

    Thank you

  7. kou

    Thumbs up. So far, from the notes about the first two episodes, I like. I’m glad that they decided to make Iljimae’s character softer and more…charismatic vs. laughable.

    I also actually enjoy sageuks because it gives more opportunity for the older, more experienced actors to shine. It makes me happy that there is a side story with Iljimae’s mother and the policeman. I love the screencaps of the scenery. Very beautiful. Overall, I think that it was a very wise decision to film the majority of the episodes ahead of time. I have high hopes. Thanks for recapping so quickly.

  8. Tippy

    Ask me how much I love Dear Cloud…go on…ask me…aaaask…!!!

  9. GreenFreak

    Does anyone know who will sub this drama?… really want to watch it!!!

  10. 10 stargazer377

    oooh i was waiting for this! thanks javabeans!

    i tried watching this w/out subtitles but i find it difficult to follow. i can do BOF w/out any subtitles, but when it comes to sageuks – that’s a whole different story. any suggestions? =/

    but what i’ve watched of this i really liked, even if i was only paying attention to the scenery rather than the dialogue.

  11. 11 javabeans

    Tippy, how much do you love Dear Cloud? 😉

    I don’t know who’s subbing this, but if it goes unsubbed that’s too bad. But I do understand because I think it might take more work/time than others (lots of narration, coupled with the usual sageuk-speak).

  12. 12 valmy

    I’ve been waiting for your review too! I didn’t watch theother one, maybe I will start wiht this one,hopefully it will be sub.

    the scenery are breathtaking and i also like how actors/actresses express through their eyes too…

    until next time!!


  13. 13 ilwoojimae lover

    Great drama!!! i must admit..compare to previous version, i like this version since this drama made based on the comic.. Il Woo Ji Mae fighting!!

  14. 14 Jen

    im just wondering, in the scenes in China, are they still speaking Korean??

  15. 15 javabeans

    Jen, yes they speak Korean. I was worried they’d try to do it in (horrible) Chinese, but it’s kind of like watching a movie about Marie Antoinette (or Napoleon, or whatever) and everyone speaks English and you just assume they’re using their native tongue.

  16. 16 Jill

    Kill me but i can do both IlJimaes coz they’re both daymnn sexy!!..

  17. 17 deeta

    nice!! thanks for the recap, i was just asking you about it.

    i really like yoon jin seo, from what i’ve seen in the past so i’m actually anticipating her as well aside from jung il woo. i’m not sure about how they both fare on screen, in terms of chemistry, but from the caps you gave, i like what i see.

  18. 18 c_gunawan541

    The director for this drama is the one who shot the scenes for Goong S if i’m not wrong and i still remember he really got an eye for beautiful scenes.
    I never like Lee Junki’s acting, his acting is often so serious-but-become-amusing that kind of feeling. I never really think he’s good looking too, don’t kill me LJK fans… but i still feel he’s overrated.

    I like JIW a lot better<33 he’s such a hottie and man, i love his stares..
    I love dear cloud too!!!!!!!!!!!!!!
    Actually, i’m recently loving W&whale too.. off-topic but gotta say it out =p

  19. 19 tnguye

    Hi! Thanks for the recap, I have been looking for it for two days.
    This drama is so beautiful, i love it. And the actress, i love her look although people around me said that she looks too old for her age.
    Thanks again. ^^

  20. 20 Lucille

    Thanks for the recap. I have been waiting for this drama almost as much as I have been waiting for BBF. I agree with you, I also think that it is a beautiful drama. I just wish I could understand everything they were saying. ha ha, also what was with that poor baby. The way he was slinging him around on his back, i just knew that poor kid was going to have whiplash. He was so cute, but everytime his little head snapped back I cringed.

  21. 21 hjkomo

    ““Fusion sageuk” does not have to equal gimmicky jokiness! (Not that this is a typical fusion sageuk.)”

    I completely agree. Thanks, Sarah, for the recap. I hope you’ll continue watching this one. 🙂
    I enjoyed the first two episodes, and I loved the music and visual aesthetics.
    The narrator didn’t bother me too much, given her purpose in the storytelling, but I do hope she’ll be used more sparingly once the core of the story kicks in.

    I think the man sent with the gifts to China was the servant, and was it the matriarch who set out to kill the baby? She seemed genuinely relieved to hear he was alive, and then why would she have given the beggar diapers? I thought it was the man who told the servant that the baby should have been buried instead of abandoned. O.o ?

    • 21.1 nickbw

      You are absolutely right about the matriarch, I too think she had a change of heart. I believe the man who originally told the servant to kill the child was Iljimae’s natural father. I was less sure about whether or not the servant was told to eradicate the baby when it was first removed from the mother, or later after it was discovered that abandoning it ah-la Moses, turned out to be the bay’s survival. I tend to feel the matriarch had the baby set in a crib on the river, and the servant was charged to find and kill the baby once its survival was discovered.

      The baby was delightful. It kept running through my head to ask “who on earth would entrust their little darling to be used in this acting sequence?” I kept seeing the child’s head thrown about as the beggar carried him on his back – I was shouting at the screen in outrage!

  22. 22 sophie

    Thank you very much for the recap! This looks like a quality drama. I am really looking forward to seeing how everything will play out… and jung il woo.

  23. 23 Winnie T

    Hmm I like the concept, but WHY did they have to demean Chinese people? Could it be some other place, like Japan or a random island with SE Asian people instead? The friction between the Chinese and Koreans has been more pronounced since the Beijing 2008 incident…and this just makes it worse. ;(

  24. 24 javabeans

    I don’t think this drama demeans Chinese people. That sometimes occurs in other sageuks, but I haven’t gotten that vibe here. It was clear that the one kid who was ganging up on the Korean kid was an isolated incident of assholery who had an awesome (Chinese) dad, and the incident was included to point out that Iljimae (who thought himself Chinese) had empathy for Koreans.

  25. 25 javabeans

    Oh also, hjkomo — I got confused with the manservant dude, because it seemed he could’ve been a servant but then he was talking to Baek-mae and he was never named. Blah. I’ll have to rewatch to get that bit about the grandma lady; I’d assumed it was her idea to order the man to do it (since obviously she must have known ljimae wasn’t kept safe and why wouldn’t she just reclaim the baby when she saw him living with a beggar if she wanted him alive?). But you know what happens when you assume…

  26. 26 all4movies

    I’ve been stalking the net looking for this to be up.

    Thanks for your timely recaps as always javabeans.

    It sounds great. I hope it will be more watchable than that “other” one.

  27. 27 hjkomo

    Ah, that’s true. The grandmother didn’t reclaim the baby.
    But she did find out he was in China and sent gifts & Baek Mae’s letter.
    I’m confused…aigoo!

  28. 28 flooooo

    Thanx Javabeans for your recaps. didn’t watch it yet and wasn t really in the mood of watching sageuk because the only really nice sageuk who left me ” MY must have, must keep and must rewatch JUMONG and thought it was 81 episodes and it kept me wouahhh”. Te storyline and the scenery the costum were amazing
    Anyways I was really fond of chinese ancient dramas but it was a shame that their quality diminish nowadays, maybe a lot of overexagerating stuff like big sword, bigger than the guy who are manipulating it, weird costum, weird special effect, but their choregraphic fighting art couldn t be surpass…
    so when I watch korean sageuk I think they should have hired a member of KOREAN TIGERS to make their fighting part..:p I always laugh when I watch their fighting scene. It s seems that Iljimae isn t the exeption speaking in choregraphic fighting art so …me thinking of watching it or not….:p…maybe
    I will watch it but I think it will be more for the scenery, costum and cutes guys than the fighting stuff and the story….

  29. 29 Beng

    who is dear cloud?

  30. 30 Sophia JiHye

    waoo thanks a lot for the recpas and summary!!
    I need it!!
    I’m really want to watch this drama but till now now english sub ;_;

  31. 31 michi

    I am so watching this!

  32. 32 j

    i didn’t really care for watching this drama. but after reading your recap, i’m gona give it a try. keep it up!

  33. 33 majata

    Lovely recaps but then I really hope someone would sub this drama. I’m willing to wait because the drama is appreciated more when watching it together with the subs than when reading the recaps after guessing most of the dialogue and the story through the actions and facial expressions.

  34. 34 otk

    i loved the 2 eps, the syle is very nice like what you’re saying….but It’s sad how no fs team are taking it , I was expecting With S2 but remembered taht they did SBS version and also, they are pretty busy with BBF and EoE

  35. 35 blue_penguin

    running off to see it now.
    it would be awesome if you continue to recap this series. we realize you have a lot on your plate, but no one does recaps like you, Sarah! =D we really appreciate everything you’re doing!

  36. 36 xyz

    can’t stand the “Chinese” wardrobes!!! only women in those days wearing the jacket that Iljimae wore.

    • 36.1 Mina

      I don’t know, since I’m Chinese myself, I get used to seeing those ancient clothing in dramas (b/c Chinese ancient dramas) because in Qing dynasty, people do wear that. You could see those clothing in the ancient art itself.

  37. 37 coco

    This looks like one for me to watch! Thanks for the review. I’m with you on Lee Junki’s lljimae, tried to watch it but gave up, just couldn’t stand it. Sorry all you Lee Junki fans out there but I don’t see why he won an award for that performance other than just having a pretty face!

  38. 38 ayay

    thanks javabeans for the reviews and recaps,,,
    I didn’t notice that this drama has started this week,,
    downloading now

  39. 39 najmuthakib

    thank you java!

    i will read it after watching it with eng subs. i love compering your thought with mine on the epi’s after i watched them. Make me see more then i did by just watching it.

    thanks and keep it all up.

    wish you all the best.

  40. 40 najmuthakib


    check viikii

  41. 41 Vieny

    Would u recap this drama,please..?

  42. 42 RAMYA

    ~little interruption here~
    Ever since the popularity of the Ice Fortress MV (with pretty Waffle Boy in it and everything) I haven’t heard any other songs from dear cloud. I was happy I found them though, because Ice Fortress is TOTALLY my type of music. I’m glad to hear another one of their songs. :3 thanks a million~$

    Back on subject. I /have/ put The Return of Iljimae on my list to watch next, but I have /not/ got around to watching it…yet. I read the five (was it five?) quick points that you listed, javabeans, and it makes me even more excited to begin watching it ASAP.

    (alas, if only being a student didn’t involve finals…)

    Thanks for all the great recaps~~! (-is a constant lurker here-)

  43. 43 kandi

    ep 1 & 2 are on youtube :

    search on (copy / paste):
    돌아온 일지매

  44. 44 ciera

    thanks so much, helpful as always im off to find this. 🙂

  45. 45 spunah

    Lucille, couldn’t agree with you more about that poor baby!! Has little to do with the plot, but just PLEASE can’t somebody on the set put in a word to support that baby’s head and neck?! I’d be kicking someone’s butt right now if that were my baby.

    Oh, by the way, thanks Javabeans for the recap! ^^

  46. 46 Rachael

    I’m so glad you’re recapping this series because then I wouldn’t be able to understand it without subtitles.
    It’s a shame no group has picked it up but you’re recaps are AWESOME!

  47. 47 Tippy

    Javabeans: I love Dear Cloud thiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiis much! Thanks for the intro to both them, My Aunt Mary and many others!!

    As for the drama (the actual topic of conversation), it’s on my list of dramas to slog through this year…so little time, so many pretty series/actors to watch…*sigh*

  48. 48 okayy

    you’re my only hope! thanks javabeans!! 😀

  49. 49 Luv

    Thank you so much for the recap.
    I love the cinematography as well…absolutely beautiful.
    Oh…your Iljimae should arrive by now…hehe…

  50. 50 Annie

    Hey, I was just wondering if you got to see ep 2 of return of iljimae, would you be able to recap it for us? http://v.youku.com/v_show/id_XNjc2NjQwNjA=.html

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