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Flower Boy Next Door: Episode 2

What a breath of fresh air. This show has just the right mix of quirkiness, hilarity, and heart, with a really lovely indie sensibility. I love rom-coms in all forms, but it’s nice to depart from the glossy studio sheen on a lot of them. This world feels rich and lived-in, and every character feels real. Not necessarily realisitic, I mean, but grounded with an emotional truth even in the midst of all the romance-comic-book-like trappings.

What tvN has done right with its programming isn’t just throwing together a bunch of pretty people and slapping a “flower boy” label on them—or I suppose I should say, that’s not all they’ve done. Their dramas still remember to have an emotional center, and characters we care about, and that’s why I keep coming back for more.

There are a lot of things that Flower Boy Next Door is doing well, but one of my favorite things is a heroine with depths to explore. A bright, bubbly hero doesn’t hurt, either.

SONG OF THE DAY

Flower Boy Next Door OST – “Ready-Merry-Go!” by Romantic Punch
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EPISODE 2: “Just leave me alone! Please!!”

Pulling back to the moments leading up to last episode’s ending, our scruffy cartoonist Jin-rak finds a folded note in his door from “Apartment 402.”

He opens it up to find: “How to Cut Down Apartment Management Bills.” Omg that’s so cute. Remember when Dok-mi was hurrying out to catch the puppy owner and got sidetracked by sidekick Dong-hoon, who wanted to know why she paid less than they did? She told him she’d write him a note giving him tips, and she actually did it. She’s adorable.

As Dok-mi’s voice narrates, we see her living what she preaches: Reusing every bit of water, hand-washing clothing, wearing outdoor jackets indoors. It’s living by the hot water bottle, and she’s an expert.

But she’s not totally ingenuous about it, because she caps the letter off with a P.S.: Could he take over for her as protest leader today? (She’d gotten roped into it by the security guard.)

Dong-hoon comes up to read the letter, and tsks-tsks at her stingy practices, like not flushing the toilet after every use. Shudders. His simplistic brain doesn’t pick up on what Jin-rak does: that she’s hiding her poverty with her miserliness. “How transparent,” he says.

Dong-hoon points out that this makes Dok-mi his ideal woman, since he looooves transparency in people. Heh. I don’t think he’s far off the mark on this one.

Since Dok-mi’s note asks for a response, Jin-rak heads out to give it but is stopped by the quirky new neighbor at his door. He’s Watanabe Ryu (played by Mizuta Kouki), and he’s freaking adorable with his muffin basket and ear-splitting grin.

They let him in and Ryu looks around in childlike wonder at everything. Grumpy Jin-rak grumps grumpily about the rock muffins while Dong-hoon sees the new drawing he’s drawn, wondering why their new webtoon character looks so familiar. Gee, why do you suppose?

We revisit the scene of Peeping Dok-mi getting caught by Angry Panda, aka Enrique, who by the way has matching panda slippers. He cracks me up and I love him.

Enrique stomps over to her building as Dok-mi freaks out and tries to hide under her desk. Lol. She peers out her peephole… and sees Enrique’s face in the fisheye lens, glaring at her.

He rings her bell repeatedly, persistently, and Dok-mi clutches at her pounding head.

We transition to either a memory or a fantasy: Dok-mi sits in a therapist’s chair, dressed in a school uniform, eyes closed as her shrink asks what she hates most. Answer: “The sound of pounding on a door. A telephone ring. The intercom. My name being called.” Ah, so this must be memory.

Why does she hate them? “Because it means I have to meet somebody.” The doctor asks how long she’s felt this way—did it start “after that incident”? Eyes still closed, Dok-mi starts to cry.

Present-day Dok-mi cowers at her door while Enrique gets madder and vows, “Well if digital won’t work, we’ll have to go analog.” You mean because frantic slap-dancing with the door button is your idea of finesse?

With that, Enrique launches himself at the door like a monkey, kicking and pounding. He threatens to call the cops on her, and Dok-mi imagines her face splashed across the tabloids for being arrested as a pervert.

The fuss is so loud that it draws the attention of the boys next door. Oh, is Jin-rak literally one apartment over? And Ryu is on the other side? Dong-hoon recognizes the crazy guy, and Jin-rak starts to scoff, “Why would Enrique even BE — oh look, it IS Enrique.”

Dong-hoon seems to have a fixation with capturing embarrassing moments on video, and he whips out his phone. But Ryu fidgets and the flower boy totem pole topples over, finally getting Enrique’s notice. They wonder whether Dok-mi could possibly be his girlfriend (which just makes the kicking-him-out–in-his-boxers scenario funnier).

Hilariously, Enrique he tries to affect an air of somebody who isn’t totally nuts and asks if they know the “man-person” who lives here. I love the bits of awkward Korean sprinkled through his dialogue. He launches into the explanation of how the man-person in Apartment 402 has totally been peeping in on him.

But the security guard grabs Enrique and calls him the pervert, which isn’t a strange conclusion to arrive at given his current state of pandawear.

Finally Dok-mi musters her nerve and steps outside. One good look reminds Enrique of seeing her at his (hyung’s) door yesterday, baby-talking to the dog. He starts accusing her again, and the men all jump to restrain him.

Dok-mi screws her eyes shut, then interrupts in a barrage of words: “Ajusshi-that-person-came-because-of-me-it’s-true-I’m-the-one-who-did-wrong.”

Jin-rak takes charge, telling Dok-mi that he’ll handle this and sending her back inside. He’ll also take over her protest leader duties. He tells the guard this is all a misunderstanding stemming from the two apartments being built too closely, and disperses the group.

Dong-hoon enjoys the idea of women peeping too, like it’s some sort of validation of his gender. Jin-rak, on the other hand, scoffs that she’s not the type to do that—she’s too nice and sweet and yes, transparent.

Dong-hoon gives him the shifty-eye and narrates, “Bachelor No. 1 has just expressed favorable interest in Miss 402.” Jin-rak shoves his foot in his face. Ha, I love their dynamic.

Still peevish, Enrique takes a seat right in front of his window and plants himself there, facing Dok-mi’s window. He starts writing something.

The next morning, Dok-mi opens her curtains to find Enrique at his window, waving at her with a gleam in his eye. She ducks away, but he’s still there the next time she ventures a peek, and the third time he’s gone but has posted a sign to let her know, “I will be back soon.” Are those devil eyes he drew under the message? HA.

Dok-mi finds her fridge is empty and her rice stash low. But she doesn’t want to leave the apartment, nor does she want a delivery. Sigh. Which is the lesser evil?

Jin-rak explains his new webtoon concept to the supervising PD, explaining how the heroine is happiest when alone at home, but the appearance of the girl’s next-door neighbor draws her out into the world. The PD wonders how Jin-rak could have come up with such a complete story, and he says he’s been working on it for the three years since he moved into his apartment. (Aw, is he using himself as hero material?)

The PD is practically wild-eyed with interest, waaay too invested in this webtoon. It’s great. She demands, “Why can’t that guy just confess his feelings already?!

Jin-rak gets just as impassioned in his reply that you have to consider what the confession would do to the woman, and in her confusion the confession could get rejected or their acquaintance cut off completely. Thus there can be no shy confessions in this world, just bold ones. “He’s afraid she’ll be thrown into chaos! He’s afraid she’ll be hurt!”

She gives them the good news: the webtoon is a go. Send over the preview and make plans for Episode 1.

The boys are thrilled. They move in for a high-five, and Jin-rak high-fives Dong-hoon’s face. Ah, I love this show.

That afternoon, Dok-mi apprehensively joins the neighborhood meeting on the rooftop, and Jin-rak gets in touch with his inner hero (wannabe)—all of a sudden he’s gung-ho to lead the protest in Apartment 402’s place. Hee. Dok-mi sends him a little nod of thanks, which totally makes his day.

After the meeting, he hangs back to address Dok-mi alone, his voice hilariously dropping another register to sound extra-manly. The added formal inflection sounds vaguely sageuk-y mixed with a dash of lawyer. Oh man, I need a Jin-rak of my own.

Of course, Dong-hoon waits outside to protest that he’s totally going overboard, and Jin-rak slaps his mouth shut and hisses for him to shush.

Enrique, meanwhile, arms himself with a video camera and a murderous glint in his eye. He heads over to the roof and confronts Dok-mi. Alone.

She wills herself to keep silent, but he presents her with a voice recording: It’s her call to emergency services about the neighbor’s dog. Ah, so the emergency workers did drop by, and Enrique asked for the recording. He realizes she must’ve been peeping in on the dog, not on him, and pesters her to reply.

Dok-mi keeps her sarcastic thoughts to herself, but unnervingly Enrique uses the exact same wording back at her, which startles her. She thinks, “I’m not an ajumma, I’m in my twenties. Just go away!” He goes on, “Say something like ‘I’m not an ajumma, go away!'”

He adds that he overreacted this morning and wanted to explain. She thinks longingly of being in her own room, and he pesters, “Don’t just think of how you wanna go home and answer me!”

Wide-eyed, Dok-mi looks straight at Enrique and thinks at him, “Can you hear me?” He answers, “Yeah!” which freaks her out, then adds, “…that’s how you should look at someone when they talk to you!” Haha.

Okay, so he’s not a mind-reader but they’re working some uncanny telepathy, since she wonders why he thought she was a man, just as he wonders the same thing himself.

In any case, he makes sure she understood his explanation, and Dok-mi just nods and nods and nods in a nervous motion. Enrique stops her with a finger, telling her one was enough, and then… there’s a moment. Silence, recognition, something in the air between them…

…at least from her end. ‘Cause then he just chirps on like it was nothing, leaving her staring in confusion.

Enrique suggests moving their conversation out of the cold, but in the second his back is turned Dok-mi darts for the door. Hee.

She scrambles for her keys, but in a flash he beats her to the door and keeps on chattering. Oh my lord, he’s adorable and puppy-like and he TALKS SO MUCH. He’s like a 9-year-old on speed.

The thing is, Enrique’s chattiness seems as much an affectation as anything, and there’s a perceptive guy underneath all that gab. He rattles off how a goalkeeper seems like a great position in soccer ’cause you can use your hands, but it’s actually lonely and you’re left defending the goal all by yourself. “You’re the goalkeeper,” he tells her.

He says it’s a really tough position to play, and lifts a fist in encouragement: “Be strong!” Off he goes.

Dok-mi heads inside, touching a hand to the forehead he poked. She growls, “That little kid dares mock an ajumma?” Then she shakes her head—wait, he’s got her thinking she’s an ajumma already!

Enrique leaves the building complaining that the ajumma didn’t say a word, though he wonders why it felt like they’d had a conversation.

He heads out into the city with his camera out, which gets the paparazzi’s notice, and heads over to give an interview. He starts out charming the reporters, but his way of talking through the bullshit (but with a sunny smile!) sours some of their moods. He takes a bus home, and already the internet is abuzz with photos of him being seen around the city—but with derisive messages about how he’s childish and cocky.

Seo-young texts about the Enrique pasta he promised to make for her, and now that he’s not in front of her he’s not working so hard to keep up that I-don’t-care-that-you-chose-hyung attitude.

Seo-young texts hyung Tae-joon next, who turns out to be a doctor. The way he sighs at her message (about seeing each other tonight, a year since the last time) suggests her love just might be the one-sided kind. Either that or hyung feels guilty for taking Enrique’s girl.

Dok-mi ventures out to take care of some errands, and ends up in browsing the same grocery store Enrique’s shopping at. They miss each other as they roam the aisles, though she does perk up to hear his familiar voice.

And then… the arrival of a mysterious woman. She parks outside the apartment building in a fancy-looking car as a man reports that it didn’t take very long to find that person, who moved here three years ago. Hm, Jin-rak’s ex perhaps?

The residents gather in front to have their daily protest, just as Dok-mi heads home with her purchases. Aw, who else feels a terrible sympathy pang for the way Jin-rak just lights up to see her? His voice booms even louder as she joins them, while Dong-hoon practically starts singing “Jin-rak and Dok-mi, singin’ in a tree…”

The mysterious woman, Cha Do-hwi (Park Su-jin), steps out of her car and grimaces at the dingy building. She follows the voice to the courtyard, and then…. the scene takes on a rosy glow, angels sing, and she fixates on the hottie leading the demonstration.

Then Do-hwi spies Dok-mi hanging back in the group, and calls out Dok-mi’s name in surprise.

Dok-mi doesn’t quite look thrilled to see her, but Do-hwi squeals in recognition and hugs her.

Flashback. High school. Do-hwi is the mean girl, Dok-mi is her bullying victim. Dok-mi asks, “Why are you doing this to me?” Do-hwi says, “Just because.”

It must not be Dok-mi that she came to find, though, since this run-in comes as a surprise. Enrique pops by and joins in the conversation, and when asked who he is, he replies that he’s the guy on the opposite side of the impeding-view fight, “Like Romeo and Juliet, we’re enemies in the apartment battle, but we became friends.”

Dok-mi reels in shock this whole time, perhaps retreating into her schoolgirl trauma, though nobody notices. Granted, it’s not like she’s a talker even on a good day. But when the crowd gets boisterous and Enrique starts to head over to check out the fuss, Dok-mi grabs his arm and actually holds him back.

She looks at him with those big, tearful eyes and ekes out, “I… I…”

It sounds like she’s asking him for help, but before she finishes the thought she falls in a dead faint. Enrique grabs her before she falls.

Maybe it’s a flashback or maybe it’s a dream, but we watch as Dok-mi writes another passage in her work-in-progress. Scenes from earlier today flash by in her mind, illustrating her words.

“Her mouth is like a broken faucet in a mountain village. When it’s needed, not one drop comes out, and in the middle of a silent night it flows on its own. In that moment, all the words she couldn’t speak come pouring out belatedly. She vows, Next time, I should answer like this, I should make this retort. That woman speaks the most impressive lines when she’s alone.”

Now she sees flashbacks to her high school days, when she was singled out for bullying.

Dok-mi stirs awake and finds herself on a couch. That dog, Hippo, goes trotting by. She’s in a strange apartment, but she looks around and recognizes items from her days peeking in through the windows. She imagines Tae-joon here too, going about his day, smiling at her.

Enrique’s in the kitchen preparing dinner, and tells her she fainted. Since his hyung is a doc, she can get him to check her out since he’ll be home soon.

That won’t do, and Dok-mi quickly excuses herself and heads for the door, thanking him for his help. Enrique stops her with an arm, the way she grabbed his, and finishes the plea she’d started earlier: “Help me.” He says he’s about to do something “really hard,” and it would help to have her with him.

Just then, the door beeps open. Tae-joon walks in. Enrique shoots her a grin. Showtime?

 
COMMENTS

I don’t know what magic potion tvN’s taken, but they’ve done such a great job with this Oh Boy/Flower Boy series. What impresses me is that they feel like fully conceived artistic works, in the way that films maintain a stylistic constancy from start to finish. I don’t doubt that this is more difficult to produce in a television show with many more episodes, but the number of series that are bolstered by this kind of cinematic touch are certainly in the minority. Whether or not you’re a fan of the tvN shows (or even cable at large), they have managed to be a step ahead of broadcast television in letting directorial flair and tone shine through. I’ll always take a great story over those things, but once you’ve got a compelling story in place, I appreciate the drama that sets up a world, an atmosphere, a stylistic sensibility that pulls the whole thing together rather than just looking cool for the sake of cool.

Now, for this story: So far my favorite thing about it is Dok-mi. Thank ye for an interesting heroine for once! Okay, so it’s not like they don’t exist in dramaland, but they do appear to be, sadly, a minority population. The heroes get all the good, meaty stuff and the heroines just… are there to be motivators, sometimes catalysts, and in the worst cases, objects.

What strikes me about this pairing is how alike Dok-mi and Enrique are, despite appearances suggesting the complete opposite. She barely ever talks, and when she does it’s a hushed flurry of nervous words. He speed-talks like a grade-schooler, his vocab peppered with tons of cut-down words and slang and aegyo tones. He puts me in mind of a hummingbird buzzing around a flower, actually.

But it’s hinted that Enrique’s talk is a defense, just as Dok-mi’s is avoidance. He puts on that sunny front and bombards you with dialogue, and barely lets you—or himself, I suspect—register that there’s anything beyond that surface.

In that sense, I wouldn’t be surprised if he actually were a genius, though perhaps not simply in the way the world defines it, as the kid who designed a game at 17 years old and now is wildly successful. Perhaps it makes him more emotionally acute, seeing as how he honed right in on Dok-mi’s sense of loneliness. It’s something nobody really notices or pays mind to other than Jin-rak, and he (1) has had three years to study her, and (2) is still kinda wrong. At least in defending her as transparent and pure and totally not looking in on that apartment when she’s totally peeping the hell outta that window.

So what we have are two isolated, lonely souls with an uncanny ability to communicate despite their respective obstacles. Maybe the whole telepathy thing is a little out there, but I appreciate the idea behind it.

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This Enrique doesn't give any raised in Spain vibe. In the movie Maybe, the heroine was raised in the US and completely gives that whole vibe even thought she speaks fluent Korean.

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I love the recaps at DB for both the recapper's insights and also all the ones from the commenters. After just 2 ep/rc, I'm really struck by the number who identify so much with our heroine. And the ep 3 preview really helped me re why E and DM are kindred spirits. Thanks all for your insights.

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I'm so loving this drama right now! It's quirky and very interesting. I am falling for the main leads for their different personalities. Complete opposite and completes each other; keeps the audience interested and happy! I can't wait for the new episodes!

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Ep 2 is still kinda boring to me. Hoping it picks up. Between the 2 male leads, I prefer... both. Haha that suits my dual personality.

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The recap is just as entertaining as the episode! Thanks Javabeans :D!!

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I'm falling in love with Kim Ji Hoon's character HARD. fj;adslkjr;aoweifjladjkf;a

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Gosh, I forgot how adorable Yoon Shi Yoon's smile is! I am totally shipping the main couple~ I think the second lead isn't bad but he reminds me of her. As in her unrequited love thing. And as jv said, he's had THREE years to understand her and he's still hasn't got it. Plus he knows she's all by herself but he just likes to think of her as Rapunzel trapped, a pure girl. He literally stood for three years and did almost nothing. But he's still eye candy!~ I like Enrique's character a lot!!~

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I'm really glad that the subs are available :-). As far as the male lead debate goes, I vote for Enrique to wind up with Dok-mi, just because Enrique seems to understand her.

I like Jin-rak and I think he could be good for Dok-mi if he tries to connect with her instead of watching from afar. In that way, he's actually similar to Dok-mi. He's got to get past the idea he has of her now - they've never really had a conversation, so I think it's presumptuous of him to think he knows her.

In the actor debate, I still like Kim Ji-hoon over Yoon Shi-yoon. That's based on the fact that I've seen a lot more of Kim Ji-hoon's work. The only Yoon Shi-yoon drama I've watched is Me Too! Flower. Does anyone else think his character in this drama is similar to the role he played in Me Too! Flower? By that I mean the cheerful outer shell. I got impatient with all the lying his character did in Me Too! Flower, but I'm confident his Enrique character won't swing that way.

And I'm really liking Park Shin-hye in this. The first drama I ever saw her in was Tree of Heaven, which is actually my very first drama. I never finished the adult part, but I enjoyed watching her in the child episodes. I even went back for more in Tree of Heaven. And then I saw her in You're Beautiful, which actually turned me off of her because her character was so meek and slow on the uptake. However, I really like her here and I think the drama holds a lot of potential for her to shine as Dok-mi.

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I like both male leads. From your description, you may like Yoon Shi-yoon's character in Baking King Kim Takgu.

If you like Park Shin Hye as a child actress, you may want to watch Stairway to Heaven. Probably considered one of those melodrama k 'classics'. I enjoyed her parts in the series but skipped a few irritating episodes: read stepmother, stepsister, abuse etc (stopping from the time when she bid farewell to her childhood lover at the airport and picking back up from the episode where he came back to Korea as Kwong Sang Woo thinking she had died. Her adult role was by Choi Ji Woo). But steer off if you dislike tear-jerkers.

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I love that we get a hero like Enrique for a change. This drama is truly a new breath of fresh air. I'm enjoying the fact that our main hero isn't some gloomy/dark/shady character for a change and that he doesn't try to act cool or glamourous. He's the sunshine type but we know that underneath that carefree, cheery facade is a character with depths. And I'm glad that our heroine is like that too. More often than not, heroines tend to turn into objects instead of being a subject. Here, we get a heroine whose dilemma isn't 'which flower boy I like better' or some prop pulled out of the bag of old school drama cliche. But then again, it is only the second episode after all... And Jin Rak seems like a pretty interesting character too but I have a feeling that his notice of our heroine will fade into background soon enough (reminds me of Yonghwa's character in "You're beautiful") hopefully, they reveal more about him than just the guy next door who paid attention to the girl who'd rather stay invisible. After all, those post-it's are too cute to ignore...

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I have social anxiety disorder and have had panic attacks before so I can relate to Dok Mi a little too well.

I am glad that for once they have a heroine who isn't a heroine in the traditional sense, and is more subdued.

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((( )))

I can relate a little too. I don't have social anxiety disorder but due to health issues I spend more days facing 4 walls than the outside world in recent times. Some of Dok Mi's soliloquy did strike a cord - like when she thought how her room is actually calming to her. Looking forward to how she'll be drawn out from her fears.

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Ohhhhh my heavens, the new crack drama is in town. Everyone is frickin' adorable!

This one is so much fun. I'm super excited to watch everybody interact, and am already feeling sorry for Jin-rak. I'm so glad tomorrow's Monday.

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When Do Hwi whispers how lucky Dok Mi always is, i see where her objective of bullying Dok Mi lies. It didn't stem out of any outwardly reasons but from the fact that she's just plain jealous of Dok Mi. She probably had everything - being all dressed up and driving a posh car - and is potentially a sort of chaebol (who's after Jin Rak for some reasons)

I see Do Hwi's jealousy just like that of Iago's and Leontes and Oliver (from Shakespeare's works). For example, Oliver is jealous of his brother, Orlando for no particular reasons. Just that Orlando seemed to be more likeable than he is.

I really like seeing Park Shin Hye in this character, as Dok Mi. (WAYYYY more as compared to her days in You're Beautiful)

Her characters is portrayed really well as someone with lots and lots of depth instead of that one as perceived by Jin Rak. Of course, the side to her that Jin Rak sees isn't completely false nor is it way off. But he doesn't see her completely. He doesn't actually see through her as he would describe her as; being a "clear" person. Truly, she's actually rather dark and twisted - not in devilish ways - but in a way that is of a broken soul. She's fractured on the inside and Enrique seems to see it in ways that even he doesn't know.

And again, Enrique is an awesome character as well. (Thank god they left the cool, broody, dark and twisted all on the surface hero out of the picture. We don't need that do we?)

Yoon Shi Yoon's last memorable character was in Me Too, Flower and I loved that a lot but this is new and refreshing. In MTF, he plays a character who's (coincidentally) also a "genius" but has darker sides of himself. With a lot of noona issues he couldn't deal with properly for a long time; which naturally mean that he almost had to be dark and broody on the surface a lot. (Which isn't exactly fun to watch sometimes.)

I'm not even saying that the character was ALL the time as what I've said but that the character was (almost) like Dok Mi's; one where he couldn't really face big crowds of people and is sort of social phobic. But of course, that was still better than Dok Mi.

Like what has been mentioned in the commentary (?), we all surely love that Enrique is the sunshine boy who hops around like a 5 year-old, probably sugar high. But we also know that a big part of this cheerful appearance is actually a facade to a darker side of himself of which he hides and sometimes, accidentally, shows to a person or two. (and i believe that person would be Dok Mi; because he recognizes her as the person who shares and understands the same pain as he does...)

back to watching since I read the recaps...

Thank you so so much for the recaps :)

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Your comments sum up this couple so perfectly! I love reading your posts.

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I love this show!!! If your wondering enrique is 27 in real life. Like idk how he acts and looks like a 17 year old whos acting like a 9 year old! Park shin hye is the best actress!!!!

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AMAZING DRAMA!!
and thanks for the recap.
I love reading the end comments by JB or GF
they are really insightful n damn you can write really well!!!
GOOOOO ENRIQUE!!!!!!!!!!! <3<3<3 this show!!

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this show is amazing! i am so hooked! * not that i wasnt already hooked by yoon si yoon already~ hahaha

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Where can i find the full episode 2-16 eng sub?????

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ingenius hilarious musical score! love the way the music punctuates every scene.. haha.. adds to the emotive feel..ok so my daughter just asked if i have just gone crazy- laughing-my-wits about..

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