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[2017 Year in Review] Let the darkness consume you


Strong Woman Do Bong-soon

I always tell people that my favorite dramas are the dark thrillers. Not that I don’t appreciate a good romantic comedy here and there, but there’s something about grim, murderous lunatics that gets me going in ways that rom-coms just can’t accomplish (you know, in a totally well-adjusted, non-psychopathic sense). This year in particular I found myself gravitating to the dark side more and more.

Maybe it was the fact that I’m now one semester from graduating college and will soon face the cold, harsh realities of proper adulthood, so I was taking the time now to prepare myself for all the undoubtedly bleak truths I am about to uncover. Whatever the case may be, 2017 didn’t disappoint with its delivery of soul-crushing misery to wallow in throughout the year. But enough about American politics, let’s get to the dramas!

Given the preponderance of serial killers permeating the airwaves this year (well, let’s be honest, there seem to be quite a few of them every year), it seems fitting to start with perhaps the most skin-crawling, monstrous killer I’ve had the pleasure of encountering.


Voice

For all of Voice’s faults, Kim Jae-wook’s portrayal of complete psychopath Mo Tae-gu is definitely a high point for the show. Everything from his unbelievably brutal methods of killing, to his deranged obsession with toying with Kang Kwon-joo and Moo Jin-hyuk after the fact, to his commanding, intimidating presence every second he was on screen, all combined so perfectly to form what can only be described as a pure demon.

Coupled with the extraordinary level of violence that Voice was willing to present, Mo Tae-gu soared to levels of heinousness heretofore untouched. I mean who has a separate house specifically so they can callously bludgeon people to death for their own sick enjoyment?

If only the show’s actual premise didn’t fall flat for me, since I could never really buy into our heroes’ stories beyond the obvious “catching the bad guy is good.” It’s a shame because this villain with a better surrounding narrative could have led to a really cool, interesting drama instead of one that left me largely disappointed.


Tunnel

Some killers, though, were lucky enough to find themselves in dramas that managed to also contain excellent stories of their own. I somehow managed to be out of the loop on the true nature of Tunnel’s Dr. Mok until the moment of the big reveal. Something about killers hiding in plain sight like that always tickles my fancy.

What was nice though, was that in spite of me missing the truth all along, upon rewatch it was plainly obvious to me that the signs were all there and I was just blind. Part of the reason I trusted Dr. Mok so foolishly was that I found him interesting as a character even before his murderous ways were apparent. One of the most effective strategies for making a narrative intriguing is to make both sides of the conflict interesting enough to foster your investment in the story, and Tunnel manages to do that with the eccentric doctor.

Sure, maybe the show suffers from being a bit too similar to Signal, but watching Kwang-ho and company match wits with a capable foe like Dr. Mok is a lot more entertaining than if they were up against a more one-dimensional killer like, say, the killer from Strong Woman Do Bong-soon (not that these shows are in any way comparable). Dr. Mok might not foster the sense of dread that Mo Tae-gu brought to Voice, but he makes up for it by being a more compelling character who is more involved with the case than simply being the perpetrator.


Rescue Me

Now, interestingly, the creepiest villain of the year wasn’t even a murderer at all. Well, not directly at least. No villain could match Rescue Me’s Father Baek in the creep factor. Turns out that preying on young women and manipulating people into slavishly adhering to your every word is pretty creepy. I mean he even convinced his followers to willingly consume water he used to wash himself with. I mean, why do that? That’s just gross.

Father Baek’s eerie, lecherous misdeeds enhanced the dreary, somber atmosphere that characterized the world of Rescue Me from start to finish. And what a gloomy world it was to sink into. I think it’s safe to say that no other drama this year managed to cultivate the overwhelming sense of complete despair that gushed from every pore of Rescue Me. Even the successful rescue of Sang-mi and her mother from the confines of Guseonwon came couched with depressing realizations that not everyone could be saved from the grasp of the cult, or the corruption brought on by the desire for power over others.

Though I spent a large portion of this year enveloped in these dark dramas, I consider 2017 to be a considerably positive year for myself as a person. Not only am I on the verge of (finally) finishing school, but I was given the incredible opportunity to share my thoughts with the amazing Dramabeans community as a recapper. I can’t give enough thanks to all the awesome people who take their time to read my insane ramblings and share their thoughts in the comments section. It’s an honor to be even a small part of this site and I look forward to a new year of exciting dramas to experience with all of you!

 
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Welcome to the family, Regals, we're all so happy to have you here!

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so true about Rescue me. all the creepyness and despair became more vivid because of great writing (for the most part) and acting. Father Baek imagined himself to be the good guy and the light, when he was actually the demon. the visual symbolism in the clothes and lighting also helped deepen the discrepancy between appearance and true nature.

there were many baddies this year who were as derailed. Hyun-Soo in Suspicious Partner also had this tilted picture of himself and his victims, like he was doing the society a favor and protecting justice by killing. And Cha Min-Ho just had no empathy for others, even his closest family. His self-preservation relied on annihilating every possible threat. He seemed to believe that he has every right to step on others.

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I'm in awe of Father Baek for the same reasons you mentioned... it's a bit sad though that happenings in the real world is pushing us towards darker shows. There were a lot of times this year when I tried to start a fluffy kdrama but felt guilty about escaping when the world felt like it was going down in flames...

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Indeed, there were so many dark thrillers this year. And it seems to get grislier and grislier...

I agree with what you said about Father Baek, he was such a creepy but very effective speaker preying on the emotional weaknesses of the people around him. Personally I've seen something similar in real life to what he does, where the focus is so much on human suffering that it seemed deliberate, finding a common thread that would be sure to resonate with almost everyone (like poverty) to have more impact. That's what made Save Me so frighteningly real.

Although, my fave would have to be Dr Mok. Not that I admired his work (lol), but the high level of intelligence our villain had made Tunnel so thrilling and his character so compelling. And I loved the twist where the audience already knew who the villain was earlier on and it was a cat and mouse game to see who discovers who first

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Thank you for your paean to 2017's psychopaths, Regals!

Whatever the case may be, 2017 didn’t disappoint with its delivery of soul-crushing misery to wallow in throughout the year. But enough about American politics, let’s get to the dramas!

ROFLMAO!

VOICE was the only show I watched among the ones your mentioned. Kim Jae-wook was chilling to behold as Mo Tae-goo, as lethal as he was hunktastic. But he wasn't alone. Dear Old Dad the transportation mogul made him what he grew up to be, and Kim Roe-ha as his adult supervision protected and fostered his "talents" -- while being an efficient and gifted killing machine himself. In what other show could we find clues to the genesis of a serial killer hiding in plain sight in his choice of cultured reading material: Goethe's poem "Erlkönig"?

Kim Young-kwang had a field day as antiheroic Prosecutor Jang Do-han in LOOKOUT. His mission of revenge for the heinous official misconduct (gee, that sounds almost civilized) perpetrated against his father decades earlier by Chief Prosecutor Yoon ended up eating him alive. Yoon's utterly sociopathic offspring hellspawn was a chip off the old block, and even his mom had to admit that he was murderously warped. Jang recruited as collaborators people whose lives had been blighted by Yoon and his minions, so the show basked in inky blackness seeming ripped from the headlines. "Into each life a little rain must fall." In the case of LOOKOUT, it was a veritable Noah's Flood of unmitigated evil.

MAD DOG had its share of powerful executives whose consciences had obviously been surgically removed at birth. Morally-compromised hitman Lawyer Lee was as cold-blooded as Mo Tae-goo, Yoon & Yoon, or any of his employers, but at least he was honest about it. In addition to insurance scams and killings, inhumanity was dished out by everyday people such as Kim Min-joon's adoptive parents who summarily threw him out on the street at 17 when they finally succeeded in having a baby of their own. The icy callousness of the backstabbing perpetrated against each other by the airline and insurance honchos was no different than their heinous treatment of the public -- and the Mad Dogs who sought the truth about the crash of Flight 801. Unlike many Kdrama villains, they were resourceful adversaries -- veritable Energizer Bunnies of Evil who gave the Dogs a hard run for their money. When truth and justice finally prevailed, it was all the sweeter for the good guys' dogged persistence.

- continued -

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- continued -

BLACK was another drama suffused with criminal depravity at every turn. As in VOICE, some of the crimes were based on true events and actual victims. That background information made the show more realistic – and extra depressing. On the other hand, the presence of more supernatural beings than you could shake a stick at partially offset the sense of being hopelessly outgunned by Evil, as did Detective Moo-gang's upright fellow officers. In this drama, nearly everyone was morally compromised in some way. And then there were the benighted types who were either victims of the former, or were unwitting agents of mayhem themselves. (I'm looking at you, Ji-ho.) For photophobic viewers, the drama was unremittingly dark with infrequent, almost anomalous interludes of lower-percentage grayscale – until the very end of the final episode. Never has sweetness and light been so jarring.

Here's wishing you a successful and fulfilling final semester of studies in preparation for your launch into the working world, Regals. It has been great fun to read and comment on your recaps. I look forward to more of the same in 2018, as your schedule allows. Thank you!

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Ah, one more dark drama that deserves mention: MONEY FLOWER. This weekend drama is not being recapped at DB, but I've been able to follow it pretty well.

Jang Hyuk is simply terrific as a wreaker of vengeance playing an even longer game than Prosecutor Jang Do-han in LOOKOUT. His way of going about it is cunning and ruthless. It is such fun to watch him set his ducks in a row -- sometimes only to be thwarted by his antagonists. Again, it's a case of villains being smart, cagey, and ruthless themselves. Kim Mi-sook, who plays Evil Grandpa's equally evil daughter-in-law, makes Lucretia Borgia look like a Girl Scout. (She was also terrifically over-the-top as Chef Jung-sun's batsh*t-crazy mom in TEMPERATURE OF LOVE.)

Usually I pass on revenge dramas, but this one hits the spot. I admit to being a Jang Hyuk fangirl who would watch him read the phone book. But MONEY FLOWER is ever so much more fun. ;-)

As a bonus for this Regal's essay topic, a little mood music:

The Nylons: "Prince of Darkness" (One Size Fits All, 1982)
https://www.youtube.com/watch?v=q5p5dItbbfQ

Toronto's incomparable a cappella quartet. Check out their live videos up through 1989 for this lineup. They're phenomenal. ;-)

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Suspense-thriller genre has always been a top favourite of mine. I like the adventure, action and adrenaline rush without the coffee! Money Flower is being saved for watching until the series is completed or nearly completed. I can't live week to week waiting to see what will unfold, after reading about cliffhangers, thrills and such. Waiting for Just Between Lovers week to week is enough for now. There are no cliffhangers but this show wrenches, twists and crushes my heart without fail, every episode. This show is Darkness galore without psychopaths.

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Mo Tae Goo! The sexy, handsome, cool and charming psychopath that I couldn't bring myself to hate him lol Kim Jae Wook is seriously charming as a bad guy.

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Im with you on the i love thrillers but not really romcom kind of thing. And Father Baek is definitely creepiest of the bunch for me Cha min ho/sun ho from defendant would be one of the best villians of the year for me i actually shed a tear when you could tell he really liked his "wife" despite all the evilness and even his brother's child and that somehow made me cry and i dont cry for villians i dont.

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While I wouldn't say super dark thrillers are shows I regularly watch, I will say that this years Rescue Me sounded particularly intriguing. With many of the Beanies' positive comments about it, it's been placed on the always-growing "To Watch Later" list.

Thanks for this post @regals and for all your work this year!

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I, too, love thrillers, dark or otherwise. But I also like rom-coms equally. Sometimes I'm even able to enjoy the .mkjg type of dramas. :D

Thanks Regals for the review !

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Re: .mkjng dramas, I was surprised how much I enjoyed HAPPY HOME. It had a nice tinge of Yoon Si-yoon's Chinese drama HAPPY NOODLE (aka KING OF BAKING KIM TAK-GOO GETS INTO HOT WATER), and was utterly addictive. I binge-watched all 51 episodes to cleanse my palate after the ending of BECAUSE THIS LIFE IS OUR FIRST, with which I had logic issues in the case of the OTP (a story for another day).

The particular flavor of makjang was tempered with terrific Chinese food and cooking pron. Although pater familias Sam-bong was depicted as a patriarchal tyrant, it was all too clear what made him that way, and that knowledge was always in the back of my mind.

I originally tuned in for Lee Sang-woo after falling head over heels for him in LIFE IS BEAUTIFUL. I ended up having a blast watching the machinations of Lee Pil-mo as Sam-bong's son-in-law Hyun-ki (whom I'd thus far only seen in his utterly touching turn as Park Do-kyung's soundman dad in OH HAE-YOUNG AGAIN). Seo Yi-Sook is terrific as Hyun-ki's magnificently imperious and conniving mother, a famous designer of hanbok. This role was a warmup for her turn as Madam Park in REBEL.

These are but a few of the strands of the story. There's plenty of humor, too. ;-)

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@regals unfortunately our tastes are too different, I can't stand thrillers. Nonetheless I am glad to have you here. After all, the more the merrier, right?😉

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