Entries in the 'short films' Category

Gu Hye-sun’s film festival trailer

As previously announced, actress Gu Hye-sun took a second stab at directing with a short (1-minute) trailer for the 7th Asiana International Short Film Festival, which was released on October 20. This follows her directorial debut, a short film about euthanasia called The Madonna [aka The Cheerful Caretaker, 유쾌한 도우미].

This AISFF trailer will be shown before each screening at the festival, which will take place from November 5 through 10. Watch the video below.

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Im Soo-jung stars in Thai film

Actress Im Soo-jung (Happiness, I’m a Cyborg But It’s Okay) has just wrapped filming on a Thai short film at the end of August, called Phuket.

The plot of Phuket features the movie star playing a movie star; her “Jin” character is a famous Korean actress who grows tired of her life and heads for a vacation in search of rest; she makes for Phuket, a place that holds fond memories of her youth. There, she happens to strike up a friendship with an ordinary, middle-aged hotel limousine driver. Her co-star is veteran Thai actor Sorapong Chatree.

Directing the short is Thai filmmaker Aditya Assarat, whose previous short films (Motorcycle, Waiting, Wonderful Town) have won various awards. He said of Im Soo-jung, “She’s an actress I really wanted to work with, who is very introspective and rich in sensitivity. I have seen all of Im Soo-jung’s films, and she has a magical sort of acting ability that is natural and also draws you in powerfully.”

Phuket will screen at this year’s Pusan International Film Festival in October. Im Soo-jung, meanwhile, has another film scheduled for release later this year, Jeon Woo Chi co-starring Kang Dong-won.

Via E Daily

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Director Gu Hye-sun talks about her film at PiFan

Boys Before Flowers actress Gu Hye-sun’s directorial debut is screening at the Puchon International Fantastic Film Festival, or PiFan, which opened last week and closes this weekend. The film, translated literally as The Cheerful Caretaker [유쾌한 도우미], also goes by the English title The Madonna.

The short clocks in at 14 minutes and also screened at the Busan Asian Short Film Festival in May, where it brought home the Audience Award. At PiFan, Gu Hye-sun spoke about making the film and her intentions behind writing a story that deals with the topics of death and euthanasia (mercy killing), as a man seeks relief in the church. She explained, “I didn’t want to make it a story about morality or euthanasia, but about a person’s choice.”

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Boy Meets Boy in theaters soon

I’ve been talking about the short queer film Boy Meets Boy for a while now, and it’s finally being released.

The nearly wordless short film, starring Kim Hye-sung (Unstoppable High Kick) and Lee Hyun-jin (Kimchi Cheese Smile) as 18-year-old high school students, is billed as a queer romance about first love, and bears the tag “based on a true story.”

The film held its press conference on November 5, and will have a theater release in six theaters — unusual for a short — starting on November 20, which will also feature a segment on the making of the film. (Because it won’t be shown with other shorts, the ticket price is also lower, at about half the price of regular movie tickets.)

More from the press conference and film stills >>


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Boy Meets Boy at PIFF

On October 5, the short film Boy Meets Boy held an open discussion at the Pusan International Film Festival with its stars Kim Hye-sung (Jenny, Juno) and Yeh Ji-won (Mixed-up Investigative Agency) and director Kim Jo Kwang Su.

I remember being intrigued when I first heard about Boy Meets Boy [소년, 소년을 만나다], which marks Kim Hye-sung’s departure from his family-friendly image in Unstoppable High Kick. His early career had been marked by an emphasis on his pretty face more than anything (he rose to fame as an internet uljjang with thousands of fans, got a couple movies, and then the hit sitcom High Kick), but he seems to have a grounded perspective of his fame (as he explained in the interview linked above).

Not only is he portraying half of a gay romance in the short film, the narrative is expressed without dialogue — the director opted instead to tell the story mostly in the characters’ gazes.

More photos and discussion points from the event >>


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