Uh-oh. MBC may be getting ready to let that axe fall for the third time this year. I’m reading conflicting reports about its soccer drama Heading to the Ground, but it’s not looking good.

KBS’s blockbuster drama IRIS has just premiered with a very strong rating in the 20% ballpark. (Official ratings aren’t out yet, but the preliminary report places it close to 20%. UPDATE: The number was a whopping 24.5%. As it just aired four hours ago, no I haven’t seen it yet, but I plan to.) That means that the poorly performing Heading, which has several weeks still left to go, is now essentially dead, with Iris and You’re Beautiful getting most of the attention.

One report says that Heading will end early and allow Hero, the Lee Junki vehicle, to begin a week earlier than planned, which would give MBC more to work with in the Wednesday-Thursday ratings battle. That would mean that the 20-episode Heading would need to wrap up by its 18th episode instead. However, Star News reports that MBC has “strongly denied” the curtailment rumors. In a phone interview on the 14th, the MBC source said, “Rumors of cutting it early are ridiculous” and that the drama would end as planned.

As you know, MBC cut Tamra the Island and Strike Love, but strongly denied rumors of cutting Friend, Our Legend, which went on to complete its original run. I’ll be keeping an eye out to see which side prevails.

Via Star News, Today Korea

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• Friend will not be ending early
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• Fans are spitting mad at Tamra’s curtailment

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Post tags: drama production, drama ratings, Heading to the Ground, IRIS

With only a day before its airdate, the premiere of Iris was thrown into question as the drama’s production company, Taewon Entertainment, announced a dispute with its broadcaster, KBS. After a day of negotiations, the two sides did reconcile and come to an agreement, meaning that the Wednesday premiere of the high-profile action series will continue as planned. But not without some major issues built in, as we learned from the grievances aired by Taewon.

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Read the rest of Iris and Chuno run into production disputes (607 words)

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Post tags: Chuno, controversies, drama production, IRIS

There have been several discussions on this site about this topic, so I found the following article pretty timely. I both agree and disagree with the points outlined below, but regardless of my personal take on the matter, I’m certain there is enough room for convincing arguments on both sides of the issue…

“Who’s to blame when characters are criticized?”… “Incomprehensible” lead characters, damaged dramas

“I can’t understand my character myself, so how can I act in a way that viewers would sympathize? It’s disappointment upon disappointment.”

This is the confession of Ryu Shi-won, who was thrown into confusion at his incomprehensible character in SBS’s Style, which ended on September 20. With twenty years of acting experience, he found his character’s sudden changes difficult to handle. And it’s not just with Ryu Shi-won. Jung Il-woo, who is currently appearing in KBS’s My Fair Lady, expressed disappointment for similar reasons.

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Read the rest of Who’s to blame for confusing characters? (1,472 words)

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Post tags: drama production, East of Eden, Jung Il-woo, Lee Da-hae, My Fair Lady, Ryu Shi-won, Style

I stopped watching Style a while ago (I couldn’t take it anymore, it got on my nerves), but I’m still keeping an eye on the news about it, since it’s holding steady in the ratings in the mid-upper teens. (It hasn’t yet broken 20%, and has recently slipped into second place behind KBS’s weekend drama Iron Empress.) It doesn’t surprise me that the drama is now being criticized for its excessive shilling of products — as the article below points out, product placement in and of itself is fairly common these days, but when it crosses the line, viewers will notice that the drama starts feeling empty of actual story.

“A magazine 100% free of advertising? Are you joking?”

That’s a line of dialogue that magazine editor Park Ki-ja (Kim Hye-soo) fires at Seo Woo-jin (Ryu Shi-won) in SBS’s drama Style. Replace the word “magazine” with “drama” and you’ll hit the mark regarding Style.

Watching Style, with its fancy visuals, is like watching an hour of advertising. To some extent, it’s unavoidable to show what the characters like to drive, wear, eat, and use. However, Style is also coming under fire for this display and the characters’ conspicuous dialogue.

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Read the rest of Style criticized for excessive product placement (432 words)

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Post tags: drama production, Kim Hye-soo, Lee Jia, Style

(Hyun Bin, is that really you?)

One of the buzzworthy dramas this year is the remake of the 2001 film Friend [친구], which is being adapted for television in MBC’s Friend, Our Legend [친구, 우리들의 전설]. Aside from the casting, the drama has a few things going for it that’s drumming up early interest: It’s being written and directed by the film’s director, Kwak Kyung-taek, and it’s just announced that it’ll get all 20 episodes in the can before premiere time.

The production company, ZinInSa Films (which also produced the film), stated on May 10 that filming is currently about 80% completed: “Filming and editing are being done together, so the entire production will be completed prior to broadcast.”

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Read the rest of Shoots nearing completion for Friend (293 words)

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Post tags: drama production, Friend, Hyun Bin, Kim Min-joon, remakes

A highly anticipated drama project that fizzled last year may get a second chance at broadcast life: producers are hoping to give Daemul (aka Big Fish, or 대물) a second go.

The 10 billion won drama production had been a big-buzz project, first of all because it was based off a popular comic, and second of all when it cast A-list stars in the roles of the female president and high-class gigolo: Go Hyun-jung (HIT) and Kwon Sang-woo (Bad Love) in what was to be his big comeback project.

However, Daemul encountered numerous problems with its budget, PDs, and filming locations; SBS then dropped it from its schedule; and eventually it fizzled.

Now, Lee Kim Productions is hoping to get the drama back into production and on the air sometime this year. Interestingly, they say they want to continue with the same actors, but that might be tough, as both are now headlining their own series (Kwon in the current Cinderella Man and Go in the upcoming Queen Seon-deok). LKP is currently working on adapting scripts from the manhwa, which was created by Park In-kwon. Park also created the manhwa War of Money, which was turned into a hit drama in 2007 by the same production company.

I’ve always been more interested in the premise with Daemul than its producers or cast, so I’d actually like to see this one make it to air. Probably won’t be with SBS, though — although, I wonder if the broadcast station will put aside its squabbles with the production company and attempt to woo Lee Kim’s upcoming Lady Castle, starring Yoon Eun-hye.

Via Joy News

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• Bye-bye, Daemul
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• Lee Young-ae, potential Madam President

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Post tags: Daemul, drama production, Go Hyun-jung, Kwon Sang-woo, manhwa adaptations

Korean dramas have higher actor fees, which leads to inflated budgets and smaller profit margins (or losses); twice-weekly broadcasts keep ratings and buzz high but adds to frantic pace of production. On the other hand, Japanese dramas hand out lower salaries; once-weekly episodes have shorter running times, which gives production more time to ensure higher quality.

I think most of us here are savvy about drama production, particularly since the problems are highlighted whenever a high-profile series becomes known for its behind-the-scenes scrambling (ahem, Boys Before Flowers, East of Eden). Already we’ve had similar discussions in many threads here, but still, it’s an interesting read.

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Post tags: drama production, j-doramas