52

Open Thread #723

Happy Friday everyone!

Here is your Open Thread, which is here for you to chat about anything you want, whether it be drama-related or not. Nothing’s off-topic here! Spoilers may be rife, so proceed accordingly.

 
RELATED POSTS

52

Required fields are marked *

Little Boy - 4575k - 19th of September is still on

Time to move on from September onwards.

I have yet to get the 1st boost. yup.

0
1
reply

Required fields are marked *

This week was more sensible financial week. Nothing much new around in news and space. Nothing much in fiction either.

standing on a street, start talking, making small speech, attracting others, not being seen as a lunatic is a tough job - it also requires quite courage - I always thought its tough and i'm gonna sweat a lot but i can do it, September's winds have started to blow and i'm no way near it. Well, as said few times before i'm not in as active participant but ready to financially support the medium aka the new blood. But, that young hot blood is nowhere so it will be years of beating from the boomers at top. Then the question pops up - why look everywhere around - why not step up - that's the reason - everyone is so busy, so distracted and so much in not so good position that we all just hope someone stands up, step up and we will rally around them. This is leading everyone nowhere and common man is turned into a sitting duck.

Truly i wish to come out of it and not be a duck but i do find it being so out of character for me to step up when playing safe is what i have done for whole my life.

1
reply

Required fields are marked *

Hi! I've recently registered and was wondering if a discord link was available? I'd love to talk to everyone on it

1
1
reply

Required fields are marked *

I think i was the 1st one to came with one. My objective was way different and still is - And someone did created one later - post on fanwall and you will get one. Thankfully am not part of that tribe.

As for Kpop-kdrama discords groups - there are many but the best you can get is on SNS. There are few good Facebook groups and lot more are active on Twitter(Lists - mostly to trend their idol and keep tab on news)
If you want better - then join Kdrama subreddit.

Also lots have shifted to apps( mobile phone apps) for live-chat/watch aka group watch and for most probable reason the downloads - there are whatsapp groups,telegram groups(for downloads as torrents become risky).
LINE is very strong in asian market except korea and china(as expected)
There are wechat groups for Chinese media(download and all).

If you really want to engage with large part of audience then mobile apps are best. Discord have all the features of apps but its very much a different medium and have different set of audience.

Does anyone expect Asian dramas fan made videos on TWITCH? no.

As said earlier go for facebook or reddit - they will provide you better experience.

0
reply

Required fields are marked *

Happy weekend Beanies and keep Beaning On!

My therapist told me I am doing very well at the moment!🥳 Those words bring encouragement for the future and a lot of relief in the present. I did enjoy a lazy weekend watching some Pride and Prejudice and it did wonders for my health and productivity this week. However, I still felt like I did not put in enough effort, so those words were a reminder of the valuable lesson that I should not be so hard on myself all the time.🤗

For that reason I am thinking about trying a habit tracker in September. It would give a nice overview of my productivity and I hope it also indirectly exposes some of my bad demanding behavior patterns. Of course we are also considering K-dramas a habit, especially with so many summer shows to catch up on and September shows to start! I better hurry and finish Pride and Prejudice quickly, September is almost upon us!🤭

14
1
reply

Required fields are marked *

Great news @turtuallysarcastic!
Thanks for sharing that you are doing well if not better!!!

One day at a time! You got this!

1
reply

Required fields are marked *

Long fan rant alert:

Seungri made the tactical decision to have his civilian criminal charges heard by a military court. Normally, military courts are stricter than civil courts because military principles are based upon honor and duty. The military court entered its judgment on all 9 counts against him, sentenced him to three years in prison and fined him $1 million (US). Under military law, a soldier convicted during service would be sentenced to wartime hard labor. History scholars would say that technically, South Korea is still at war since it is only currently in a long cease fire with North Korea. But legal experts believe Seungri will be transferred to a civilian prison (and appeals will be heard by civilian courts).

But that did not stop his fans for railing against the injustice of the sentence. Fans criticized the military, the “corrupt” justice system and the fact he did not get a fair trial. Fans opinions were based only upon Seungri’s press releases because the military court, which actually heard all the evidence, clearly concluded that Seungri’s defenses had no credibility.

China has its own Burning Sun type scandal. Kris Wu has been arrested for suspicion of rape. There are allegations of dope and rape of many women, including at least one minor. Wu was detained before he could flee to Canada. The Chinese government erased all his work and projects from public media. If he is convicted of the most serious charge, the sentence is the death penalty. His fans have caused an uproar on social media trying to defend their idol from the charges; attacking the victims, the justice system and the claim he cannot get a fair trial because he is a celebrity. But China is a totalitarian state. It used this case and fan behavior to crack down to censor social media to have citizens conform to its communist teachings and policies.

China’s internet watchdog has called for further discipline of online fan clubs, urging websites and platforms to adjust their products and services to regulate fans to “star chase rationally.”
“There needs to be a limitation of irrational star-chasing by canceling promotions that prompt fans to buy products in support of their idols, changing the rules for competition, and managing fan groups,” it said. Since June, the CAC’s has been aiming to put an end to the “chaos” involving online fan clubs, part of a crackdown on China’s increasingly obsessive celebrity fan culture, which involves online abuse, doxxing, excessive spending and even stalking of celebrities in extreme cases. So far, the CAC has cleaned up more than 150,000 “harmful messages”, closed down more than 4,000 social media accounts, and 1,300 groups and removed 39 apps, it said. China’s crackdown on uncontrollable fans is totally different than fan culture in democratic countries.

A fan's ability to be a lunatic really depends on where they live.

5
1
reply

Required fields are marked *

Lots happening in c-ent. A popular, oft-repeated comments, "Afraid that when I wake up entertainment industry will be gone!"

Real/fake fans/haters are running wild under state media reports on regulating online fan behaviors and fan clubs. Maybe trying to start fan wars. Maybe trying to get certain celebs in trouble for not controlling their fans. Seems like those accounts are mostly "disposable". One gets suspended or closed down, another can be quickly opened/cheaply bought. Not much can be done with random online lunatics.

0
reply

Required fields are marked *

I read that Apple TV+, or whatever they call themselves, is getting into K-dramas. They've hired Lee Sun -kyun to act in a webtoon-based story named 'Dr. Brain'. What that means to me is I've got another K-drama that I'm never going to get to see.

7
0
reply

Required fields are marked *

Spent this week watching all 10 episodes of Nevertheless. It left me with an uneasy feeling. I’m fine with the erotic scenes, which by the way Song Kang does very well, and I don’t care about the lesbian relationship. But it occurs to me that I dumped American TV just to get away from this kind of show about self-absorbed characters in temporary ambiguous relationships with no commitment to the well-being of others and no intricate family relationships. I.e., putting the Individual above everything else. I read somewhere that Netflix has tripled its production in S Korea. Is this their way of grabbing more market share in Asia? By putting on shows with more western values? Will this be the new direction for Korean dramas? For that, I could watch American TV and not have to bother with subtitles.

10
34
reply

Required fields are marked *

Yes, last week we discussed whether international streaming platform/producers will "westernize" K-drama stories. I think the consensus is probably influence the story lines in (an alleged) attempt to make it more understandable or relatable to western viewers. But that itself misses the point.

3
reply

Required fields are marked *

I am very much afraid that this is true. Kdramas can't help but be negatively impacted by Netflix entering the market.

5
reply

Required fields are marked *

I think Netflix gets too much blame tbh.

5
1
reply

Required fields are marked *

Me too. Especially since quite a few Korean movies I've seen are very much like US movies. Japanese dramas are also more risque than k-dramas but no one points that out.

2
reply

Required fields are marked *

But Netflix's dramas are pretty good. They bring something else like Extracurricular, Kingdom, Move to Heaven, D.P. Love Alarm was disapoiting.

I don't think Nevertheless was a bad idea. The execution was bad but it could have been interesting. It's not like sex scenes became the norm in Kdrama.

9
4
reply

Required fields are marked *

Agree about Love Alarm but one of the reasons I think Netflix gets blamed a little too much is that the k-dramas they have made, like Extracurricular, School Nurse Files, Move to Heaven and D.P. are so very Korean, but with themes that are universal. None of these dramas would have had a chance of being made by the networks, yet they are excellent.

Nevertheless may have differed from the webtoon, but from my understanding, the actual webtoon would be considered "westernized." K-dramas are going to change too as each generation of Koreans change.

4
1
reply

Required fields are marked *

TV networks must follow rules about sex, violence, etc. The conservative gouvernment won't change them. So I don't think that we will loose the typical rom-com or more innocent dramas. But Netflix let the Korean cinema and the Kdrama meet. More than TVN or JTBC can do.

3
reply

Required fields are marked *

If love alarm was disappointing it wouldn't have been a bigger hit than all the dramas your mentioned above. It literally ranked 3rd worldwide on netflix to the point that that the vice president of netflix personally mentioned how popular it is in an interview. The drama is insanely popular irrespective of what you may say.

0
1
reply

Required fields are marked *

Love Alarm made a lot of buzz but it doesn't mean it was good. I'm pretty sure that Kingdom was more successfull.

5
reply

Required fields are marked *

There's a number of LGBT Youtubers that have just gone gaga over the Sol/Ji-wan storyline from Nevertheless. Cheering the cause of lesbian (especially Asian lesbian) representation in K-dramas. Its really quite endearing watching them fan-girl over the tiniest Sol/Ji-wan scenes.

1
reply

Required fields are marked *

I haven't seen Nevertheless, but didn't it in fact dilute the ambiguity and cynicism of the original Korean webtoon? So if K-drama has been getting darker and meaner, I don't think it's a matter of "western values". Rather, as in many other countries, cable TV gives writers, directors etc the chance to tackle themes that are off-limits on terrestrial TV. Moreover, I've seen some pretty cynical mainstream K-dramas as well, like The White Tower and Bittersweet Life (both, weirdly, from MBC).

Actually my experience of American TV has been quite uplifting. Whatever Joss Whedon is guilty of, no one can accuse Buffy the Vampire Slayer of putting the individual above everything else. More recently, the two detectives in Netflix's Unbelievable are completely committed to their respective families and their duty to protect and serve. I'm also very fond of The Americans, The Good Wife and The Good Fight, none of which neglects the wider social context.

6
reply

Required fields are marked *

If kdramas go western, I will only have a few Chinese dramas to watch because at least, due to the whatever politics that tv programs have to be for all kind of public, etc, they are all pretty decent.... 🙄
If I got tired from them, because they can be decent, but many are boring, then I will have nothing to watch.

Then I will stop watching anything at all, and I will use my time in me writing my own stories. Also not a bad idea, because at least I will be able to watch in my mind what I want to🙄🤔🙄🤔 😂😂😅😅😂😂😅😂
It will be a good way to expand my creativity.

3
reply

Required fields are marked *

Is it western values or censorship? There is definitely something to be said about Netflix not needing to make sure the broadcast is "15"

4
2
reply

Required fields are marked *

I've joked before that the typical K-drama heroine is a 29 year old college graduate who does heavy social drinking on a regular basis and lives alone. And is ranked among the most beautiful women in Korea. But she claims her K-drama beau was her 'first kiss'. Welcome to the land of 'rated 15'.

2
1
reply

Required fields are marked *

Sometimes the effort that is made to tie the main couple to having met when they were children is hilarious.

3
reply

Required fields are marked *

For every drama like Nevertheless there are millions of kdramas selling filial piety, lots of guilt, nice idealized female leads and troubled idealized male leads.

4
2
reply

Required fields are marked *

Yes, and that might be one of the reasons why Korean viewers themselves have been abandoning K-drama in droves. I have been Google-translating Naver comments about On the Verge of Insanity, and I was surprised by the number of Korean OTVOI fans saying how taken aback they were by their love of OTVOI cos they usually didn't bother with K-drama.

4
1
reply

Required fields are marked *

Yeah, that's understandable. While watching rom-com's I say at least 10 times "that wouldn't happen in real life". You watch tv to escape but you don't want a fairytale all the time either.

2
reply

Required fields are marked *

I think it’s probably with streaming platforms they can try a lot more things? The same kind of thing happened in Western media where shows that wouldn’t get made for broadcast television got made for streaming. At the end of the day it’s a product and if people don’t like it, it’ll show in the data and they won’t make more. The trend I don’t like is for multiple seasons. It’s one of the key things I really liked about korean dramas - that the story ends.

5
1
reply

Required fields are marked *

The one season format is what I liked most too. I hate for shows to drag on for 5 or more seasons, I lose interest.

3
reply

Required fields are marked *

There's something about kdramas that I find so much more satisfying than the usual Western narrative irrespective of Netflix or whatever. It might be that the usual 16 episodes give more room for character development and for more shades to a character, as well. Not always so black and white. When I first started watching kdramas, they seemed like a Dickensian labyrinth of stories all intertwined. I also like the warmth. Overall in staging, colour, cinematography, they are beautifully creative and visually stunning. In contrast, dramas from the West now seem to be ugly and tired. They no longer engage me. I've watched lots, from diverse countries and I'm over them. I can tell where the story is going in the first few minutes. K drama so often blindsides me. Sure I recognise the tropes, but they can suddenly turn genre in interesting and provocative ways. There are of course exceptions and disappointments. But it seems to my jaundiced eye that the West has run out of stories, but SK is nowhere near the bottom of the well.

8
13
reply

Required fields are marked *

This!

It is the universal humanity in kdramas that irresistably sucks me in, a realness that can't be duplicated in current western television.

Lately (for yucks) I will watch one of the new offerings that Netflix lists as being in the top ten choices for my region. I always do this with a family member around, so they can validate the horribleness of the movie/series/ whatever with their groans!

I don't believe the problem is that the west has run out of stories, rather they have nothing of value to say....there is no real value or morality to underpin the story they're trying to tell.

I watched the Chair, and I watched On the Verge of Insanity concurrently. Guess which one I loved!?

4
4
reply

Required fields are marked *

Totally nothing of value to say. I thought the Chair might be worth a look but had not gathered the energy to get disappointed again. Instead I just burned through DP. So topical, searing, heart breaking, and human.

2
1
reply

Required fields are marked *

I actually watched the entire series, in part because of the glorious praise, but also to to see if there was any redemptive value.

Nope....nada

2

Nada. 😆

2
reply

Required fields are marked *

I'm still trying to account for the attraction too. What you say about faces is interesting- something I hadn't thought about before. I'll be looking for that more and trying to work out how it affects me.

I first saw Mr Sunshine and the opening with cello playing caught me up and I'm still entangled. Colour, scenery, music, relationships, the unexpected genre shift, all the flaws of human nature... I don't know enough about cinematography to catch what's happening but I can't get enough of it.

Admittedly I grouch about the representation of women, particularly older women and OTT villians, but sometimes we get to see a more complex and more shaded antagonist. I recognise how envy drives so many narratives, and it seems that the scriptwriters get their fingers into the wounds of personality more unerringly than the usual drama coming from the West. Whatever it is I've simply lost interest in the Western narrative and cannot get enough of what is coming out of SK.

1
reply

Required fields are marked *

For me, there are as many disappointments in K-drama as there are in drama from other countries. IMO really good shows are few and far between, anywhere in the world. E.g. though popular, Taxi Driver and Uncanny Counter are pretty inconsistent, rather hackneyed, and seem to prioritise shallow impact over true insight. Similarly, I've been disappointed by lots of overhyped UK shows like Broadchurch and Industry. Both countries have loads of run-of-the-mill cop/doctor/lawyer shows. But IMO nothing in K-drama has reached the heights of It's A Sin, Happy Valley or Detectorists. And nothing in UK TV has given us melodrama in as original a form as My Ahjusshi, or a workplace show as funny and detailed as On the Verge of Insanity. So I'd rather judge each show on its own merits rather than classify it by its country of origin.

3
7
reply

Required fields are marked *

I take your point, but I'm indulging myself and letting my prejudices rip. I have seen season 1 of Happy Valley and was blown away by it, but now I can't ... There was more darkness than I needed to dose on. James Norton's character will stay with me forever. I watched Broadchurch because I love the leads as actors. It was a horrible story, as so many are. I can't watch terrible things happening to women and children anymore, and I've watched the full complement of abducted children stories, British and French. There came a point when I'd seen enough of Silent Witness. (I did laugh myself sick at League of Gentleman. Funnily enough that level of darkness was perfectly ok) A general sense of misery and depression runs through so much, and even though there are so many amazingly good British actors and wonderfully wrought stories , the story (in the sense of The Story) is overwhelmingly dark and despairing. I'll try with It's a Sin, but the signs are it's going to be dark too. And Neil Patrick Harris is for me (and probably me alone) meh.

But how can the Koreans make dramas in which almost nothing happens and they can be so quietly funny, wry, human, tragic and warm? (e.g. Misaeng and Prison Playbook) I don't find that many other places. And yes, there is nothing like My Ajussi and Move to Heaven. I've just started On the Verge...

3
2
reply

Required fields are marked *

But Detectorists is a wonderful show about ordinary people doing very little, and so are Michaela Coel's earlier series Chewing Gum, Sally Wainwright's Last Tango in Halifax and Peter Bowker's The A Word. And there are a lot of Korean dramas that pretty nasty (e.g. Voice, Bad Guys, Taxi Driver, Save Me, Possessed) but don't seem to have been much influenced by western media.

2

Re: Koreans making dramas where almost nothing happens!

I keep trying to understand the attraction, too. I've decided part of our fascination is visceral; we are hardwired from birth to 'read faces' and there is a singular focus in kdramas on lingering, direct, almost uncomfortable eye contact. They also let the camera sit for an extraordinary length of time (by western standards) on the actors face which allows us to share in the emotional experience.

I know, for me, that was initially uncomfortable, which in itself is a sad commentary on our current society.

1

I've seen Last Tango in Halifax and The A Word. Delightful and funny. I haven't finished Taxi Driver yet. I maybe won't finish Voice or Save Me. I started Bad Guys but didn't finish, so yep, I steer away from the ones that are ugly.

1
reply

Required fields are marked *

But, but, but, there is more of a redemptive arc that is far from trite in so many more of the k-dramas than anything I've found elsewhere. And it's located in warmth and human relationships.

1
1
reply

Required fields are marked *

Personally, trite is precisely how I find the redemptive arcs and relationships in many K-dramas I've seen, e.g. Dr Romantic, Oh Master, Lovestruck in the City. And ugliness pops up quite a lot, even in the ones that are not advertised as dark. Daebak Realty is a great show, funny and very moving, but it is a lot more violent than many UK shows I've seen. I haven't seen Youth of May, but because of its setting the characters go through truly terrible things in the second half.

1

I haven't seen Ýouth of May yet but I definitely will because it's based on actual events. The history always gets me in too. So many stories to tell around dramatic and tragic events that still need to be told as part of a therapeutic collective story telling. I find it all so much more interesting than most other stuff from elsewhere.

1
reply

Required fields are marked *

Happy weekend everyone! We’re still in lockdown (till Tuesday, at this stage, then some restrictions lift) but I’ve finally been able to book my vaccine, so hooray for that. I am finding this lockdown more tedious than the last one and I don’t know if that’s because we’ve had no restrictions for so long or because they keep extending it for just a few days at a time (it’s been less than a fortnight) or because of the weather or because I’m sick or because my 7yo keeps asking me to rank all the Pokémon in order of my favourite 😫 but anyway, I’m looking forward to getting it over with.

10
0
reply

Required fields are marked *

I just now finished the finale of 'On The Verge of Insanity'. I won't give anything away, but I stayed til the very end just so I could give the series a ten star review on Viki. Its been a long time since I've seen a final episode that I wasn't able to predict how it would work out. That littler workplace drama was a plot twist masterclass.

10
1
reply

Required fields are marked *

I agree- it earned every star...the little drama that could

2
reply

Required fields are marked *

Just here to add to the chorus - those who haven't already, please go watch ON THE VERGE OF INSANITY. A gem of a drama that deserves all the love it's getting and more.

I had no plans of watching it, but less than halfway through, I had an inkling this would enter my best-of-kdramas list, and after it's full run, it's cemented its place there!!

6
0
reply

Required fields are marked *

Watched a couple episodes of D.P. yesterday. Question for you veteran kdrama watchers: What does it mean when the subtitle says "In Hangul?" Isn't Hangul an alphabet? Second, Jung Hae-In is in dark yellowish make-up (or maybe tanned). Is this supposed to signify something about his social class or ethnicity?

0
0
reply

Required fields are marked *

I will forever be indebted to 'Battle of Changsha' for opening my eyes towards what war really is. Before it just meant victory over the enemy to me, but after watching it I had realised there is no enemy, only innocent lives lost. How beautiful simple routine, sometimes boring life looks against the chaos of war. I am rewatching it currently to reappreciate the gem this drama is.

1
2
reply

Required fields are marked *

Oh I may have to check this out. Very rarely war dramas talk about the real affects of wars.

0
1
reply

Required fields are marked *

I hope it meets what you are expecting. I remember I had started watching it only for Wallace Huo visuals but the show is a lot more than him. It will made me laugh, then it made me cry.

0
reply

Required fields are marked *