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Angry Mom: Episode 5

Mother-daughter hijinks! Angry Mom has set up the cover story and forced the daughter into going with it, true, but nobody said the daughter couldn’t throw a few wrenches into the works or make Mom’s job harder. It’s a hoot to see that while Kang-ja rules the school and has even the bullies’ bullies trembling in fear, the one person who won’t be cowed or pushed around is the most bullied outcast of them all. That’s just satisfying in a poetic sort of way.

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Ashbun – “Sunny Side Up” from the Angry Mom OST [ Download ]

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EPISODE 5 RECAP

At Yi-kyung’s funeral, Ah-ran accuses teacher Jung-woo of killing her friend, her loud exclamations quickly drawing a crowd. Kang-ja hurries to her daughter’s side, shocked that she can speak again, but Ah-ran’s fixated on the teacher, convinced he’s behind this.

Unfortunately, her heightened emotions and hospital gown make her look like a hysterical patient, so the classmates and faculty in the hall assume Ah-ran has simply lost her hold on reality, eyeing her with pity.

Ah-ran belatedly registers her mother next to her, and her eyes widen to take in the high school uniform. She doesn’t say anything, however, and Kang-ja does her best to comfort her.

That means that for now, Jung-woo has escaped suspicion—but he’s not going to rest easy until all his loose ends are tied. I think we can count on that.

Later that night, he has a clandestine meeting (by the river, natch) with his henchman Ahn Dong-chil, and says that he had no idea Yi-kyung had been pregnant, though now her cryptic statement about being his Achilles’ heel makes sense. He tells Dong-chil to prevent news of the pregnancy from leaking, suggesting that they provide other juicy information to keep them occupied.

Jung-woo recalls Yi-kyung’s threat to spill everything, and thinks back to the last night of her life, when he’d caught her trying to find a way into his secret library room. Scenes from that night and the chase on the rooftop were captured on her cell phone, which he now possesses. He deletes the video and tosses the phone out the window and drives over it.

The media has a field day with Bok-dong, since he was named in Yi-kyung’s (forged) note as the reason for her suicide. The public goes wild speculating, wondering whether Bok-dong raped her, or if they were dating and he wanted her to abort. I’m not sure if that’s better or worse than the comments that Yi-kyung was slutty for dating a teacher, as though that mitigates anything.

It’s Noah’s father, Judge Park, who sentences Bok-dong in the case. As Dong-chil predicted, it’s a light sentence—probation and community service—because he’s still a minor; this angers the public and spurs protests.

Jung-woo insists on his innocence to his father, the stern education minister, who is upset at the extent of this scandal. Jung-woo tells his father none of this will affect him or his presidential aspirations.

The doctor checks on Ah-ran’s condition, attributing her outburst to shock and stress. Both teachers are in the room and wondering how Kang-ja knows her, and she says vaguely that they grew up in the same neighborhood. Ah-ran pretends to sleep as Jung-woo asks if Ah-ran ever mentioned any “strange” stories she’d heard from Yi-kyung, but finally sits up in anger. Eyes blazing, she repeats her accusation that Jung-woo killed her friend.

But then she recalls Bok-dong’s threat about endangering her mother, so when Noah steps in to calm her, she accuses him too. She screams at him to save Yi-kyung, and Jung-woo relaxes at the false alarm. Just to make sure, Ah-ran then goes around accusing random people, and the doctor interprets it as a response to the trauma. It’s even likely that she’s erased or repressed some of her recent memories that relate to her victimization.

Kang-ja pulls Ah-ran aside, and is stunned when Ah-ran is completely back to herself. Ah-ran thinks her mother’s crazy for masquerading as a high schooler, especially since there’s nothing Mom could do even if she found out who’d been harassing her. But Kang-ja assures her that it’s all over now that Bok-dong has been caught, and she’ll be leaving school.

Kang-ja deflects Noah’s suggestion to call Ah-ran’s parents by saying they’re overseas, and Jung-woo has been reassured enough by Ah-ran’s display to leave, asking to be notified when her memory returns fully.

Ah-ran is released from the hospital, and the family sits down to celebrate both her return home and Dad’s promotion—at that job run by Ahn Dong-chil. On Jung-woo’s orders, Dad is called in to school the next day. Some kind of plan is in motion.

Kang-ja is thrown when Ah-ran expresses her intention to attend school as normal. Kang-ja argues all the reasons why she needs to transfer, barking, “Your mom says to go [transfer], so you’d better go!” Just then, Noah happens by and wonders what Mom means, catching them off-guard and quelling the debate for now.

To Kang-ja’s disgruntlement, Noah backs Ah-ran’s desire to return to school; he supposes it’ll be good for retrieving her lost memories. Kang-ja can only speak for Mom by proxy, and can’t argue as she wants to when Noah assures them that he’ll protect Ah-ran at school.

Ah-ran takes the chance to get back at Mom, saying that “Bang-wool” can’t come to school anymore because her family is moving abroad. Kang-ja shoots her a “you’ll pay for this” glare and retorts that she can’t move away. She slaps an arm around Ah-ran’s shoulder and says, “If you’re going to school, I have to too! We’re friends, aren’t we?”

So the next morning, both ladies stubbornly head to school. There are a lot of sidelong glances since news of Ah-ran’s funeral outburst has spread, but Kang-ja trails behind to keep everyone in check. Students take advantage of the so-called amnesia to bend the truth, such as the mean girls saying that they were super-tight friends with Ah-ran.

Sang-tae tries to get Ah-ran’s attention, and she says darkly that she remembers him, clearly insinuating that those memories aren’t favorable. But when Noah says obliviously that Ah-ran only forgot bad things and must therefore think fondly of Sang-tae, Sang-tae actually cheers up—it’s cute, except it makes me feel conflicted because he’s such an ass.

Ah-ran freezes up when Jung-woo approaches, but manages to smile and thank him when he promises to watch over her and make sure she won’t be victimized.

Ah-ran finds her locker marked with a disturbing message: “Mental patient Oh Ah-ran! You killed Jin Yi-kyung, didn’t you? How could you do it, then blame Teacher Do?” She demands to know who did this, and Sang-tae steps up to read the note. He asks the class who’s responsible, but Ah-ran tells him to cut the act—she knows he’s the one telling all the other kids to do this to her.

Sang-tae is insulted at the accusation, but when Kang-ja arrives and reads the note, she grabs him and drags him out of the room. Students race out to watch as Kang-ja delivers a mighty ass-kicking. Sang-tae thunders that he could ruin things for her and her parents, but it’s not exactly threatening when you’re sprawled on your rear and still shaking from the beatdown.

Ah-ran tries unsuccessfully to stop her mother, but it’s Noah who stops the fight and calls Kang-ja into the office. He tries again to reach her, saying he believes she’s a good kid underneath it all, but she tells him to stop interfering, because teachers can’t do anything and kids will retaliate amongst themselves.

Noah surprises her by insisting that he won’t leave her alone, though, because he won’t have more violence in his class, or any more Yi-kyungs. So he’s taking special interest in her, and she can expect that he’ll be watching her closely.

Kang-ja and Ah-ran remain at odds, since Mom can’t stand to watch her daughter being outcast and harassed, while Ah-ran finds Mom’s charade mortifying. She adds that school was like this well before Kang-ja arrived, and that she can’t do anything to change it. Furthermore, Mom could end up hurt too. It’s a curious thing to say and Kang-ja asks about it, but Ah-ran covers up the slip by saying that she meant the other kids could hurt her.

Just then, Dad Jin-sang shows up on campus—the school is building an annex, and he works for Dong-chil’s construction company. Kang-ja has to dash off before he can see her, but there’s no good place for her to hide, so she has to settle for sticking her head through a window and trying to act casual with her lower half sticking out the other end.

Jin-sang gets called away to greet his boss—and seeing him with Dong-chil sends shivers down Kang-ja’s spine.

Jin-sang remains clueless as he meets with Jung-woo, who keeps up the super-solicitous front while asking after his daughter—in particular, how her memory is after her accident.

Kang-ja ditches school by hopping a fence, to the dismay of both Ah-ran and Noah. Ah-ran is shocked that her mother is acting so differently these days, but Mom assures her that it’s just that Ah-ran doesn’t know everything about her, just like Mom didn’t know everything about Ah-ran and school.

She talks things out with Gong-joo, worrying about her husband working for Dong-chil—could that be coincidence, or does it mean something? Gong-joo speculates that Dong-chil may be connected to Yi-kyung’s death, but has no explanation for how or why. She starts to wonder about Yi-kyung’s pregnancy—specifically, that her case could be similar to Kang-ja’s (as in, rape)—but as ever, Kang-ja shuts her friend down when talk turns to what happened to her.

Ae-yeon drops in to see Jung-woo unannounced, testing their relationship; if they’re going to be teaming up, she wants to scope out where they stand with each other. Using an apple metaphor, she says one looks spoiled but is edible while the other looks delicious but could kill. Which apple will they choose?

Jung-woo replies that you’ll always regret something, so it’s better to choose the thing you want more, in order to mitigate the level of regret. Then he grabs her into a kiss.

Kang-ja is heading out of Gong-joo’s nightclub when Noah heads in, having followed the address listed on her student file. He runs into the ladies in the lobby, leaving them no choice but to sit down for a chat.

This isn’t at all what Noah expected of Kang-ja’s “family” life, but he says he now understands why Kang-ja turned out the way she did, with the constant fighting and swearing. He even gets worked up in indignation on Kang-ja’s behalf, telling “Mom” that it’s not right to raise a child in such an environment.

Gong-joo bursts into sobs, playing the part of the mortified mother to the hilt, wailing that it’s all her fault for being such a bad parent. When her minions see that their guest has upset their boss, they rise up on her behalf and surround Noah threateningly, cutely defending noonim’s honor.

Kang-ja pulls him outta there, and explains that although he thinks she and her “mother” live badly, once kids have to face cold, harsh world. In fact, she thinks he’s more of a child than her, growing up in a sheltered greenhouse and knowing nothing of the real world, even as he calls her the problem child.

Noah doesn’t argue, and ruefully even agrees—Yi-kyung had said similar things to him. He says she’s right about him growing up in a greenhouse, but still, he wants her to live in a warmer place, to open up her balled-up fists and live without worry. He couldn’t do that for Yi-kyung, Noah explains, but he’d like to be that person for her. And despite Kang-ja’s resistance, it looks like those words do affect her, even though she keeps her emotion to herself.

Ae-yeon hands over the list of Chairman Hong’s opponents to Jung-woo, thinking that seals their deal. But he says that’s not all he needs—there’s another list (a “black file”) that the chairman will have in his personal safe.

Ae-yeon looks affronted to be tested further, but Jung-woo says that trust is like dust—nothing on its own until you collect it together. She has 48 hours until the chairman returns to Korea from his trip abroad.

In the morning, Kang-ja receives a massive string of message via Kakao—so many that her phone dings relentlessly. Ah-ran takes the phone and makes an excuse to the rest of the family, understanding that Mom has just been Kakao-bombed.

The mean girls explain to Kang-ja what happened: Under Sang-tae’s direction, students coordinated chat invites to hit her simultaneously. Kang-ja confirms that Ah-ran was also on the receiving end of similar attacks, and wonders why they don’t quit Kakao. A prospect that horrifies the students; that would make you even more of a social outcast.

Ae-yeon tests out all possible number combinations on the chairman’s personal safe, trying to get at his black file. To her surprise, the code turns out to be Sang-tae’s birthday (the chairman’s never been the paternal type, she scoffs) and finds the list. But while she’s copying the files, the chairman returns home a day early, and he’s curious to check in with all he’s missed while he was away.

For a moment it looks like Ae-yeon is about to get caught red-handed, but Dong-chil steps in to give her a warning. For all his evils (of which there are many), he does help her out regularly, and she manages to stuff the papers out of sight before the chairman arrives.

At home, Kang-ja asks her husband Jin-sang about his boss, trying to see why he might be working for Dong-chil. Jin-sang doesn’t know much about him, but says that his boss’s boss actually took a liking to him and is just the bestest person ever—so good, so considerate! And while Kang-ja had the same impression herself, seeing Ah-ran’s reaction to him has her doubting the initial assessment.

For instance, when she and Ah-ran run into Jung-woo at school, she eyes him a little differently—suspiciously, perhaps. That’s a relief.

Jung-woo asks to speak with Ah-ran, and asks light questions to probe how much she knows and what Yi-kyung told her. He deliberately takes her to the back corridor of the library where the hidden door lies, makes a meaningful comment about finding interesting books in this section, then leaves. He watches to see what she does, and is reassured when Ah-ran doesn’t react in any particular way.

But after he’s gone, Ah-ran finds a dropped cell phone charm in a bookcase—it’s part of the matching pair she had with Yi-kyung. She doesn’t have a chance to look around because of passing students, but this is definitely suspicious.

Gong-joo tells Kang-ja that she’s been looking into Ae-yeon’s whereabouts—apparently they lost track of her after all of that badness went down with Kang-ja seventeen years ago. Kang-ja is exasperated with her friend for dredging up the past, but Gong-joo can’t shake her feeling that nothing adds up with Ae-yeon.

For instance, even if they ignored the fact that it was Ae-yeon’s blabbering that got Kang-ja in that mess with Dong-chil in the first place, they can’t ignore that Ae-yeon testified against her in court—she’d said that the stabbing was an accident, but that it was Kang-ja who knifed Bum. Shortly thereafter, Ae-yeon moved abroad with a load of money she couldn’t have come up with on her own. But Kang-ja just wants to put the past behind her.

Ae-yeon hands off the black list to Jung-woo, who declares them officially on the same boat now. With this mark of trust, he promises to help her out of hell. Ae-yeon replies, “I don’t trust myself sometimes. I’m not trusting in you, I’m choosing you. And risking my life for it.”

Kang-ja heads to school to pick up Ah-ran, only to find that she’s not there and hasn’t been seen for a little while. Noah confirms that when he calls hoping that the two are together, and Kang-ja lights into him for being negligent and then scours the town trying to track her down.

Ah-ran has been at the library all afternoon, huddled under a desk and waiting till it’s after hours. Once the coast is clear, she emerges and heads back to that corridor in the back, looking for some kind of clue.

But she has to duck into hiding when Jung-woo and Ae-yeon arrive together, and watches wide-eyed as they open that secret room. In her surprise she knocks over a book, and while Jung-woo doesn’t hear it, Ae-yeon turns back at the noise.

Nervousness mounting, Ah-ran tries to keep out of sight as Ae-yeon approaches her aisle. But when she rounds the corner, it’s Kang-ja she sees, and the ladies freeze, face-to-face, recognizing each other.

Jung-woo turns back curiously, wondering at the holdup. Ae-yeon is so shocked she doesn’t know how to reply, just staring at her old friend.

 
COMMENTS

I’ve been curious about Ae-yeon since the beginning, and wondered where she fit into the big picture. Clearly she’s a traitor of some sort, but the question for me is how much of that (if any) was forgivable—was she pushed into a corner, or was she actively destructive? If she acted in self-preservation, she’d be a weak but human character whose behavior might be understandable. Kang-ja would never have done it if she were in that position—Kang-ja would have stood her ground till she couldn’t stand anymore—but I could sympathize for someone who felt she had no choice. But there are hints that Ae-yeon may have been jealous and/or malicious, and in that case I have to wash my hands of her. I’m just not sure yet which one she is… or maybe there’s a Door Number 3 with a better explanation.

The story remains sharply written and well-plotted, so I’m glad to have the show zipping along briskly and keeping suspense up, but also really happy that we’re allowed to pause for comedy. Especially now that mother and daughter are both at school and snapping at each other in annoyance. I love that Kang-ja gets to surprise her daughter by being the rebel and the delinquent—Ah-ran is the model student who’d never cut class or blithely blow off school, so she’s got the more traditional mom line on that front. But then Ah-ran gets to needle Mom right back by adding lies to contradict Mom’s lies, and it’s just so cute.

Add to that Gong-joo’s hilarious cover story as the princess noonim and Noah’s incredulous double takes, and we’re pretty much assured that no dip into darkness will be too lasting or oppressive. I enjoy that the show doesn’t detract from its own seriousness by peppering things with the funny; that’s just icing on the cake.

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Kim Hee-sun and Kim Yoo-jung are so cute. But really Noah is getting more and more irritating. I mean, I've seen my fair share of idealistic teachers, but I really don't get Noah's logic at all.

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He said it himself. He grew up in a greenhouse, warm and happy, away from the hostility of the outside world. You can't really blame him for being raised like that. I look forward to the day he finally opens his eyes to what's really happening and do something about it.

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When he finally finds out what all has been going on he is going to MELT. DOWN. I predict the trope "Fear the Cute Ones" is going to apply.

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@Alessar I like your theory! I'm not hoping for Noah's major breakdown per se (poor dude), but if it does happen, it will be interesting to see what kind of man he will be after a series of disillusionment.

But there could still be beauty in such breakdown. That maybe, by getting hurt and surviving the pain, Noah will come out stronger in the end.

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I agree! It's to the point that every time he shows up, I have to fight the urge to fast-forward. This guy is clueless and it's scary that he's in charge of kids who very shortly will have to go out in the world and fend for themselves.....while I agree that you should be kind and compassionate to your fellow man, you definitely need more life skills than that!

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Awww, I like him.
You know he's going to get hurt really bad when he finds out his Daddy is not what he seems.
You know he's going to end up kicking ass. Let him be naive for a few more eps before the scales fall away from his eyes, poor thing, and someone smashes his greenhouse walls.

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+1 to that. Give the guy some times...he'll grow up.

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hey jomo, what do u mean by saying his daddy is not what he seems?
isn't his daddy a good guy? ehhhhhh!!!

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@Jodie

I'm not Jomo but I agree that Noah's father might not be what he seems. Like maybe he too had his fair share of underhanded dealings and whats-not. Or, maybe the old man had to let go guilty rich kids (by bribery). Or else, he knows exactly what the bullying victims must deal with outside the court, but he didn't (and still doesn't) do anything about it.

As a judge, he is the extension of the flawed law system, and is therefore as guilty as anybody else if he chooses to do nothing to change it.

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Everyone forgot about Bok-dong :(
I dont get it, in korea no one ever visits the sentenced ppl?

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...and no one does a DNA check on the fetus? and check the suicide note?

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I was counting on that to oust that abusive manipulative teacher. Did they run a DNA test or just assumed it was Bok Dang who was the culprit. And that was really fast handling of the case and sentence.

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...and investigate the suicide scene to see if Yikyung was pushed or fell on her own? There have got to be signs of struggle in there.

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I think that is why we saw the cremation. To keep us guessing if a DNA test was run or not, on time.
It seems that if a student suicide was found to be pregnant, a DNA test would be standard procedure, wouldn't it?

My guess is the police did run it and we will see efforts on the part of Rapists father to find and conceal or destroy any connections to him.

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CSI raised westerners will expect that. I thought the same thing. But I've realized that obvious things like that are usually overlooked in Korean dramas because they don't fit the plot.

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He got probation and community service. I don't think he went to prison, did he?

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Ah sorry, my mistake. I was operating under the impression that he got two years in a JDC, dunno why.

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Nope, he did not go to prison. That's why he's back at school in the next teaser for ep6

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Love the mom/daughter time! Especially in school!

Thinking about buying a mini tiara for my hair!!

Thanks for the recap and "Angry Mom" is awesome!

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Getting the videos posted in GoodDrama feels like forever, so I seem to resort to reading recaps for this drama since episode 3. It is a bit of a killer when I start to watch it later, but I just can't bear the hold-up.

I love this drama and everything about it. I adore Kim Yoo Jung, she's growing up really pretty and she never portrayed a character badly.

I would love to see Hong Sang Tae doing something for Ah Ran. I don't know if it is only me seeing it as a possibility. Maybe because I'm still attached to BaRo being Binggeure. I'm okay with his new look but why ever did they get the most adorable boy if they wouldn't use him to play his natural cute antics.

I was surprised that Ae Yeon turns oit the girl who betrayed Kang Ja. Did they use the same actess also, because I totally missed seeing Ae Yeon present and past resemblance.

Contrary to others who are pretty annoyed with Noah. I found the presence of his character fitting because it creates a metaphor for people who were oblivious to the dark and dangers of bullying as a child, and as it extends to adulthood. I would love to see how much his character would step up when faced with reality. I'm si it would take a while, although, I hoping it will not be too late to the extent of his character being the only one in stagnation.

This is for me the best drama I've seen this year, and this is a great feat considering there is no romantic tone to pick up the story. It is plain plot and acting. Love it!

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Ae yeon is played by the same actress past and present. She looks different now due to her then hideous teen hair.

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I had to go back and check, too. The wig, it is indeed awful.
She looks completely mousey in that compared to her present glamour.

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You don't have access to Viki? The subbing is not the fastest, but I've watched it partially subbed.

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Getting the videos posted in GoodDrama feels like forever, so I seem to resort to reading recaps for this drama since episode 3. It is a bit of a killer when I start to watch it later, but I just can’t bear the hold-up.

I love this drama and everything about it. I adore Kim Yoo Jung, she’s growing up really pretty and she never portrayed a character badly.

I would love to see Hong Sang Tae doing something for Ah Ran. I don’t know if it is only me seeing it as a possibility. Maybe because I’m still attached to BaRo being Binggeure. I’m okay with his new look but why ever did they get the most adorable boy if they wouldn’t use him to play his natural cute antics.

I was surprised that Ae Yeon turns out to be the girl who betrayed Kang Ja. Did they use the same actess also? because I totally missed seeing Ae Yeon present and past resemblance.

Contrary to others who were pretty annoyed with Noah. I found the presence of his character fitting because it creates a metaphor for people who were oblivious to the dark and dangers of bullying as a child, and as it extends to adulthood. I would love to see how much his character would step up when faced with reality. I’m sure it would take a while, although, I'm hoping it will not be too late to the extent of his character being the only one in stagnation.

This is for me the best drama I’ve seen this year, and this is a great feat considering there is no romantic tone to pick up the story. It is plain plot and acting. Love it!

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Loving this sooo much more then I expected to. And despite being dark, it's not tense or upsetting or oppressive. Not that it is emotional, but it doesn't have that type of pervasive doom and gloom atmosphere where you spend the whole episode biting your nails waiting for the next bad thing to happen. Those moments of comedy peppered in help with that, but it's also just the tone. Despite being dark, it feels like its grounded in optimism, and even if the odds may often be stacked against the characters we love, they don't seem powerless. This drama was a totally refreshing surprise!

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So well said!

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Thanks for the recap.

The mom-daughter duo are funnn at school. Noah in the Princess' lair was hilarious .... he was so shocked, poor guy! Is Ae yeon the third friend from Kang Ja's back story?

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I absolutely love this show. I tried not to, I hate the violence but everything else is just so, so good. The cast is superb. Kim hee sun and Kim Yoo Jung wore the uniforms together but the age difference didn't show. Not at all. It's amazing how young she looks. No ah's character isn't annoying, he just grew up that way. I actually like how earnest he is. This episode was not as emotionally draining as the last one. And I loved the humor. (Seeing Sang tae being humiliated in front of the students was satisfying. It should teach him not to bully others the next time.) Not that this episode did not have its share of creepy moments. I was afraid Ae yeon would be caught by Hong. ( his pets include a snake? O.o) I think he knows both of them were up to something. Their discomfort and shifty eyes kind of gave them away.
Thanks for the recap, javabeans! :D

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Hi Saema! *waves to you*

I feel the same about the cast and am deplorably jealous of Kim Hee Sun. Instead of looking younger for my age (when I was her age) I looked older!!! LOL!

Dear No Ah has so much growing up to do. I look forward to it and yet, I'm thinking that there will be another lot of angst for me watching him face crises for which he does not seem to be prepared at all!!! I'm conflicted ... :D

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Hi.
I've had this feeling for awhile maybe Ae-yeon is the mother of Ah-ran and there is some secret we don't know yet.

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Yes! that was what i was thinking too. Kang Ja supposedly went to prison for some time, doesn't that mean that if she got pregnant then it would be recorded- thus not making sense if she later claims that the same daughter was her sister's? Also- theorizing, maybe it was accidental that Ae-yeon stabbed the bother and Kang Ja took the blame since Ae-yeon was pregnant?
( i am really sorry for hijacking your post!)

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Hi sofwi,
No prob. I'm glad just glad I ain't the only one with this theory.
I am just curious who's daughter Ah-ran is.

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I think Ah Ran is Dong-chil's niece (his deceased brother's child). I have a feeling this connection will play an important part later on when he's ordered to kill/hurt Ah Ran. It's just my guess!

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Ah Ran is Kang Ja's child. Ae Yeon was in love with Boem, but he only had eyes for Kang Ja. I believe Ah Ran is Boems and Kang Ja's child, and even if she got her in prison and it was recorded she can still keep it a secret. As long as no one searches the documents, no one will find out. She said that Ah Ran was her sisters daughter to protect her (I assume from Dong Chil) and live a normal life.

I'm sure that will play a role later on. I'm really curious how Dong Chil would react (if it was true) and he found out. Will he hate Ah Ran because she is Kang Ja's child or will he embrace her because she is his niece/Boem's daughter?

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Thanks JB for the fast and great recap.

I watched Episodes 1-4 over 2 days and read this recap before the subbed episode is up. The feelings uppermost for me are a contradictory mixture of a sense of dissonance, some degree of relief and lots of angst.

On the dissonance: This I felt more in the first 4 episodes because contrary to what the stills and posters show, it has not been a light-hearted and easy-to-watch show. On the contrary, the subject being dealt with and the themes or questions on culpability and on the abuse of children/youth by those who are supposed to protect them are far too serious, and are handled with a grimness that made me get off my chair or stir in it, in discomfort.

When to this sombre mood there were the sudden funny (ridiculous) bits such as Princess Han and her male minions in their outrageous hairdos, the feeling of incongruity just grew. If it was an attempt to lighten the mood, it failed for me... I found the contrast of the ridiculous with the grim reality to be more darkly ironic and chilling. I’m glad that Ep 5 is blending more light moments into the tale and that perhaps the serious and the fun or funny parts will be better balanced.

I am relieved that this is a good show. It is well-written and based on reality, with interesting, rounded characters and heroes, both grey and greyer whom we still want to root for. It gives us a story with multiple and interesting themes that strikes at the heart and the mind. A solid show and not an empty time-waster.

Angst – The subject of bullying and child abuse is so terrible in itself and so true-to-life, I watch with uneasiness (there’ll be lots more getting off my chair to walk away the distress). I also am hopeful yet nervous about how so many characters with their back-stories and more than one theme can be resolved sufficiently. There is so much room for character growth, in so many characters .... will there be enough time to do this justice? We have 11 more episodes and I’m very hopeful! :)

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Hi, gb! I've always read your comments and always found them thoughtful. Love them.
IMO this drama echoes Dickens' works, in its farcical vs somber characters, its themes of social injustice and unprotected children, as well as its symbolism (caged animals, caged people, prisons both mental and physical?).

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@ Selenette

Hi! and thank you very much for your good opinion of my humble opinion LOL! If you only knew how long it took me to be 'thoughtful'!!! But yes, thank you...

And I'm impressed by your references to Dickens. It never occurred to me, but yes, there are definite similarities in themes and the style of juxtaposing (or is it just throwing in?) the ridiculous/farcical with the hard reality, also seems Dickensian. I must admit I never truly studied Dickens, but your comment is making me want to read up about his writing style. :) I look forward to reading more of you!

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Hi @gb! I'm planning to write more on comparisons between Dickens and this drama on Soompi. Just in case you're interested. This is the case where the law is twisted, the lawmakers and the officials are greedy and power-crazed, while children are left to fend themselves, eventually falling victim to such law and social system.

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It's gripping and funny and sad and scary.
It seems that like KMHM, Healer and HGL and this drama are doing their damnedest to get the themes of abuse out there, but throwing in the lighter moments to make the show more palatable. That is OK with me. I don't think they are making light of the suicide, or trying to sweep the seriousness away with hi-jinx. I get the impression that the funny previews did what they were supposed to, by making us think it would be silly. What we experienced was NOT that, and after resetting our expectations, we get some moments to laugh again.
Plus- with 16 episodes to fill, it can't be all dark. Our bodies would wear away with all the gripping the arm chairs and tensing up.

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@ jomo

You have a point or several... it is a good test of the viewer to see how he will respond to something unexpectedly the opposite of what the posters implied. It's definitely good that the lighter moments are not making light of what should be treated with all seriousness. I'd have taken issue with it, if it had.

It is good to have some bits to laugh over from time to time, however I am wondering if these bits have been made deliberately absurd in the extreme, just so as to throw up the horrors of the subject in greater relief.

The posters did not hint at all that there would be darkness in the show. But many scenes are not just dark because of the subject but literally not well lit or muted in color or sepia toned. Then in this 'darkness' we have the complete extreme of Teacher No Ah who is all sunshine and sweet poetry, ... like the mood the posters implied!

On how the seriousness is not diminished ... I find that the sombre lighting and washed out colours of most scenes, reflect the terribleness of the main story, but at the same time, they help to distance me from it. It's like I'm looking at old photographs of things that really happened, but I'm not in them. It is a very interesting way of delivering the harsh reality of abuse. Maybe this too, as you put it, makes it more palatable.

With this Episode, I'm thinking that the light and funny, as predicated in the posters, might eventually be the way the show will go... ie maybe they are not really out to 'deceive' us and I'm hoping for a happy and sweet ending for most of the characters.... definitely for all the youngsters and for Kang Ja, No Ah and their families, at least. :)

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Thanks for the recap.
Jung Woo is the foulest of creatures, truly despicable. I am so happy Drama decided to show him in all his nasty glory.
He isn't a victim who was forced to have sex with a student to save someone's life, or insane, he's just a JERK and a criminal. A lot of times we see a character lean to the dark side, but THIS one has both feet firmly planted there.

I don't want him to be redeemed. I want him to seep for ever in his own vile soup. I want him to suffer. Public shaming.

We did not have enough Ji Soo in this ep, but I think he comes back in 6. Alls I got to say is he had better NOT die.
He better not make the ultimate sacrifice somewhere late in the game to protect AR or Mom, people. I will NOT be happy if that happens. Are you listening, writers?

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LOL This episode was the funniest! We needed Ah ran to go back to school for more hijinks. But regardless of her return, the "darkness" is still alive and kicking, and that's genius writing.

On another note, I really wonder where Ae yeon will stand. I'm tended to think she'll protect Kangja and is not truly lost to the "evil" side, but she is, somewhat, fond of Jungwoo, and that might make her a betrayer (now, or in the long run).

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Also, I can see lots of people hating on Noah, but I don't really understand why. It's not a crime to be innocent, you know. Poor dude lived his life in a bubble. It's not like he hasn't evolved already. Before he couldn't even acknowledge it, now he does, but doesn't think it's a bad thing.

I think he's the teacher Kangja never had when she was in school, and who she needs to gain trust in the system again. I don't know about the other students, but I'm sure he'll impact her. And of course, she impacts him too. Angry Mom needs Noah, people!

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My issue with the Noah character is that the writer made him to be really naive. For someone who's attended university, it just doesn't ring true. I understand that there should be a kind hearted character to balance all that evil, but surely he didn't have to be that eye-rollingly innocent!

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I do agree that he could use a dose of reality, but to be honest - what has he been so naive about so far?

- Violence in schools/students can't depend on teachers for help: Right now, he understands that students haven't been able to find school a safe place and people find him naive for his optimism - but he wants to be the one to initiate that change for the better, and he's starting with Kang-ja. Is that such a bad thing? I don't think that's naivete, it's just optimism, and a little optimism is a good thing.

- His firm belief that Kang-ja is a good kid: People (and Kang-ja) find him naive for his optimism about her character. But the thing is, he's not wrong! She is a good person. I don't think that's naive of him. In fact, it shows that he's a good judge of character if he's willing to believe in her despite all the abuse she puts him through.

- His response to Yi-kyung during their counseling sessions: I don't think anyone could have known that she was bearing such a heavy burden. No one expects a high school student to be wrapped up in a murder/sex scandal with a teacher.

- His being unaware of Teacher Do's sleaziness: Even Kang-ja, the polar opposite of No-ah in terms of naivete, believes that Teacher Do is right and good.

I know a lot of people think his obliviousness is annoying. But rather than naivete, No-ah is aware of how things are to some extent - he's just unfailingly optimistic and has a lot of faith in those he trusts. I really like that about his character.

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I actually think it's because Noah grew up in a very sheltered home. I have to agree, I think he is aware of what happens (even more so after Yi Kyungs death) but is overly optimistic and rather believes in the good in humans.

It would be great if it came out that his father really isn't the person he seems to be (in my eyes he knows that even if he judges the bullies, they won't stop but does nothing to prevent it) or he is involved, because it would make No Ah really realize that not everyone grew up as sheltered as he did.

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I really like the fact that Hong Sang Tae seems to be genuinely concerned / likes Ah ran. Really wondered what happened in the past though, why Ah ran is harbouring so much hatred towards him. On the other hand, the fights in school are getting too frequent and out of hand that it's getting slightly painful to watch. It just worries me that Kang ja will get exposed quicker this way with all the attention she's drawing to herself..... Stay low, observe and do a great badass exposé and attack, Kang ja!!

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Isn't it obvious? She doesn't like him, well isn't fond of him at least, because she knows that he is the one telling the other students to harrass Yi Kyung (and therefore Ah Ran). If everybody knows about Ah Ran only being bullied because of Sang Tae's hurt pride (he let the others bully her because she hang around with Yi Kyung = she openly rejected him and following him around like the others) than so does Ah Ran.

I think she has no place for real sympathy towards him here, because she doesn't know his family situation. She probably thinks he is a spoiled brat, but we viewers saw that he also has not a real sheltered home. He constantly hears/sees his father using violence, his real mother is not there (presumambely because of exactly that and left him there alone) and it doesn't seem like his father openly cares for him.

While with Bok Dong Ah ran can at least sympathise a little bit, because she knows he is being used by the adults and that Yi Kyung told her he actually is a good person.

While she doesn't seems to be fond of both guys, she actually understands Bok Dong's view a little bit, because she knows a bit about his situation.

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Nuh uh.. Teacher Noah is annoying, and maybe that's what the show is trying to portray because even kang ja and the other kids find him annoying. Haha
Okay, in his defence he grew up he grew up in a "greenhouse" and doesn't know much about the grimmier side of life, but dude it's still hard to swallow your innocense at your age. Please please hurry up and grow a spine.
every one has flaws and this is his, being sincere but naive. He needs a lot of growing up to do as much as the students he's trying to teach/protect.

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But that's the thing though. Both of them initially were judging each other harshly and quickly (him by seeing her as a troublemaker and her by seeing him as a baby that just got out of his mom's womb), but Kangja is realizing that he's not just annoying and he's realizing that she's got reasons for acting the way she does (which aren't just supposedly bad parenting).

Sure, it's his flaw to be too optimistic, but there's such a thing as being too pessimistic too, and Kangja's falling into that abyss, breaking the law and indulging in violence indiscriminately right now. There has to be a middle ground (aka being realistic), and they'll probably find it together.

I'm saying the show needs Noah to counter Kangja's perspective, and that they'll both grow through each other. It'll will take time, and I'm ready to sit back and watch it happen :)

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Haha.. You're right. I was too fucus on annoying Noah that I overlooked kang ja's over the top violence in the school, which is worse then being an annoyin but good intention teacher.
Hopefully when the journey ends, they'll both come out with better perspectives of life.
Tomorow we'll be another day for us to judge them,haha. till then enjoy the show.

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The writing is great but the pacing of the episodes thus far have been quite bad. The storyboard is definitely very muddled and so the transition between side stories and the main story become very confusing.

There seems to be some shouting, mother in law nagging/oblivious husband, honest talk with homeroom teacher about how he can't do anything, a school fight, evil teacher makes a move, then cliffhanger with something shocking at the end. Wash, rinse, repeat.

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Pacing is part of writing imo.

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This is a comedy infused with real dramas. Most comedies have multiple storylines/side stories so audience chooses which stories to partake and laugh and others serve as breaks in-between, and they also serve to layer the richness of the canvas we are looking at.

I do see a definite purpose in the silliness of the husband/mother in law storylines that shouldn't be tied to the main storyline as it would be more contrite to do so.

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am I the only one who hates the mother-in-law arch? she talks down to kang-ja as if she was some slave in the house - she is expected to do the housework (despite having a day job), she cuts her down when kang-ja talks against her husband, etc. her views are so patriarchal and oppressive, and no one's talking about it. it's also painful to see kang-ja being submissive and all. it's not cute. it's sickening.

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I think MIL is there to show us exactly how tame KJ has become from the rough gangster she was and still is inside.
This new person her daughter is discovering has been docile and obedient to MIL and hubby her whole life.
It will be shock to everyone to find out that KJ is a fighter.

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IMO it's also a part of the writer's criticism of his society: how a married woman is supposed to be subservient not only to her husband but to her husband's mother (and her other in-laws). Another part of his criticism is society's harsh stigmatization on unmarried mothers and widows (hence Kang-ja's choice of disguising Ah-ran as her niece).
It will be interesting to see how Kang-ja deals with the blows (for they'll surely come) later. Will she stand up to her mother in-law? What will her (so far) spineless husband do?

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Agreed with you. Otherwise, I was like, "what the heck she is doing there?" All the times, muttering without cares about her daughter-in-laws and grand-daughter situations.

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Is no one would drink about what the breaking eggs mean??? They're not very subtle about it ...

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Wondering** lol

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Friend, I don't get what you mean?

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@ cmak

The common denominator in the times eggs are shown broken is Kang Ja. In Episode 1, she knocked one over in her hurry to get out to quell the brawl, later she smashed eggs on a car to teach someone a lesson, more eggs broke in her restaurant by Bok Dong when she was cooking to feed him and again later on when she banged into someone in her hurry to get to the library to find Ah Ran.

Significance? Your guess is as good as mine.
Possibilities:
1) Kang Ja means Strong One, so it could indicate that her strength of character, style or lack of subtlety may be a bane for those weaker than herself.

2) In Kang Ja's wake, things that are neatly contained and well hidden will be broken open, exposed and become real messy, LOL!

3) Children are fragile and need to be protected but they are being destroyed through the indifference (as in when the eggs accidentally dropped) or cruelty (when they were smashed) of those in authority or who should be protecting them.

Please add more... :)

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Oh another possibility... Kang Ja is simply a good egg!!! :D

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Hi, gb! Thanks for commenting on the significance of eggs. I think I agree with you that eggs symbolize children. It's also part of that unending conundrum: "Which ones come first: eggs or chickens?" i.e are the children bad because their parents are bad? Or are these parents bad because THEIR parents are bad?
Or, if we see it in another metaphorical telescope: is the country bad because its children (citizens) are bad? Or are these children bad because their country is bad?

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Hi Selenette (I lost Internet connection yesterday so this is a day late)

LOL! I like the conundrum. In the blame game, it might be easy to think of vicious circles or not pin-pointing the source of evil. However, what is good should work the same way, ie good begets good, one good deed deserves another, etc.

In the never-ending cycle (of evil), all it can take is one good person to break away from the well worn track to forge a new path of his own and break the cycle. I'm looking at Bok Dong and bumbling No Ah in particular and hopeful in Ae Yeon or even Dong Chil who show shades of grey.

Back to eggs - Another metaphor came to mind, whether it applies to this show, we can decide later, ... "having all one's eggs in one basket..." This could refer either to being at grave risk in one area or having an all or nothing mentality.

To Kang Ja, Ah Ran is everything and worth risking anything.

No Ah can only be a teacher, according to himself and his dad, no matter how ineffectual.

Ae Yeon seems to be making choices where it's all or nothing, selling herself and her life, to get ahead.

Bad Education Minister and minions like Hong have got their futures at stake all tied up with a school and money laundering, it should be easy to take them down, and it will be poetic justice if the kids do it.

The kids have their futures at stake in the school and Ah Ran has her life at stake as she investigates Yi Kyung's murder, or tries to keep her mum safe.

So many persons have eggs to protect. Since the bad guys have continually been breaking the eggs of the good guys, it's time that the good guys tip over the baddies' egg baskets! That's the part we want to watch. :D

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Hi, gb! I love the "egg and risk" association, which makes me think that these characters live highly risky lives, in a suffocating mercenary world. Makes me rethink again that perhaps this drama's genre isn't realism at all, but dystopian.

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Hi Selenette,
Your posts constantly lead me to do a bit a research, :) which is good. One of the reasons I comment is so that I keep my brain from slipping into snooze mode.

I can see that there are elements of dystopia in the world of Angry Mom. It is definitely the opposite of utopia in Myeong Seong, with matters manipulated by a few and institutions like teachers protecting their students being torn down. The extent of the control however is not dystopic enough. A lot of blame has to be placed on indifference in individuals (Kang Ja's family and other teachers) and impersonal systems (the law) as well.

While the uncaring 'mercenary world' certainly is a prime object in this show (in contributing to Kang Ja's decision to take on the bullies herself), it happens to be the world that is featured in 90% (I'm guessing... or more!) of kdramas. It also reflects reality in most of our modern, developed, secular societies. From this viewpoint, the story is still to me, more realistic than dystopian. But it does bear thinking about... ie... it could be heading that way and the high satire used, is a device to bring it to our attention and is a warning to stop the evil before it gets too bad.

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Hi, gb! I love the "egg and risk" association, which makes me think that these characters live highly risky lives, in a suffocating mercenary world. Makes me rethink again that perhaps this drama's genre isn't realism at all, but dystopian instead.

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I'm starting to wonder if Ah-Ran is actually Ae-yeon's daughter.

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So great. So very great. Love this show.

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oooh very gooooooooood

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