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It’s Okay, It’s Love: Episode 11

It’s always more pleasant watching this couple onscreen whenever they aren’t bickering over the same argument we’ve heard many times over already. Despite their differences, both Hae-soo and Jae-yeol make continuous efforts to keep their relationship alive and discover that a little breathing room for the other party goes a long way. And while one of them is already imagining a future together that lasts a lifetime, the other is more content to take things one day at a time.

SONG OF THE DAY

Yoon Mirae – “너를 사랑해 (I Love You)” from the OST [ Download ]

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EPISODE 11 RECAP

Nettled by Hae-soo calling herself a woman he’ll eventually break up with, Jae-yeol warns her against using that remark again in the future. They agree to hit the pause button on this argument since it’s nearly showtime.

Tae-yong sends his friend a text to confirm whether Kang-woo’s number Jae-yeol sent is correct. Jae-yeol says it is, even though Tae-yong knows the number doesn’t exist.

It’s certainly troubling, but Tae-yong tamps down his worries when Sang-sook, Jae-yeol’s first love and fellow former schoolmate, drops by to chat. He asks about that guy in her previous letter, the one who looked like Jae-yeol throwing pebbles at her window.

It turns out that Jae-yeol’s request was for Hae-soo to be a guest on his nightly radio program. Asking why she’d choose a movie about a married couple over another in the series (depicting love prior to marriage), he comments that she appears unmarried. She confirms it, then jots something down that also gives us a meta-moment: “You’re pretty good at acting. You should become an actor.

That’s only the beginning, as Hae-soo replies that she particularly likes the ending. Jae-yeol describes the scene for his listeners: the married couple lies in bed in their underwear, hurling insults at each other like sworn enemies. In other words, the entire scene is a mess, Hae-soo summarizes, and Jae-yeol scribbles down his answer: “Just like us right now?” Hae-soo crosses that out.

What she finds moving is the kind of relationship where two people are in love because they chose to be with that person despite their inadequacies. Though Jae-yeol himself might not know what that’s like, she adds.

He asks if she’s implying if he’s some kind of player who has no interest in long-term relationships or marriage, to which she agrees to readily. The immediate response from the listeners must be positive, since they’re encouraged to keep going, and Jae-yeol tosses back that he didn’t think she’d think of him like that, given that she’s a shrink and all.

But Hae-soo argues that humans are habitual creatures, so Jae-yeol gives her an example that those who are used to breakups must think nothing of it. She says that’s typically the case, but Jae-yeol counters that it could be the complete opposite—could that person be looking for something more substantial and meaningful after so many breakups?

He counts himself among those looking for a meaningful relationship, and she jots down that his sincerity just now nearly had her fooled. It’s hard to tell whether Hae-soo’s smile implies that she’s enjoying this or doesn’t believe him (again), but then they take a music break.

Jae-yeol swings their chairs around to resume their previous argument. Is she mad that he didn’t tell people that they were dating? He doesn’t like dishing about his love life and she said at the airport that he spends too much money, so he acted out of consideration for her.

But Hae-soo scoffs at that—he sounds like someone who’s thinking about marrying her. He points out that she’s the weird one for not thinking about it. It’s natural to harbor serious thoughts like marriage at their age, isn’t it?

Hae-soo shushes him, joking that he’s well on his way to propose to her at this rate. I don’t exactly see what she finds so funny about this conversation, and neither does Jae-yeol. It’s because she’s flattered by the idea that he’d think of marrying her, which just confuses him (and myself) even further.

That’s just who she is, Hae-soo explains. With that, Jae-yeol drops the subject so they can resume the show. She offers her hand under the table, which he takes with a smile. Now that they’ve made up, Jae-yeol tells his listeners that the lead characters making amends in the movie provides hope for those who have seen many breakups like himself.

Hae-soo voices her agreement, saying how she believes the countless memories the characters shared made their passionate reconciliation possible. Jae-yeol hopes that he can find someone to share in countless memories for himself.

Now we hear Sang-sook’s side of the story that night: she’d looked outside and was initially confused by what the man standing outside her house was talking about since she didn’t know of any Kang-woo. She thought it might be Jae-yeol and found it strange that he was talking to an unseen presence beside him.

It’s frankly a little frightening for us to see that replay of Jae-yeol motioning towards thin air, and although Tae-yong stammers in shock when she correctly identifies what Jae-yeol was wearing that night, he assures her that it wasn’t him.

Sunbae Jo leads a group therapy session in his office whose participants exhibit a range of emotions. Things get heated pretty quickly until Sunbae Jo intervenes and calmly reminds his patients to be understanding towards their fellow participants. Soo-kwang can barely suppress a laugh at this speech, but offers a supportive hand to his neighbor.

In the car, Sunbae Jo asks who Tae-yong means by an acquaintance that imagines people who aren’t there and unknowingly inflicts self-harm. He informs Tae-yong that sure, whoever that person is can function like a normal person, though he’d probably advise that friend to seek professional help.

Sunbae Jo arrives at the law school in time to see the lawyer who handled Jae-bum’s case refusing to talk to PD Choi. Apparently the lawyer quit practicing and became a professor because of Jae-bum’s case; he found the verdict absurd and believed that neither Jae-bum or Jae-yeol could be found guilty as the culprit.

In fact, the lawyer believes someone else was responsible for the stepfather’s murder. But that’s all he said, PD Choi explains.

Hae-soo goes grocery shopping with Jae-yeol, who looks half-exasperated whenever she goes with the opposite to his choice. He turns the conversation topic back to marriage, but she says their relationship is still in its budding stage. But like always, that’s followed with her favorite refrain on whether he’s like this with other women too.

She gets scolded for that, though she laughs off his counterargument that she can go and date someone else and then come back to him if she thinks she’s losing out. And then she gives him a kiss because she thinks this moment’s exciting. Or something.

Needless to say, the spontaneous kiss puts Jae-yeol in a good mood. He and Hae-soo spend some time resting at home, where they discuss how many kids they’d like to have (he’d like to have three, she’d have one if she had to). It’s his dream to raise a family since he grew up without a father, but she says having three kids is too much to ask of a woman with a career.

She couldn’t keep working since she’d just have to stay at home with the kids, Jae-yeol casually tosses back. That earns him a glare from Hae-soo, but he says she asked him what his fantasy marriage would look like.

He’ll have an office outside the house and come home to dinner waiting for him, but then he’d take care of the dishes. “And then my wife—”

“—would look at you with an exhausted expression with her sagging breasts and nursing the babies.” She’d be glaring at him with resentful eyes, Hae-soo adds. She says she can’t be his wife if that’s the case.

Hae-soo claims she doesn’t like working professionals like him—why she can be the breadwinner and her husband can be a stay-at-home dad. Covering her eyes, Jae-yeol encourages her to imagine such a man, nagging at her to come home for dinner. Having made his point, he tells her: “I’m perfect for you.”

He goes on to describe how she won’t like men in other professions because she’s afraid they’d waste their money, or find their job stability boring, or won’t like their music, and so on. She giggles that she doesn’t want to get married, to which he points out that he hasn’t asked, but repeats that he’s still perfect for her.

Jae-yeol rises, saying that he has to continue packing. Hae-soo warns that she’ll find a more impressive man than him to take his room, and he learns in teasing that that won’t be easy. She starts a playful water fight with a hose, which includes Soo-kwang when he accidentally gets spritzed.

Jae-yeol packs the last of the moving boxes the following morning, though he’s keeping some things here since he has no room at his old place. Sunbae Jo assures him that he has no need to worry about Hae-soo cheating on him since Jae-yeol’s the only one who can put up with her nasty temper.

Soo-kwang sees Jae-yeol out and shows him a text from So-nyeo asking if they should date… exclusively. Jae-yeol gives him some more words of encouragement about love, which puts a literal skip in Soo-kwang’s step.

Meanwhile, Sunbae Jo follows Hae-soo’s words that the key to lies in Jae-yeol’s bathroom and discovers the camel painting and the bathtub.

Jae-yeol gets into his car, but then furrows his eyebrows when he looks into his rearview mirror.

It’s Hae-soo, who lists the things Jae-yeol must do after he moves via scrolling text: (1) See her every Friday; (2) Make sure that he eats and sleeps in a bathtub, not a chair; (3) It’s embarrassing, but the idea of him moving out saddens her and makes her want to cry.

That’s why she’s saying this in text, and Hae-soo lowers her phone to reveal herself on the verge of tears. Aw, I have to admit that’s a cute surprise.

He tells her to get going, but slowly follows behind her in his car. But then things turn serious real quick when he speeds ahead and sees Kang-woo on his bike. He swerves the car to miss the imaginary obstacle, but now the car is headed for Hae-soo. Oh crap.

He avoids her just in time, but then slams into a pole. I was hoping that car accident from his dream wouldn’t come true, but I guess it just did.

Mama Ok-ja wonders why Tae-yong is hanging around the house instead of going to work. She leaves to take a call from none other than Jae-bum, who asks if he can come to her house once he’s released.

She replies of course, then emphasizes how thankful she is that he called. She promises to be really, really good to him when he comes home. She paints an idyllic homecoming and life together thereafter, which gets Jae-bum’s hopes up.

Hearing her older son’s voice makes Mama Ok-ja’s day, and Tae-yong gives her a comforting backhug before leaving.

But Jae-bum seems to be harboring other ideas, as he tells his fellow inmate that while Sunbae Jo can’t testify for him about his stepfather’s murder case, he can stand witness when Jae-bum stabs his brother upon his prison release. He can ask for leniency since he wouldn’t be Jae-bum’s psychiatrist anymore.

Er, that’s not necessarily how it works, but Jae-bum thinks this idea will work. He’ll be let off due to extenuating circumstances, sue the nation for his wrongful imprisonment, and exact his revenge on his brother.

It sounds like Jae-bum hasn’t turned that new leaf after the amytal interview after all, and assumes the obedient inmate role when the guard informs him that he’s being released next week. Jae-bum tells the prison guard to tell Sunbae Jo that he’ll be released the day after. Uh oh, I’m not getting a good feeling about this.

Instead of heading to the office, Tae-yong swings by Jae-yeol’s place. Neither Jae-yeol nor Hae-soo seem to have sustained any major injuries from the accident, and playfully tease each other before hanging up. Tae-yong has taken note of the phone call though, asking if it was Kang-woo. He’s surprised to hear that Jae-yeol and Hae-soo are dating.

Over at the hospital, Hae-soo discusses the couple with shared psychotic disorder with Doctor Lee, and both agree that there must be a good reason as to why they’ve kept this irrational fear of cockroaches to themselves.

The wife shares how her husband always takes the bus, and would hate how she takes the dangerous, dark path behind the woods to the bus stop. But one night, a pair of unknown men had dragged her away.

At the same time, the husband shares with Doctor Lee how his wife never came to pick him up at the bus stop like she usually did that night. He went looking for her and found her lying in the woods. Oh my god, those men sexually assaulted her. Ashamed by how she couldn’t protect herself and how dirty she felt afterward, the wife breaks down in tears.

The husband insists that he was okay as long as his wife said she was, but Doctor Lee says that what happened wasn’t okay—it’s something to be angry and cry over. Crying angry tears, the husband proclaims he wants to kill the bastards who assaulted his wife.

Jae-yeol can’t get any work done with Tae-yong hanging around, but his friend insists on staying until Jae-yeol calls Kang-woo. He shows Jae-yeol the number saved on his phone, asking again if it’s correct.

When Jae-yeol says it is, Tae-yong calls it right then and there and hands over his own phone to his buddy. This time, imaginary Kang-woo picks up, and Tae-yong leans in to listen in.

We see Kang-woo walking along the road with his mother, both of them looking beaten and bruised. Kang-soo can barely speak with his hacking cough, and tells Jae-yeol that he likes taking that dangerous road Jae-yeol hates so much.

Jae-yeol’s also coughing on his end, which he finds strange. And Tae-yong reels in shock as he listens to Jae-yeol speak into an automated message. One can only imagine how terrified he must be, and Tae-yong chokes back tears before he hangs up and tells Jae-yeol that Kang-woo hung up.

Sunbae Jo agrees to meet Tae-yong’s acquaintance (whom we know is really Jae-yeol), then smiles proudly of Soo-kwang’s intentions to end things for good (no, for realz this time) because So-nyeo is still hanging out with Motorcycle Dude. Just like before, Soo-kwang throws down a few bills for spending money and tells her that she’s fired.

He tells her to learn how to accept people’s love when they give it, citing her father collecting trash for her. Even if her father’s the only family she’s got, she should be grateful because her parents gave birth to her. He still calls his own even though his dad kicked him out because of his Tourette’s.

She has one last chance: will she earnestly date him exclusively? She agrees, and he says they’ll be going clubbing after work.

Hae-soo congratulates her married friends Yoon-chul and his previously suicidal (in Episode 5) and pregnant wife Hye-jin when they come to see her at work about their healthy fetus.

If PD Choi has anything going for him, it’s perseverance seeing how he’s persuaded the lawyer who worked on Jae-bum’s case into discussing the matter with him and Sunbae Jo. Showing them the evidence presented in court, the lawyer says this is a case of a judge that’s usually harsh to juveniles and a prosecutor looking to boost his image.

As for himself, he was a powerless public defender at the time. He believes neither Jae-bum nor Jae-yeol could be incriminated, indicating how the murder weapon held both brothers’ fingerprints.

It was the lighter from a pool hall that Jae-bum frequented that led him to be named the culprit, though any fingerprints were erased from the fire. Furthermore, the wound itself wasn’t that deep and no organ tissue was found on the murder weapon.

In other words, the real cause of death was asphyxiation. “The person who stabbed him wasn’t the murderer, but the person who started the fire.” Wait a minute—does that mean it could have been Mama Ok-ja?

Hae-soo tries to be careful not to make noise while Jae-yeol is working, and her eyes fall upon his board filled with information about the truck accidents on the road Kang-woo usually takes. Jae-yeol’s constant concern for Kang-woo prompts her to ask who he likes better—her or Kang-woo? She smiles when he immediately replies, “You.”

She reads while he continues writing, though she falls asleep while waiting for him to finish. It’s early morning when Hae-soo takes her leave, and when he hastily says he’ll be done soon, she insists that it’s fine—he can keep working.

Hae-soo hangs back to tell him that she isn’t upset, but she needs to get a few winks before seeing a patient later in the day. She thinks they’ll be having sexy times if she stays, but she’s leaving because of work. She’s understanding to his writing process and says they’ll see each other again next week.

But Jae-yeol can’t focus anymore and chases after her. He’s disheartened after seeing her climb in a taxi, but smiles at the remnants she’s left behind all over his apartment. One would think he’d be upset by the mess given his OCD tendencies, but he isn’t.

Sunbae Jo sits in his office thinking back to how the lawyer had told him of how the stepfather’s corpse was cremated before the final verdict was ruled. Jae-yeol had pinned his older brother for the murder, and thus the case was closed; however, on the night of the incident, Jae-bum carried his brother out of the house. Only their mother remained, and the fire started soon afterwards.

Poor Tae-yong starts bawling as soon as he walks in to see Sunbae Jo. He shows Sunbae Jo the video of Jae-yeol fighting nothing but air, and let me tell you, that close-up doesn’t make the viewing experience any easier.

Hae-soo grumbles to Jae-yeol on the phone over how she’ll just have to sleep in the hospital if she can’t see her boyfriend this weekend. But there’s a surprise waiting for her as soon as she walks into the call room: Jae-yeol.

During the car ride that evening, an exhausted Hae-soo tries to get some sleep. He says they likely won’t be able to see together for long at this rate, which prompts her to ask if he’s breaking up with her.

That isn’t what he means, and she tells him to buy some herbal medicine. He says he will, then adds, “…and let’s get married.” Hae-soo’s eyes fly open, and Jae-yeol repeats, “I said let’s get married.”

 
COMMENTS

Given how Jae-yeol isn’t the kind of guy who’d do grand romantic gestures and Hae-soo isn’t one to expect those from him, I’d say this seemingly out of the blue proposal is line with his character. He’s made his intentions towards Hae-soo pretty clear from the get-go, and has assured her on numerous occasions that he’s serious about pursuing a long-term relationship with her. But then again, I’d be pretty floored too if my boyfriend proposed while I was still unsure of whether I loved him or not.

It’s difficult getting a clear pulse on Hae-soo lately, especially within the context of her relationship with Jae-yeol. Inasmuch as we know that she’s still trying to take it slow with him (but then got physical right away), would like to live on her own forever (but then was upset that he was moving out), and once said they were going to take this to the end (but then got upset that she might be someone he’d break up with and not marry), Hae-soo still exhibits some even stranger character reactions: she finds Jae-yeol’s scolding of her behavior and words as amusing or slightly arousing, and once she makes up with Jae-yeol on his radio show, they more or less bicker less or barely at all for the rest of the hour.

But stranger still, it seems like absence did make the heart grow fonder once Jae-yeol did move out, because Hae-soo is now understanding to his writing process again. So I suppose fixed weekly dates and a little distance is a good and healthy thing for them? But now Jae-yeol wants to get married, and I hope he isn’t expecting that fantasy marriage of him because if Hae-soo says yes (which seems unlikely, but who knows given her sudden spontaneity in this hour) she won’t be someone who makes that kind of dream into a reality.

Since we were aware of Jae-yeol’s psychological issues for the majority of the series, it felt like waiting on pins and needles until someone in this dramaverse became aware of them. In that vein, I’m both relieved and worried now that Tae-yong and Sunbae Jo know about the hallucinations and resulting self-harm, because like the sudden car accident in this episode, there’s this wriggling feeling that things are about to get much worse real quick.

It doesn’t help that the progress made with Jae-bum is one step forward and two steps back, because even with the emotional breakthrough on a level of subconsciousness, he’s still dead set on taking his revenge against Mama Ok-ja and Jae-yeol. Discovering the stepfather’s true cause of death adds a wrinkle to the past, if only that knowing that now absolves Jae-bum or Jae-yeol as the murderer in hindsight. It doesn’t, however, erase the fourteen years of pain and suffering everyone in that family has gone through. And while it’s good to correct to acknowledge the past with the truth, it’s better to find ways in the present that change the future.

 
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Scrolling over your screen caps this episode is all about HS&JY! Can't wait to watch it. Thanks for the great recap.

http://i630.photobucket.com/albums/uu26/dramabeans/drama/2014/OkayLove/OkayLove_11/OkayLove11-00262.jpg

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Soo Kwang it's my favorite character in this drama

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<It’s difficult getting a clear pulse on Hae-soo lately, especially within the context of her relationship with Jae-yeol.

I'm kind of finding the opposite. She's unpredictable and sometimes sort of contradicting herself in her feelings and her actions, but at the same time she's consistent with being contradicting. Her behaviour, to me, is sometimes just flirting/teasing (so I don’t take it 100% seriously or as an absolutely true reflection of her innermost feelings).

Also, some things may seem contradicting, but I don’t think they are always so much directly opposed to each other. She wanted to take things slow but then got physical pretty soon… well, she fell into love and into her emotions. It happens. She still wants to go slowly now (1 day a week meetings) and live on her own forever, yet is sad when Jae-yeol moves out. I don’t take the “want to live on her own forever” 100% literally, because, in any case, she lives in a shared house, so it’s not like she’s actually living alone. I don’t think she’s ready to move in with Jae-yeol (“move in” the way couples do, meaning you have to figure out how to share everything – not just house chores and some meals, but finances, life plans and goals like kids / job / etc.). Not being ready for that doesn’t contradict being sad that he’s moving out from the shared house – because shared housing and living together as a couple are very different sort of things. She just isn’t quite ready for the latter yet. Which, after a few weeks (a couple months?), isn’t surprising at all.

I believe Hae-so really likes Jae-yeol (deep down), but she isn’t one that is going to commit in the standard romantic sense of committing – i.e. marriage (with specific kind of roles and events attached) that is society’s ideal(ised) end-all for any relationship. Hae-soo doesn't ascribe to this kind of straight-line life plan set by society, she’s more independent and modern. She wants a relationship, but that doesn't necessarily mean living together as a couple and/or marriage, or if it's marriage, it doesn't mean stay-at-home-wife and/or mother. Or maybe it will – but Hae-soo is going to decide on that, and it might not look the way society presumes.

I don’t know. I can’t really explain, but to me it makes sense, because I’m totally like that so I don’t find Hae-soo perplexing at all.

I also find it's Jae-yeol that is acting more unpredictably now – other than the fact that marriage proposal is way too soon even if getting married is something you can’t imagine your life without (how many weeks of dating?), it does seem very much out of the blue and sort of out of character for him. I don't mind, because I think it's a sign of how he's slowly losing grip on himself, how he's falling apart inside of him without realising what's happening. Kang-woo is becoming ever-present and starting to take over his life, and you can see it in everything...

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<It doesn’t, however, erase the fourteen years of pain and suffering everyone in that family has gone through.

With all the relevations in ep. 10 and 11 this week, I have to say I really like this. The problem that Jae-yeol’s family has is very complex – the truth coming out is not enough to solve that problem. I really hope the show will stay true to that, i.e. that even when the truth it is out (for everyone), it will make clear that there will be a long recovery process for everyone involved – one that will extend beyond the final episode of the show, indeed, one that might be life-long, because what happened back then and what happened since then has had a profound effect on Jaeyeol, his mother and Jaebum.

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Fourteen years of pain and suffering. The mother kept herself and her sons in such conditions. What normal mother puts up with that? Was she waiting for a boyfriend to kill her sons? Put one of them in a wheelchair? She did put one of her sons in jail and another in a bathtub prison. Did she hope one of the sons would kill the man? Wouldn't it be better to run away, or send them away, if she couldn't leave the guy herself by some mysterious reasons? The kids were already in their teens, not babies. What kind of mother doesn't report abuse for fourteen years? And if she did report it, presenting all the bloody pictures of the kids (we saw the easily obtainable evidence in the police file earlier) ...What kind of law system imprisons the abused older brother on a testimony of a traumatized young boy? These are the questions I have while watching the show. Everything else is a side show for me.
Sorry, Jo In-Sung. I will enjoy your incredible romantic appeal in some other show. In this one, I just want to protect and cry with you.

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She isn't normal.

FYI, there are people who don't report abuse for fourteen years, for various reasons, one of which was hinted at in ep. 12 for this mother (hence I can't expand on this). Some people never report abuse.

What kind of system imprisons an abused older brother on the testimony of a traumatised younger boy? Well, obviously a corrupt system, as was explained in this episode and as is one of the points, I believe, this show is making.

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The problem is, they made the mother character so domineering, outspoken, elegant and intelligent, later in life, that it's hard to imagine her as an earlier silent, submissive victim who has no power over men her life. They should have chosen either another actress or made her mute, or even some sort of invalide who can't walk or not able to make reasonable judgment (see King of High School main female lead) nor decisions.
Spoiler alert. The writers have read our collective complaints and came up with the mother fainting, while in the process of burning her beloved abuser, and going into some form of a mental excuse of a denial. Hey, I get it, show. It's refreshing mental illnesses display, not your old usual amnesia brain tumor tricks. No need to rationalt explain or be respnsible for one's actions in this one. I get it. Now we just need to see the prosecutor and the judge who put the older brother in jail as mental patients in the hospital and everything will be It's OK. It's Amytal.

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There is no profile for abused people.

Domineering, outspoken, elegant and intelligent people can have been silent, submissive victims in the past (or even be one in the present).

That said, the mom never came across as "domineering", "outspoken" and/or especially "intelligent" to me. "Elegant" maybe, although I don't see how "elegance" contradicts being a silent victim. Then again, none of these qualities contradict being a victim of abuse because anyone, regardless of the mask they wear in public, can be a victim of abuse.

Don't post spoilers for the next episode.

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Alua. Sweetie. You are right. A normal mother wouldn't stay silent like that and don't even try to do anything like she is physically chained to the wall or can't move a finger for fourteen years when her kids's lives are in danger. I understand that you are probably not a mother yourself. Normal woman's first instinct is to protect her child, not herself or her material possessions.
With that said, on a second thought, thinking back to the hundreds of dramas I gobbled down - there aren't too many normal loving mothers or fathers in Kdramas, are there? What a waste of humanity.

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Dear Marina,

no, I'm not a mom. However, I have had two close friends who were sexually abused by their own fathers. One of these friends was silent, submissive and shy, exactly how you imagine all abuse victims to be. She wouldn't look people in the eye, so you'd know something was wrong even if you only met her once. The other was extremely outgoing, outspoken, and self-confident – or at least everyone would have described her so, because no one ever imagined she had been abused. Both were also very intelligent, and all the adults involved were normally to well educated (university). In both cases, neither of their mothers did anything, despite years of abuse. In the first case, the mother had mental issues herself and to some extent participated in the abuse, and the second, the mother just completely denied what was happening and continues to do so (in adult life, my friend cut off all contact with all her family). I have absolutely no difficulty believing that a mother, even more so an abused mother, would do nothing to stop abuse, for years and years.

The mother in this drama has received relatively little screen time and we've only had glimpses of her behaviour. For all we know she might have grown up in an abusive family and normalised any such behaviour. People stay in abusive and even life-threatening situations, including when children are involved, for various reasons, most of all fear and feeling of powerlessness. These actions can seem totally irrational from the outside, and they are, but this happens ALL the time.

In any case, by your argument Jae-yeol, who is generally perceived as outspoken, intelligent, confident and successful by everyone around him, would seem to be an impossible "silent, submissive victim" of abuse. But he isn't, because, I will say it again: there is no profile for an abuse victim. Anyone can be an abuse victim and stay stuck into situation for years without ever seeking help.

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Most of all, I want to protect Jo In Sung character from the ....writers. Don't you feel the same when realize that writers plot to kill the only guy in the show you care about by all all means possible? Be it genetic deasese, brain tumor, cancer or mental illness like in this case. Kdrama writers are the deathly enemies to all thing fun amd fluffy. And sensible. And healthy. And heart warming. And normal.
It's time for talented Korean actors to revolt and go on strike against incapable writers. For wasting the actors' and viewers' time and emotions.

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I don't have a problem with bleak stuff. I definitely don't want all fun and fluffy all the time, I like realistic dramas that tackle difficult subjects with care because I actually think that's rarely done (in kdrama, in jdrama you see it a bit more often).

Most of the time we get contrived melodrama, which I do have an issue with – because that's just throwing us heavy stuff (amnesia, terminal illness, dark birth secrets) for the sake of it. If they kill off Jae-yeol, it would be along those lines – it would just be a "k-drama rule we most follow" approach from the writers, rather than writing what the story of this drama actually needs. Which isn't a happy-ever-after fluffy-bunny & sweet-smelling-roses romantic ending either, but a realistic one (issues continue but they are being treated and reasonable recovery is possible, and there's hope for happiness in the feature).

I find that most of my concerns about this drama are driven by what drama writers normally do, but then this drama writer so far hasn't followed the common path. e.g. I worried about the exes, but they have been either totally insignificant or popping up for 1/15th of one episode only to disappear for the next three (in other words, we never ended up with an angst-filled love triangle although the potential for it was there). I hope the writer doesn't disappoint me last minute and kill off Jae-yeol!

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To finish my thought on the absence of normal loving and supportive families in Kdramas. When sometimes I watch a show where a main character laments being an orphan or he/she is in love with one, I'm like, "Why are you complaining you have no parents?! Lucky you, character. No need to deal with horrible people who beat you up, call you names, push you to commit suicide, always betray you, or take away your hard earned money and run." So if Korean actors are to go on strike for wasting talents on badly written plots and characters; I say let Korean parents be as enraged for a bad rep in the shows, and join the actors on strike.

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the drama itself said that the mother is suffering from dissociative disorder. It clearly says that she doesn't remember what happened on that day. People with such trauma sometimes repressed thoughts and it is in real life happening...and repression is not a healthy defense mechanism.

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Alua, thank you for your comments and I totally agree with everything you've said. Abuse victims do come in every shape, size, gender and personality and the only thing that would be the same about them is that they have been mentally and/or physically beaten down until they think they cannot leave the abuser. These are proven (and sad) facts, and we won't even go into the other types of abuse and why people don't leave. You can find all kinds of info on it on the 'net, but suffice it to say that many of the things that happened in this drama came from real life. You can't say "this mother is not normal" because she is.

I also like the trajectory this drama is on. I prefer everything not be fluffy and sweet and I'll be annoyed if it ends up that way, because it would be ridiculously false. There are no instant cures in this situation.

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I sincerely appreciate how you justify the behavior of the characters, especially Hae-soo's. You're right: she has been consistent in being the contradicting person that she is, and it's advisable not to take everything she says 100% since there are times she's only teasing. So thanks for pointing that out, including the others you've mentioned :D Nevertheless, I can understand why others cannot relate with her. She's definitely one hard nut to crack, as in it took me several episodes to really get into her thinking, and all that patience/endurance was mostly out of love for the actress, Gong Hyo-jin, not Hae-soo. And I'm glad I made the effort because it added to the enjoyment of watching the series.

While I do agree that Kang-woo seems to be taking over (drastically, if I may say so) Jae-yeol's life, being the impulsive person that Jae-yeol is, I still believe that his actions up to this episode are in character.

Again, thanks for all your wonderful insight. Whether or not we agree on everything, it's always healthy to see things from various perspective. Have a good weekend.

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Oh, I totally understand that some people can't relate to her (or can't stand her at all). We all have our own preferences, and will be more tolerant/accepting of some behaviours and personalities in people than others.

It's just like I'm not friends with all my friends' friends, because some of them I don't "get", but my friends do (I'm excluding the awful people now over whom I'd drop a friendship).

I think Jae-yeol's largely in character in this episode, but his proposal is odd to me (not terribly odd, but not something I would have predicted).

Have a great weekend too!

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I agree with you and I see Hae Soo to be overcompensating things and easily discouraged. She saw her mother having affair while maintaining a dedicated wife front, and she made it into her personal drama which led her to be a frigid. After she finally slept with Jaeyeol, she felt guilty of her mother and she cried. This time again, she took it personally hence the hesitancy of commitment and the admission of love. This kind of person takes everything into consideration so when she loves, it is for real, and that is why I cannot wait for next week and she how the character reacts and grows after finding out about Jaeyeol's illness

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ME TOO! When gummimochi wrote, "Hae-soo still exhibits some even stranger character reactions", I was kind of freaked out because I thought, 'Oh so this means I myself exhibit strange character reactions'.

Also I agree with you on the consistently unpredictable trait of Hae-soo's. To me, it just seems like what she's saying isn't the same with what she really wants, perhaps because she still thinks of JY as a player. She just wants to keep him at a safe distance, you know. A sort of "I don't care if you leave me, I'm much stronger than you think" message when actually, she's much more fragile than she thinks she is.

Shout out to Taeyong! I was really mad at him when he betrayed JY earlier in the series, but you just know that he really loves JY. It must be so frightening and sad to find out a huge secret like that about someone, and he portrayed it perfectly.

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I find the bickering between JY and YS quite endearing, even if YS comes off to be too weary of the pace their relationship is going. I find it also wonderful how JY complements the i securities of YS. Can we have more men like him please?

Also, given the worldwide ALS ice bucket challenge trend, I'm quite sure that JY will have ALS in this drama given the hand twitching and constant coughing going on. OR I HOPE that the ALS symptoms is just another manifestation of his psychosis;therefore, curable by psychiatric treatment.

I really hope this drama has AT LEAST a bittersweet ending if the writers do decide on inputing ALS in the plot. I insist on bittersweet! this is just my inference from the scene in the early trailers of the drama where YS was standing ALONE and smiling at the cliff in Okinawa.

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I really, really hope that the ALS is just another manifestation of his psychosis, i.e. a sign of his fear/guilt that is expressed by Kang-woo's life being threatened (whether that means being hit by a car or by a terminal illness).

This drama really doesn't need another tragic real-life twist. X_X

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I am thinking ALS will show up, but I'm not positive it's JY who will has it. He is empathetic, he sometimes mirrors other people.

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Hi, Ninari, when you said: "...the scene in the early trailers of the drama where YS was standing ALONE and smiling at the cliff in Okinawa," it took me a while to find what you were referring to. Now I regret searching for it *sobs* I do wonder what you meant by bittersweet. Did you mean something like 'alone but with child'? *sobs even more* Anyway, thank you for mentioning this. There's no harm in preparing myself for the worse. For now, however, I'd like to hold on to my stubborn optimism for a surprisingly happy finale.

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Thanks for another great recap!

Wow. Hooray for revelations and progress. Most enjoyable episode so far. What did it for me was the growth as a couple of Hae-Soo and Jae-yeol. Their moments together showed how a mature relationship can touch your heart without being overly sweet. Oh, btw, the song of the day reminds me of that scene in the car with the large text message--Hae-soo was real CUTE there.

Poor Tae-yong… he was so heartbroken after confirming the gravity of Jae-yeol’s mental state.

Finally the person responsible for the death of Mama Ok-ja’s abusive husband is revealed. I still can’t decide if I should be pleased with this newfound knowledge or dread the outcome….

The reappearance of Yoon-chul and Hye-jin as a married couple overcoming difficulties (i.e, Hye-jin’s mental illness) somehow assures me that Jae-yeol and Hae-soo’s relationship will also survive… at least that’s what I’m trying to convince myself. Heh.

With a great cast, endearing characters, unexpected turn of events, and unconventional-yet-satisfying romance, “It’s Okay, It’s Love” has me hooked.

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I love the soundtrack <3

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I second that! The song says it all :).

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Can Sunbae Jo hurry and get Jae-yeol on whatever medicine their friends schizophrenic wife, Hye-jin, is on. I'm sure there's other illnesses that cause hallucinations but in my limited knowledge schizophrenia is the only one I am aware of with hallucinations so vivid they pose a danger to both the patient and, as evidenced by this episode, others.

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Jae Yeol refused to be on medication before because it prevents him from writing. He even goes as far as not sleeping in the bathtub while he's writing.

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Okay, more and more people are catching on to the fact that Jae-yeol has mental issues. Thank goodness for that. It's about time!

I'm kind of disappointed that Hae Soo wasn't the one to be clued into his hallucination of Kang Woo, but considering that she hasn't known him all that long, or all that well, it makes more sense that his childhood bestie, Tae-yong find out first, that Kang Woo is an imagination of Jae Yeol.

For some reason, although I like this couple very much, the mental issues take first stage with me before the romance. I really wish they'd get to the bottom of Jae Yeol's issues soon. Don't want to spill the beans on the next episodes, but we only have 5 more to go. And I'd like to see the outcome of the treatment before the drama ends.

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In fact, the lawyer believes someone else was responsible for the stepfather’s murder. But that’s all he said, PD Choi explains.

Cue in ... the mom (she's the only other person who was there at the time). So, I have to finally concede that those theories (comments in earlier recaps) saying that the mother actually killed her hubby but sent her son to jail to take the blame were right. But never in my wildest imagination would I have foreseen the circumstances....

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I have a love-hate relatioship with this show.

I hate when they get science so wrong and I hate the Soo-kwang character. As far as I'm concerned he's a pedophile, that girl's just a kid, and this week they added sexual harrasmment to the mix. Sure, show a boss throwing money on the table and threatening to fire someone while asking for a date and see how this gets understood in an American show.

On the other hand I do love the crazy brothers, JY is the first leading guy that has a serious mental problem and I find it interesting. That scene when TY cried hearing his phone call to KW almost made me cry too. I like how he's spinning out of control and we don't know how conscious he is or isn't about it.

I love the OST too.

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@ Lixie

You may have missed the episode, where the girl told the Soo-Kwang character that she had turned 19 in Korean age (and 18 for the rest of the world). Although, she's a teenager, she's of legal age to consent to the relationship. So there's no pedophilia involved. It might be a little squeamish to people concerned about the age difference, but an 18 year old dating is not unusual in many parts of the world.

Your concerns are very valid though, the fact that he's her boss, threatened to fire her and throws money at her to insult her is rather "icky" in my book.

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Hi Adal. :)
No, I know she's 19 but this almost makes it worse for me. He's like a predator stalking, just waiting for it to be legal so he can chase the prey. I don't usually care about age difference, in HSK for instance I was all for the romance because I felt they were a good match. The guy was older beyond his years. The girl was the opposite.

Here it's not like that for me. Her age is just a number on paper, any adult would or should see her as a messed up kid and be against this relationship. The money thing was just even worse.

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I disagree with you.

"Seeming mature" and being "underage" vs. "seeming immature" and being "of legal age" doesn't make a relationship with the former acceptable and the latter criminal and/or wrong.

She's of legal age and he's not a pedophile that groomed her and however squeamish their age difference might make us feel, they have done nothing illegal. We can debate about his morals, since she was underage for the first few weeks of the show – but they were NOT in a relationship then, nor did anything that crossed the line. Just having feelings isn't criminal, even if those feelings are problematic.

I'm not a fan of their relationship, but it is, at this point, not wrong/criminal, however much we might personally dislike it.

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Hey alua,
I know, I understand it's legal. It just feels wrong to me. Like you said, I'm only debating his morals and those around him that cheer him on.

I reaaaaally doubt in real life those docs would support him like that. The kind of characters they are wouldn't allow it. Not just because she is so immature but he is also her boss and while I'm not against company romances, using that higher position is always wrong.

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Okay. :-)

I'm just challenging your word choice since "pedophile" is about criminal behaviour. Well, and I do have to question your position of "if the underage one acts mature it's okay" related to HKS, because legally and morally speaking this is still problematic. (I know that the adult in that relationship didn't know and had no reason to suspect it – quite the contrary –, so of course I wouldn't brand her a pedophile, although I would challenge you on the fact that the kid was "mature" because the very fact that he chose to date an adult is immature behaviour).

Yeah, I would hope in real life the doctors would have seriously challenged him on his interest in SN – when she was underage. Now, that she's legal, I'm not so sure. At this point, it's none of their business even if they dislike it and I'm getting the impression that e.g. Sunbae Jo is not someone to judge that easily and probably thinks there are more important issues in the world.

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Yeah, I regret using that word now, I understand it's too strong for this situation.

I understand your point regarding HKS too, I question myself about that ehehe, however, it's more of a feeling than an actual fact that I can present to prove one couple would be acceptable and the other unacceptable.

I never felt any power imbalance in HKS and never felt one of them was way more mature. Same with I can Hear Your Voice. On the other hand in Secret Affair I couldn't stand it, because it felt so wrong.

My point about the doctors comes from the assumption that they would share my view that while it's legal, it's not very a good idea to date someone so much still emotionally a child and that is forgetting the whole boss/employee issue.

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Krystal and Rain Next Drama Will Be Pedophile Too, People It's So Hypocritical.

And In The Drama Soo Kwang It's Only 9 Years Old Than So Nyeo.

Pedophilia It's With Girls Or Boys Between 0-13 Years Old.

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Ok, so pedophilia is a too strong word here. Forget that.
Still, like I said, those 9 years make a big difference if she is so immature. I didn't even knew he was 28 in the drama, just felt way too old for her.

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Issues of chronological age aside, the whole vibe here is of a bratty entitled teenager. The script hasn't given us any reason beyond her looks for Kwang Soo's attraction to her, which inevitably makes him a less interesting man and character. There's pretty much nowhere to go with this storyline because she's uninteresting as well.

The threat to fire her just makes him creepy. And let's not forget he's her "boss" because he hired her to get into her pants.

This drama loses nothing if they cut every scene between these two.

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Ha,ironically, if the Soo Kwang character is some kpop idol, bet people won't call him pedophile or spouting harsh words on the character.Instead people will squeal and throwing flowers and words, saying how cute the couple are.

Same goes with the same scene like, threatening to fire if she refuse to go on date with him, if you replace him with someone who is also 28 or older like Lee Jun Ki, So Ji Sub, or someone from Kpop Idol(again?), people would throwing some words like, he's cool or something.

What's so wrong with the scene? I mean, Soo Kwang don't want SN to keep on playing with his feeling, so he gave her two choices. It's not like she desperate to keep the job. And it's not like that the only job in Seoul.And IT'S NOT LIKE HE ASKING HER TO BED. So how can you say he was sexually assault her? zzzzz.

And talking about age difference, have you watch the movie "Little Bride" stars by Moon Geum Young and Kim Rae Won? Moon Geum plays character a 15 YEARS OLD high school girl. Her grandpa MARRY her to someone like 25-29 guy..despite that the movie went box office, and one of the most popular movies in korea of all time.

And the hero in Little Bride doesn't suffer from Tourette Syndrome either, he is just a super normal guy. And her grandpa is also a super normal sane person. Moon Geum Young is also a normal person. The rest of the cast is also normal.

Here the point is.Soo Kwang was not even dating her, have sex with her, or sexually assault her,let alone propose or marry her when she was still in her under age.

About the difference level of maturity,Soo Kwang is not really a sociable person before he met Sunbae Jo.

The Tourette Syndrome he is having, caused people in the society distance themselves from him since he was small. People call him crazy or nut job. And not to mention, his girlfriends left him because of that syndrome too.

So, you can say he lacks of communication skills, and he also rely on Sunbae Jo, Jae Yul and Hae Soo to make decision for him, shows how he is a man with no confidence and zero decision making skill. So Nyeol doesnt help too, with her two timing.

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@Harem I don't know who are these people you are talking about.

Don't make generalizations like that because you are bound to be unfair. Recently I had a lot of less than gracious replies on another post just because I dared to imply a popular actor, in my personal opinion, isn't doing a good job on a current show. So don't count me in on these assumptions.:)

If Jo In Sung was the guy on that scene I would have said the exact same words about it.

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Hi, Lixie.

Soo-kwang is adorable, but my affections for him diminishes when he's with So-nyeo for the same reasons you mentioned. The only thing that prevents me from fast forwarding their scenes together is that, despite the big age difference, the difference between their level of maturity (or lack thereof) isn't so much. People who love Soo-kwang will hate me for this, but that's my opinion.

I love the twisted brothers, too. It breaks my heart when neither of them realize how much they really mean to each other. And, yes, that scene when Tae-yong cried after hearing Jae-yeol responding to an automated machine made me want to cry as well. Tae-yong's genuine concern proves he's a real friend. Now I understand why Jae-yeol didn't file a lawsuit against him in the earlier episodes on plagiarism.

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This drama has succesfully turn all the bad guys into the good guys and now, if we watch the drama episode by episode, we learn to see that there is always a story behind every individual. Especially Tae-yong, how he first betrayed Jae Yeol and collaborating with his ex-gf/sleeping partner, then he became remorseful and really helping JY family, and now the revelation of JY mental state... I think he was also blaming himself for all the chaos around JY but with Jo Dong Min as the therapist/psychiatrist I think he will learn that this problems stems from a lot deeper and problems from way further back.

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I just want to say that I LOVE Soo-kwang and how he spat water on Jae-yeol during the water fight <3

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I loved the whole water fight.

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Kwang Soo And Jae Suk Did The Same But With Pool Water In Episode 106, The Guest Was Hyo Jin Roo.

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In most of your recaps so far, you've been perplexed by Haesoo's behavior, and labeled her as an inconsistent character. I'm not sure if you find the character unrealistic, or just don't relish the idea of having to witness all of her complex emotional ups and downs.

I want to shed a light on a different perspective. Actually, for me, watching this show is like looking into a mirror. Hae soo is almost my twin sister.

In my first relationship, I knew who I didn't want to be from all the movies and dramas I had seen, but I had no idea who I wanted to be. I had unrealistic expectations of who my boyfriend should be- someone who catered to my whims and desires, and yet somehow still possessed a spine of his own- and not enough awareness of my own insecurities and the depth of my emotions. I didn't know what it really meant to compromise, or even how inexperienced I really was.

On the one hand, Hae soo is frightened she is no longer in control of herself and thus, no longer cool and awesome and independent, and on the other, she really likes Jae Yeol and she can't help acting on the tiny whims and flareups of pettiness that hormones make us so prone to. Though I can see how it might be difficult to watch the details of her growing pains, I assure you, she is a realistic character of many fears and much space to grow.

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I agree with you Hae Soo's character is so realistic and Im also seeing my self from her. Maybe others are just in denial that being "unpredictable" and double sided at times are also in their personalities, a sort of unawareness.

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Man, I am just waiting for episode 12's recap because I crieeeed buckets OMG my feeeeels.

Why do I wish for all of my favorite tv series not to end </3

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Thanks for the terrific recaps. I want to read your recap of the next episode before I watch it. I watch late at night and if it is too sad I won't sleep. I feel sadness is coming. I hope they both can be more if they are together than if they are apart. I hope the writers give them that chance.

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JIS and GHJ look really good together - height, looks, body build. They also started out as models. GHJ's face is luminous. JIS recently broke up with gf; GHJ started on a relationship. Sigh. Luv the pair.

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I find it was biased,unfair and stupid when people keep on condemn on SK and SN relationship,just because age difference and level of maturity. But at the same time they approve and love Lee Bo Young and Lee Jong Seok relationship in I Hear Your Voice(and they were MUCH MORE INTIMATE than Soo Kwang and So Nyeol). Saying it was cute, cool and lovable..bleh, while forgetting that Lee Bo Young is a fully mature,super normal adult with a career as a lawyer and Lee Jong Seok who is also a immature teenager and a high schooler..no, you CANNOT say that LJS was seemingly MATURE, because that wasn't the case in IHY as his maturity is just a shell to cover for his immature true self. His mentality also unstable,as his keep going for revenge,and almost kill Lee Bo Young in the process. Same goes with Lee Bo Young, if you put Soo Kwang in her shoes,and So Nyeo in Lee Jong Seok shoes, you would go saying he is pedophile for having feeling with a high school girl.

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It's just beyond me why he likes her. It's not her sweet personality or her work ethic or her enthusiasm or kindness to others. She's a snotty little kid who is not interested in changing. OF COURSE she's going to two-time you, she's a 19 year old flake! DUH. What about her gives him any warm and fuzzy feelings? And I don't understand why his friends would encourage him to chase after someone who will suck the life out of him, who already does nothing more than tease him, take his money and drives him crazy. Because "it's okay, it's love"? It seems more like obsession for him, he's certainly getting nothing back from her.

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Exactly this. His liking for her is the least likable thing about him. On paper, and by casting this actor, they had the opportunity to create a really memorable character ... and it's like his light goes out every time these two have a scene together. The OTP has the heat (passion and problems), this pairing could have been the light (sweet and comedic).

To be clear, this is not the fault of the actress at all -- I'm sure she could have played charming ... and older.

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Does anyone know the name of the actress who plays Sang-sook? She looks very familiar but I can't place her.

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I want to point out your commentary on Hye-Soo. I accepted her behavior because she, to me, embodies the paradox that lies within human nature. The surfacing of her seemingly "spontaneous" actions stem from her budding relationship with Jae Yeol, therefore revealing aspects of her character that may seem to contradict what she says (Lets be real...we don't always say what we mean, or mean what we say.). I'm really enjoying the pacing of the drama because it's not break-neck, and that allows our characters more room to interact with one anther. This drama is dialogue heavy: it doesn't use the clutch of flashbacks and heavy melo to move its story along, and, as a patient viewer, I feel satisfied with what the narrative is choosing to reveal because I have put my faith in the drama's world, in its intricacies and its story-telling, and, even more so, in its direction.

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I enjoyed this episode so much. I find Hae Soo super CUTE!!! on her way of expressing how sad she is that JY is moving. Pretty HS!!!! :*

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When Hae Soo and JY are in the recording booth after their talk on the radio and it cuts to the song, what is the song, it's not on the soundtrack?

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