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Life on Mars: Episode 5

Family can mess with your head, but it adds an extra wrinkle when you are a time-traveler and they don’t know even know you are family. The longer that Tae-joo stays in the past, the more of his memories return—but it remains to be seen whether this is actually a good thing. But at least he might have a new friend who won’t be afraid to bust a few heads if everything gets out of hand.

 
EPISODE 5 RECAP

Tae-joo sleeps fitfully, punctuated by the ringing telephone that goes unanswered, his recurring nightmare racing through his head. Except this time, more of the scene becomes clear, as young Tae-joo sees a woman in white running through a forest.

Tae-joo’s mother’s voice gently reassures him (almost as if she knows he is having a bad dream), “You’ll definitely wake up, so don’t be scared. I’ll always be by your side.”

Young Tae-joo looks on in horror through a hole in the wall, as the woman in white is beaten… and a man pops up right in front of Tae-joo, startling him. Whatever he sees, Tae-joo stumbles back, screaming.

Adult Tae-joo wakes up with a start, to police chief Dong-chul accusing him of sleeping on the job, and a worried nurse in his head proclaiming that he’s going into shock. It looks like something is seriously wrong with Tae-joo. His head spins, and Dong-chul smells the culprit… carbon monoxide poisoning.

Dong-chul scoops up the weakened Tae-joo and hauls him outside out of danger (but not before Dong-chul bangs Tae-joo’s head accidentally-on-purpose against the door frame a couple times, snerk). Dong-chul and fellow officer Na-young both frantically work to revive Tae-joo—though he prefers Na-young’s gentler methods to the rough slaps Dong-chul doles out.

Fortunately, Tae-joo is fine, as he is taken to the all-purposes doctor, Dr. Park (who tries to wheedle some good food from Dong-chul’s visiting mother-in-law, ha).

Except, Tae-joo isn’t fine, not in 2018. In the present, Tae-joo’s doctor warns him that he is suffering from dangerously high pressure in his brain, and that he may experience decreased consciousness until that has been stabilized.

Tae-joo desperately tries to find the source of the voices, but stumbles back as he opens a door to a room of blinding light. It is only at the sight of two children playing doctor that he is pulled back to 1988.

The brush with danger makes Dong-chul aware that he should know more about his subordinate, and asks whom he would contact in case Tae-joo were to die. Tae-joo answers that he only has his mother, because his father died while he was young from an accident overseas.

Reluctantly, Tae-joo thanks Dong-chul for saving him. Dong-chul takes it as ungraciously as he can, by pretending that there must be something wrong with Tae-joo still, ha.

On a roll, Dong-chul also makes it awkward with Na-young, asking what she was even doing at Tae-joo’s place alone—are they perhaps dating? Na-young quickly protests that she’s here because they couldn’t get in touch with the chief, so she needed to report directly to Tae-joo that there had been a complaint of theft.

Which brings Tae-joo and Dong-chul to Tae-joo’s mother’s salon. Tae-joo remembers fond scenes of himself as a young child in the salon with his mother and father, and then with just his mother. A picture of Tae-joo’s father sits by a mirror, and before he even picks it up, Tae-joo can remember what is written on the back—a letter from his father working overseas with a promise to watch baseball together when the plum trees blossom.

Tae-joo’s mother walks in. This must be very strange for him, because he can’t help but utter a soft, “Mom.” Mom doesn’t hear it though, and takes the pair to Tae-joo’s aunt, who was the one that reported the theft.

Aunt briefly looks embarrassed when Dong-chul recognizes her from the police station when she previously had made a ruckus, but she’s too shaken to be truly affected. Aunt explains that the thief didn’t actually take anything—he snuck into her room in the night and creepily folded up all her clothes, and organized her makeup.

Even though Aunt had taken enough drowsy medicine that she didn’t initially wake up, the creeper had hung around long enough for Aunt to rouse. In shock, Aunt closed her eyes tightly and clutched the blanket, shaking. The intruder moved slowly towards her, a curious look on his face, but as he got closer, Aunt screamed and scared him away.

Disturbed, Aunt takes comfort from Mom, and explains that up until about a month ago, someone was also making strange phone calls to her. They always came as she was getting off work, and they always hung up without saying anything.

After the interview, Dong-chul can’t make sense of a thief who wouldn’t steal anything, and wonders, “What, is he a maid?” Tae-joo just hunts for clues as to how the intruder got in, and finds a broken bottle near the top of the wall, with blood painted on its surface. Dong-chul grins that the intruder should have cleaned up after himself better, since he has left great evidence behind now.

Tae-joo almost makes a misstep as he tells Dong-chul that there is no man living in this house, since the husband is away working in Saudi Arabia. Dong-chul wonders when he learned this, but Tae-joo quickly covers that it was on a postcard in the salon. This means that the intruder probably broke in knowing that only women lived here.

As the two are leaving, Tae-joo’s mom comes out to thank them for their help. The conversation is rife with meaning as Tae-joo tells Mom that he used to live in this neighborhood with his mom and aunt, big hearts in his eyes. Mom seems lovely, as she smiles over the coincidence that detective Tae-joo shares a name with her son, and adds that her Tae-joo is always dreaming of becoming a cop when he grows up.

Back at the station, officers Yong-ki and Nam-shik crow over how good-looking Aunt is, although Tae-joo gets defensive when Yong-ki blusters that if she didn’t like him, he would just make her. Dong-chul defuses the tension by teasing Yong-ki, “It would be a crime if you liked her, because it’s you.”

Talk turns to how they could even prosecute such a weird crime like this one, though Tae-joo doesn’t seem fazed and speculates that if the intruder had planned anything else, he could be charged with even more than just breaking and entering.

Meanwhile, Na-young has been putting in the solid detective work again, and found a similar case from four months ago. Aww, Nam-shik cutely encourages a pleased Na-young with a thumbs up.

Invigorated, Dong-chul orders Yong-ki and Nam-shik to investigate the general perverts and “emasculated” men in the area, and asks Tae-joo to investigate the other woman’s case. Then turning to the hopeful Na-young… he asks her to make him a coffee. Grr.

But Tae-joo won’t accept this, and asks that Na-young accompany him, since she would be helpful to talk to the victim, woman to woman. A bit wary, Dong-chul nevertheless agrees, and Na-young beams from ear to ear.

Tae-joo and Na-young can’t find the other victim, Lee Joo-yong, at her old address, but a group of card-playing ajummas gossip that Joo-yong moved out months ago because of big trouble with the landlady. Apparently, Joo-yong had complained of someone breaking into her room, and the landlady’s son had even been interrogated as a suspect. Afterwards, Joo-yong moved back to live with her mom.

Dong-chul is back to his old tricks at the police station, as he beats a list of suspects out of one of the local perverts (what, are they in a club or something?), although Dong-chul claims that he must have fallen on his face on the way over. I bet the dog ate a lot of your homework as well, Dong-chul, didn’t it?

It sounds like this might be a dead end though, because the pervert can’t understand why the intruder would only watch the women, and not act on it. He points out, “I think he really must be a lunatic.” Dong-chul evidently agrees, though he adds, “Would you call yourself normal then, you panty-wearing pervert?”

The interrogation is halted at the news that Yong-ki has brought in a suspect—a young man caught peeping outside a girls’ high school. The suspect pleads his right not to talk, but Tae-joo orders Nam-shik to apply for a warrant for his blood to test whether he is a match to the blood at the crime scene. Dong-chul has other ideas, as he brutally but efficiently slams the suspect’s head to the desk and wipes his resulting bloody nose with a handkerchief.

While Dong-chul and Yong-ki pig out over lunch, Tae-joo refuses to eat with them, something which Dong-chul has already picked up on. Tae-joo momentarily has a dizzy spell as the nurse from the present time calls out for an injection to stabilize his brain pressure. Dong-chul scoffs that Tae-joo sure is weak for someone his age, and that if he ate properly this wouldn’t happen.

It’s bad news about the suspect though—he has the wrong blood type to be the intruder.

Na-young comes through again, as she discovers that the victim Joo-yong is still living with her mother. When Dong-chul, Tae-joo, and Na-young arrive at the house though, Joo-yong won’t come out without gentle cajoling from her mother, and sits terrified as all three police officers pile into her barren room.

A nod from Dong-chul prompts Na-young to compassionately ask Joo-yong to help them find her intruder. Clearly traumatized, Joo-yong describes the same pattern that happened with Aunt—it started with creepy phone calls, and folded clothes, but escalated to the intruder lying in wait at night.

Joo-yong awoke on one of these occasions, to the intruder slowly sliding the blanket off her body, but explains that she never saw his face because, “I was afraid that if he knew I was awake he would kill me, so I kept my eyes shut.”

But that didn’t stop the intruder from getting physical, provoked by a ring on Joo-yong’s finger that he claimed wasn’t hers. Retelling the story, Joo-yong clutches desperately at her throat as she remembers the feeling of being strangled and held down by the intruder.

As the rest of the team is briefed, Tae-joo is adamant that this goes beyond mere breaking and entering into stalking. This goes down with varying degrees of success, as Dong-chul is baffled and Yong-ki even claims that watching or following a woman you like is a normal aspect of courtship.

Nam-shik tentatively pushes back on this, and Na-young’s face betrays what she thinks of Yong-ki’s assessment. It is Tae-joo that redirects the conversation back to figuring out how to find a link between Aunt and Joo-yong.

Which leads to a heaving police station, as every man known in connection to either Aunt or Joo-yong is interviewed to determine a link. When the search proves fruitless, Yong-ki whines that they should just give this case up since no one was hurt (but what about Joo-yong?).

To his credit, Dong-chul doesn’t countenance this, and directs the team to think of a link between the two women since they can’t find one in the men they both knew. Although poor Nam-shik takes a stab at it (double eyelids, oh Nam-shik), it is Na-young who astutely points out that the two women were sick when the attacks occurred.

The team has a breakthrough as they realize that the two women shouldn’t have been knocked unconscious by their medicines—the stalker must have chosen this time deliberately. The team suspects someone working at the pharmacy.

Dr. Park informs Dong-chul and Tae-joo that ground medicine is an outdated method, so Tae-joo speculates that it must have been done to disguise the sleeping pills mixed in. Dr. Park can’t confirm this, so they will need to wait for a forensics team to analyze.

Never seeing a corner he couldn’t cut, Dong-chul beckons over unsuspecting Nam-shik and pours the lot down his throat… and not five minutes later, guinea pig Nam-shik is out for the count. Dr. Park notes that it must have been a very heavy dose to work this fast.

It turns out that the pharmacy Aunt frequented is in the same neighborhood where Joo-yong used to live. As if that wasn’t enough to convince Dong-chul, the creepy pharmacist, Park Yong-gun, has an injured hand (evidently from climbing over Aunt’s wall), which clinches it for him—although Tae-joo stops him just before he takes a swing at the man.

Leading Dong-chul outside (with a wrist grab, hee), Tae-joo cautions that it will be difficult to convict Yong-gun if he suspects that he has been discovered and destroys the evidence. Which means one thing…

It’s stakeout time! Dong-chul and Tae-joo follow Yong-gun just in time to rescue his bloodied bandage from being burned up. As Dong-chul says, “Bingo.”

The rest of the team have been hard at work as well. Yong-ki discovered that Yong-gun had an asthmatic wife who died last year, and Na-young informs them that Yong-gun has been submitting stories of his wife to a local radio program, even after her death. The most recent reads, “The sound of her breathing keeps me alive. I hope she’ll always be there to breathe next to me.”

Tae-joo sighs that Yong-gun must believe his wife is still alive, and Na-young correctly guesses that his parents died of illness when Yong-gun was a young child. This guilt made his delusions worse, and Na-young theorizes that Yong-gun must have turned violent with Joo-yong when he realized he was suffering from delusions.

Although this means that the team doesn’t know when Yong-gun might flip on Aunt in the same way, Tae-joo hesitates to arrest him right away. Without proof of Joo-yong’s attack, Yong-gun would most likely be let out on probation. Dong-chul concurs that it would be best to catch him in the act.

That’s how the team ends up trying to persuade a reluctant Aunt that she should act as bait, while the police officers follow Yong-gun.

Aunt doesn’t look too happy with this plan, and she looks even less happy at the prospect of being protected by either Yong-ki or Dong-chul. Yong-ki delights in rubbing it in that Dong-chul was rejected, while Dong-chul futilely protests that he didwin the 1966 Olympics silver medal in boxing.

Welp, in the end, Na-young is the one chosen to stay with Aunt and protect her. Na-young looks giddy at the opportunity, while Dong-chul grumps that she shouldn’t bother with any unnecessary moves like last time, and just call them when things get dangerous.

Yong-ki tries to patronize Na-young for acting like a “real cop.” My heart just melted a bit as Tae-joo counters that Na-young is a real cop and adds in a mutter, “And she’s better than a certain someone else.”

Just as expected, Yong-gun rings Aunt later that night, but just as he is leaving (presumably for Aunt’s house), Tae-joo is hit at the worst time with a splitting pain in his head. In the present time, his doctor orders Tae-joo to be put further in a coma, because his cranial pressure is building to dangerous levels. Tae-joo faints.

From the present time, Tae-joo’s mother’s pleas sound in his head, “Wake up, Tae-joo. You can’t leave us like this.”

With a snap, Tae-joo in 1988 awakens. At breakneck speed he runs straight for Aunt’s house. Instincts kicking in, Dong-chul joins Tae-joo at a dead run, needing only to be told that Tae-joo lost sight of Yong-gun to understand the gravity of the situation.

When they arrive, Aunt is distraught and there is no sign of either Yong-gun, who ran off, or Na-young, who chased after him. Tae-joo and Dong-chul race off, following the blare of Na-young’s police whistle.

Na-young corners Yong-gun, and the two tussle together. Unhinged, Yong-gun manages to gain the upper hand, and climbs on top of Na-young to grip her by the throat.

Before Yong-gun can do any real damage, Dong-chul comes flying in feet first to knock Yong-gun away and to the ground.

Once Yong-gun is subdued, Dong-chul immediately comes to fuss over Na-young for putting herself in harm’s way. Though he does reprimand Na-young for going after Yong-gun alone as a woman, there is no heat to his words, only concern.

Tae-joo meanwhile, believes Na-young when she says she’s fine, and then congratulates her on a job well done. The praise comes as a pleasant surprise to Na-young.

All that is left to do is book Yong-gun, a task normally reserved for the men on the team. When Na-young prepares to leave though, Dong-chul surprises her by asking her to write the report—he says that she was the one who caught Yong-gun after all. From the look on Na-young’s face, this is clearly a great honor.

Despite being soft-spoken, Na-young is direct with Yong-gun about the harm that he caused to the two women he stalked, and that he’s definitely a criminal.

After work, Na-young accompanies Tae-joo to his apartment to show him how to operate his coal briquette heater, but it turns into a sweet mutual appreciation of each other instead. When Na-young tries to thank Tae-joo for helping her, Tae-joo lightly corrects her, “You are just doing what you’re capable of doing, Officer Yoon.”

I swear, Dong-chul must have some kind of special power for ruining moments, because he chooses just then to come in through Tae-joo’s open door. Dong-chul scares Na-young away by insinuating that something suspicious is happening, and playfully teases Tae-joo for chasing after the pretty young officer.

But Dong-chul is here for a lovely reason too—he has come to drop off some of his mother-in-law’s (famously) good cooking. Before he heads out the door, Dong-chul even tries to cover his thoughtfulness up with bluster, “It would be inconvenient for me if you die. So don’t die, okay?” Aww, Dong-chul likes Tae-joo.

Tae-joo looks touched as he unwraps the food, and even though he’s eating alone, he doesn’t look lonely at all.

Unused to social niceties (or having friends), Tae-joo paces in front of Dong-chul’s door the next day trying to find a way to say thank you. Understanding why, Dong-chul good-naturedly tells Tae-joo to stop haunting his doorway, but smirks as he does.

Aunt doesn’t seem right back to her old self, as she comes into the station to give the officers beauty samples as a way to thank them. Unfortunately, Aunt has taken a liking to handsome Tae-joo, and personally shows him how to rub in hand cream—much to Tae-joo’s discomfort, and Yong-ki’s wrath.

Disgruntled, Yong-ki examines his own rough hands and mutters to Aunt on his way past, “What do soft hands matter? Soft hearts are more important.” Lol.

But there’s no rest for the wicked, so there’s no rest for our team either, as they make their way to try and apprehend members of the “Lottery Gang” at a local brothel. Unfortunately, the gang is meticulous at planning, and by the time the police have arrived, they have all scampered. Disappointed, Dong-chul explains to Tae-joo that the Lottery Gang is an elusive scam artist group.

The police work on evacuating the rest of the building for interviews, but one customer proves tricky and refuses to exit the bathroom stall he ran into. Dong-chul picks up a nearby hose and sprays it over the top of the door, and out rushes an embarrassed female worker… and Tae-joo’s father. Uh-oh.

Tae-joo’s memory of his father as a fun-loving, warm dad clashes with the picture of the cheap, grinning man in front of him. A lone tear trickles down Tae-joo’s cheek.

 
COMMENTS

You guys, I am really impressed with this Life on Mars. I had reservations going in that this would be disappointing compared to the BBC drama, because the original gave us not just a wonderful story, it also lived on the strength of its characters. Well, the Korean version is officially nailing it. The characters are similar in broad strokes only (not that I would want them to be an exact match) and everyone is bringing something different, and compelling, to this show. I’m interested in every member of Team Trouble (yes, even Yong-ki) because they are not cardboard-thin constructions.

The central trio is obviously where it’s at though, and I especially love that Dong-chul is meddling in Tae-joo and Na-young’s romance. He’s such a little shipper. Which I welcome, because I think it might speed along the relationship. There is such a natural attraction between Tae-joo and Na-young, an easy camaraderie spiked with romantic connection, that I hope it would happen anyway. But Tae-joo is extremely closed off, and I fully expect the reason he and ex-fiancee Seo-hyun paired up was because she pursued the relationship—Na-young is too timid (right now) to make the necessary first move. But Dong-chul is right there behind Tae-joo, pushing him out of his comfort zone. Dong-chul is good for Tae-joo in more ways than one, as well. I’m getting warm fuzzies from their growing kinship, even though they are such an unlikely duo. You can see the respect Dong-chul is gaining for Tae-joo—like when he turns to Tae-joo to lead the direction on prosecuting Yong-gu—and in turn, Tae-joo is gaining what might be his first ever friend (wouldn’t surprise me).

I have been consistently pleased with the cases in each episode, and this one was no exception. Rather than serving a cookie-cutter police procedural, Life on Mars is taking the opportunity to examine difficult problems in a thoughtful way. The crew of 1988 (apart from Na-young) doesn’t initially understand that Yong-gun is committing criminal acts by stalking women, and it takes Tae-joo pushing for prosecution for the rest of the team to take it seriously. Aunt would have been dismissed out of hand otherwise. Through to the very end, Yong-ki stands in for the voice that doesn’t understand that not all attention is flattering, and can be downright dangerous when there are no boundaries. Although Yong-gun was an appropriately creepy presence throughout the episode, he was also depicted as an upstanding member of the community and not one of the usual “Pervert Parade.” In a touch of realism as well, Joo-yong’s story isn’t continued, and she probably doesn’t recover from the incident in the same way that Aunt visibly did.

What is worrying though is what’s happening in 2018. The situation is growing ever more serious, and I worry that Tae-joo is in real trouble from brain death in the present timeline. I really didn’t like it when the doctor warned Tae-joo that he would need to go deeper into a coma—does this mean it’s going to be harder for Tae-joo to get out of 1988, or does it mean he might stop existing in 1988 entirely? Where would he go instead? There was also that shining white door that Tae-joo opened, which can’t be a good thing. 2018 keeps creeping in to 1988, never letting us forget that Tae-joo is in danger and time is running out—which from my perspective, is starting to feel like the only incentive for Tae-joo to return. Despite the culture clash from his modern sensibilities, Tae-joo is connecting with people in a way he doesn’t in the present. If 1988 is a fantasy, it’s a very clever one, filled with real and flawed people to make it a lived-in world, but one in which Tae-joo has the power to change people the way he wanted to in the present. Will Tae-joo even want to go back to 2018 if he has the choice?

Mystery of the episode:Who was that in Tae-joo’s nightmare at the beginning? Will solving this mystery help Tae-joo return to 2018?

 
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Yoon Na Young is a deadly cinnamon that must be protected at all costs. The girl really knows how to take a beating! I was so happy for her when Park Dong Chul finally gave her an opportunity to do proper work obvious to her capabilities.

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Deadly cinnamon is apt!

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It gave me the warm and fuzzy to see more and more people started to treat Na-young differently. From the small thing like calling her the proper Officer Yoon instead of Ms. Yoon, to how they now all stopped and listened to what she can offer to the case they were working on despite some of them still didn't regard her as a 'true' cops. And of course, Tae-joo's little smiles whenever he watched her bursting with joy for being involved in a case is a sweet cherry on top.

But even more than that, I'm very proud of Dong-chul this hour. He is the epitome of '80s cops and ajusshi, with strong ideas and values that represent that era. And while it takes quite some time for him to accept new ways of thinking and change, change he did. He is still a total tsundere, but he cares and listens more to Tae-joo's opinion (and their budding bromance is just the cutest). And I whooped in delight whenever he heeded what Na-young said and involved her more in the actual crime solving, which then culminated to him giving her that opportunity to wrap up the stalking case. I luff him. (And I have to say that super-speed spinning chair is a genius invention. Muahaha...)

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DC tactics are questionable, but he delivers. I think he perfectly represents a cop of that generation. But at the expense of poor NS! The fact that I'm trying to defend him probably means I've started liking him. Is that weird?

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Dong-cheol is indeed the epitome of gruff ajusshi, I totally aawed when he showed appreciation not verbally like Tae-joo, but by his action.
From the way he treated Na-young, I'd have thought he's the type that cossets women and consider their place to be behind men, but he really does give credits where it's due once she proved herself in his eyes. It just takes Tae-joo (and sweet fluffy Nam-shik) to make him see her potential.
On that note, will we ever see Yong-ki's improvement..? ^^

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It's amazing how NY keeps giving them breakthroughs and now, thanks to TJ, DC is also recognising her competence. I think she was more happy to be praised for her bravery by TJ than being shown concern for by DC .
Also so many bonding moments between DC and TJ! I was laughing so hard during the first few minutes and that wrist grab. DC is finally listening to TJ's opinion without reluctance. And also TJ'S failed attempt at bonding were so cute and hilarious. Good progress in their relationship.
P.S-Have I mentioned how sweet TJ and NY are together?

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According to wiki: Actress Go Ah Sung is attending Sungkyunkwan University with a Psychology Major. Character Na Young also graduated with a Psychology Major.

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I think it was fairly obvious from the moment we heard Tae Joo's father is overseas, that he's probably in the mafia or something in SK itself, up to no good. But a loving father & husband, so he sends money home without letting his family know what he's truly up to. Was anyone surprised when Dad came out of that bathroom stall? ^^

Life on Mars is shaping up to be a truly fantastic show. Nice soundtrack as well - really heightens the tension.

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Doesn't the man from Tae-joo’s nightmare at the beginning look like his father?

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Yes, I'm almost positive that was Dad whose face he saw through the hole-- I actually recognized the actor's face without having remembered that he was playing TJ's dad. But that doesn't mean that he's the one who beat the woman in white. It seemed like Dad was running after Tae-joo on the train tracks, calling out to him. It looked like Dad was wearing an olive-green suit, and the man (or woman?) who struck the woman seemed to be wearing a beige jacket, but it's hard to tell.

When dad came out of the toilet stall, I got the feeling he was trying too hard to look like he'd been caught being naughty-- it made me suspect that he and the woman who was in the stall with him were part of the Lottery Gang.

But then again, this is a Jung Kyung-ho crime drama, so dad's probably an undercover agent, right?

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Dad's an undercover agent? Wow, that would be a great twist! I really do not want Tae Joo's heart to be broken.

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I hope there is some twist because I don't want Tae-joo to get his heart broken either. The undercover agent thing was a joking reference to JKH's drama Heartless City.

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I was thinking his dad in prison

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Yes, I was surprised and gasped when Dad came out of the toilet stall. But like @risa, I think it's not what it looks like and he's in deep with the actual Lottery Gang.

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I love Na-young so much. This episode (strangely) gave me the fuzzies... but that last minute reveal. PAINFUL!

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Another case solved and again Na-young is the pivotal figure. Her profiling ability is on par with Inspector Woo, and just makes me wonder again and again how advanced she is compared to the thinking method of 1988. Or is it because she's not from 1988? *dun dun dun*
It's lovely that Tae-joo is forging connections based on mutual respect even if affection is not quite there yet, and the teamwork is getting better and better between our squad. Nam-shik is such a fluffy and goofy maknae, he's like the necessary submissive wolf amidst all the alphas. It's so sweet that he's been encouraging to Na-young in his own quiet way, that ointment on her table, aaw.
Is it possible that any connections to 2018 happens only when future Tae-joo is in critical condition? If he gain consciousness, will he be forcibly ejected from 1988? It's bad enough that he might die, but I kinda don't want him to wake up and leave his current team...

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Ikr? He looks more alive in 1988 than he ever was in 2018, and I don't want him to lose all those precious connections he has painfully built when he finally wake up. If only I can be sure that this 1988 reality he lives in right now is a real world and not merely a clever, complicated dream his comatose self has, I would wholeheartedly vote for him to just continue live in this world.

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Yea, the possibility that the 1988 only exist in his head still leaves me feeling very unsettled T_T

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Maybe this plot is a little like The Wizard of Oz, when Dorothy wakes up and everyone in her life is also in her dream.
That would be sort of interesting. Someone mentioned once that one of the nurses back in 2018 sounds like Na Young. who knows what's going to happen?
I think his subconscious is trying to figure out his past.
This show is really fun and of course, is living up to the OCN label in my book.

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So the world might be imaginary but the characters are not, I can live with that!

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Or is it because she's not from 1988?

Are you saying she's from 2018? That's an interesting theory but I doubt it. A 2018 girl wouldn't be so submissive and abiding. I think Na Young is a testimony to the fact that women have always been as intelligent, strong and capable as men no matter in which era. It's just that in the past and even in the present, women have not been given equal opportunities.

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A 2018 girl who has been trapped in the past for a while might have adjusted to the 1988 while keeping her smart? ^^
Agree with your opinion about the non-equal opportunities, but somehow feel that Na-young is a special case. Was thinking that if the situation is reversed and she's the one thrown into the future, she will adjust just fine.

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Hi @meowingme. A couple of thoughts,
1. I think you may be onto something. I thought that Na-young might be in a similar situation to Tae-joo. When she said something to TJ early about getting used to things I thought oh oh NY may be in the same boat; and
2. Re: Nam-sik. I know we are only 5 episodes in but when it comes to police dramas I usually am a sucker for the maknae on the squad. One of the laugh-out-loud moments was when they poured that sleeping concoction down NS's throat. He didn't fight it. He took one for the team.
(So writer-nim at the end of 16 episodes I want to see Nam-sik breathing and standing on both feet if you get my meaning!)

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Oh wow, now you got me worried. It's true in kdrama that the nicer a guy is, the earlier he dies (especially for dads). Yes, writer-nim, please keep Nam-shik forever healthy!

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Oh I simply love this show! I love the interaction of all characters and how they started to affect to each other. I could imagine what Na-Yiung had been doing before Tae-joo came in: she's just a woman police officer who's running errand for the male police officers; nothing more - although we knew that Na-Young had been studied Psychology once. With Tae-joo being present in the police station, people started to see her potential including DC. it was wonderful to see their reaction when Na-Young kicked the pickpocket several episode back, and she began to be involved in each case. And I love how Tae-joo started to work with DC. Poor Tae-joo was a loner back in 2018, and the setting in 1988 made him to work with other people because the advance technology hasn't developed that time.

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I see so much similarities between the main bromance and the tunnel bromance ( a good thing) whereby tae joo is kim sun Jae, the closed off no nonsense cop, and Dong chul is Park Kwang Ho. One of the things I loved about their bromance was how they were reluctant to work alongside each but warmed up to each other eventually. Dong chul being a cute little shipper also resonates with Park kwang Ho shipping Yoon Hyun Min and Lee Yoo Young which I absolutely adored.

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Hahahaha.. but when Kwang-ho discovered that Lee Yoo-young's character is actually his daughter... he became really a protective father, LoL.

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Yeh up until that it was so fun to watch

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Hi @inkcityxx seoul_searcher. Good stuff! I think you are on to something comparing the DC and TJ relationship in LIFE ON MARS with the Park Gwang-ho (Choi Jin-hyuk) and Kim Seon-jae (Yoon Hyun-min) relationship in TUNNEL. With Jung Kyung-ho you are talking about three of my favorites here.
When LOM was first announced on DB I asked the Producers to please find a place for YHM. Unfortunately that was not meant to be.

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I also wished YHM could have had a role in this show since I really like their real life bromance

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I saw ep. 6 and let me just say, 'Wow'.

I can't wait for that recap. Hope it is not a week away.

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Taejoo had an extra coffee cup in hand when he was pacing, no? I think he wanted to give it to DC as a thank you but failed lol.

I'm loving this show! Btw anyone know what song plays in the end of every episode?

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Oh, I didn't catch that-- thanks!

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Love that you caught that!

The song seems to be an original for LOM but OCN hasn't released anything yet.

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Hehee, I noticed that too! He had a cute, small smile after his pacing. xD

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Captain giving TJ the much sought after brilliant home-cooked meal made me go AWWWW. TJ not knowing how to say thank you afterwards made me go AWWWW. Nam Shik being the sleeping guinea pig made me go PFTT. He's such a bundle of joy with his thumbs up.

Na Young is amazing. She pursues a criminal even whilst knowing she's in danger and that her being a woman is a disadvantage. I love how she's not immortal- she does take hits but she's also extremely talented and extremely determined to make the best of a situation. Not in a Candy way, but rather a heroic way.

Also I'm loving that the fight scenes aren't dramatised but instead seamlessly fit into the story. TJ fainting in almost every ep has certified to become a regular occurrence!

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I remember I had a lot to say when I watched the ep but now I somehow can't remember what it was! I guess ep6 kinda clouded my ep5 feelings... WIll have to write down what I want to say after each ep from now on! :P

Thanks for the recap Helcat! <3

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Ep 6. Just...so much to process. I have so many questions now.

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Im absolutely loving this show - its my favourite airing show right now!

All the characters are so well developed that you cant help but root for them (yes Yong-ki you too) but I have a special place for Na-young ❤️ Shes so calm and soft-spoken but has the brains and badassery that I absolutely love her!

Special Mention: Nam-shik and his deduction of "All these women have double eyelids - MAYBE THATS IT!" That part cracked me up hes such an innocent goof ball

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I actually thought it was quite a plausible explanation. serial offenders usually get obsessed with a very particular trait, could be anything like a mole or the clothes...atleast what I've seen in other crime dramas. But of course here it was wrong.

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Yeah I totally get what you mean! I think what it was was the fact that it seemed like such a trivial thing that's why it was funny - I mean they were expecting something more solid then double eyelids LOL

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Thinking about Na Young and now these two female victims made me recall a couple more details about life in SK in the mid 80s as the 1988 Olympics approached. One was that the government put a full court press on eliminating the common habit of spitting in the streets (or really, anywhere) by impressing on Koreans that all the foreign visitors would find it unhygienic and it would reflect badly on the country. The pressure was really on in Seoul where the Games were held, so it took a while to filter out to the small cities. Interesting that that's a bit of reality we don't see reflected accurately in old dramas 😉

The second habit I remember that had to change was that it was standard for women to be run off the sidewalk and into the street so that a man could continue walking on the sidewalk uninimpeded. Wrap your minds around that as you think of how Na Young gets treated at work, or how Young Ki regards the stalker cases. Yes, men at the time of this show were being forced by the government to learn to share the sidewalks with women.

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Thank you for these titbits, they are shocking indeed!

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As a foreign woman (who stood out by being blonde and taller than most Korean men, anyway), I was only run into the street a couple times in Seoul but I saw it all the time. Mostly they'd see me coming, gasp, and get the hell out of the way 🤣

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Did you live there in that period?

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No, but I'd go there about four times a year for about a week at a time.

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So my experience is highly limited!

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When I think about how much still needs to be done (equal pay, better female medicine, ...), I remember that we came a long way.

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You know it! For example, in the US women haven't even been voting for 100 years.

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Very true. I was watching cable girls on Netflix which is set in Madrid's 1929 and women were fighting for the right to vote in this period (they would ultimately win in 1931, I believe).

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Oooh, is that good? I’ve been looking for good Spanish-language television to watch!

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@mindy It's EXCELLENT. I am a huge fan of period drama being a bit of a history nerd and this show is a very interesting way of getting a glimpse into women's issues at the time. It's also has romance, mystery and the usual.

Another great Spanish show on Netflix. Less about women's right but still excellent is Gran Hotel. Set in a luxury hotel in the countryside of Spain in the 1900's.

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Not all remakes or adaptations are bad. Criminal Minds was awful but PD Lee redeemed himself in this one. He was also behind The Good Wife, another good remake. As for the writer, I looked it up, he was behind Bring It On, Ghost. I didn't watch that.

So far, the writing, directing, music and especially the cast are all wonderful. It is now topping the current batch of dramas.

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PD Lee Jung Hyo didn't direct the mess that was Criminal Minds. He was added in as a 2nd PD but he quitted very shortly after (I think after 2 episodes?) due to creative differences. The remakes that he has under his belt are A Witch's Love, The Good Wife and Life on Mars :)

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Oops! Thanks for the correction. This makes sense because the two works feels very different. Originally, I thought perhaps it was another case of Kim Kyu Tae who was terrible in Moon Lovers but he did well in his next drama, Live.

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By the way, does anyone notice that Jung Kyung-ho look a little paler that he usual look? is it because of this character? Even Dong-chul mentioned him "not physically healthy" as he fainted often.

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I thought it was done on purpose.

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At the beginning of the episode Tae-joo looked particularly pale I assume because of inhaling carbon dioxide. In a way he was very fortunate that DC arrived on the scene.

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Or was it carbon monoxide?
Carbon monoxide, yes that's the one. Bad news whatever it is.

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I really liked this drama.

The way Dong Chul and Tae Joo influence each other is very funny and nice to see.

Yoon Na Young is so cute and badass in the same time, I love her ! She fought and took pretty heavy punches but she didn't let him go. It's interessant to see Dong Chul evolve about police procedure and about her.

The weak point of this drama is that I'm not really suprised by the cliffhanger or the investigation. I mean the both girls were sick and I was just waiting for someone to notice it. And the same for the picture of the dad, it was clearly a fake background and when they arrived in the brothel, we couln't miss the big picture of palm trees...

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Thank you for your recap, HelCat. This was a great episode.

A minor quibble: Carbon monoxide is odorless, so Dong-cheol couldn't have smelled it. ;-)

I haven't seen the original version of LIFE ON MARS, but that doesn't matter. I'm thoroughly enjoying the Kdrama on its own merits -- of which there are many.

The cases are interesting, and I like how the differences between Tae-joo's approach to them versus his colleagues' so nicely underscore the evolution of procedures and technology -- and civil rights.

The cast is doing a great job. Oh Dae-hwan deserves an MVP for his MCP (Male Chauvinist Pig) portrayal. Detective Yong-ki comes across as a totally clueless troglodyte. Dong-cheol, on the other hand, is indeed a cream puff in disguise. Park Sung-woong is having a blast with this role, much like Choi Min-soo in LAWLESS ATTORNEY. Officer Yoon is the cat's meow, and is relentlessly coming into her own in her understated way.

I like how 2018 "bleeds through" into the 1988 timeline. I'm convinced that Tae-joo is comatose or locked-in and unable to communicate. The intrusion of beeping monitors and the muffled voices of medical personnel put me on the edge of my seat. Considering Tae-joo's injuries, he must be in dire shape. Is he in the midst of a near-death experience? Is his subconscious working overtime on unsolved cases? Is it all a dream? I'm sticking around to find out.

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Maybe they add something to carbon monoxide to produce odour? Otherwise people will die and no one will come to know. Even in our homes they add a substance to the LPG cylinders to detect it's leakage.

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Nope - it's odourless, which is why you should install a carbon monoxide alarm in your house.

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oh I didn't know that! Thanks for the info.

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I really wondered about that carbon monoxide because I also know it's odorless, and wondered if it was something about the briquettes that couldn't quite be conveyed by the translations. Or maybe Koreans just assumed a near-lifeless body in a room with no odor probably meant carbon monoxide poisoning?

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@bbstl,

It looks as if your second hypothesis is correct.

Introduced to Korea from Japan in the 1920s, yeontan rose in popularity following the Korean War. By 1988, 78% of Korean households used yeontan, but this fell to 33% by 1993 as people switched to oil and gas boilers, and was estimated to be used by just 2% of households by 2001.[1] The boilers reduced the risk of carbon monoxide poisoning, which was a major cause of death in coal-heated houses.

https://en.wikipedia.org/wiki/Yeontan

Coal briquettes, yeontan (연탄), are made of lignite (soft brown coal). I've seen them being loaded into heaters in a couple of Kdramas, but didn't know exactly what they were. They are not made of charcoal.

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Wow, I can't even believe you found that! So interesting. I've seen some dramas in which characters were involved in charity campaigns of carrying briquettes to the poor so apparently there still exist some homes that heat with them.

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@bbstl,

I searched on the keywords coal briquette Korea. Bingo!

I've been wondering about yeontan since the I first time I saw them being refueled in a Kdrama. They are NOT made of charcoal, which is what comes to mind when I see the word "briquette." ;-)

I came across a US Army news item from 2017 about a unit's distribution project of yeontan to needy households near their base. It's heart (and hearth-) warming.

https://www.army.mil/article/197602/2id_soldiers_deliver_charcoal_briquettes_to_south_korean_families_in_need

And from the same town, 2016:
http://koreabizwire.com/u-s-troops-volunteer-to-serve-korean-neighbors/70181

The explanation for the risk of monoxide poisoning is in this source cited in the above Wikipedia entry:

http://www.koreatimes.co.kr/www/news/opinon/2008/04/165_5149.html

TLDNR: Traditional ondol floors, like their analogues in ancient Roman bath houses, were directly heated by combustion gases. Modern versions are heated hydronically with circulating hot water, basically a radiator underneath the floor, or embedded electrical heating elements. Oil- and gas-fired boilers are directly-vented outdoors, but even so, can kill you if a crack develops in the heat exchanger. That is why everyone with a furnace or boiler in their home should keep it properly maintained and have a working carbon monoxide detector in every bedroom (per my local ordinances in New Jersey). If the masonry floor of an ondol had cracks in it, poisonous carbon monoxide in the combustion gases could leak through and kill residents. I suspect that hanoks in sageuks were so drafty that carbon monoxide poisoning was not too common an occurrence, but I could be wrong. I bet house fires happened frequently.

Pedantic side note: In old movies, when people "gas" themselves by sticking their heads in a kitchen stove, I've read that they don't die of suffocation due to displacement of air by cooking gas. They die of carbon monoxide poisoning. Town gas doesn't need to burn to produce carbon monoxide -- it already contains it. I was really surprised to read that. ["Town gas" is one of many names for gas manufactured from coal and other feedstock, as opposed to “natural gas” from underground deposits. It is basically the same thing as the waste gases driven off from coal in the process of making coke for use in the production of steel. The gases were collected at the local “gas house,” stored in “gas holders,” and piped into residences for illumination and cooking.]

I grew up in distant suburbs where no gas mains existed. Our house had an oil-fired boiler providing hot water and baseboard heat. Around there, the other options were “bottle gas” (propane) or (more expensive, depending on oil and gas prices) electric heat. I was fascinated by the coal bin in my grandparents' Victorian house that still had a small pile of glittery anthracite after they switched to natural gas heat.

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@pakalanapikake, I love this! I've wondered what those things were forever but apparently not enough to go find out! I always assumed they were some kind of super-compressed charcoal, based on having seen charcoal made in sageuks I guess. And I wondered why, if all of Korea was using those, the whole peninsula wasn't deforested. But they only came with the Japanese a hundred years ago (I should have understood everyone was burning small wood for their ondol systems before then, right?), aha. Cool!

I really enjoyed the spirit of what the officers said about delivering the coal and the community, it seems very Korean. Kind of like when you see a Korean award show and the winners first thank the fans for their support.

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@bbstl June 26, 2018 at 7:53 PM

I can always count on you, Chingu, to give me a pat on the head for being a nerd. ;-)

It's the anthropologist in my. I can't help it. I, too, had assumed yeontan are compressed charcoal. I think I've even seen them referred to in subtitles as charcoal briquettes.

I got a kick out of the Army project to help poor and vulnerable neighbors.

Even though the technology is going the way of the dodo bird, someone better hold onto the recipe and molds in the event that lignite becomes a viable home-heating fuel in the future. Maintaining technological backward-compatibility is a good thing. Reenactors do it all the time. But under certain circumstances, it may become a matter of life and death. Better keep that ace up one's sleeve.

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@pakalanapikake Yeah well look, the whole Army article called it charcoal!

🙋🏼Here's as close as I can come to a pat on the head emoji! That's for being Queen Nerd 👸🏻

😬 That's an interesting point about keeping a finger on how they did things in the old days. Like, just cursive writing may be able to serve as a workable code soon?

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Do we know how old Tae-joo is? I am thinking he had not encountered this form of heating so was unfamiliar with it. Na-young showed him the correct and safe way of operation. It would be like me trying to figure out how a kerosene stove works.

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Yes, I'm sure that's right.
In their normal-seeming working relationship, it's easy for me to forget that she knows his secret and is working around that to help him further.

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@marcusnyc20, @bbstl,

See above comment on yeontan.

I could sympathize only too well with Tae-joo. I had a similar experience on my high school trip to Innsbruck, Austria at Easter time. When we arrived at our pension, the room was cold. We didn't know that you had to open the valve on the radiator. My room mate and I froze our butts off the first night until we wised up.

I grew up with baseboard hot-water heat, which was controlled with a central thermostat, but could not be turned off in an individual room.

One set of grandparents had natural gas-fired forced hot-air heat in their rambling old Victorian house. They also had a working fireplace.

My other grandmother lived in an apartment building with steam radiators. Her apartment on the first floor must have been right above the clanging boiler, and was toasty all winter, with Sahara-like humidity.

It was only many years later that a friend showed me how to build and maintain a proper wood fire in her fireplace. I felt an immense sense of accomplishment. This is the kind of practical knowledge I believe human beings should possess.

During winter power outages I have long rued not having a wood stove for cooking and ancillary heating that does not require electricity. Alas, Mr. P. grew up in a part of the country with natural gas fields and is averse to explosions, as well as ash removal and chimney maintenance. Let's just say that at those times, I am fit to be tied as I wonder how long it will be until the pipes freeze, and could biff him for his shortsightedness. I hate being a sitting duck. One more bit of evidence that I was born in the wrong century.

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Yes, I know that in any kind of truly challenging circumstances (like, the a/c going out) I would have to tell someone to just shoot me.

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Thanks @helcat for a great recap and review!

I agree that this show is great and the characters wonderfully rounded. I'm beginning to think that the show has kept Tae Joo so long in 1988 because there's something about his past, in that time, that he has to recall. I guess that once he does, he will be able to right a wrong or resolve some mystery, that allows him to come back to 2018.

I do enjoy all the warm and funny parts between our protagonists, even as I sigh at the misguided thinking of Yong Ki. This show is so good at injecting humour and human moments, while giving us interesting cases to solve and the mystery of Tae Joo's 'coma'. I like that each case seems to be including more and more of Na Young's awesomeness and that the guys are beginning to know what good work they can expect from her. I'd like that at the end of this series, Na Young has made enough strides and gained enough confidence to even be promoted. This will really be the cherry on the cake, on top of a 'happy' ending for Tae Joo.

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It sure would, I want Na Young to get sent to Seoul as recognition of her profiling talents.

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@bbstl
That's a nice idea! I'd like her to have the chance to show off her abilities beyond the town (forgot the name) they're in.

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Right? Even she doesn't know the word "profiling" yet for what she does but she's an ace at it and she will be needed as Korea develops its bench.

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Hi @growingbeautifully. You wrote about Na-young:

I like that each case seems to be including more and more of Na Young's awesomeness and that the guys are beginning to know what good work they can expect from her. I'd like that at the end of this series, Na Young has made enough strides and gained enough confidence to even be promoted.

That reminded me of SIGNAL. There is a scene where the 2000 Detective Lee Jae-han is shocked to find out from the young 2015 Detective Park Hae-young that his boss is Team Leader Cha Soo-hyun. In 2000 Officer Cha was a young female member of Detective Lee's squad.

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@bong-soo
Oh, yes! I remember it too! That was really a hoot 😆. Unfortunately this time warp is backwards into the past and not forwards ... so it cannot work the other way around, ie Na Young of the future cannot 'show off' her well-earned status as boss to Dong Chul and especially to the sexist Yong Ki.

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Somehow I lost the comment that I wrote last night, but I wanted to thank you for another great recap, @helcat. Turns of phrase like "Never seeing a corner he couldn’t cut" make the read especially enjoyable.

I'm happy to hear that this version stands up to the original. I'm glad I didn't see it-- I'm enjoying being so perplexed, and am grateful for the lack of spoilers.

Na-young continues to rock, and the budding bromance is awesomesauce. If there is a romance, that'd be nice, but I'd consider it icing on an already delicious cake.

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@risa
I worry about a romance because how is 1988 Na Young to be with 2018 Tae Joo? It will be so sad to be separated by time. 😔

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Six episodes in and I’m still loving the show. The main reason for that is Na-Young! She’s just so sweet and awesome. She just wants to do a good job. Her joy in being able to contribute and be appreciated for doing a good job is something I can identify with (sadly) even in 2018.
I love how the show mixes humor with heart. Tae-joo’s interaction with mom and aunt was all heart till his aunt showed up and started flirting with him which had me ROFL 🤣 🤣🤣

I did notice that everytime 2018 intrudes on Tae-joo in 1988, it’s Na-Young’s voice that brings him back to 1988. (I realize that I phrased this sentence in a way like Tae-Joo belongs in 1988 and not in 2018 and that is because he does seem more at home in 1988 than 2018)
This made me wonder if Tae-Joo is in 1988 to save Na-Young! I hope the lady in white (whom the show seems to be hinting is the first victim of the Manicure killer and that the killer is related to Tae-Joo somehow) is not Na-Young! 😮☹️😰😱

I hope the drama maintains its quality and doesn’t become disappointing (side eyeing Mystery Queen 2, Hwayugi, and so many others 😒)

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The crestfallen look on Nayoung face when captain asks her to make coffee, aww.

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This Life on Mars is very impressive indeed. :D
It's so impressive that it's become my latest crack drama. Each episode just leaves me hankering for more. I think the near universal praise it's getting speaks for itself.

There is so much that's very impressive about it but it's the recontextualization that has me in awe in most instances. Moreover, it's almost documentary-like in the telling of these stories not just in the palettes that frame the cinematography but the attention to detail from the hairdressing salon to the neighbourhood pharmacy in the way the props are presented gives the whole thing an air of authenticity. Even the bit where little TJ is elevated on a plank for a hair cut. As a character says in the British Life on Mars, God is in the details. ;)

As a slightly older child of the 1980s. ;) there's something about the surrounds (the labyrinth of back alleys must be a nightmare for the cops), the mood and OST behind the storytelling that sends me frissons of nostalgia. After all I spent all of my formative years in SE Asia and much of the goings on portrayed In Sung feels authentic to the period.

The developing bromance is clearly having a positive impact on both men. In the case of DC, it's the toning down of brutal interrogation techniques as he grudgingly sees the wisdom of TJ's nagging. (I laughed at his method of collecting blood samples) For TJ, he seems to be settling down and becoming a less reluctant member of the team as tensions ease between them. He also seems to have taken on the role of mentoring NY. :D

It seems to me that up to now, there's been a great deal of focus on the plight of women in that era. The previous case of the single mother and now the stalking case seems to dovetail nicely with the experiences of NY as a female police officer prior to TJ's arrival. In this instance, it isn't just a case of unwanted attention but the fact that the perpetrator was terrorizing the women in their supposedly private safe space particularly when they have no men around to help them push back. He attacked them at their most vulnerable -- sick and in bed.

The other thing that the show does extremely well is how it integrates TJ's family into the mix and the case of the day. Aunty's role in this is expanded and so TJ is now one step closer to coming to terms with his childhood memories when he comes face to face with his mother. It's clear too that both women are struggling on their own with Dad largely absent from their lives.

It's hilarious at the end that we have Aunty crushing on TJ showing him all that loving extra care. But thankfully, for TJ at least, he is saved by the call!

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That scene where the stalker was pulling the girl's blanket off the bed would have been legit traumatizing! It freaked me out just watching it on a drama!

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but carbon monoxide has no smell.....

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