Entries in the 'Park Chan-wook' Category

Hollywood to remake another Korean film

Hollywood is remaking Oldboy.

Unlike other failed Chungmuro-to-Hollywood remakes, this one carries a lot more cachet — production is in talks with Steven Spielberg to direct, and Will Smith to star. Well, I don’t care and I’ll say:

No. No, no, no no NO.

Look. I didn’t really care that much about My Sassy Girl because I pretty much knew it would get the shit throwaway rom-com treatment and flop. I didn’t really care too much about The Lake House even though I love Il Mare, because that, too, was a crap adaptation that would barely make a blip on the radar. I don’t even care about them remaking Sam-soon because even though I won’t write it off as an imminent failure, I don’t actually think it will happen. And if it does, it will bear few of the hallmarks that made the kdrama such a hit. The Mirror is bound for the B-level horror shelf, and I’m already bracing myself against the new remake of the excellent Tale of Two Sisters. The bastardization of Korean films by Hollywood is annoying, but I can close my eyes and forget about them because they have largely failed to make any sort of impact.

But this upsets me, and not because I’m protective of Oldboy or anything particular to the film itself. Although I do think they’ve picked an ambitious project, it’s more that this is the straw that broke the camel’s back.

What pisses me off is that there’s this growing sense that somehow Hollywood is the end-all and be-all of everything, EVAR, and that somehow everything good must be purchased and repackaged and buffed and relabeled with the Hollywood stamp. God, Hollywood, YOU DON’T HAVE TO PUT YOUR THUMB IN EVERY SINGLE GODDAMN PIE.

Can’t you leave some things alone? Why do you always have to wave your dick in everyone’s face and assume we will marvel at its size? Is that crude? Well, I find your brash cultural insensitivity crude. It’s not the remaking itself that I take issue with — nothing intrinsically wrong with adaptations of stories — but the arrogant, careless attitude with which you scour the international markets for more carcasses to pick to feed your own bloated ego. Why do you seem to think that nothing is complete until you have co-opted it for your own commercial gain?

If it ain’t broke, don’t fix it. Better yet, if it ain’t broke, DON’T BREAK IT.

Via IS Plus, Variety

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Vampire priest thirsts for love in “Bat”

It wouldn’t be a Park Chan-wook film with a simple, straightforward plot, would it?

In Bat [박쥐], or its English title Thirst, Song Kang-ho (The Good The Bad The Weird, Secret Sunshine, The Host) re-teams with one of Korea’s foremost directors, Park Chan-wook (Oldboy, Sympathy for Lady Vengeance) — as a vampire.

After five months of shooting both abroad (Australia) and at home in Korea, the movie has just wrapped, and director Park is feeling good about it: “I had the feeling that of all the movies I’ve done, this might turn out to be the best.” Lead actor Song said, “As an actor, it was a formidable adventure and difficult filming experience. I’m happy to be able to do a movie like this.”

Song plays a respected priest who turns into a vampire after receiving a blood transfusion, which he’d undergone as a volunteer to test out a secretly developed experimental vaccine. As if that weren’t bad enough, following his transformation, the devoted priest falls in love with his friend’s wife. Wrong on so many levels, eh? (I remember thinking the description a bit bland when it was first released, but I’d figured more quirks would become apparent as more info became available, and so it has.)

Due to Park’s international recognition, the film has attracted investors in Universal Pictures and Focus Features for North American distribution. It co-stars Kim Ok-bin (Over the Rainbow) and aims for release in the first half of 2009.

Via My Daily, Arts News

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Director Park Chan Wook’s latest muse

Renowned director Park Chan Wook (Oldboy, Sympathy for Lady Vengeance, I’m A Cyborg, But It’s Okay) has cast his leading lady in his new film Bat (Bak-jui), and calls uljjang-turned-actor Kim Ok Bin (Over the Rainbow, Dasepo Naughty Girls) an “actor of infinite potential.”

He described her as having a “complicated and complex” appearance: “She can seem like a mischievous boy, and also feminine, smiling cheerfully one moment and turning despondent immediately, at the same time a classical yet contemporary actress.”

Also cast in this drama about adultery and blind infatuation is well-respected actor Song Kang Ho, who plays the friend of Kim Ok Bin’s husband; the two engage in a “fatal love.”

The plot sounds straightforward (and dare I say, trite?) enough, but in the hands of Park Chan Wook, it’s sure to result in something quite interesting. It will film through the end of March after casting is completed.

Via Star News

SONG OF THE DAY

Belle Epoque - “December” from the artist that brought you “May” from the Coffee Prince OST, perhaps better recognized as “that chestnut scene song.” [ zShare download ]

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Expect the unexpected from Park Chan Wook

Stylistically forward director Park Chan Wook has made a name for himself both domestically and internationally with such films as Oldboy, Sympathy for Lady Vengeance, Cyborg Girl, and JSA (Joint Security Area). Gong Hyo Jin was most recently in the acclaimed 2007 drama Thank You and won a Korean Film Award for her supporting role in the film Happiness, and her resume is full of noteworthy roles, including but not limited to Ruler of Your Own World, Sangdoo Let’s Go To School, Taekwon Girl, and A Good Day to Have an Affair.

And now they join together in Park’s newest film as a producer (though not director): “an unconventional comedy film made by unconventional people,” Hongdangmu, or loosely, Scarlet Blush (Gong Hyo Jin’s character is an unpleasant sort whose face is always flushed red). Gong’s character tries to deter the attentions of a man who harbors a one-sided affection toward her (actor Lee Jong Hyuk of A Dirty Carnival, Green Rose, Crazy in Love), and enters into a wary alliance full of ulterior motives with his loner daughter in order to ward him off.

Billed as a provocative screwball comedy, the film began filming on the 6th and is based on a multi-award-winning short film, How Is It, Whatever It Is, by director Lee Kyung Mi in her debut directorial project.

The film is planned for release sometime in the first half of 2008.

Via Newsen

SONG OF THE DAY

Every Single Day - “가시” (Thorn) [ zShare download ]

 
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