103

Beans of Wisdom: Death and abandoned cakes

This week in Beans of Wisdom…

Ally writes in a thread on physical beauty in “The Lonely Shining Goblin: Episode 13” comment #77.1.1:

I have a young daughter and try my very best to put out examples of people who are confident in how they look and act, which brings about their beauty. Everyone has their awkward stages, but it doesn’t mean you have to get plastic surgery to “correct” things. My Asian “flat nose” and freckles makes me, me. I could write a dissertation about the Korean preoccupation of beauty and vanity, but this is not the forum. For any of you who are critical of actors or actresses for their looks, look at yourself and find the beauty within! We are all in need of this.

 

rufuru answers a question of why women have trouble speaking up about sexual harassment in public places. In comment #3.2 of “Strong Woman Do Bong-soon is a tiny hulk in first teaser,” she writes:

A lot of things can factor in when it comes to someone being “submissive” in situations like this. As someone who has being harassed before, it is incredibly difficult to stand up to people like that, especially in public settings. There are things like fear, shock, and certainly shame (because, sadly, those that experience any sort of sexual harassment or abuse are often pushed to feel ashamed about something that is by no means their fault) that you have to acknowledge.
Besides, you can see the woman’s hand pushing his away, she’s clearly trying to fend him off, but quietly. Let’s be real here, we’re not superhumans, and no one is to blame but the creep doing the groping.
Why do you think people like him tend to opt for such crowded, public places? Less likely to be caught, and less likely to be called out.
It’s a sad truth, but I’m pretty sure most people would react similarly to the situation, even if we’d like to think that we’d do differently.
It’s easy enough to criticise a situation when your not the one in it.

harmonyfb shares:

I’ve always told my daughters that those guys count on you being too embarrassed to make a scene….so you should make sure that you embarrass THEM.

 

DelSatu sends some words of support to a letter-writer in comment #10.2 of “Spill the Beans: Catching the Lee Min-ho virus and learning to heal”:

Dear Miliver,
My sympathies for your husband. It must have been a really tough time for you, and I congratulate you for going on and finding strengh to carry on and find happiness again.
Yes, dramas are not like real life (and the world is a better place without as many trucks of doom and sudden amnesias) but sometimes drama have the words and warmth that we, clumsy human being, sometimes lack in difficult moments. Dramas are mostly made for entertainment purposes, but sometimes they happen to make us grow, and heal, and they support us when everything seems to fall in pieces – isn’t it a nice gift?

 

And in “The bloody battle for the people’s hearts begins in Rebel,” acciokdramas shares in #10:

Sometimes I feel a bit guilty being so invested in sageuks, because it felt like I was neglecting my own country’s history. I never really felt a pull towards my own country’s background, though I do know the basic stuff. It just so happens that Korean history, with the beautiful clothing, the cultures and the social hierarchy, and UK’s socio-political, 18th-century rules and norm attracts me more. I know there’s a lot of people like me out there too, so I just wanted to say that enjoying shows like these are completely fine and you don’t have to feel guilty! They’re classified as entertainment after all, and learning about another country’s vast culture and history is an opportunity, and one that’s exciting. Thus I await Rebel Hong Gil-dong (and his oh-so-glorious mane of tremendous glory) with lots of anticipation!! Cheering for Yoon Kyun-sang in his first leading role!

WishfulToki replies:

No need to feel guilty. It actually gives you a broader perspective to then consider your own country’s history. In fact, global history is one of the most exciting new developments (for me) in universities. I used to be interested in only European and American history, thinking that Asia was just too complex for me. Thanks to kdrama I’ve slowly started to learn about Korean and Chinese characters and dynasties. Actually, I’m going to a lecture on Ming pottery next week so in a way kdrama has broadened my academic horizons (I’ve just justified my drama procrastination syndrome too, yay!).

I love it when two dramas help me piece together bits of history. For example, I happened to watch Empress Ki and Faith one after the other. Neither were actually very ‘historical’, I realised after doing some research, but they made me look into China and the Korean peninsula more closely towards the end of the Yuan dynasty, 14th century.

And when my historical worlds collide, it’s just amazing. I still remember a scene in Queen Seon Deok where merchants from Rome (would have been the Byzantine Empire by then, 7th century) were speaking in Latin with their Asian counterparts in the middle of the desert. I was dumstruck. We forget that there were global connections before the Internet.

 

Katie asks in comment #3 of “Stepping on land mines and stripping on airplanes in Missing 9’s latest teaser”:

I’m watching for the answer to the mystery that is their matching beige/brown/white color scheme outfits.
Airplane dress code??

Kay:

Subway sponsored the outfits; each article of clothing contains a hidden pocket, in which contains a life saving subway sandwich, the wrapper also expands as a floatation device. Sandwiches can be used as monetary value, the one to gain the most sandwiches will be deemed Lord of Subway Island.
Subway will find it’s way here, I promise you, no one escapes Subway.

gureum:

They chose the beige color to represent their wide assortment of breads.

 

While Abthurd points out this interesting bit in #23 of “Missing 9: Episode 2”:

When Joon Oh was dreaming about the feast he eats everything until the pork barbecue. He mentioned he dislikes pork barbecue. Instantly reminds me of Piggy from Lord of The Flies. I’m not sure if anyone have read the book, but Lord of The Flies feels are strong with the drama more than ‘Lost’ is. After two episodes, I felt as if Yeol’s character maybe a slight parallel to Simon in Lord of The Flies.

 

In comment #21 of “Romantic Doctor Teacher Kim: Episode 20 (Final),” starswillshine writes:

I loved the flashback in this episode as it showed how Seo Jung remembered Teacher Kim as the one who always comforted her, while Teacher Kim remembered how hard she worked to get to where she was right now. We don’t see the goodness in ourselves but others saw them in us. Be good, as there are people who will appreciate.

 

NotMacgyver in “Solomon’s Perjury: Episode 8” comment #16:

One thing that has always stood out to me in life is that when people die, they suddenly become “saints”. I don’t mean that the dead should be vilified, but say the truth about the deceased. No one in that school knew who Lee So-woo really was; they didn’t know how he was feeling, they didn’t what he had been through, they didn’t know his personality. But once he died, he was known as the quiet boy who didn’t want trouble and was unfairly treated by the school. This is why they were so surprised when his brother said he was a mean and manipulative person. It turned out that So-woo actually started the fight by antagonising Woo-hyuk.

I love that the drama shows that duplicity in people. Like people mentioned in other comments/recap, the characters are not one-dimensional: the bully cries for his grandma and tries to protect his mother, Joo-ri is a liar and a bad friend but she’s also the victim of bullying and ostracism, Seo-yeon is “miss perfect” but she has doubts and is confused about the steps to take, etc. They’re all young teenagers who have been exposed to the harsher reality of life and I am excited to see them move forward and grow.

 

Cyan talks about the different outcomes of two possible villains in “Legend of the Blue Sea: Episode 18” comment #33:

Wow, great episode, but it was really the side characters Nam-doo and Chi-hyun that shone. I lost interest in the main couple a long time ago, but the Nam-doo and Chi-hyun parallels perfectly embodies what “the struggles of the human heart is the only thing worth writing about” is. Both characters are shades of gray that could have either gone to the dark or the light, and we were shown exactly how all those little things that happened shaped their choices. Let’s start with Nam-doo, we don’t know much about his past, but we do know that he is a con artist and so he is certainly capable of deceit and betrayal. He is also obviously mercenary and loves money as shown when he first found out Chung is a mermaid. But I think that deep down, he wants to trust and be trusted by someone, not just anyone though, but someone who would do the same for him. When he told Chung that he could betray her, it almost sounded like he was testing the waters to see what her reaction would be and expecting the worst. Then, instead of judging him based on his past, she told him that she will trust him unless he proves himself untrustworthy, I can see how that would give him the incentive to live up to her trust. Then Chi-hyun comes along and threatens him, treats him with contempt, and expects him to betray his friends because he is an untrustworthy con artist, it’s no wonder Nam-doo would double-cross him. As for Chi-hyun, he was constantly torn between loyalty to his mother and to his adopted father. He loves his mother, but doesn’t want to be like her. He wants to be a true son to his adopted father and did everything that Joon-jae did not do as a good son, but in the end, it was not enough as Dad only considers Joon-jae to be his true family, and there is nothing he can do since he can’t just go and change his DNA. It probably did not help matters when being on Dad’s side also means being on Joon-jae’s side, who never gave him a chance at being a true brother. Joon-jae had good reasons not to trust him, but it probably stung when he immediately accused him of intentionally trying to kill Chung as soon as he found out that he was the driver in the car accident. He established a sort of rapport with Chung, but in the last episode, we saw that he figured out that she asked him out to eat just to draw him away from the house, that probably reads as betrayal in his books. So in the end, when the push came to the shove, he chose his mother because she puts him above all others.

 

While Gem cheers for the often-ignored female second leads in “Legend of the Blue Sea: Episode 19” comment #41:

Lastly, Shi-Ah, I had not seen this coming that she maybe the jilted wife. It makes sense. It also feels oddly satisfying that she gets to have her own little fated love story in this life where it is not one sided. The vision of the teenage bride falling asleep with her bridal makeup on beside her husband who loved another person and later ran to his love leaving her behind felt heartbreaking to me in a way. We are so used to evil second leads and so little time was spent on her character in joseon that I didn’t think much of it. But this episode made me feel like Dam Ryung made some pretty bad choices in the past that had some long, heartbreaking results for some innocent people around him too and I am glad he made the right choice in the right time this time around. And yay for Tae Oh and Shi-Ah, that kiss was so cute and romantic, like Chung said she was fated to meet him through all this so I am satisfied.

 

mehungie starts the death talk in “The Lonely Shining Goblin: Episode 13” comment #2.4.6:

Another thing I loved about this death: after 900 years of trying to pull out his sword in vain, tonight he practically accomplished just that. He, not Eun-tak, ended his own curse, when he had the valid mission for that sword to come out.

I can’t help but compare his goodbyes this time to the time when he thought he would die by the first snowfall. The first time was more for comic relief than anything. The idea of finally being able to die came to him so suddenly, he was in no way ready for it. He was just then beginning to realize how precious his *life* had been, the life that he had found so tiresome for so long. His gestures back then (gifting people with what he thought they most wanted at the time: credit card to Deok-hwa, lease to Reaper, which, LOL, and purse to Eun-tak), while still sweet, still erred on the shallow side, showing that he didn’t fully grasp the severity of bidding goodbye forever.

More importantly, back then, he still had so much unfinished business. It was simply not the right time to go. Now we know what those unfinished business all were: reuniting with his sister, getting rid of the bad guy, and finally reaching the king to give him that message of love.

This time, Kim Shin’s goodbyes were so much more solemn, more quiet, more poignant, more meaningful, weren’t they? Looking at Deok-hwa from afar, knowing that’s he getting the proper mentoring, saying he’ll miss him. Being assured that his sister is living well and healthy and protected. Spending sweet time with his bride. Giving the king his notice of death. There is nothing materialistic about death and goodbyes. Only feelings and love. This time he did it right. This time it was serious. This time it was for real. This time he vanished.

 

O_o shares a story that illustrates the value of life in #38.3.3.2:

Why taking a life is considered really bad in Buddhist Goryeo can be better explained by this anecdote from Buddha’s life: one day, a small bird was being chased by a vulture, or a (Buddhist) devil. The bird flew to Buddha and begged for its life. Of course, Buddha agreed to shield the bird. But the devil said he would give up on the bird only if Buddha gave his own flesh that weighed the same as the bird. So Buddha carved out of his right thigh a chunk of flesh which he thought was about the same weight as the bird. But when the devil weighed them, the scale tipped toward the bird. So Buddha carved out another chunk of flesh from his left thigh. Again, the bird was heavier. At that moment, Buddha had a realization and offered his whole body. When Buddha’s whole body was weighed against the bird, the scale was level. All creatures have only one life and the weight of each life is the same.

So in Buddhism, taking a life, whether of an elephant or of a bug, whether of your own or some other’s, especially without any good purpose, is the worst negative karma you can accrue. And of course as long as you have karma, you will keep getting reincarnated to pay off the debt.

 

And dv in #46:

I think it was appropriate punishment, to teach Kim Shin to value life after killing people. Loving and wanting to live taught him to value life. Watching all his loved ones die grandfather and grandsons too must have taught him the value of human life to others, given how he had taken loved ones from others. Now, he got his loved ones taken. If human is life imprisonment for murder, counting all the lives he’d taken, 900… is it just? Hmmm…

 

In comment #143.2, Kiara talks about the plight of female characters in dramaland:

I do have a problem with erasing the girls’ memories (Sunny and maybe Eun-tak too). It should be their decision whether they want to forget or not. It’s the darkest and hardest time that makes them stronger.
I don’t particularly like the fact that goblin and reaper gets to decide what’s good for Sunny and Eun-tak without their knowledge. If Eun-tak wants her memory erased then that’s fine but to do it because that’s what Shin wants then I do not approve of it.

Marina:

Personally, what irks me the most, is the shallowness of lead female’s dialogues and characters compared to their male counterparts. In every drama. While Goblin and GR try to discuss morality, life and other topics, the female leads conversations are devout or any meaning. Just sitting there passively (Sunny) eating crunchy things and mopping after handsome rich guys, waiting for a king? And the writer is a woman? What a disservice for all ladies out there. I just rewatched Goblin (snowy holiday weekend with no kids – they are back to college – is the best time for it) and found Sunny’s character nothing less than appalling. How do you take a bright, strong teenager (Goblin’s Coreyo sister) and turn her into this shallow, preoccupied with looks caricature of a women is beyond me. Her and GR’s interactions add to comedic side of this drama, for sure, nothing else.

 

“The Lonely Shining Goblin: Episode 14” comes back with a cure for the harrowing end from last week. Growingbeautifully writes in #33:

I like so much that it is full hearted commitment that has brought Shin and Eun Tak back together.

Even in death, he remained true to the contract, sacrificing his own peace, by rejecting ‘heaven’ and opting instead to remember and suffer loneliness to give himself as rain and snow.

It is also the committed loving of the heart that continued Eun Tak’s heartbreak to the point that she pleaded to be saved as she made her birthday wish. These and his sacrificing himself in limbo were what made it possible for him to be brought back into her life.

This show is just so beautifully romantic, the way it plays out with intentional pacing, the longing that continues and the patient waiting for the right time. I’m so happy that the right time has come!!!

 

lunaticandra asks in comment #7:

And we’re forced to believe that even 9 years after goblin’s demise, Samsung would only produced Galaxy 7 Edge.
Or maybe that’s the point all along?
They’re trying to tell us that the phone is so everlasting and even has the anti-dingy formula that it would last for a good 9 years. As we see how euntak’ and basically everyone’s phone always look as good as new.

gureum:

Kim Shin: “You may not be immortal, but this phone is.”

 

BedeliaJane has another question in #44:

Why get a birthday cake when she didn’t eat it? Haha! She didn’t even bring it back in with her.

Klurker:

Come to think of it, she hasn’t eaten a single cake for the past freaking 9 years! Lol. She has been leaving her cake wherever. And in the only time she was given a cake by her “family”, Kim Shin took all of it out of pettiness. LOL

Van:

You MUST be new! Jk, but c’mon now, K drama characters rarely eat/drink the food they buy/order! You have no idea how many times I’ve noticed characters just leaving after ordering their drinks/foods. Sunny did it at least once when she left Grims. And I didn’t notice it the first time, but I’m pretty sure Eun-tak’s cake that brought Shin back to life was a ppl product.

BedeliaJane:

Haha yes, in general for most dramas, usually the cast drink more than they eat (unless it’s the Let’s Eat series!) And when they do eat, it’s stuff like cup noodles and jajangmyeon that they will finish up

vkook:

Oh well, because Gong Yoo is more important than the cake? lol.

 

Thanks for making us laugh even as dramas make us cry. See you next week!

RELATED POSTS

Tags:

103

Required fields are marked *

In the end, the god did let Sunny keep her memories at her wish. No one decided this for her, she was given a choice and she decided not to erase them.

0
3
reply

Required fields are marked *

At least Butterfly God respect her wishes.

0
reply

Required fields are marked *

LOL, I love how Sunny unintentionally scolded God with casual tone.

0
1
reply

Required fields are marked *

Me too ! And he wasn't angry and kinda admitted his 'mistake'....Lol !

0
reply

Required fields are marked *

Any good in dramaland is mostly for show only. If they really eat those food they would become fat in no time. They need to maintain their figure !! Lol !!

0
6
reply

Required fields are marked *

*Any food

0
4
reply

Required fields are marked *

LOL yeah even in sageuks, the food is only props, no one actually eats them or only eats a little. Unless it's shown the character has been hungry for days or crave for food.

Come to think of it, Ji Chang Wook eats the most foods, behind-the-scene. He seemed never waste any food in front of him. LOL
https://youtu.be/ewyQGKwRSmk

0
3
reply

Required fields are marked *

Yes! Ji Chang Wook even ate the porridge in episode 15 of Healer after it got cold and before the final take of the scene. Apparently, the staff had to make another bowl for him. He did this too in Empress Ki. The boy has a great appetite. Anything to keep feeding those fine muscles is OK with me!

0
reply

Required fields are marked *

Oh, speaking of sagueks, sometimes it seems like the sole purpose of them laying out a lavish tray of food is so the person on the receiving end can flip the table! Aha. This happens in other dramas, too. I'm just like, "WHY would you do that!? All that good looking food!"

Aw, Ji Chang-wook seems like such a precious cutie irl. He was super dorky on Running Man! Good for him for eating up all the edible food.

0
reply

Required fields are marked *

Park Bo Gum ate his portion of food on the BTS of Moonlight, and shared it with the staff using his spoon!, so precious, and Kim Yoo Jung's eating portion was unedited, or so they said in 2D1N.

0
reply

Required fields are marked *

But in Let's Eat series, they truly ate all those food, I tell you. And the way they savoured every bite just made my mouth water. I miss the series!

0
reply

Required fields are marked *

The fact that the running joke on 'truck of doom' that kept this thread alive in db for I don't know how long, so when that 'very truck of doom' took ET's life, I wasn't sure if I should laugh or cry. Now that I have come to the beans of wisdom section, I feel like crying again. Damn you KES, and damn you 'truck of doom'!

0
11
reply

Required fields are marked *

I know. Too cruel. I thought we'd end a drama without Truck of Doom, but no. Turns out even Reapers can't stop Truck of Doom, who serves only the Butterfly God. At least Eun Tak consciously put herself in ToD's path to save others. In the end she was as heroic as Kim Shin, which is saying a lot for a character that didn't really impress me until the end :'(

0
9
reply

Required fields are marked *

The question that remains is - what happens to Kim Shin when Eun Tak gets old. He's still going to look 30ish! And even if she's reborn a 3rd or 4th time, she'll again get old and eventually die. What then? How are they even going to have a NORMAL life together, raise kids etc., when he's not even HUMAN. Ugh. This was I found the last 5 minutes of the finale very disappointing.

0
5
reply

Required fields are marked *

Well, I don't think he needs a "normal" life to be happy? am I being too optimistic? It's a trade-off for sure, but one I want to believe is worth it?

0
1
reply

Required fields are marked *

Most people don't get to live their lives. Most have to forget their loved ones once death comes, and move on into another new life (or in purgatory). Most don't get to have powers to give meaning and hope to others.
It's like a life of a celebrity. Most people don't get to live their lives, and in turn, our lives can't be experienced for them.

0

I find the ending disappointing too. In the end Goblin is still back to his same status quo as in like in the beginning (minus the grudge for Wang Yeo and the painful sword in his chest)...he still need to see his loved ones die n wait for their reincarnation for most of his immortal time. The scene whereby lonely and depressed he saying "my friend, my sister and my wife are all dead" broke my heart.

0
2
reply

Required fields are marked *

I think the big difference is that it is now the Goblin's choice. He could have had peace in death, but he chose life so he could share it with Eun Tak. He experiences grief and loss, and waiting for her to be return to him without the companionship of his friend and his sister is hard and lonely, but he has chosen this over the alternative.

Choice is the big theme of this show, and all our main characters got to choose how they handled the cards they were dealt by life. Besides the Goblin's choice:

-Sunny chose to remember her previous life and betrayal by Wang Yeo (saying it should not be God's decision but her right to choose), and she chose to live without him in this lifetime, though it hurt both of them;

-the Reaper chose to discover who he really was and what his sins were (as did the female Reaper), and that choice got him "un-stuck" from his eternal, repetitive, lifeless life as a Reaper-bureaucrat;

-and Eun Tak chose to sacrifice her own life in order to save the life of those children.

All those choices had painful consequences, but those consequences are more bearable because they were freely chosen. All the characters had a choice of how to respond to fate, as we all do.

0

Difference is that before he waited for death, and was hopeless. Now, he awaits for love, and the moment when he will get to LIVE with that love. He's no longer living in pain, resentment, or much guilt, having paid his dues, and having now experienced what love and happiness is.Big difference imo.

0

I think Eun Tak was even more heroic than Shin. She sacrificed her mortal life for the schoolchildren. She must have like a bajillion karma points. She didn't even know if this was her first or last reincarnation. She had only just gotten married and risked never seeing Shin again.

Shin's heroics deeds make up for all the lives he had taken. He's doing a good job, but the most ultimate of heroes is Eun Tak, who performed heroically as a mere mortal and did it without regrets.

0
2
reply

Required fields are marked *

Eun Tak is innately good-natured that she consciously did that to save the kids before she know it it is too late to maybe change her mind !! That scene broke my heart too. The part the grim reaper said that even God can't decipher human's will is so true !! That's why her name card came late. She died not becos God want her to but it's a decision she made. She is really an angel. I mean who wants to sacrifice your life by saving ppl whom you don't even know when you are embracing a good life being just married to your loved one and everything is so perfectly good in your life ?

0
1
reply

Required fields are marked *

*unconsciously

0

That scene... it truly broke my heart. I think whenever I rewatch that scene or even read about it, I'll always have goosebumps and tears in my eyes because Eun-tak was my favorite (well, I think Shin's my favorite, but Eun-tak's definitely second!) Considering how much she and Shin HAS BEEN THROUGH to finally be able to be together, it makes me cry. I'm crying now. Their happy marriage life together ended too soon. I knew they had to address her as the Missing Soul and that it was her tragic fate, but it still hurts. She died a heroic death, though. She was so selfless, saving all those children and people and the fact that she changed (her own) fate by sacrificing herself and that that was something even the gods didn't see coming because it's the will and doing of the people that even god can't control, makes it so much more beautifully tragic. She's such a beautiful character–inside and out, and I wish Ji Eun-tak didn't have to go that way.

0
reply

Required fields are marked *

>Just sitting there passively (Sunny) eating crunchy things and mopping after handsome rich guys, waiting for a king? And the writer is a woman? What a disservice for all ladies out there.

Well said Marina. This writer is particularly famous for writing very weak women.

Something else I'm not sure if anyone else said is the fact she made ET's happiness in life all about the goblin. She had so many issues earlier but as soon as he comes back she can be perfectly happy, like he is the answer for everything.

0
21
reply

Required fields are marked *

I see things differently?

While GR and Goblin mostly talked of death and waiting like old souls do, Sunnyi and Euntak were given dialogues of life. Dialogues of little things to appreciate in life, the small joys like popcorn, etc. I was particularli impressed with Sunni and her wisdom in dealing with Euntak, and her casual sayings and matter of fact matters of doing things like nothings which showed lots of understanding about human nature and people (which is how she's such a great boss!)... but most of all, at her reaction of reincarnation and love. She knew what she wanted, to live her life in the present, not in the past. She was understanding too when she dated "Kim Woo Bin," and was aware of her own feelings, even how bizarre those feelings are, but accepting the weirdness, embracing something different even though it wasn't normal. It's not something lots of people can do. Often people reject happiness when it comes to them in forms not used to. I think she was a mature character, but about human nature, self-awareness, etc.

Like I said, Euntak and her boss were alwais about the value of life, living, being humans, embracing human emotions, being aware of the "shallowness" of certain feelings, like attraction to the attractive, even as irrational as that is, and understanding them and not be ruled by them, like how Sunni could walk away because of her self-awareness.

As for Euntak, I wouldn't put it quite like that. Rather than Goblin being her sole source of happiness, he was what was missing in her life to complete happiness. Losing a loved ones always leave an empty space in life. I find it believable when in real life, even the most richest, successful people living their dreams will find their happiness incomplete if the loved ones are missing, or gone during that "happiness." Finding someone to love fills that void.

0
18
reply

Required fields are marked *

+10000000000000000000000

this x1000000000000

Being self-aware is a skill and sign of maturity, which GR and Goblin frankly lacked compared to Sunny in most scenes. Self-awareness like how was so eloquently said above is the beginning to finding happiness, through little things, through understanding of what is important, and what is not, what works for one, etc. Sunny was especially mature in that era, and not something most people can do. She was so mature that she was casual about showing her maturity. I felt like she always said things which showed a lot wisdom and understanding of human character as if she talked about the weather. I was awfully impressed with that. lmao. Like she must be a deep thinker to have so much understanding kind of thing? Like a math professor talking about a "basic" thing like calculus to a student. Oh, it's super simple. lol..

Her character is doing things loads and loads of people would find it hard to do. Rejecting a doomed love, no matter how strong the attraction. If she knows she can't forgive, walk away. Choosing to live her current life rather than dwell in the past life matters. And small things like the comment above said. When encountering a "fatal attraction," deal with it rationally. Go on dates, enjoy that weirdness, and if he's too much, walk away, don't let herself be abused, right? She doesn't let him or anyone get away with abusing her. It's a skill too. Dealing with strong feelings, fated love, and still choosing to live her own life in the end. Knowing when to give in those feelings, when not to, when it's too much to handle and still appreciating them for what they are. I kinda loved her character to be honest. She feels both so real because of her feelings and emotional reactions to things, and so much more mature because of her logical actions in the face of those reaction. Hearteuuuuuu. Girl crush.

0
6
reply

Required fields are marked *

Slow clap.

Gosh, I hate how people dismiss the females characters as having no depth. We're all guilty of "shallow" feelings. Finding a handsome face handsome, loving luxuries. It's what makes us all human - primal attraction, and some form of greed for the better comfort and the more beautiful. Rather than reject those "shallow feelings," the female characters here accepted them as natural, and enjoyed them when those came, as part of a bigger attitude and viewpoint on life, as in the same manner both of them enjoy all things, from the little things to the weirdness of the Goblin and Grim Reaper. It's a sign of showing an ability to accept that which allowed them to love those two lost souls. But more than that, in addition to having those feelings, the two female characters also showed complexity and depth for moving on beyond those feelings, despite those feelings. One does not need to reject shallowness to obtain depth. It's all about different layers in human nature, isn't it? Eun-tak loved the Goblin, not just because he is rich, but ALSO because he was weird and "beautiful," not just because he was tall with rich clothes, but because he had a sad beautiful smile, and his weirdness is what made her own "weirdness" acceptable and loved, it is his weirdness and loneliness which allowed a connection to her, and his awkwardness which showed how he loved her. His weirdness as a Goblin allowed him to be cool and help other people. It's what makes him a shining beautiful Goblin. Her boss felt attraction to Grim Reaper because he was handsome, but also because he was awkward and weird and loved her and that showed, but she moved on that attraction too. Both female characters showed depth because of the "shallow" emotions felt from all humans are just a start for something more, because both built something out of that, because both embraced those shallow emotions and jumped in it to discover more and chose to continue (Eun-tak), or move on (her boss).

0
4
reply

Required fields are marked *

Wait, nobody dismissed any female character as shallow because they were female. We just didn't feel Sunny was a well developed character, a complex human being. Kindly allows us to disagree.

Btw, DH was equally shallow most of the time.

Also you are the only one talking about ET as being shallow, I talked only about Sunny and never even used the word shallow. I don't mind that she was clear about finding him handsome, I just expected more from her.

0

Nice. There's this saying from somewhere that if a photographer loves his subject, its beauty will come out in the picture. So I think it's sort of like that here. People who lack love for Sunny and Euntak don't see them the way we who love very much see the beauty in their characters. Although I maybe wish that you don't need to love a character to see what it has to offer, I find it normal that many don't see it, you know? Just think of us as just like Euntak. Euntak could have just rejected the weird goblin bride's stuff, and the weirdo who showed up as the Goblin like a normal person, but she didn't, she embraced her strange situation, saw beauty in him and his strangeness, and showed him love. That love and joy for life earned her his love in return. So we're the happier for loving the characters others don't and finding something worth in them. Hahaha. (And yes, this is just an excuse to say I'm like Euntak and Sunny. lol.)

More seriously, I agree with you that accepting the shallow side of human nature can help you move past it. Maybe even enjoy it for what it is. lol. Learn to enjoy it without being ruled by it, and I think Euntak's joy for all things and moments, small and weird, and Sunny's uncanny understanding of human nature allowed for them to do that. But then again, I love them, so I see what best they have to offer, others will probably disagree. lol. Oh well.

0

@purplelon

For the record, I did love Eun Tak in the first half and kept liking her character through the show. Which doesn't mean I have to think she had nice conversations with Sunny or that their friendship was well developed. I can like her and still dislike that part of the show.

0

@Lixie I've come to the conclusion it's a matter of what clicks with you and what you can relate with. :) I found the conversations between GR & KS interesting and fun, but I clicked more with how Sunny & ET spent time together, just enjoying the company. I really liked how mundane the topics were, it made it feel more real. In a way, I reflected more on my life after their conversation than I did at other times, if it made sense? Their struggles and worries were mine in many ways, and I liked how they dealt with them. I guess that's what made the characters fleshed out for me, but like I said, it has to do with my personality probably.

0

Somtomes I feel like I'm Sunny. Sitting there (watching kdrama) and waiting for my Prince Charming that will never happen while dwelling in sadness of my life but she is more mature as in she is willing to let go of her RS with Wang Yeo and went away firmly (though I wonder why??), never to see him again. I wonder what happens to her after that. I guessed she never got married and still lived alone for 30 years after that. Sad for her and Kim Shin actually. They are both so lonely just like me :(

0
reply

Required fields are marked *

I completely agree with you.!

Opposite to GR and Shin who represent death, the girls were for me an example of how to live life. They, above all, accepted that life is not straightfoward, its sad and happy at the same time and even strange.

Still, throughout the show, they tried to live life to the fullest, accepting failures and mistakes and being able to leave them in the past. For that, I admire them.

I could not voice my thoughts in a comprehensive way as you did, thank you for writing it down so eloquently. Have fun watching new shows!

0
4
reply

Required fields are marked *

"They, above all, accepted that life is not straightfoward, its sad and happy at the same time and even strange.

Still, throughout the show, they tried to live life to the fullest, accepting failures and mistakes and being able to leave them in the past."

Well-put! the two female characters have depth, if only people could see it! Both had wisdom. About the simplest matters, but aren't those the ones that are most difficult to come?

0
3
reply

Required fields are marked *

Awwww. Now I feel like I might be the weird one after reading so many comments on Sunny's lack of depth and complexity. I honestly felt the most connection with the two female characters rather than the male characters. I thought they were more complex and developed, albeit subtly. I totally related with Euntak and found her so real! And Sunny was like girl crush material hardcore for me. And no, it's not just because she's beautiful cuz I'm straight. Haha. I absolutely loved all the times she dealth with situations and people. She was just so awesome in my eyes, even when she chose to walk away from Wang Yeo and made me cry. Haha. But I wonder if I'm wrong to think that way when even Javabeans among many don't see it? T_____T I feel somehow wrong and superficial for finding a character people find simple complex, kind of the feeling of enjoying pop music instead of classical music. T___T I admit, my taste might be shallow, but I keep feeling connected to those two. It's like the best part of the drama for me, save for the threesome bromance moments. Why???

0

I'm no JB so my opinion probably will not weight much with you, but imo, Sunny was the wisest character in Goblin, followed by Euntak. :)

0

Wisdom and knowledge do not necessarily travel together indeed. Being learned does not make you wise, or makes you a better person or insightful. It can only help you to broaden your horizon so that wisdom can be reached. As soon as knowledge becomes something which you use to place yourself above others, as being smarter and 'better', the path to wisdom is shut.

The simplest matters are the hardest, because it also means accepting that some things are not meant to be. That all the knowledge in this world can't replace compassion, love and the willingness to transcend the borders of your own space and look to others and be able to accept them as they are.

In the end we are all human.. and that is our biggest challenge. To acquire wisdom and accept life and everything in it.. Needless to say, I am not there yet.. >.<'

0

It's ok, we had a different understanding about Sunny, I imagined the aim was what you said, that she should be a wise character but the the writing didn't convince me of her wiseness. :)

About the Goblin, it felt like more than just missing someone, way more. And after he came back, she was instantly perfectly happy.

0
reply

Required fields are marked *

Agree wholeheartedly!!!

I, for once, never found Sunny & ET's dialogues to be shallow and empty. The so-called 'little things' that they often talk about speak volume about their willingness to embrace what life has offered them. Sunny accepts her solitary life, she talks about not being lucky in love, but she never seems depressed about it. She just goes along with everything that happens in her life, even after Wang Yeo comes along. She's heartbroken but she's still the strong, confident Sunny I see from day one. And for Eun Tak, I agree with many who say that her self-awareness is amazing, from young age she never wavers of this belief that she's meant to be someone's bride, a mystical being with complicated past. Amongst KES's female leads, I can safely say that these ladies are my faves.

0
2
reply

Required fields are marked *

Your entire comment ++++

Same, I found those characters both realistic and yet absurdly awesome in their generous nature and maturity as well as playfulness or quirkiness, I definitely love them. But I understand why some wouldn't if they expect something out of the characters and don't receive it. All in all, because they were more than I could hope for, and certainly more than I could be in many ways and times, I loved them and admired them.

0
1
reply

Required fields are marked *

I like that neither female characters were pushovers and still retained that softness within them, loving deeply and hurting as deeply, but with their own principle on how to give and receive love, and know what to take in and share and what they need from the other person.

0

Agree with you. But, we all could have different perspective about them. That's cool for me.

While some ppl might think the women in Goblin are shallow and weak characters, IMHO, they're actually, strong, pretty successful in their job and sometimes can be subtly philosophical about life.

They're also highly independent. Sunny ran her business on her own, acts as a ET's guardian, chose to retain her painful memories while the others forgot, left Reaper for their happiness, and so on. ET an orphan high schooler who's pretty much friendless because of her ghost seeing ability, but she continued to work hard and be strong even before she met Shin. Later she's quite successful in her job, again this time without Shin's help.

Of course, they're not as bright as other (obviously) strong women in other dramas (my favourite, Ok Da-jung in Ms. Temper).

But, like in real life, some women prefer to talk about light stuffs, some like serious conversation. Some considered romance talk shallow, some considered it very important and interesting. Everybody has their own priority list and hold different values in life.

0
1
reply

Required fields are marked *

Sometimes it's not about the conversation itself or what the conversation is about, but having the conversation, and most of all, having someone who is open enough to accept you and whatever you may be feeling. In that sense, both Euntak and Sunny were mature enough to know how to be receptive and let the other feel comfort in their presence, just by being there with them when they are down, not judging, but also not indulging that it feels like pity. They gave each other understanding and created a sense of kinship which reveals depth in their character perhaps more easily missed than outright "deep" conversations. It's not often you can find people like that in life, who are grounded enough about themselves they can make you feel comfort and stable just by being there for you. Perhaps as rare as finding someone who talks about "deeper" subjects, or academic conversations, etc.

0
reply

Required fields are marked *

Dunno. She's not "waiting" because she has a choice. It's because of her past life. It's how she deals with the situation once she found what she waited for that's important to me. First, as soon as she found it, she immediately took action and asked him out. How many people everyday lose opportunities because people don't know how to grab it when it comes? After, even though he is what she has waited for because of fate, once she understands the reason she waited, she then knows to reject that reason, because it couldn't possibly bring her happiness to have a relationship with so much past baggage, hurt, resentment even if it brought her some happiness. Having that image of him killing her would be there throughout the relationship. She wanted her own life.

Goblin too... was waiting for his death. And Euntak was waiting for her Goblin. It's all about waiting for what fate has dealt for them, and how to deal with the situation once that arrives. Euntak grabbed the opportunity at happiness, Goblin found out it was both not what he wanted (death), and what he didn't know to search for (love), and Grim Reaper finally finding some forgiveness and close before going out of service for a new life.

0
1
reply

Required fields are marked *

thumbs up to lillia and those above too! :D

As I've said in another post, this drama is about human will in the face of fate.

Fate is the question.

Answers:

Grim Reaper chose to find the truth about his emotional reactions. He found tragic love, guilt, but also found forgiveness and the knowledge that he was loved.

Queen chose to walk away from that fate, and live independent of it, moving on from it until the right moment comes where that fate would be a forgotten past.

Eun-tak embraced her fate, fiercely, and that gave her escape from loneliness, and love and more.

Goblin helped people escape their fate through "miracles," found closure, and love, and a new meaning to his fate. Waiting for his love to return and helping people as a guardian.

0
reply

Required fields are marked *

Yes! That uneaten cake just left on the bench. It bothered my daughter so much lol.

0
1
reply

Required fields are marked *

Yeah I was like "oh my didn't you forgot about taking your
cake back in? What a waste of money buying it !"

0
reply

Required fields are marked *

(I swear this weird username was used before Goblin started ?)
For me, the only thing that made Sunny outstanding was the part where she talked to the deity unknowingly about no one having the right to erase her memories. That was the only point when I finally found something in her character. Thankfully.

0
2
reply

Required fields are marked *

Sunny was alway so cool and I always felt like she must have a rich inner world, given the way she handles things and observes people. She must have been through a lot in life. I've waited through most of the drama airing for her to reveal that inner world and her current life's past and then had to give up since it was obvious at a certain point what the writer wants to focus on. Even though Sunny was more of a cipher, she felt as intriguing as samshin grandma.

0
reply

Required fields are marked *

@ sunnyxshin: "For me, the only thing that made Sunny outstanding was the part where she talked to the deity unknowingly about no one having the right to erase her memories."

For me, it was that point AND that she chose not to let the others know she remembered the past (and watched over Eun Tak who did not remember) AND that she chose to go away and live this lifetime without the Reaper (and let him know her decision first). That was great.

0
reply

Required fields are marked *

I still think that we should teach young girls not be like Sunny. There were little bits of wisdom scattered throughout the Goblin show that we missed. For example, Kim Shin admonishing his sister that she is asking about King's looks and not his character. He said it again to the reincarnated Sunny after learning about GR's identity.
So let me ask you, ladies. Why was the Goblin's sister so in love with King in a first place? The King was weak, unfair, jealous of her brother and a coward to the point that he put his lover, his wife in front of archers as a human shield for himself. Yeah. The King is so lovable because he is good looking, right? I am sure she must of had some fonder memories of him not being too nasty to her, right? Right? We just didn't get to see them.
Skip to modern times Sunny. Who wouldn't fell in love with robot like, weird, cold but handsome Grim Riper, right? Especially, if he wears nice clothes which Sunny can appraise very precise to the penny a mile away. Handsome face and expensive shoes is all that needed to fall and stay in love for 4 life times for Sunny. You know what, ladies. This writer made two lead females (not only Sunny) into serfs to their love interests for 4 consecutive life terms. With no freedom in sight. The guys (writer calls them deities and gods, nice male ass kissing there) always get their happily returning brides fresh and young, after killing them off or not protecting them enough. That goes for Kim Shin. Why did he had to return to the palace and get his sister killed? Why didn't he stop when he saw his sister as human shield with arrows pointed at her? Male pride and stubbornness, that's why. Go ahead, defend your gods (handsome males) who get their "beloved" destroyed and unhappy. Brainwashing is an art that feeds on emotions, not logic.

0
49
reply

Required fields are marked *

There's so much wrong one-sided viewpoint with this comment I don't know where to start. I'll just say pride was not exclusive to Kim Shin, nor was love and sacrifice or suffering one-sided. I interpreted Sunny's love for GR as a strong connection and stirring she felt which made his already good looks appear insanely beautiful and irresistible to her. Some people experience a strong connection like that.

0
1
reply

Required fields are marked *

I'll add that value of honor and dignity (or pride if u want to put it like that) is what made the Queen stand there in support of her brother, in addition to her love for the King. As for how handsome Grim Reaper is, I'm sure she had many handsome men hit on her before with how ethereal she looks to everyone. It's not for lack of offers that she was single, it was because of a lack of connection like you said. I don't find anything wrong with their loves. Love begets love. They all found something attractive to love in each of the four of them, and that love increased the love of the other, synergetically. It's how people I know fall in love around me anyway. My cousin is now dead in love with his girlfriend, and I would say the main reason was because she showered him with affection and appreciation. He had no choice. He first connected with her because of their common points but wasn't attracted to her. It's her love for him which made him fall.

0
reply

Required fields are marked *

>Why was the Goblin’s sister so in love with King in a first place?

I think we just have to imagine it all happened after the marriage. It wasn't shown but we have to imagine they really had this incredible connection. Because of that the love was strong enough to continue in Sunny's present life. I think the writer wanted for us to feel that she felt that love even if she could not remember him. Anyway, like I said above , I expected more from her character and more from their relationship.

The question about why Kim Shin didn't stop I would like to have answered too. :) He killed everybody and resented the stupid king for it. Not that he wasn't guilty. It's just that Shin didn't seem that dumb.

I'll disagree only about the guys getting their happy endings. Reaper did pay for some time and Shin had to wait for 9 years and then 30 years until she got back and even then, she would only die again, and he would wait again, and again. I wouldn't call that a happy ending. If not for the absurd idea of a child born with memories of a past like Eun Tak would have gotten a better deal and Sunny's ending was really happy.

0
4
reply

Required fields are marked *

I think it might be hard to swallow for modern sensibilities to do what he did, but it was a matter of honor and love for him. That kind of gesture, at the cost of your family and friends, in addition to yourself was a sense of sacrifice often made at that time.
Like he said, he had to honor the promise he made with the previous king he served, he had to honor the love his sister had for his king, and he had love for his king himself. It was futile, but it was worth trying and giving an effort and do his best effort to fulfill his promise to go in front of the king and tell him what he had to say, that he was loved and to get rid of his "adopted dad." There was no other circumstances which would have allowed him to talk to the king. It's the same sense of honor combined with love which made him choose to stay in that snow desert to keep his promise of Euntak to become rain and wind. In that sense, his sense of honor for his word had stayed intact throughout.

0
3
reply

Required fields are marked *

Plus, the king finally pushed him to the ultimate endroad by labelling him a traitor. Cul-de-sad, with nowhere else to go but do one last thing before his death.

0
reply

Required fields are marked *

Don't you think he made that promise but others didn't? He really loved his sister, I'm sure he would have died for her, and his servants and the soldiers. I understand soldiers and other warriors sacrificing themselves but not that many people for so little. He could have maybe sent a message? Waited for a better chance? Or even die at a battle? Certainly he would know he would get everybody killed and not even have a chance to talk.

0
1
reply

Required fields are marked *

I thought that too in the beginning, but when we saw the confrontation between the queen and Park Joong Hun, I realized that these people would have been killed soon anyways. He was intent on getting rid of Shin and Sun and would have eventually labeled Sun a traitor even if Shin died in battle honorably. And families of traitors get executed.

0

While I do view Sunny and the other Goblin characters more favorably than you do, I do recognize there is an overall problem in kdramas writing that seems to give the male characters meatier roles and writing that make male characters more likable and forgivable. Why is it that we go crazy over and fall in love with the male characters? Why do they tend to be more memorable? If you blame the actress for undelivering, then is that really all her fault when she was picked in the first place? I struggled with that during Scarlet Heart.

It's a large gap of having big expectations for female characters who often serve as the eyes of the mostly female viewing audience (why do clingy females get a worse rap than clingy males?) and the dramas tending to delivering less strong writing for female characters. Why can't female characters appreciate handsome faces while philosophizing or getting revenge or sword fighting assassins in the night or doing something heroic (which I'm glad Eun tak got to do).

these are problems not only in kdramas of course. And I still love kdramas, though I think stronger writing for female characters can only improve the genre and do justice to the actresses who often bear some of the hate and annoyance people have for their characters. I felt really bad for Kim Go Eun, Go Ara, and Park Hye Soo recently.

0
36
reply

Required fields are marked *

+100000000

I agree that female characters tend to get bad rep all the time and in my opinion, the issue lies within the writing (and other factors as well).

Sadly, writing a compelling male character earns more viewers since a lot of the people who watch the tv channels at home are older females. With more viewers = more ratings, and of course more profit.

I think people have large expectations for the female characters and criticize them more because majority of kdrama viewers are females and the opposite gender attracts them. Since most are females (shoutout to male kdrama viewers though) , they know what it's like being a female (obvious) and thus, are thinking of the what-ifs when witnessing a female character going downhill or becoming excessively annoying in their eyes. It's like a friend looking at another friend and seeing what actions that one friend could have taken to avoid such and such. It's definitely frustrating to see a character of your own gender acting in a certain way because you wouldn't act that way.
This is purely coincidence but I want to mention that from my own experience one gender tends to forgive the other gender more so than someone of the same gender.

Can't say I am the best with words, but hopefully someone gets what I am saying.

0
11
reply

Required fields are marked *

I know what you mean. One of the reasons is that when we see a woman acting out what could be an unpleasant stereotype for women(like being shrill or nosy or moping or showing weakness), we want to distance ourselves as much as possible from the woman. And as a society, we tend to hold women to a higher standard. Two guys arguing is normal. Two women arguing...well shouldnt we be above all of that? And ugh, how catty and embarrassing. A dad feeding his baby is admirable and worthy of applause. A mom doing the same while still recovering from pushing a 7 lb baby out: whatever. Now that more of my friends are new moms, I am more aware of this and try not to hurt them by diminishing their efforts. and I try to be aware of those biases when I criticize female kdramas characters too. How much of it is writing? How much of it is because I have those biases?

0
10
reply

Required fields are marked *

You make a good point about double standards in viewers' feelings involving different genders. Sure Sunny had less screen time than Grim Reaper, but to me, she's no less of a character. They were pretty equal all things said. She cried, he cried. She asked him out, he flailed. She rejected him, he sought her out. She discovers he's a Grim Reaper, he's now going away from her. He made the decision to recover memories, and with those memories, she makes the decision to end the relationship. She was still concerned for him, but she made that decision for herself. She was glad to meet her brother, and was resolute to keep her promise to live in happiness this lifetime to him, even if that meant distancing herself from a long-past Goblin brother to lead a normal life. She had resolution, wisdom, and a caring side and love and affection for her part-time worker. She had sass and strength. She had heartbreak too, and longing, and wishes, and a will to live her own life. But in the end, Grim Reaper is everything, and Sunny is not complex. And I'm left confused at how our views can differ so much.

And I can pretty much write the same if not more for Euntak and Kim Shin but I wont go into details once again. Euntak has shown nuances in all her feelings, and scenes, maturity and freshness, and is no lesser character than Kim Shin in my eyes. Certainly more relatable to me. But clearly, I'm in the minority.

0

@KHJ

I'm female and I find Sunny feminine but strong, affectionate but tough, quirky but understanding, and very wise. She remains to me a beautiful and memorable character, and even though I'm saddened others don't share my views on her, I'm so glad to have met her, as I have the other characters from this drama. All strange and beautiful in their own way. And I don't mean physical beauty.

0

I'm so glad I came here. I was feeling left out with all the criticisms directed at our two main females so reading these comments soothes me :D Overall, I would say I found things to feel for and laugh at from the male characters, but much to love and admire in the female characters, so it was a pretty good experience for me, gender-balance speaking.

0

Even recognizing my biases, I do feel like Shin and Grim Reaper did get a little more to do through most of the drama because they got to have a past where they sinned and were punished. Grim's got the amnesia and Shin got all the monologues (so glad when Eun Tak got one in the end!) and should-i-die angst for a good chunk of the drama. I think the suffering made them a little more complex? Eun Tak's evil aunt was taken care of early in the drama. I think the ladies were buoyed by Kim Go Eun and Yoo Inna's (and let's not forget Kim So Hyun!) acting skills which imbued the writing with charisma, warmth, and a glimpse into their thoughts that weren't fully sketched out in writing.

People may criticize Kim Eun Sook's female characters (sometimes deservedly so; and poor Park Shin Hye!) and while I think a writer with her experience should be better at writing them, I think we shouldn't forget that she's one of the few rom-com writers that is capable of having two likable female leads in the same drama and have them be friends/friendly with each other and give them their own lovelines. And she has done this multiple times. It has sort of become a "must have" in her writing. I hope in the future, she can write a female character as memorable, unique, and enjoyed in the public consciousness as Mishil, Samsoon, or Chun Song yi.

0

@rachel You're not alone. While I found the Goblin and Grim Reaper's angst beautiful, and their epic love for Euntak and Sunny splendid in tragedy, including all the cheesy lines and tears, I admired the female characters of Euntak and Sunny more, and found myself feeling hopeful rather than depressed with them. They often put a smile on my face, and I watched them like a proud mother. Both took everything in stride with a smile, and if not a smile, with poise and thoughtfulness and a loving heart, even when faced with tragedy. The Goblin might be shining, but to me, the female characters brightened this drama and my life.

0

"I think the suffering made them a little more complex?"

Very good point AR! I think perhaps that added to their angst, but I will be a little selfish and be glad the females didn't have to suffer like that. lol. I love them too much and am glad we got to feel hope with them rather than despair. I would venture that given the time difference in life and powers, the female characters held up rather well against the male characters, displaying maturity sometimes even more than those "gods" with powers, and leaving an impact of their own, if not on the viewers, and the lives of those who loved them and whom they loved in the drama.

0

Diana, I think you nailed it about the supernatural enhancing their "resumes" a bit. I found Grandma Samshin enigmatic and intriguing and Deokhwa as god charismatic and powerful, but I couldn't relate to Grandma Samshin on a human level at all. In that sense, I'm glad that the two normal main characters in the drama were the females, well, as normal as a ghost-seeing Goblin bride and a past Queen can be. Point is, they had no powers, and even though Sunny was charismatic too, of course they couldn't level up to gods. But I loved that about them. As a woman, I'm glad I could relate to them as just a regular woman and a regular girl, just two humans, and it made them more admirable in my view to see them navigate the supernatural world with poise and thoughtfulness in a manner which gave light to their good nature and maturity. They did admirably well just as humans under the meddling of gods, and being in love with even more gods. Sure if you want the best of both worlds, you could feel disappointed, but I like the balance stroke, with male gods you can swoon over, with a damaged heart from centuries ago you can tear over for, and female humans some people like me can relate to. Perhaps the female characters' tragedy is not as sweeping in scale, but the smaller scale made it closer to home for me.

0

Ar, funny you mentioned Chun Song yi, because reading your comment, it finally clued in on why Cheon Song Yi is in my top favorite female characters of all-time in dramas, if not THE top, and yet, I have more love and and deeper affection for Eun-tak. When I read the mention of Cheon Song Yi's name in your comment, what immediately came to mind for me was the drunk post-rejection antics scene. For Eun-tak what came to mind when I think of her is that scene of her enjoying crossing the crosswalk with a bright smile. The scene is absolutely lovely, but also more subdued than the wailing and drunk-dialing for sure. So my conclusion is Cheon Song Yi = character I had a fun time with, and Eun-tak = character I felt protective towards. The emotions I feel are definitely worlds apart in nature for them, and the impression you experience from of those emotions I think a little different depending on who you ask. I'm not 100% sure yet, but I have a feeling Cheon Song Yi impact is like getting a punch and never forgetting it, and Eun-tak is like feeling the wind by the sea brush you by. Much less "impactful" in that sense, but somehow, I have a feeling, will linger in me as a fond and beautiful feeling.

0

Carla, what a beautiful imagery. Same, I love JJH's character and KGE's character for different reasons, and both gave me a different experience with my feelings. At this point, I would say it's a matter of taste which you would prefer. I like how shamelessly bold but lovable CSY was, but I also like how fresh and bright and real as well as thoughtful Euntak was, and resourceful and sassy in her own way, not our famous "Sassy girl" way. They lit up my drama-viewing experience in different ways. With chuckles for one, and with a indulging smile for the other. I don't know if it's distance blurring my impression, but I don't remember CSY as more complex or with more depth than ET. She was definitely more of a out-of-the-world character, which I loved, but what I loved about was how well she dealt with her out-of-the-world life with normal simple sincerity. It somehow touched my heart more for her to be as normal as she was in her reactions, and still come out of the ordeal shiningly.

0

I mentioned CSY, since it's rare that you get a female character whose name comes so readily to us even years later and who has both domestic and international fame. Even if you've encountered more lovable characters in your personal viewing experience (Kim Yoon Hee from Skks is my ultimate fave), there are some who are embraced by the entire nation. Unfortunately, you get this level of love mostly for male characters. :(

The supernatural resume is one of the reasons Elsa is preferred over Anna even though Anna is technically the lead and the one leading the journey. Powers+angst. We need to give our female leads some of that.

0

@Ar: "Why can’t female characters appreciate handsome faces while philosophizing or getting revenge or sword fighting assassins in the night or doing something heroic (which I’m glad Eun tak got to do)."

Although I really liked this plot point, it did not escape my notice that the heroic thing Eun Tak was classically feminine: she

a) sacrificed herself for

b) little children.

Not that it makes her action any less heroic, but she did not, for instance, save a group of teenagers, or young men, or fight off a person or a bear or a shark. It was an acceptable, noble, angelic, quintessentially "feminine" self-sacrifice.

0
23
reply

Required fields are marked *

I don't think the point of her saving children was for it to be feminine. A man saving children doesn't make him feminine imo. I think saving children is more meaningful for her, because she had a chance live and was saved herself as an unborn when Goblin came, and then at 9 when Samshin intervened. She gave a chance to those children the same chance she had.

0
11
reply

Required fields are marked *

No, I don't think that was the point of it, either. And a man can save anyone and still be masculine.

My point in response to Ar was that while Eun Tak as a female character did get to do this heroic thing (which was wonderful, worthwhile, heroic, and noble), her act was written as being a quintessentially feminine version of a heroic act (taking care of little children)--so not that far out of the range of female character behavior as Ar's other examples ("philosophizing or getting revenge or sword fighting assassins in the night").

0

I am a lurker but I had to post after reading this comment. As a man, I find it genuinely puzzling that taking care of children would be considered feminine.

0

@lurker Must be cultural difference. At a guess, Jamie is probably older or from a conservative cultural background. You can't expect DB readers to be all modern women, with modern concepts of gender-neutral roles, lurker. Realistically speaking, millions or billions in the world are still ascribed to the age-old idea that being in charge of children is associated more with women. Just like how other professions are associated with men. In that way, it makes sense for her to have that kind of thinking. Hope this clarifies your puzzlement.

0

@lurker: "I am a lurker but I had to post after reading this comment. As a man, I find it genuinely puzzling that taking care of children would be considered feminine."

As a man, are you also genuinely puzzled that worldwide, the vast majority of young child care is done by women? In the U.S., more than 80 percent of elementary and middle school teachers are women, according to the New York Times (https://www.nytimes.com/2014/09/07/sunday-review/why-dont-more-men-go-into-teaching.html).

And according to U.S.A. Today, "Male kindergarten teachers defy gender assumptions," and "only about 2 percent of America's preschool and kindergarten teachers in 2013 were men" (http://www.usatoday.com/story/news/nation/2015/08/30/male-kindergarten-teachers-column/71436412/).

It's nothing to do with what I think "should" be the case (because I don't think it should be the case), it's what "is" the case, worldwide and in the U.S., where I live. Certainly I would welcome gender equality! Is it different where you live? If so, that's great!

0

@shining piano

In case you hadn't noticed, Korea is a culturally conservative country, and that's where this show was made. The Economist notes that "Mothers with young children spend nearly five times as long looking after their family and home as fathers do, calculates Jayoung Yoon of the Korea Labour Institute" (http://www.economist.com/news/special-report/21588207-faced-overwhelming-pressures-south-korean-women-have-gone-baby-strike-pram-too).

Sigh, I think you misunderstand me. I don't subscribe to these ideas of traditional gender roles, but as you note, "millions or billions in the world are still ascribed to the age-old idea that being in charge of children is associated more with women."

I am saying that the show ascribes to these ideas, too--at least in part. Not me.

0

Jamie, could u please explain a bit more what u mean about the show perpetuating that idea? I don't remember it well, but I thought it did a good job associating both genders, minor and main characters, with children?

0

Hi Erica, I really didn’t mean to make a big deal about gender assumptions and child care in Korea, lol. We got off on this tangent because Marina and Ar and others were talking about women’s character roles in K-dramas, and Ar mentioned that she appreciated that Eun Tak got to do something heroic (which is unusual for a K-drama heroine—at least I think that’s what Ar meant). And I said yes, it was heroic, but it didn’t stray too far off the path of gender cultural assumptions, because Eun Tak sacrificed herself for a busload of kindergarten children. That tugs at all the right heartstrings and gets approval by both conservative and liberal folks.

Just as Samshin Halmeoni is a female guardian deity of childbirth and young children, Eun Tak became known as an “angel” who protected young children. Folklore shows a lot about what a culture idealizes and promotes—like the story of Shim Cheong, the devoted daughter, who sacrificed herself for her father’s eyesight. On one level there’s just a story. You can take it completely by itself, without context or politics. On another level, there is what the story is being used to promote, whether consciously or unconsciously, which in the case of Shim Cheong is about filial piety in a Confucian society. She is the “ideal” daughter. A lot of people will respond angrily if you suggest there is a larger story that the smaller story is part of.

I am definitely not saying the show is biased against women! Yes, both men and women in the show were kind to children. But it is a female deity in charge of children, not a male one (as is the case in almost all cultures). Almighty butterfly god presents as male, when human. I’m just saying there are some underlying assumptions, as there are in all stories and cultures. And in this specific case (Eun Tak’s heroic act), I did definitely notice and think “oh, of course, kindergarten children” as it was happening. Didn’t lessen the heroism, but did fit traditional culture gender norms.

Thanks for not assuming I’m not a “modern women, with modern concepts of gender-neutral roles,” lol. I hope I answered your question to your satisfaction. Cheers!

0

I'm late to the discussion, but I want to have my say. It's super frustrating to see gender being brought up everywhere, even when there's no place for it. Gender and by extension, gender inequality is a real issue, but it doesn't mean that everything should be viewed as that. It only ascerbates the cause by diluting it into irrelevent topics. Bringing it up everywhere renders it meaningless and makes it easier for people to dismiss the discussion when it counts. I wished people could see characters beyond their genders, it eclipses the characters' complexities for the discussion to be dominated by it. Yes, a character gender can influence its mannerism and behaviors, but saving children is not one of those behaviours. As a woman, I would love to be able to take credit that such an action is more typically feminine, but that's an insult to all the men who would have done the same. Why must gender roles be brought up in such a scene is beyond me. I wonder if there was a scene with a male character driving a car to prevent the truck to come in, and taking the blow for those people, the same discussion would be brought up, that there was a gender reversal showing his softer side or something. To me, that action was the most selfless action in the entire drama, and it was done because it was Euntak. Yes, she's a woman, but this action was not done because she was a woman. Saying that her action was laced with feminine connotation is a disservice to both her action, and further reinforcing the boxing in of gender roles when it doesn't need to brought up. Change in trends starts with individual perception. If peopled could free themselves from the line of thinking that gender have roles, at the very least, when it concerns saving children for god's sake, it would be a great start in making this world be gender blind in important issues. If people can't even be gender blind in the simple and beautiful matter of saving children, it becomes really frustrating to start changing more ingrained concepts of gender roles.
This drama is about Euntak's journey. As she became loved and protected, she gained a sense of security and a sense of confidence, and with that, she gained increasing courage for brave acts at the cost of herself for others. She did the best she could, and as time passed, and as she was loved more, the best of her ability increased. And before gender is being brought up again, love, familial and romantic, is a powerful source of strength and courage for both genders. It's a human thing. Not a gender thing. Just like saving children. First, she was hesitant, but filled the fridge of that girl at the dorm. Then she confronted the husband. She also stepped up to the bullies of children. In the end, she put herself in the path of a truck. Yes, it could have been a group of tourists, instead of a group of children and their school teachers, but like someone said above, that action lend more meaning narrat

0

...narratively speaking because it was a way for Euntak to give others the chance to reach adulthood she was given, when she was saved multiple times. I wished I could sound less frustrated when writing this rant, but I'm very upset such a simple and selfless act had to be associated with gender, when it's just being a good human being, or an angel as others call it.

0

phoebe, I’m sorry to hear you are feeling frustrated. I’m sure no one meant to frustrate you.

I’m not sure that I agree that are places where discussion of gender doesn’t belong, because what is the one thing people around the world ask when a baby is born (after “Is it healthy?): “Is it a boy or a girl?” Why do people feel this is so important to know? Why do people care at all? Because most cultures have assumptions about what boys and girls, or men and women are like, and often what their roles should be. Whether those notions are factual or fictional, there are strong societal implications.

And those notions certainly find their way into stories (dramas). If you’re someone who questions or analyzes those notions, or maybe finds them unfair at core, then stories are fair game. Somebody wrote that story after all, and someone is watching it—and both have visible genders that they walk around in the world with that shape how people treat them.

Should gender matter? I don’t think it should—but it does, in the world. If you are someone who doesn’t like to question those notions or finds them natural and right in the first place or would prefer to be gender-blind, then I guess this seems like a giant annoying irrelevance to you. I’m sorry this discussion bothers you, I really am. Not every discussion will appeal to everyone, and not everyone will agree. But…do you think you could find it in your heart to just skip the discussions that you don’t care for and move on to the ones you do? I certainly do.

I really enjoyed watching Goblin, and I hope this comments section did not spoil your enjoyment of the show.

Peace.

0

What a perfect example of non-apology. You could make a good politician. LOL.

0

Hi Jamie! I'm afraid I'm jumping into something more than I understand but I got too curious, I had to ask. Hahaha. ^___^" Is it right to assume from what you said that ET doing the act of saving kindergarten kids is getting approval of "both conservative and liberal foks" means that conservatives in America wouldn't feel as touched or approve of her saving them another way? That had she acted in a more masculine way saving lives, it would be less approved than a female way as viewed by conservatives?

Forgive me if this sounds ignorant, I only know about American conservatism based on what I've learned at school and news, and I heard that America is very conservative relative to the Western countries. Save for if you count Russia as in West Europe and not east Europe, I guess. But they're culturally closer to East from what I've seen when I went there on vacation. Hahaha. I'm Swiss but studying in Germany for the moment, just so you know. ^_^ We've learned in world studies that just like Regence Victorian age came as a backlash to Renaissance, there is a movement from a large portion of America to conserve what has been lost with the advance of technology. And that there's another parallel in that the increasing Wealth gap both back then, and now in America and around the world is helping that movement along of a return to past values and ideas. We've also learned that a significant portion of America is fighting to instill familial values, trends and concepts from the 50-60's "Golden Age" back into its country, and that a lot of it is influenced by the return to the Bible, with its stories reinforcing those values. Hahaha. I sound like I'm writing my test, my teacher would be proud. Hahaha. Is that why conservatives in America have set ideas of gender roles that goes back with the tradition from the past? Is that why it is viewed there that saving kindergarten is something typically female? Sorry if I'm asking so much, it's just so interesting to see what I've learned in geography and world studies in real life. It's so fascinating to see that school of thought, you know? It's always fun to see how the others in the world think that would never occur to me in my bubble without the internet! ^__^

0
8
reply

Required fields are marked *

Klaroline, don't let what you see on Dramabeans or in news make you view americans as old-fashioned in their thinking. I'm american, and yes, it's true there are people here who think like what you described, probably like in any country, but for most it would not occur to them that saving children, or even kindergarten children is closer to a female role. LOL. I don't think in my country, many people's thoughts would leap from the image of child-rearing to putting yourself in front of the Truck of Doom. Nowadays, even in conservative families, fathers have much to do with childcare too in America. So don't misundertand. LOL. If you don't believe me, like if we were to play with extreme stereotypes, driving and and putting yourself as a shield would be a man's job, but people don't think like that anymore and I can't see Americans saying what she did is manly, even in "conservative America" as you call us (LOOOL). And I can't see Americans telling people that because coaches tend to be male, saving a bunch of athletes is masculine or whatnot. LOL. So same case here. Believe me, even most Americans don't go as far as linking anything that involves kids in a drama scene with women, just because women are in charge of kids in traditional families. I can't let you go on with that impression of us just because of what you see here. Come to America and visit some day! We're not all backwards in thinking. :)

0

Hi Klaroline,

As far as what conservative people might think about Eun Tak saving a busload of, say, male soldiers, I am certainly no expert: I can only give you my best guess. :)

And my guess would be that it would feel narratively wrong to them—there would be something disconcerting about it—but that saving a busload of kindergarteners would feel narratively right to them.

As phoebe noted above, Eun Tak’s selfless action would be a wonderful sacrificial thing for anyone, male or female, to do; and “narratively speaking…it was a way for Eun Tak to give others the chance to reach adulthood she was given, when she was saved multiple times.” (I really liked her observation.)

So far as what's going on in America, my feeling is that, instead of a straight line of steady progression to liberal values, there are many swings of the pendulum (actions and reactions), but that overall, the center is moving left. I believe that Trump’s election, for instance, was a reaction by a certain constituency against the progressive direction America has been heading in for some time (Obama’s presidency, women’s rights, sexual minority rights including gay marriage, values of tolerance and diversity, etc.). I don’t think that conservative reaction will ultimately hold, though—that’s just my personal opinion.

I think pretty much all traditional cultures have the same kinds of ideas about gender roles (more or less), even with different religious/philosophical traditions. Not just the Abrahamic traditions, but also Confucianism, Buddhism, whatever the ancient Greeks practiced, etc. I'd guess conservatism anywhere implies a return to "traditional" values and roles, and some sort of fabled Golden Age when supposedly life was simpler and the rules made sense, lol. Of course, that Golden Age wasn't very nice for lots of people.

I'm curious, too: does Switzerland not have conservative people, or people who believe strongly that men and women are suited in some way to different things? Does Switzerland have equal numbers of men and women who care for very young children?

Here's hoping this conversation doesn't upset too many readers!

0

oh gosh, Klaroline, I don't want to get myself involved in this discussion. I'll just second parcks's opinion that Americans aren't like that as a whole. I'm American too! I haven't traveled to all states so I can't say for sure but had to let you know anyway that even if the Bible reinforces gender stereotypes, not all of us here at church would apply what we see in those stories and impose that image onto real situations or apply that kind of thinking in real life (or dramas). A lot of it doesn't get reinforce and it doesn't occur to us to take it seriously. I can tell you as a self-proclaimed conservative it never occured to me either that what she did was gender-related (and honestly, it still doesn't even with all the reading on here, but I'm not super quick at understanding or was good in school pfft). I think I like traditions but I don't see gender-roles in actions either. Like parcks said, go visit us. You'll see, we're not all obsessed assigning gender roles, even if we're in the news about abortions or marriage ;) ;) What you see on this site is not representative of the general kind of thinking. It makes sense, since I know a lot of us are here because k-dramas are more conservative than American shows. American shows are not known to be free of gender stereotypes, but they are definitely more liberal than Korean dramas. It's why I like Korean dramas better ;) but it's not surprising to see a more traditional line of thinking here than in real life. ;)

0

I will third parkcs' and lurker numero dos' opinions that Americans "aren't like that as a whole."

Peace, y'all!

0

@lurker numero dos Off-topic to this whole gender business (I'm not involving myself in this please), but what you said about why we're watching this struck with me. It's true I do watch kdramas because it's more conservative, and I kinda like that as fiction. I don't subscribe to what I'm shown though: I actually like living like in the shows in hollywood more than a life like the ones in dramas so I don't think I'm influenced by what I'm shown. However, it kinda makes sense that some people get influenced by what they watch and start having a stronger sense of what gender is connected with what, so this whole gender-role business of saving school children got started. Anw, I digress. Point is, now that you mentioned it, I just realized it's totally true. I think it makes them more addicting because it feeds into fantasy land, not real-life. Just saying. :)

0

Thank you for all your replies. It was very interesting to read! Wouldn't even let me sleep because I keep checking back on here to read more. ^____^ Sorry to all American Beanies, I must have sounded really ignorant with my question. -___-""" I just found it so surprising to see this discussion. I'm not used to seeing this school of thought, most likely because I'm still young so people around me are not as sensitive to gender roles since we're all technically children/minors ourselves (almost adults!! ^__^). I have never heard in my sheltered life of the concept that there is a more approved or less approved way for females to sacrifice, or that a sacrifice for little children is more female. I found it so new. Somehow, I thought of my lessons on America and its conflict with traditional family values in geo class when I read this. ^____^ Shows how little I know, I must brush up with my studies next year for literature so that I learn to be more sensitive to female symbolism. -___-""" Why is analyzing so hard. ^___^"""

0

Re: Klaroline

I'm going to take Jamie's side on this one. As surprising as it might sound to you, there are many people in this world who have unreal expectations of women. And as horrible as it sounds, those expectations extend to whom women can save which would be more suited to women. Yes, it sounds horrible, and it is, but it is reality that many people don't accept good deeds simply, and that even good deeds have expectations, even when it involves saving school children. You shouldn't be surprised if you see the amount of hate comments making a simple act into a controversy online, whenever a celebrity does something praiseworthy or harmless. It happens all the time. We could go with the wishful thinking that people are free of gender-bias in times of heroics, but I hate to break it to you, even in heroics, gender is going to be involved for some people. Like Jamie said, the show ascribes to this idea. I'm not going go be as lenient as her, and say in part, because I don't believe from what I've seen of KES that she's better than that. I didn't think nothing of the scene when I watched it, I see it now as Jamie pointed out, KES wrote this because she's amongst many who believes it would make Euntak more feminine to save children. After reading this, it confirms my low opinion of her and her ideas of what females should be like. It's typical really of her to write a death scene of the heroine like that. Sheesh.

0

And I can’t see Americans telling people that because coaches tend to be male, saving a bunch of athletes is masculine or whatnot.

Funny that you brought up this point to counter Jamie because I think this analogy is reinforcing her point, not weakening it. There are totally people who think that saving school children is more female, and saving athletes is more male, and people who differentiate the value of the act of saving someone based on what group they save. Ok, so you might argue that people who think like that shouldn't, but reality is, there are people who think like that. Proof is: this comment section here. I don't see why you say that you can't see Americans telling people that, when the thread you're replying under is here because there was people who thought of it.

0

A bit too late to join this.

I got different interpretation about ET's self sacrifice though. I saw little children as a symbol of innocence. In the bible children are favoured by God for their innocence. Same in the Goblin, where Samshin Grandma appeared in number of times to save / help children in need.

So, in my point of view, her sacrifice was noble because God gave her option, to escape the death or to die saving them. And she instantly chose to sacrifice her newfound life that was seemingly perfect now (happy love life, nice career, good friends, etc) to save the children, an epitome of innocence. Her death symbolized innocence that win over greed.

I appreciate you interpretation, though. A new way to look at this matter that have never crossed my mind before.

0
1
reply

Required fields are marked *

Thanks, Sammie above and gabobobobo. I didn’t mean to start a fight with what started (for me) as a small response to Ar’s comment about roles for women in K-dramas.

I watch Korean dramas not because I prefer more conservative entertainment, but because I am Korean as well as American. (I also watch American and British shows.) I grew up with my mom watching K-dramas, too.

For me, personally, it’s natural to compare as I have family in both countries, and, for example, I grew up with a Buddhist parent and a Christian parent. I do tend to analyze writers’ intent and culture and the larger story, because I am comparing my two home countries’ sets of values (and there’s more than one set in any country). I appreciate hearing what other Beanies have to say, too. (I like what you said, gabobobobo, about how Eun Tak’s death was about the innocence that wins over greed.)

Basically, I don’t think anything happens in a vacuum: our cultural biases lead us to pay attention to certain things and ignore others.

I do realize that lots of people prefer to just enjoy the show without overthinking things. :) But I think we should all be able to discuss and enjoy in our own ways, as long as we don’t get too personal or inflammatory (and I don’t think I did either).

Right now we have passed the Western New Year date and in a few days it will be the Chinese New Year. Wishing you all a very happy New Year!

0

A connection like the one felt between Wang Yeo and Kim Sun is rare to find in life as most people search for it, and I'm glad that she acted on it and explored it further. Everyone who ever felt like they wanted to find that someone to love dream of finding a person you connect to, but not many can find someone with such a strong connection. Some call it love at first sight (or close to first sight) and for some, it last a lifetime, or several in Goblin.
In a drama about how love drives people to act, about two couple, I don't find it strange at all that love is an emphasis. Just as the women came back to the men, the men waited for them, and I would like to point out as much as the woman are young and pretty, so are the men handsome and cool. So all fair.

Goblin and his bride showed loyalty to their love throughout, and that's something to admire.

King and Queen showed that forgiveness and mutual understanding is hard-earned, betrayal spawning separation spanning centuries and lifetimes of guilt, and pain, but that love can still remain.

Goblin Goryeo: Duty and honor
Goblin as lonely guardian: Learning the value of life and guilt.
Goblin with bride: Learning about love, and finding forgiveness and redemption
Goblin after fulfilled duty to king: Honor the love found, and continued love for humanity and his bride.

King: unappreciation of the love given by others leads to misery and loneliness
Grim Reaper: service to others, learning to value life through the job and rejection of killing as heinous,
Grim Reaper after reunion: pain and guilt, learning to accept his punishment and mistakes and lose his love once again
Grim Reaper reincarnated: finally living a long love untainted

Queen: self-sacrifice for the love of her brother and husband
Sunny after memory recovering: learning to walk away from brother and love
Sunny reincarnation: finally a happy ending to a strong fate

No Sageuk life for Euntak :)
Euntak as child: already abnormal with ghosts, but showing capacity for love
Euntak post-mother: self-sufficient but still lonely and in isolation from the world, still abnormal and no outlet to express or receive love.
Euntak after Goblin: learning to love, and to love oneself, confidence to talk to ghosts and help, and beginning to interact with other humans and find a sense of familyship. Notice her abnormality now allows her to find connection with abnormal people, from Goblin to King, to Queen to ghosts, and that allows her to found "normal" relationships finally. Learning about the joy and pain from finding someone who loves her and to love and losing them. Learning about appreciating all moments in life and how much of her life is a blessing as a missing person. Sacrificing oneself for the very life of others.
Euntak as reincarnation: Finally no more curse!

0
1
reply

Required fields are marked *

My summary of your post:

Beginning for Euntak - life saved, Ending for euntak - saving others, (including Goblin from his desire to die).

Beginning Goblin - wants to die, End for Goblin - moving on with life, experienced happiness and lvoe

Beginning GR - sinner and unloved, End - forgiven, values life, and is loved

Beginning Sunny - died for love, End - walks away from love until the right time comes to have a happy love

0
reply

Required fields are marked *

@ Marina: "So let me ask you, ladies. Why was the Goblin’s sister so in love with King in a first place? The King was weak, unfair, jealous of her brother and a coward to the point that he put his lover, his wife in front of archers as a human shield for himself...Skip to modern times Sunny. Who wouldn’t fell in love with robot like, weird, cold but handsome Grim Riper, right?...Handsome face and expensive shoes is all that needed to fall and stay in love for 4 life times for Sunny."

You are right: the show did not do a good job of showing a good reason why Kim Sun loved Wang Yeo so much in the Joseon era. He didn't deserve her love in that lifetime; he was an abuser and nothing excuses that--and ultimately he murdered her. But her love for him then carried over into her life as Sunny, and that's why she was so fascinated with him. (Or maybe it was partly the unfinished business they had.)

"The guys (writer calls them deities and gods, nice male ass kissing there) always get their happily returning brides fresh and young, after killing them off or not protecting them enough...Go ahead, defend your gods (handsome males) who get their “beloved” destroyed and unhappy."

I might agree with you EXCEPT that the guys are extremely unhappy. Wang Yeo had a miserable life (as he should) after he killed Sun. Then he suffered in hell for hundreds of years. Then he lived a non-life as a Reaper for hundreds of years, with no happiness, merely existing. He repented, he was wracked with guilt; he didn't resist when she left him to suffer with his knowledge and without her for many long years. Kim Shin lived with the torment of a sword piercing his body, and the loneliness of seeing people he cares about die and leave him time after time (although he did get to be rich and well-dressed, lol). (Fits the crime, in my opinion: he let everyone die...so they die again and again and again, leaving him alone.)

But certainly it is a historical fact that men have always had more power to destroy women's lives than vice-versa.

"Brainwashing is an art that feeds on emotions, not logic." True that.

0
2
reply

Required fields are marked *

I misspelled my own user-name above, lol. It's Jamie, not Kamie.

0
reply

Required fields are marked *

except I don't find kim shin live a miserable life. it's just on paper. and we get little shown how he is suffered from this. thebmajority of drama. he amile so I just don't find his angst worth my simpathy

0
reply

Required fields are marked *

After reading the comment that Missing 9 has similar tone to Lord of the Flies, I'm positive that I must check out this show. Thanks!

0
0
reply

Required fields are marked *

An exceptionally Wise crop of Beans this week! ??

0
0
reply

Required fields are marked *

Intersting that U who came from another star was brought up, because it is another case of a drama where we were not shown how their issues of age difference in appearance, or future death would come in (and there wasn't a concept of even multiple reincarnation to solve it either).

0
0
reply

Required fields are marked *