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Twenty Five Twenty One: Episodes 15-16 (Final)

Well, we’ve reached the end of the road. Our characters have all grown, some together, some apart, and it’s time for us to say goodbye. It’s been quite the journey, and there are still a few tear-stained twists and turns to navigate before it’s all over, but if there’s one thing Twenty Five Twenty One has taught us, it’s that nothing stays the same forever – and maybe that’s okay.

 
EPISODES 15-16 WEECAP

To wrap up last week’s conflict, we’re given two important conversations. First, we see that Yoo-rim was indeed the one who asked Yi-jin to frame the news of her going to Russia in terms of chasing money instead of her father’s accident.

Far from blaming him, Yoo-rim had likened it to winning fencing tournaments – sure, she may feel sorry for defeating her opponents, but she’d never apologize for it, because it’s part of the job.

Hee-do understands this, too, and when she sees Yi-jin weeping at the tunnel, she cradles his face and wipes his tears Together, they scrub the graffiti away, and Hee-do asks Yi-jin to share everything with her – happiness, misery, fear – instead of trying to shoulder it all on his own.

Time starts moving faster, finally carrying us into 2001, where he’s 25 and she’s 21. Through chipper emails to Yoo-rim, Hee-do catches us up on everyone. Ji-woong starts up a fashion inspiration website, which years later he turns into a successful fashion business. Seung-wan goes to college and is almost immediately elected class representative. And Yoo-rim’s also making new friends in Russia.

But then the upbeat tone fades into silence as Yoo-rim slowly stops reading Hee-do’s emails.

The two are poised to face each other at a huge competition in Madrid, and face tremendous pressure to win over each other: Yoo-rim to show up everyone who spoke against her, and Hee-do to fulfill a sort of patriotic duty. To make matters worse, the media twists their words into insults against each other.

Scared her resolve to win will waver, Hee-do refuses to speak to Yoo-rim once they both arrive in Madrid. That brings us to the tense, emotional match we saw a glimpse of last week. The girls are neck-and-neck throughout, and at one point Hee-do even challenges the ref’s call, just as Yoo-rim did years ago.

Ultimately, though, Hee-do wins the final point. Unlike other matches, she doesn’t celebrate, and when she finally takes off her mask, she’s crying. And so is Yoo-rim. And so are their friends and family watching from home. And so am I.

Hee-do opens her arms, and that’s all it takes. They cry in each other’s arms again, their friendship fully restored, both understanding why the other was avoiding contact.

And I’m so happy to report that the friendship lasts throughout the rest of their careers and beyond. Yoo-rim is the first to retire, and opens up a fencing club back in Korea, training the next generation of fencing stars.

Hee-do continues fencing for a bit longer, but ultimately decides to retire, too. And when Hee-do gives her last press conference, Yoo-rim is there with flowers, arriving just in time to hear Hee-do say the most honorable moment of her career was being Yoo-rim’s rival.

But back to 2001. Yi-jin gets permission to transfer departments, and aww – he gets to work with his mentor sunbae again! And double aww – Sunbae knows exactly why Yi-jin transferred, and is super supportive, even calling Hee-do to join them for drinks so she can cheer Yi-jin up after a particularly hard evening.

Yi-jin’s new department keeps him far busier than sports did, and he and Hee-do have to get a little creative and sacrifice a lot of sleep to spend any time together. He carefully sets aside the days surrounding their anniversary so they can go on a trip together, but it’s not to be… because it falls on 9/11.

Yi-jin is put on the next plane to the US so he can report live from New York as rescue workers try to locate survivors of the attacks. Once there, he’s overwhelmed by the devastation. But then he helps a woman spread the word about a missing colleague, and realizes there is something he can do.

The ordeal takes a huge toll on him, plaguing him with nightmares and beating him down day after day. Still, he clings to the hope that his work can accomplish something good for the world, and that hope keeps him in New York much longer than he’d intended.

Days turn into weeks and then months, and Hee-do can do nothing but watch from the other side of the world as the emotional distance between them grows. She sees the end of their relationship coming a mile away, even as she wants desperately to stop it from happening. But when Yi-jin applies and is accepted to be stationed in New York as a foreign correspondent, she knows it’s time.

What it really boils down to is that they can’t be what each other needs anymore. Yi-jin can’t bring himself to burden Hee-do with the trauma he’s experiencing, so she gets shut out and can’t give him any comfort – or receive any from him when she’s down.

But as she tries to explain this, they both get so worked up and defensive that they end up saying horrible things they don’t quite mean, with enough painful truth mixed in to devastate them both.

Deep down, they both know they had to break up, but also that it should never have happened in the way it did. So on the day of Yi-jin’s flight back to New York, they race to find each other and say a proper farewell. At first, it seems they might miss each other in passing, but they finally meet at a bus stop, where they say their tearful goodbyes and officially let each other go.

We get closure on everyone else’s next steps, too. Seung-wan becomes a variety show PD, and potentially gets together with Yi-jin’s brother. Hee-do’s mom recommends Yi-jin to replace her as anchor when she retires, and he’s able to reunite his family under one roof. Ji-woong enlists the help of Yoo-rim’s students to help him propose, and the two live happily ever after.

Hee-do gets married… to someone. Presumably with the surname Kim. And if the present-day storyline hadn’t existed in the first place, I’d probably be completely satisfied.

But it did, and I felt like it undermined its own message just a little. After the heartbreaking but, in my opinion, satisfying closure that was the bus stop farewell, Hee-do apparently carries so much regret and dissatisfaction that she has to have a similar moment again years later – and only after Min-chae gives her the missing diary wherein she had written what she really wanted to say to Yi-jin and he had done the same. It felt redundant and one-sided. And if her conclusion was that the one thing they got to keep forever was “that summer,” then why make it a point to say a few weeks ago that she didn’t remember that summer?

Still, on the whole, I loved Twenty Five Twenty One a lot, so I’m going to ignore the present-day segments and focus on the good memories that I’ll carry away from it. Which, in a way, was an important point the story of Hee-do and Yi-jin made: life has both beauty and ugliness, joy and sorrow, satisfaction and unresolved longing for what could have been and yet can never be.

Sometimes, what we need in one season of life isn’t what we’ll need, or have, forever. But having what we need when we need it – like Hee-do and Yi-jin helped each other get through the lowest points of their lives and learn to soar on their own – gives us the strength and hope to face whatever life may throw at us next.

And sometimes, despite our best efforts, life beats us down and shatters our dreams for no reason at all. When that happens, all we can do is try to pick up the pieces and make something new. And while that new thing won’t be what the old could have been, it can be beautiful and meaningful in its own right, even if it’s not quite what we wanted.

 
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So many mixed feelings about this one. I remember @hacja commenting that every happy moment is always undercut by sadness in this show e.g. HD winning gold but then having her win questioned. This pattern kept recurring and started to make the show feel heavy and foreboding, especially from ep 13 onwards, which took away from my initial enjoyment. Even when Baekdo got together, it was undermined by that incident with Yurim. On the actual ending, I find myself agreeing with comments that liked the ending one moment and then agreeing with comments that bash it the next. Although I can understand the realism angle, I can't process it emotionally so I'm left feeling conflicted. The bus stop scene was beautifully done though and it's probably what I'll think of most when I remember this show. Farewell, 2521.

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Perhaps I was daydreaming or watching too many dramas, but what happened to Hee-Do's husband and when did he disappear? I was secretly hoping she and Ye-Jin would reunite (off screen).

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ru bbish show. lo usy plot/ no chemistry between nam joo hyuk and kim tae ri

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I dreaded watching the finale for fear of beinf disappointed. I did well with avoiding spoilers but I knew so many beanies did not like the ending so I was a bit anxious. But how glad I am that I am completely satisfied with those two last episodes. The final bow to this wonderful gift that was delightful is even more beautiful!! I am so not disappointed that they did not end up together, and besides this was made clear from the start. I liked they breakup, I liked how loose ends were tied (I was wondering about Yi Jin's family so I was glad to see them reunited in the end), I liked Yu Rim and Woong's ending, I liked Seug Wan's ending. I mean it was a beautiful end to a a beautiful drama. What I take away from this is that 1) even though nothing lasts forever, or because nothing lasts forever, it is important to live and cherish the present memeories and live intentionally; 2) we may feel we have hit rock bottom sometimes, be in a rust professionnally or personnally, but we should never dim or shut down our motivation, willingness to go forward and our belief in ourselves (Hee Do was a perfect example); 3) one should consider oneself extremely lucky to have at least met a soul mate throughout their lifetime. Soul mates may be not meant to be together, but the fact of being able to have met one's soul mate is incredible! (Hee Do was the luckiest girl to have met two soul mates: Yi Jin and Yu Rim, and to have at least one soul mate is her life); 4) mentors and a support system are important in life. Coach,Yi Jin's sunbae, Seug Wan's Mum are exemples of how it is important to be supportive of others; 5) cultivating friendships is a core to life and happiness!!
Many more lessons here and there, but overall this was a brilliantly written drama. Definitely on my list to be rewatched. My favorite episodes were the last two, Seug Wan's episode and the one where they were trying to define their relationship and Yi Jin simply told her "it's love". That was a beautiful confession! Let me stop here! Lol.

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Yes, the writing, for me, is even more brilliant when it decided to stick to what it has been thinking from the beginning of the show. Tbh, if they had altered the ending just to land a HEA one, it would have made the whole show look cheap. If they wanted a HEA, then we would have watched a whole different drama starting from ep1. This is what made this show stand out from all the others: consistent story-telling -something you don't see so often in Kdramas.

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To me BYJ is the protagonist of the last 2 episodes. Through BYJ we see another type of dream actualized, perhaps one more typical than NHD’s path. We are not all as fortunate as NHD, discovering what we love at an early age. Some of us are like BYJ with our dreams snatched away through unavoidable circumstances and have to make the most of the cards dealt to us; others are unsure how we want to make a mark in the world and come to the realization after a prolonged search. If the IMF crisis cut short BYJ’s dream of becoming an aerospace engineer, another momentous global event, 9/11, shows him the direction and purpose in his work as a journalist. BYJ’s gradual descent into a numbing despair as he daily faces death and loss is as relevant to our time of the covid pandemic as it was in the aftermath of 9/11. The parallel was so striking to me maybe because I recently read about an ICU nurse who took his own life, the incredible toll the pandemic has taken on healthcare workers, the resulting personnel shortage, and those who choose to stay in spite of the toll. BYJ asks a firefighter “Don’t you just want to quit?” That is the question BYJ is asking himself: to quit and return to the relative normalcy and safety of Seoul. The firefighter, who endangers his life daily pulling out bodies of victims from the fire that is not yet extinguished after 3 mths, replies: “this is the career I chose, it’s my place of work; I just do my job, you do yours; that’s how life goes on.” BYJ decides to apply for the vacant NY correspondent position knowing that the only reason a junior reporter like him would be selected is because no one more qualified applied for such a difficult and undesirable post. To quit at that moment meant not just to leave the survivors and victims’ family, but to abandon those who keep on working at their posts. As NHD says, BYJ “leads the world we live in to become a better place.” The change occurs not through the sacrifice of one person, but through the collective effort of those who refuse to quit.
I am not saying that BYJ’s decision to stay in NY is entirely altruistic: it is also a rare opportunity for growth as a journalist; one that exposes him to world affairs, international relations and diplomacy (we see in Minchae’s internet search that as an anchor BYJ becomes influential in these areas). BYJ says to his mentor that he volunteered for NY correspondent position because he wants to “become a real reporter, someone that I can approve of.” Previously, BYJ disguised his desires through self-sacrifice and service for others, as when he takes his brother to Pohang, ostensibly for Yi-hyun’s sake, but it also happens to be a convenient excuse to cover up his own wish for escape. When he transfers to local news, BYJ says to Jae-kyung that it was for NHD’s sake. When he returns to Seoul, he says to NHD “I thought you wouldn’t want me to drop everything and come back to korea.” It is a marker of growth that BYJ is...

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I agree with you. Out of all the moments in the last half of the show, it was Yijin's finding his calling that really struck a chord with me. It’s also why I don’t see 9/11 as a cheap plot device. He had an opportunity to make himself very useful and make his younger self proud and he took it, and I’d like to think Heedo understood what that decision meant to him and does not resent him for it.

PS. I think your comment got cut off, btw...

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oops.. thanks for letting me know.

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It is a marker of growth that BYJ is able to honestly voice what he wants for himself, instead of making assumptions about what other people want and living his life for others. BYJ goes from a knight in shining armor/ scion of a bankrupt conglomerate with a broken sports car rescuing an adolescent fencer in distress to an autonomous hero with his own needs, ambition, and calling. For these reasons I find his character arc most intriguing and satisfying.

I do not think NHD regrets the breakup itself because, as BYJ said, she is not the kind of person who thinks about what she’s lost; rather she focuses on things she can gain. However, this line from Jaurim’s song of the same title seems to reflect adult NHD’s feeling towards BYJ: “Not knowing then that you are so beautiful/ Like I do now to my very core” (https://www.moinnet.com/en/translated-lyrics/jaurim-twenty-five-twenty-one/)

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@santokki great analysis of BYJ's arc, thanks for sharing!

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Unresolved longing for what could have been and yet can never be.., so rightfully said!
The ending was very disappointing ,agonizing and saddening for an otherwise perfect show. The ending seemed so contrived that it got at loggerheads with the core personalities of the leads. Sad endings are also beautiful in their own rights but it was very unrealistic for the relationship that they shared which indeed was beyond words. No matter how tough the things would have been, they would have found a way out as NHD was one stubborn fencer and BYJ was one tough soul. I am a lot upset about NHD's behaviour in the last episode. In no way her mom and Yejin were alike, if she thought that she would have to be alone for most of the times then she should have stopped right when Yejin asked her to not get close, as it was always evident what his carer will look like as a reporter. Yejin has always been the one, who suffers alone no matter how hard the things get and NHD for sure knew about this and then not support him in his toughest times is just plainly unacceptable. He never asked Hee-do to compromise her career or friends for him, so she should too have done the same by being more understanding and supportive of the situation he was in. For a person who is sensitive and feels deeply, he was given the least support from the people around him. He had to shoulder the responsibility of bringing back his family together and be a true reporter all alone.
I do not get why she was so adamant in accepting BYJ's apologies when she so readily accepted Yu-rim's, whenever she ghosted her for no reasons at all. It seems to me that she gave up on him rather so easily.
I feel an unbearable pain for BYJ as he has had the toughest of times among all. He deserves to be happy. Actually Baekdo deserves to be together and have their happily ever after as it feels so unjust to rip apart these two deeply in love souls in the name of reality. The last episode ruined the essence of the show, what would have been a surreal experience has become a nightmare for me!

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I'm late to the game for this show but if you read this and know the answer, please respond. Why is the Jaurim song 25,21 not in the OST for the show 25,21? Just curious. I bought the 25,21 box set with the OST when I was in Korea. One of my prized souvenirs.

This show turned me onto Jaurim. Now, I'm their biggest fan in Toronto and maybe all of Canada.

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