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Girl Who Sees Smells: Episode 10

Mu-gak and Cho-rim spend some time together as a new couple, which is a good thing — they’ll need that bond to be unbreakable as Lieutenant Yeom gets closer to discovering who Cho-rim really is. But she’s not the only one, and Cho-rim’s true identity is at risk of coming to the attention of the one person who could pose the most danger to her.

EPISODE 10 RECAP

Suspicious that Cho-rim seems to remember a woman who was a victim of the Barcode Killer, Yeom gives her a long searching look but decides not to mention anything at this time. She hides the sketch she finished alone, and suggests she and Cho-rim go finish the one they were working on. Mu-gak hangs back, telling Cho-rim to stick to the facts, which earns him a raspberry for his bossiness.

Yeom sends Cho-rim to the vending machines for drinks, and while she’s out of the room, takes a photo of Cho-rim’s ID card. To stall for time Yeom suggests they start from scratch, since Cho-rim keeps nixing every adjustment they make to the photo, saying they’ve all got the wrong “feel.” But they’re unsuccessful at creating the exact face in Cho-rim’s memory tonight, too.

After Cho-rim and Mu-gak leave the station, Yeom pulls up Cho-rim’s ID number in the police database, and discovers that former-detective Oh is listed as her father. She remembers asking him if he’s hiding the witness who’s supposed to be dead, and finally puts the pieces together that Cho-rim might actually be Choi Eun-seol.

Mu-gak seems more disappointed at the failure to reproduce the face than Cho-rim is, and begs a beer from her to cheer him up. She stops at the bathroom first and runs into a pervert, who jumps out the window giggling. She can see traces of cigarette scent left from his left shoeprints, and and drags Mu-gak outside to help her track the pervert.

They follow the trail to where it stops under a tree, and Mu-gak goes on to see if the pervert possibly got on a bike. But he’s actually up the tree, and leaps down giggling and runs off with Cho-rim right behind. She chases him into the street, but a truck barrels down on her, and Cho-rim is frozen with a sudden memory of being hit by a car.

Thanks goodness Mu-gak manages to swing her out of harm’s way just in time, but cuts his fussing short when he sees Cho-rim’s shocked face streaming with tears. She says she just remembered the moment of her accident, and all Mu-gak can do is fold her into a warm hug and tell her it’s okay.

He takes her to her house and does the dishes for her, while she relaxes and sprays a bit of perfume for relaxation. Cho-rim only remembers the accident itself but not what led up to it, but Mu-gak encourages her that it’s a good start to regaining her memory.

Mu-gak’s nose starts to itch and he gets Cho-rim to scratch it for him since his hands are all soapy, but Cho-rim is the one who realizes that he actually felt something. She lightly pops his forehead but he doesn’t feel that, so she whaps him hard, hee.

He shoots her a dirty look but says he still didn’t feel anything, then gets a flash of genius. Mu-gak puckers up and asks her to test if his lips can feel anything, and Cho-rim gives him a shy little peck. He angles for a bigger kiss and gets another smack on the forehead, and he says wonderingly that THAT felt ticklish. His entire face lights up and he sneaks a few more kisses in while she laughs at his excitement.

Jae-hee inspects the day’s fresh ingredients for his restaurant, and Cho-rim shows up to work early to ask if she can watch the chefs prepare for the service. Jae-hee tells her that ingredients are the most important things to a chef, and asks how a performer like Cho-rim chooses her ingredients for comedy.

She says that she looks at things with an eye towards how to use them to make people laugh, and as an example she sticks a watermelon seed on her face to mimic an ugly mole. Jae-hee does laugh (I told you to stop smiling like that!) and says that he thinks Cho-rim is very funny, and it makes him want to know more about her. It’s just flirty enough to make Cho-rim preen a bit, and make me nervous for her.

Mu-gak reports back to Yeom, who’d asked him to look into Detective Oh’s whereabouts. Apparently he quit his job and his phone is turned off — he’s nowhere to be found. If abandoning Cho-rim is his way of protecting the girl he promised to protect, it’s a terrible plan. Yeom tells Mu-gak only that Detective Oh knows where the witness is, and that finding him is their only way of protecting her.

Yeom takes Cho-rim for ice cream, asking pointed questions about her past and her memory loss. Cho-rim tells her how she remembered the face after eating the soup, and Yeom says it must be a sense-memory from when she was younger. She asks if the woman she remembers might be Cho-rim’s mother, but having seen photos of a woman that Detective Oh told her was her mother, Cho-rim denies the possibility.

Later Cho-rim helps Detectives Ki and Yeh put together a sketch of the bathroom pervert, which leads them to identifying him in a park (where he’s apparently watching something nasty on his phone, and enjoying it immensely, ewww). They arrest him for installing cameras in women’s bathrooms.

The detectives all go for lunch, where they run into the Chief of Police. He asks after Mu-gak’s injury and offers to buy their lunch, and they immediately upgrade their orders to something more expensive, ha. The chief left his phone behind, and Mu-gak draws the short straw to run it out to him.

When he gets outside, he sees Detective Oh talking to the chief’s attendants, and follows as Oh enters a coffee shop nearby. Detective Oh meets with the chief, who asks why Oh didn’t take the cushy job he offered to him. He says he can’t give Oh any information about the Barcode Killer case, so Oh makes a vague remark about how he doesn’t want to talk to anyone about the chief, either. Huh. Interesting.

It’s definitely blackmail, because Detective Oh pleasantly tells the chief to bring the information he wants about the case to him, if he doesn’t want to worry about the people around him. He borrows a pad of paper from the waitress to write down where he’s staying, and after the men leave, Mu-gak borrows the same pad. He uses a pencil to make a rubbing on the paper, revealing the location that Detective Oh wrote down for the chief.

Jae-hee is putting the books that Baek-kyung borrowed from him away in his Murder Library (luckily, he doesn’t seem to notice the letter written to Cho-rim) when his phone notifies him that Mu-gak is making a call to Lieutenant Yeom. He hears that they have an address for Detective Oh, and writes down the address when Mu-gak reads it off, aware now that the police also know the witness is alive.

Yeom heads to the address to confront Detective Oh, and while she’s gone, Detective Yeh comes running to tell the rest of the team that the Barcode Killer has been caught. They’ve found the man whose blood was left on that rebar, but Detective Ki says it can’t be the killer, because the guy who is a DNA match is an arsonist.

It turns out, Jae-hee had nothing to do with that man being at the scene — it was just a coincidence that Mu-gak flushed him out from where he was hiding after starting a fire nearby. Mu-gak suddenly realizes that if Jae-hee has a gash on his arm like the arsonist, then he had to have been at the scene to know to mimic that injury. And if he was at the scene of the sting, then he had to have also been at the storage unit.

Mu-gak revisits Baek-kyung’s storage unit himself, looking for more clues. He wonders what it was that Baek-kyung was trying to tell him, and notices the two missing books in the series on the shelf.

Jae-hee goes looking for Detective Oh at the address Mu-gak discovered, which turns out to be a restaurant in Gangwon Province. He’s surprised when the waitress calls him Detective Oh, and she points to where he’s out parking cars. Thinking fast, Jae-hee walks in front of a car while Detective Oh is driving, and fakes a back injury.

He gets Detective Oh’s contact information and pretends to be badly hurt, so that Oh offers to drive him to the hospital. They drive away just as Lieutenant Yeom arrives, missing each other by mere inches.

Interestingly, when Yeom asks the restaurant owner about Oh, he claims to know of nobody by that name even though he’d just been talking to him a few minutes before. Yeom sits to eat and asks the waitress about Detective Oh, the same one who just pointed Jae-hee to him, but she also pretends not to know him.

Cho-rim calls Mu-gak to push back their date today, since her cooking show team is meeting at Jae-hee’s house, and he’s running late. When she hangs up the phone, Mu-gak gets a thoughtful look on his face and orders the cab driver to change destinations. He checks his texts, and sees one from Yeom telling him that there’s no Detective Oh at the location he gave her.

Jae-hee is given a clean bill of health at the hospital, and Detective Oh begs him to let him buy lunch as an apology. Jae-hee declines but agrees to tea, and while they’re at the shop he gets a copy of the text that Yeom didn’t find Detective Oh at the restaurant. Mu-gak had responded that he was possibly using a pseudonym.

Oh belatedly recognizes Jae-hee as the famous Chef Kwon, mentioning his connection to a couple of the Barcode Killer’s victims. He expresses a particular interest in the case and, aware that Oh’s a former detective, this sets off all of Jae-hee’s warning bells.

The men drive back to the restaurant, and this time Oh sees Yeom there looking for him. He carefully keeps his back towards her until she drives away, and asks Jae-hee to call him if he needs anything in the future.

Believing he has two hours, Mu-gak enlists the help of the man who had previously found Joo Ma-ri’s missing wallet. He turns out to be a locksmith, and jimmies the lock to allow Mu-gak entry into Jae-hee’s house. Looking around for anything suspicious, he sees little Moong-chi scratching at that same door again, and lets himself in.

Unaware that Jae-hee is heading home early, Mu-gak finds himself in a below-ground food storage area, not unexpected for a world-famous chef. But further into the room is Jae-hee’s large elaborate dressing area, and Mu-gak stops to look through a few of the closets. Behind some suits, he exposes a wall of television screens, presumably where Jae-hee watches his captives while they’re trapped in his home.

Jae-hee gets home at the same time that Cho-rim arrives for the shooting, and the two of them go inside. Mu-gak hears them talking and stands trapped on his side of the door, unable to escape. Jae-hee goes to change clothes and Cho-rim watches Moong-chi scratching at the door, and realizes that she can see Mu-gak’s blue crystal scent wafting from under the door frame.

Thinking fast, Cho-rim knocks a glass pitcher onto the floor and shatters it, which stops Jae-hee from opening the door and revealing Mu-gak. When Jae-hee goes to get a broom, Mu-gak quickly slips out and Cho-rim motions for him to leave. Whew.

It’s Mu-gak’s turn to sit on the Bench of Shame while Cho-rim gives him a tongue-lashing for putting himself in danger like that. He humbly thanks her for saving him, but when he can’t explain what he was doing there, she gets angry at him for hiding things from her again. All he’ll say is that he suspects Jae-hee, and that he’ll do anything to catch his sister’s killer.

He asks with tears welling in his eyes if she knows what it feels like to see a family member lying dead, when she’d just been on the phone with them, not knowing that that’s almost exactly what did happen to her. Though we know now her parents were only unconscious at the time, the young Cho-rim didn’t know that.

A bit later she sits holding his hand, and he apologizes for snapping at her. Cho-rim asks if his sister was pretty, and when he says she was, Cho-rim holds her own hair up next to his face to see what she must have looked like. Cute. He shows her a picture, and tells her his sister’s name was Choi Eun-seol.

They go to Cho-rim’s to watch her on the cooking show, both of them now in their comfy clothes. Mu-gak adorably gapes at his girlfriend on television, laughing at her funny antics as she makes a hamburger. She cringes at herself, and shoots eye-daggers at Mu-gak when he quips dryly that the dress he bought sure is pretty.

Cho-rim’s phone blows up with texts from friends congratulating her, even people she hasn’t seen since school. Mu-gak does the dishes again while Cho-rim watches with hearts in her eyes — who can blame her, a guy who does dishes is damn sexy. She peppers him with getting-to-know-you questions, excited when he seems to have all the same preferences as she does.

Cho-rim gets up to give Mu-gak a backhug, and he stops washing dishes to turn and face her. With a smile, he says that he shares all her same preferences because he came to prefer them after meeting her. He asks her to stay by his side and continue defining what kind of person he is, and gives her a sweet hug. Oh, swoon.

Oh, HAHAHA, he drops a plate and Cho-rim startles out of her daydream, still sitting at the table staring at him. She decides to make it real and gets up to go for that backhug, but slips on the soap on the floor and knocks herself out. I’m so embarrassed for you right now.

She wakes up in bed and finds Mu-gak lying beside her, and he hugs her close and says he’s sleepier than he’s been for a long time, asking if he can stay where he is and sleep until morning. They snuggle in happily, but Cho-rim’s stern voice snaps Mu-gak out of his daydream this time, as she catches him lying in her bed, grinning and snuggling her pillow. HAHAwhoops.

She says her head still hurts and he pulls her down on the bed for a real hug. She asks more questions only this time he purposely picks the opposite answers as hers, so that they can do both things together. Cho-rim cringes at the cheesy line, and Mu-gak is just all, “You just now noticed?” He pulls her in again and lays on more cheese, making Cho-rim giggle.

The next day Lieutenant Yeom thinks about Mu-gak’s personal involvement in the Barcode Murders, and how she’s figured out that Cho-rim could be the missing witness. She calls him for a meeting, and tells him that she’s sending him back to his old job — he’s off the case.

Mu-gak protests, but Yeom says that he’s too close to the situation and that his personal feelings are getting in the way, and even endangering her job. She says that his trespassing at Jae-hee’s house broke the ethics code, and Mu-gak says that he told her about it because she’s been understanding so far, and he trusted her.

Yeom won’t budge and tries to leave, but Mu-gak grabs her wrist and asks why she’s doing this now, all of a sudden. She only thanks him for his hard work and leaves him there. On the way out she addresses the other three detectives who were hanging outside the door, telling them there’s a meeting in an hour to redistribute responsibilities now that they’re down one team member.

Jae-hee is filming an episode of his cooking show at his home, and Cho-rim prepares for her segment. One of the techs approaches her, calling her Choi Eun-seol, assuming she’s going by a pseudonym for television. She’s surprised Cho-rim doesn’t seem to recognize her, as she says that she and Cho-rim used to be very close.

Jae-hee’s head snaps up when he hears Cho-rim say the name “Choi Eun-seol,” and he interrupts to send her to the Murder Library (okay, he doesn’t actually call it that) for a cookbook. In the library she finds the book, which happens to be one of the ones Jae-hee lent to Baek-kyung.

It’s on a high shelf, and in getting it down she knocks several other books off the shelf, along with the envelope from Baek-kyung. She reads the letter, and her face freezes as she takes in Baek-kyung’s confession that he almost killed her, and the line where he called her by her real name: Choi Eun-seol. Meanwhile Jae-hee wonders what’s taking so long, and goes down to the library to check on Cho-rim.

She’s so engrossed in reading the letter that she doesn’t hear Jae-hee coming up behind her, until he puts his hand on her shoulder to turn her around. He asks what she’s doing, and looks curiously at the letter, as confused tears spill down Cho-rim’s face.

COMMENTS

Oh this is bad, this is so very bad. Cho-rim’s only hope of getting away is if she can somehow manage to keep Jae-hee from seeing that letter, but since he pretty much looked right at it just then, I’m guessing he’s going to want to see what she found in his library. I’m terrified for her.

This whole episode was an exercise in frustration and confusion for me, though I know all this is right on cue for the flow of the story as we start to wind up towards the big showdown. I’m mostly annoyed with Lieutenant Yeom’s behavior in this episode, because while I know she’s doing all this in order to solve the case, I feel like her human compassion has sort of taken a backseat lately. I know she feels that Mu-gak is starting to become a loose cannon in acting on his own, and she’s not wrong. But she was wrong in letting him be part of the investigation team in the first place (since detectives aren’t supposed to be allowed to work on cases in which they are personally involved), so at the very least he deserved a discussion about his behavior and maybe to be allowed to at least consult on the case, given that he’s the one who’s made the most important strides forward in solving the murders of any of them. I don’t know much about how these things work, but it seems that when you’re trying to catch a serial killer, you don’t send your smartest detective back to the police box without even letting him help from the sidelines.

Especially since Yeom didn’t exactly gain her information about Cho-rim in entirely legal ways. I’m pretty sure that even a detective isn’t allowed to go in someone’s wallet and take photos of their ID without their permission, and use that information to dig into their personal background. Of course, finding out where the witness Choi Eun-seol is, and if she’s really alive and whether she knows who the killer is, is of critical importance in solving the case. But if she suspects that Cho-rim is that witness, and she knows that she has lost her memory and that finding out about her past could do serious emotional and possibly mental damage, Yeom could be going about her information-gathering in a better, more legal way.

Also, I am just so confused about whatever is going on with Detective Oh. Obviously it’s not so simple as I assumed — that he took on Cho-rim’s care and pretended to be her father because he wanted to protect the witness. First off, he doesn’t seem interested in helping her recover her memories at all, which you’d think would be his top priority if he really does want to solve the Barcode Murders so badly. Second, he keeps leaving her alone, apparently for weeks at a time at least. He did initially seem worried about her welfare when she was still in high school, but lately he doesn’t seem to care about her much at all. He just leaves, not telling her where he is or when he’ll be back. That’s not a reasonable thing to do, for a man who is supposedly trying to protect her. And last, what does he have on the Chief of Police, and how does that tie into the Barcode Murders, if at all? So many questions. Not to mention, we don’t even know why he’s so invested in solving this case in the first place… so invested that he reinvented his whole life to “adopt” Cho-rim.

But at least all this is tempered with plenty of cuteness from Cho-rim and Mu-gak as they build their new relationship together. I loved to see them talking and getting to know each other, and Mu-gak getting in plenty of smooches and cuddles as Cho-rim gets used to having him around. He’s been so lonely and emotionally closed off, it’s nice to see him really smiling and happy for the first time since he lost his sister, and being rewarded with a girl who likes him as much as he likes her. And I love seeing that his dry sarcasm and her snappy temper are still there, so they aren’t afraid to really be themselves with each other. I just want them to get a little bit more of that bonding time in, before her memory really starts to return and they both have to face the truth about their as-yet-unknown connection. They’ll need to face this as a strong united front if they want to get through it intact, as a couple and as individuals.

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@ GB, this is my response to your comment here (part 1):

24.3.2.1.1 Growingbeautifully May 4th, 2015 at 6:25 PM

I started to seriously pay attention to PYC while watching Three Days. I didn't research him as much as I did LSY during AE, but I know someone who is his serious fan, so I would ask her questions, and some of the comments on the 3D recaps were quite informative as well, about PYC as a person. Before that, I had seen him in SKKS, but I didn't think much of him (he is somewhat green in it). And then, I kind of lost my interest in JYJ (PYC's singing group) b/c of some of the issues they had had with sasaeng fans, which tbh, I didn't think they handled well, including PYC himself. So I was somewhat dejected with him, after listening to a particular recording in which I felt that he did not carry himself well, nor did he handle it well either (it was quite bad). At the time, I also felt that they (the whole singing group), had not been advised well by their management company (where were they during the whole debacle with the sesaeng fans?) so, I felt that it wasn't the boys' sole mistake.

And the incident I am thinking of is not a made up one, before anyone calls me a hater. I don't hate any of them, at all. I am just more (always) interested in knowing (or trying to know) people for who they are, good or bad, and not for who I am supposed to think they are. So to prove my point, shortly after that, JYJ traveled to Chili for a concert, and that incident was brought up at a press conference. They apologized publicly for their behavior. On the recording, PYC was heard yelling and swearing at a fan. Granted, sesaeng fans take it too far, I am not defending them. However, this is unfortunately the price of fame, and when they get into that industry to sing and act, fame is what they want, or at least expect at some point. They then have a public image to maintain, and even if you are not a public person, I personally think it is better to stay civil in the face of unwanted attention, so things don't escalate more. Hard to do with sesaeng fans I imagine, however, I really felt that they should not have been left alone to handle the situation.

So then I kind of stopped reading about JYJ's members. And then I watched RTP, and I thought PYC was OK, but not great. I felt that I was watching PYC act, and I was not lost in the character. Then 3D came, and I checked it out, out of curiosity. And I was like , "WOW! I really like him here!" So I ended up watching the drama, and I kept being impressed by his acting, and his chemistry with his co-stars, all of them. So we would talk about him, of course in the recaps. In the meantime, I knew that he had lost his dad, and I had actually asked a question about a cultural gesture/act that happens or is done by the older male of the family (or it is done to them, I can't remember). So that stayed with me.

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@ GB, Part 2:

So the more I found out about him, the more it seemed that he had grown personally. We have all made some mistakes we regret in our life, so I was willing to change my mind about him, and about JYJ. I am aware though that I don't know any of those celebs personally, so I could always be wrong in my assumptions. However, it feels nice to see that I might have been right, at times.

I totally agree with this, "I feel that when it comes to dramas, the main focus should be on how good the writing is, how well executed the show is and how well acted it is." And I would add that I personally like a good (or great) OST as well.

Fan service I believe, is done with the audience in mind, like any good communication 101 class would teach you. You write with your audience in mind, that's what I was taught. And I believe that to be true. Same goes for dramas, commercials (ads), etc... That is why we have sexy and scantily clad women in beer and car commercials. What is the connection between the car or beer and the woman, really? Besides the fact that many people watching are males (not only them, but many do watch them). And movies, or TV series for men or boys have action scenes (for boys), and again, beautiful women, for men. We know that certain TV series and "soap operas" are watched in great majority by women, so, give them beautiful men to oggle at and drool over. Same happens in US TV series, I have seen it.

My thing with seeing men 1/2 naked is that, if I have seen you like that once, that is good enough for me. And I don't need to see it, but if you insist, once is good enough for me. If I want to watch it again, I can go back to that scene. But that might be just me. I know you look good, you have good abs, OK! So now what? I still need a good plot, great acting, etc... Sth that stimulates me mentally, and emotionally (and no, abs are not enough for me). I also don't find all the 1/2 naked men attractive in that state, tbh. And I know, to each her own :-)
I really loved 3D (in spite of its imperfections) though it had NO shirtless scenes, yet it had a lot of eye candy, and they were REALLY cute. But I was happy with that, b/c I was interested in their acting and in the story.

I think how the undressing is done or written matters as well. There is a scene in Goddess of Fire, ep.13 or 12, where the camera S-L-O-W-L-Y goes down LSY's body, and I literally burst out LOL. That was so obvious fan service, it was hilarious. However, when it is written like it was in Healer, or in City Hunter, or in GFB, then it is more believable. I don't mind though, if the writing is also good (and acting). There is nothing I can do about that anyway.

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@ GB, Part 3:

About this, "actors/actresses who rely on their appearance may not hone their acting skills as much," yes, but also b/c they are not asked to do so. Their being good looking (and some get there with the help of PS, mind you) becomes enough for them to be in a drama or a movie, and at times to have a lead role. The writer, director, etc... end up accommodating him or her. The ones who are not as attractive or perceived as such, have to work harder. Think "Birth of Beauty." A few of us (on Soompi I think), talked about how the bigger actress could not end up with a guy like JSW in a drama, though she was really good in her acting. I liked her more than the female lead, tbh. She was subtle, and she was good in her emotional scenes. And a kissing scene between her and JSW? Don't even dream about that, not in a Kdrama at least.

I think that that bigger actress knows she has to be very good at acting, which she is. And she is beautiful, imho, but doesn't fit the idea of a Kdrama female lead, so she won't be one. That could change, but she wasn't one in BoB. And the same is true in real life. Good looking people are said to earn more money, thought to be funnier, etc... Perceived less attractive people make more effort to be good at other things, and have other qualities.

And about this, "I am wary of frequent body exposure by one or a few for that reason." I can think of a few actors who automatically have to take their shirt off, when in a drama. It even becomes a recurring joke, for some of them *Cough, CSW or SuJu (for example) Cough,* though he is a better actor now.

About this, "That being said however, sometimes the actors may not have much of a choice if the exposure is written into their roles or if the PD insists or if it’s part of their contract. What to do… we can be shallow and PDs have to make a popular show."
I am fully aware of this, and I wrote something similar in one of my comments in ep.7 recap. Trust me, I know. That is one of the reasons why most male lead actors (the young ones at least) are usually buff and good looking (or thin). You see the same in the US, and it was the same when I used to watch French movies in my home country, and in France. So yeah I know, I have noticed that. In rom-com French teenage movies, the male lead was never ugly. He was someone to drool over, AND we did :-) Some of them look different now, LOL

To make it as an actor/actress (and get lead roles), one has to be either really good at acting, or attractive (but also somewhat good at acting). It is just the way it is, and I am aware of it. I can still have an opinion about it though, can't I? :-)

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I wrote this, "JYJ traveled to Chili for a concert," but I meant to say this, "JYJ traveled to Chile for a concert." And at the time, I read about the press conference in Chile here:

http://www.hancinema.net/jyj--we-have-lived-in-prison-without-bars--39889.html

Googling "JYJ apologizes at press conference in Chile" will bring up other reports from other sources.

I just reread the Hancinema article, and yes, they did indeed suffer a lot. And that is why, I really do not understand why their management company did not seem to step in, or maybe do more to protect them. Things like having security guards, bodyguards, etc... Those sesaeng fans were awful, however they (the JYJ boys) should not have been left to deal with that on their own, which seems to be what happened. No mention is made of the management company and of what they did to protect them. I could be wrong, but I didn't read anything to indicate that they tried really hard to protect them.

What they described would not happen in the US. People would be arrested and sued, and rightly so. I am just sorry that things got so bad, that they felt the need to yell, curse, and shout (the JYJ boys). When people have trainees and popular stars, they should prepare them for such things, AND protect them. After all, they do make money off of them, don't they? What happened to them was not only not good for their public image, it was also not good for their mental state, and for their ability to work. So again, where was the management company? I feel that it was also a reflection of how poorly managed they were, just my 2cents.

I will add that my opinion of JYJ has changed some, after re-reading that article. So please, don't throw me any virtual tomatoes :-) Oh, and the press conf. took place in 2012.

There are some more here:

https://www.google.com/search?q=JYJ+apologizing+at+press+conference+in+Chile%2C+Hancinema&ie=utf-8&oe=utf-8

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I'm not sure how much you have researched into the sasaeng incident involving JYJ but to me that was a classic case of media and political manipulation that made the corrupted journalists/broadcasters and Moon Ho's brother in Healer look like saints.

The media waited until JYJ left for their concerts in South America before they unleashed their vicious attacks so that there was no way the guys could have defended themselves when they were on the other side of the world.

And what 'evidence' did they produce? A blurry video and accentuated audio of only JYJ members' voices that took place in 2005/2006 when the guys were part of TVXQ under SM. The 5 guys went everywhere together but the video and audio conveniently edited out the other 2 who are still under that management. Sane people would have questioned the authenticity and why the video took 6 years to make its appearance but insane haters and bashers had a field day.

JYJ took the high road and apologized although I felt they didn't need to do that. The media was satisfied that it swayed public ire from an article that wrote about the President's brother being investigated for bribery and corruption.

Afternote: The media's intention to tarnish JYJ's reputation backfired because JYJ gained more sympathy as the public became more aware of the horrendous impact these sasaengs had on the physical and mental wellbeing of celebrities in South Korea.

And one last thing - on the way back from South America, Yoochun's father passed away while YC was in transit. The media couldn't wait to pounce on him at the airport to take pics of him bursting into tears so that they could publish them. Talk about shamelessness and heartlessness.

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Hello @ Gr8*,

Thank you so much for your response, which I greatly appreciate. One of the things I like about commenting here is that I can get responses like yours which get me thinking, and which inform me about things/topics I might not know or understand well, or being fully informed about. I also get a new perspective (like yours), and for that I am grateful. I am in the middle of packing, (moving this week), so I will have to respond later. If you are interested in my thoughts, please check back here later.
If you would rather move on, I would understand that as well. I will try to respond before the next recap, emphasis on "TRY" :-) Thank you again for your comment.

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@Gr8*

I wasn't going to comment anymore because this is just out of my depth already, but I had to to thank you for your comment. I'm only in the early stages of knowing about them, especially Yoochun, but I've a gut feeling that JYJ are good kids. At the very least, they are bravehearts.

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@ Ivoire
Thanks for your response here, which I read in full.

On the news you mentioned about JYJ, I only read bits and pieces and as usual I take it all with the awareness that not everything may be what it seems. As you yourself know, it's not easy to judge or to do it fairly, since we only get some bits of information and may have been denied others.

I've come to prefer to take each actor/idol as they are at a given moment and to see how consistent they are for the short period of time that they catch my attention. As I do not research each person, I just leave it at that until I see them again and get interested again. And all this with full knowledge that we are only getting the 'publicity' version of the actors most of the time.

It is definitely a nice thing to have the 'real person' shown to us and to be justified in having judged them correctly. So I'm happy that your feeling and sense of PYC is vindicated. :)

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Hello GB unnie,

Thank you so much for reading my comments in full, I appreciate that. Please read my comment to @ Gr8* to get a sense of the level of stress and anxiety I am experiencing right now :-) I will be back later to respond (not today though), and I know that you and I are good at checking past comments to see if there were more responses to our thoughts.

I try to come here to decompress, however I tend to be long winded, and that can distract me. So I will try to be good today, and stop here, for now. I have so many thoughts though, as always :-) I hope you know that I emailed you :-)

OK! Back to facing my room and many boxes again. *Takes a deep breath and braces herself*

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I caught up on this last week, but I've resorted to lurking again, haha. It's quite fun, although this episode nearly had me rip my hair out from frustration.

I had a question though. I don't understand something though. When Cho Rim goes to get the cookbook for JH, she drops the books and the envelope with the doctor's letter falls out. Normally, anyone would've just picked up the fallen items and placed them back up- she had absolutely no motivation or interest to pick up that envelope and read the contents inside. The envelope didn't stand out or anything. It seemed like a forced action by the writers, and it's been bothering me since.

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@Skyofblue

Nice to "see" you again Sky!

Yeah, there is even nothing written on the envelope. Did she read the letter out of curiosity or what? I do get why CR has to be the one to discover the letter though as it is in JH's possesion. It's either him or someone close to him. If JH saw it first, then it's game over for CR. At least there's a little chance that JH won's see it now that CR got it first. But like you said, "how" she got the letter just felt like forced. Aside from that, I don't quite get why would JH let someone in in his Murder Library?

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@Skyofblue

Yes, precisely (as several comments in 36 and mine in 36.2 also noted) ... it was a very odd thing for anyone to do, let alone CR. This scene was just to push the plot into the cliff hanger with the letter, CR and JH all together in the library. It has the feeling of being very false and forced, and inexplicable, so no wonder you feel bothered. :)

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I read some of the comments here about Lt. Yeom pulling MuGak off the case. I had the same reaction like "WHY IS SHE DOING THAT WHEN HE'S THE ONLY ONE FINDING CLUES????"

So I just rewatched this episode and she is totally right and trying to keep MuGak from becoming a murderer since she (Lt. Yeom) is so close to cracking the case due to discovering who ChoRim really is. The scene flashed to MuGak's rage at the doctor when he thought he was the murderer and then to ChoRim playfully sticking out her tongue at MuGak. That told Lt. Yeom how close they have gotten so that now MuGak will be OFF THE CHAIN in his murderous revenge/protect rage when Chef is revealed.

I'm so proud of me cause usually, I have to read everybody else's comments just to figure out what I missed. I can't seem to focus to well on the facial expressions and other subtleties AND read the subtitles. Most times somebody mentions something in the comments here and I go back to watch the scene to see what I missed the actors doing while I was reading. :)

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Thanks @Beez, that's a nice take on the 'Why' Yeom took MG off the case. It sounds OK and justifiable put the way you wrote it. At least that gives us some reason and some way to understand why she did it. So I'll keep hoping for the best from Yeom.

Although her reasons may be good, whether or not MG knows them, I am guessing that he will be far from obedient and will get himself still involved and into danger. If for no other reason than to avenge his sister (ie if he does not first find out that CR is the witness and get in JH's ways trying to protect her). I'd like to believe that his care for CR will supersede his desire for revenge, but either way, he could get himself between the victim and the knife. :( :)

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Nam Goong Min really does look like a psychopath in this drama lol his acting is unreal. So many people he already killed but hes still crafty.

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Just read all the comments and am surprised no one mentioned how choi eun seol's friends all say, "oh hey, remember me? I'm your bestie!" I didn't even realize this at first but shouldn't their reactions be, "oh hey, I totally thought you were... dead...?" Lol! Good thing I learned to turn off my brain when I watch certain kdramas!

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Did anyone notice that Yoochun's apartment seems familiar ?! I think it's Cha Seung-won's apartment in you're all surrounded !

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@ nmg

That thought struck me as well!!! Could be the same set or apartment indeed!

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If it weren't for Cho-Rim, you would have been busted Mu-gak. Should have hired the Healer to break into Jae Hee's house and extract information.

The romantic fake-outs are hilarious.

Oh no Cho-Rim, Jae Hee has gotten you right there. Fortunately, he can't like murder her or confine her in the white room right there because there are people outside and it would become too suspicious if she doesn't come up soon and he'll immediately be implicated.

Jae Hee is always one step ahead. I'm liking this one better than its predecessor because this one has more of a devious and clever villain rather than incompetent police (* Hyde, Jekyll, and I spoiler* 5 policemen pointing guns at culprit. Culprit plays Beatles song on his phone to incapacitate them). Can't wait to see how he's going to go down. I honestly prefer him to be more romantic like he was in My Secret Hotel though he makes one heck of a villain here. I think things would get more intense if he starts developing feelings for Cho-Rim only to find out that she's the one he wanted to kill. That would also increase the tension between him and Mu-Gak.

Also, did they just throw out the book barcode thing out of the window? There's supposedly a publisher linked to those barcodes but then that got thrown out of the window.

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One major plot flaw in this drama. Oh Cho-Rim / Choi Eun-Seol's extraordinary talent was not used to 'sniff' out the serial killer, instead, scenes wasted on her catching petty criminals like the flasher/peeping tom.

This is a big disappointment as I had great expectations of this drama and see more of the heroine in action.

Furthermore, I hate this thing about Korean men grabbing the women's wrists, what more this time a subordinate police officer (Moo-Gak) grabbed Yeom Mi's, Moo-Gak's senior, as she was walking away after dismissing him. Plus, there was no punitive action against Moo-Gak.

This send a wrong message to society, male chauvinism is acceptable, even in the police force, to the point of insubordination. This is one aspect I would like to see changed in future dramas.

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I like this episode

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Creative discussion , I learned a lot from the facts . Does anyone know where my company might be able to obtain a sample USCIS I-9 version to type on ?

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