Entries in the 'film festivals' Category

Gu Hye-sun’s film festival trailer

As previously announced, actress Gu Hye-sun took a second stab at directing with a short (1-minute) trailer for the 7th Asiana International Short Film Festival, which was released on October 20. This follows her directorial debut, a short film about euthanasia called The Madonna [aka The Cheerful Caretaker, 유쾌한 도우미].

This AISFF trailer will be shown before each screening at the festival, which will take place from November 5 through 10. Watch the video below.

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Opening red carpet at the 14th Pusan International Film Festival

On October 8, the 14th Pusan International Film Festival, or PIFF, opened in Busan. (Yes, the city takes a different official spelling than the film festival. Blame inconsistent Romanization.)

As the largest film festival in Korea, it drew a large list of attendees, as you can see from the long list of red-carpet walkers. It was definitely a star-studded opening night, and even included one familiar Hollywood face (Josh Hartnett).

This year’s PIFF features its largest lineup to date, screening 355 films from 70 countries, and closes on the 16th.

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Rabbit and Lizard opens with a screening at PIFF

With the Pusan International Film Festival just a day away, stars are preparing to make their appearances, including Sung Yuri and Jang Hyuk, whose new film Rabbit and Lizard [토끼와 리저드] screens there.

This PIFF screening precedes the movie’s wide release later this month (which will be on October 22), and will be accompanied by an October 9 talk session with and an October 10 fan signing. (Watch preview below.)

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Gu Hye-sun directs a short for Asiana Film Fest

On October 6, actress-director Gu Hye-sun spoke at a press interview for the upcoming 7th Asiana International Short Film Festival about another of her film efforts. She was wearing her director’s hat at the event, although not for her recent short film, The Madonna (aka The Cheerful Caretaker). She filmed a 30-second short trailer that will show before each screening and therefore takes a tone that is representative of the overall festival.

Gu Hye-sun explained, “The theme is love, but I made this thinking of the relationship between the media and people as one of love and hate. I hope you will find it interesting. …The production budget was small, so I had some difficulty directing the scenes that I had in mind. I received a lot of help from the art director and crew members.”

Also in attendance at the press event were actor Ahn Sung-ki, director and executive committeeman Kim Ji-woon, and actress and jury member Sohn Ye-jin. The festival takes place from November 5 through 10.

Via Joy News

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Cafe Noir earns praise at Venice International Film Festival

Cafe Noir is notable for being the debut film for its director, film critic Jung Sung-il. It is also now notable for drawing praise at its world premiere screening at the recent Venice International Film Festival (as the only selection from Asia).

Cafe Noir was described by one of the festival’s executive committee members as showcasing a unique form, while a selection committee member praised it as “a film that you don’t often see from a new director.” A section director said, “When one discovers the hidden political message, which is sprinkled throughout the film, it would be difficult to suppress your astonishment at this film.”

The movie stars Shin Ha-kyun (Thirst) as a man who is addicted to sad love, Moon Jung-hee (My Sweet Seoul) as the woman who “loves him to death,” and Kim Hye-na (Yoga School) as the woman who loves him “more than life” (isn’t that the same thing?). Jung Yumi (Chaw, Que Sera Sera) and “Hongdae uljjang” singer Yozoh are two women who hurt him, whom he decides to meet again in order to get over his pain.

Cafe Noir will also screen at the upcoming Pusan International Film Festival in October, which will be its first showing to Korean audiences. After all that praise (and mention of a hidden message), this is one I really want to see! I suppose critiquing films for a living gives one particular insight into knowing what does and doesn’t work for a film.

Via Newsen

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