Chainsaw Farewell Scene.

Oppa is slicing into a something with a chainsaw. Dr. YJ appears. He sees her reflection in the blade.

Oppa: "Goodbye. I am moving out tomorrow."

Dr. YJ: You've been saying that a lot, but you are still here.

Oppa: I am leaving. For real.

Oppa: Hate me. Think of me as a chainsaw.

Dr.YJ: You saw my heart in two.

Oppa: You can stitch it back again. You are strong. You stitched back the lizard's tail. Goodbye...

I found it hard to believe that the scenes between the second leads were written and directed by the same team that wrote and directed the scenes for the main leads. As you’ve pointed out, the arc for the secondary couple is beautiful and natural - while the arc for the main couple is anything but.

Proving once again that there is resonance between them...

Yeah this is the gayest thing I've seen since Heirs.

My theory on the Great Vanishing Hole is that it is the entrance to the Morlock caverns.

I knew the clams would draw you back in just when you thought you were out!

How did the clams get to the hole? All I see them do is open and shut. They just stay in one spot, opening and shutting, opening and shutting. I don't see them do anything else.

@windsun33

Wow, once you pointed it out, it really is obvious. Mutant squirrels hiding clams! Just brilliant.

Now I know what it is. Manhole.

never gonna eat a clam again!

Really wish we could edit posts where formatting gets lost...3rd try. Two parter post--so 1/2.

This is too fun to not play along...I have been waiting for a guest appearance in a near future episode by @sincerelytod, where ToD is carrying the toxic waste that is making the villagers sick.

ToD will first be spotted from a distance by our second lead female who will yet again not manage to get a fleeing vehicle to stop for her.

Our sub villain, having been chastised by the lead villain will be seen brooding and picking up a phone. He will bark out that they need the plan to move forward faster, so they better find a way to meet this new deadline.

Just long enough for us to have thought that was ToD’s only guest appearance, two brief confusing cut scenes will happen. The first where our lead male first drives by the ToD while yet again trying to lose the tailing car behind him in a city setting. That will then cut to where our lead female sees ToD driving down the forest road as she rides her bike to the clinic with no way for viewers to figure out how much time passed between the two scenes.

Then there will be some patients of the week boarding their clinic shuttle bus. As the bus leaves, it will reveal ToD parked nearby, the driver on the phone animatedly arguing with someone but we can't hear exactly what they are saying.

A brief scene shows our second lead male at a computer pondering over what to do for his big dating event, and the Chief is seen leaving the Rescue office as he answers a call on his cell.

This fades to our female lead walking through the clinic, having tended to all the patients. The nurse stops her as she walks by the reception window to tell her she left her water report behind. It is only then that the lead female will suddenly remember seeing ToD, and will wonder what an unmarked tanker truck might be doing on rough mountain roads.

Some other corporate filler that doesn't further the plot in any obvious way will then eat up time. It could be more scolding from higher ups, or another secret office lunch meeting discussing progress without hinting at what steps come next.

The next shot will reveal the formerly seen angry driver running furiously after ToD. The camera will pan around ToD to show it is now being driven by badly CGI'd squirrels--with two handling the pedals, two the gear shift, and one steering with the last acting as lookout on the dash trilling out directions.

This fades to our second leads are again traipsing through the forest together, and as they reach the road side our second lead female admits to our second lead male that she yet again could not get an ID on a suspicious vehicle. At that pivotal moment, ToD will come barreling down the road. She will be snatched to safety by him, and the camera will follow ToD with a zoom in to the rear of ToD which reveals the digging auger bit drops off the truck after it hits and bump, we see the auger roll to the side of the road...

2/2
...while the camera stays continues to zoom into the bumper, which is dotted with clams singing trot music as the sway with the rhythm of the truck bouncing. The camera cuts back to show the second leads rolling to the side of the road. An accidental kiss may happen if the Writers managed a perfect saving throw during their meeting with the Director to avoid summoning the Amnesia Trope.

That scene will fade to the two leads arriving home, both lost in thought and awkward with each other. As they both reach for the door knob at the same time and bump hands, she will quickly turn away and wonder out loud what an unmarked tanker truck was doing on a forest road. This will capture the attention of the lead male, who will make an excuse to push past her rudely and go inside to call his lackey and ask exactly what an unmarked tanker is doing on a forest road. The split screen freeze will be both of them looking annoyed, with no whiff of romance whatsoever in their eyes.