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[2019 Year in Review] I’m all cured from my persistent sageuk allergy


Nokdu Flower

By gadis

Considering that Jewel in the Palace was my very first introduction to K-drama, it’s mind boggling how I eventually developed a bad case of sageuk allergy later on. I don’t know how it started, but historical dramas only ever led me toward frustration and boredom. My love for tight plot, complicated characters, and twisty intrigue didn’t matter in the slightest. No grand adventure or epic romance could change my mind. My allergy was the reason I never bothered to watch a sageuk whose recaps I enjoyed immensely.

It all changed earlier this year after Memories of Alhambra’s ending left me mightily dissatisfied but desperate to see more of Park Hoon. I thought it wouldn’t be a bad idea to skip-watch Haechi just for his part, especially since my sister kept saying how good it was. That’s how I tried watching sageuk again, basically for the shallowest reason. Yet somehow, I found myself growing fond of the characters and thinking deeply about the court intrigues and the royal struggle for power.


Haechi

I think this was a case of finding the right drama at the right time. Suffice it to say that the drama came right when my country was anticipating a general election. It was strangely captivating to watch Yi Geum rise from his lowly birth status and grow into a wise monarch that everyone loved. Empathetic, humble and progressive, he wasn’t just an ideal king for his era, but also a leader I wanted to see in real life.

It was somehow fitting that his biggest supporter was a motley group of friends who had neither the power nor status to bend favor towards him. I was engrossed with the idea of freely given loyalty and a king who valued the commoners’ opinion. It fascinated me that one of the most memorable thing about Yi Geum’s early days as a king was his impatience for empty formalities and inefficient bureaucracy, which is something modern day government has to deal with even now. One thought that I always had buzzing inside my head was, “How come we still have to deal with all these problems when centuries ago a real leader like him had tried to solve it?” Haechi left me both ashamed of what happened in our modern world and also hopeful that change is possible. And I found myself not that averse to the idea of watching another sageuk.


Haechi

Right afterwards was the premiere of Nokdu Flower, which promised a historical tale told from outside the palace (fairly rare in dramas). Given what little I knew about the sheer incompetency of rulers during that depressing era, I couldn’t be more glad to watch this story told from the peasants’ perspective. It was almost too good to be a coincidence that this drama aired when a political debacle happened in my country. We might not have faced the same deep-seated problems, but the commoners’ spirit and longing for change was very relatable, as was their subsequent realization that they would have to do the right thing themselves. It was like being told that we, the citizens, don’t have the luxury of waiting around and that our fate is in our own hands.

Somehow, Nokdu Flower managed to impart deep messages about equality, empowerment, and humanity without being preachy. For a drama set in an era in which women were largely treated as second class citizens, it actually presented to us some of the strongest and well-developed female characters in dramaland.


Nokdu Flower

They came from vastly different backgrounds and made their contribution in several different areas. They joined the loyal army, became merchants, teachers; managers. They were good mothers, daughters, wives, and friends. I was stunned to realize that being a strong woman has nothing to do with achieving the impossible. It’s all about inner strength: the ability to learn, to understand, to apologize, and to forgive. It’s about making changes possible and bringing new hope to the younger generation.

I guess it’s not unexpected that I immediately jumped to another sageuk adventure right after Nokdu Flower’s hopeful and true-to-history ending. Watching another promising young man rise to the seemingly impossible challenge to free his kingdom from another nation’s oppression in Jumong seemed oddly apt as the biggest student protest happened in my country following a particularly chaotic law debacle. Who knew that there would come a day where I could learn relatable lessons and live vicariously through a sageuk? Now, please excuse me while I continue watching episode 40.


Jumong

 
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I always enjoy a good sageuk, but curiously, I haven’t seen any of the ones you mentioned. Nokdu Flower is on my to watch list though! Hopefully, I’ll get to it soon! Glad your desensitization protocol worked for you sageuk allergy, @gadis!

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When you get to it, don't forget to prepare tissues for Nokdu Flower, ally. Lots of it. The journey is rough.

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Yay for Nokdu Flower! Seeing a well told story not set in the palace was very refreshing. I did read about the Donghak Revolution on my own, and was very impressed by the writer's ability to blend actual historical events with the personal journeys of real and fictional characters.
I still have not seen Haechi, but earlier this year I watched another drama by the same writer (Dong Yi). While most of the story line was set in the palace, the emphasis was on the kind and resourceful heroine who came from humble beginnings.
Two of my favorite historical dramas, Chuno and Damo, also focus on the lives of ordinary people during turbulent times.
Enjoy Jumong! 81 hours flew by so fast...

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Reminds me of how I had thought I wouldn't like Sageuks of any kind much, even though I had watched Faith. And I had thought I'd rather watch other things. But I ended up getting very interested in them in these past three months.

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@gadis,
HAECHI and NOKDU FLOWER flew under many viewers' radar. In the case of the latter, I suspect it may have been because it premiered a scant 7 months after the finale of MR. SUNSHINE, which dealt with the same tragic time period and Japanese intrusion into Joseon's affairs. For me, the timing was good because I could draw upon historical background acquired for the earlier drama. NOKDU FLOWER was absolutely top-notch, with a wonderful ensemble cast, terrific writing and self-assured pacing, and a memorable OST.

HAECHI was another well-done show. I especially enjoyed Jung Il-woo's performance as the future King Yeongjo in his comeback from the service. Numerous dramas have dealt with the unfortunate aspects of his son, Prince Sado, so it was nice to see Yeongjo's own earlier years. I, too, enjoyed Park Hoon's turn as the fictional Dal-moon -- and did a double-take when he popped up in the finale of NOKDU FLOWER.

I started watching JUMONG about a year ago as a warm-up for ARTHDAL CHRONICLES, and boy oh boy, was it ever a treat. I had already seen KINGDOM OF THE WIND a few years ago, and rewatched it after JUMONG to refresh my memory. Both are epic, and Song Il-kook is magnificent in them.

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*adding Kingdom of the Wind to my ever growing to-watch list*
More Song Il-kook is always a good thing. 😉

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Jumong and Kingdom of the Winds were my first two dramas. The OSTS are epic! I still rewatch Jumong Ep. 21 once in a while for a certain archery contest 😅

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I LOVED reading this @gadis!

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Jewel in the Palace was my first saeguk too, but oddly I was in it for the romance and food, of course. I was intrigued, however, by the fashion and hierarchy and palace rules.

Yi San was the saeguk that got me into Korean history. I was fascinated by the story of the old King and Crown Prince Sado. Soon, I was clicking through pages of Wikipedia for more information and historical records for the period.

Nokdu Flower was the saeguk that got me believing in the power of Change. Watching it in the era when my country has the worst President in the course of history, this drama got me believing again that yes, even if I am the only one who wants things to be different, it matters. As long as someone, somewhere is doing something, it will make a difference. I've always watched saeguk like a more dramatized version of documentary, but this is the first drama where I watched it as an inspiring story. Truly well done.

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I'm not a huge sageuk fan, but you're making me want to watch all of these @gadis.

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For some reason I don’t remember, I stopped Jewel in the palace midway and for Jumong, I wasn’t really interested in Kdrama back when I first saw it as much as I am now. And some people really spoiled the drama for me back then. Now that I’m used to Kdrama format I can’t seem to find it anywhere! This post came at the right time, I just have to find a way to get back into the 2 dramas.

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Thank you @gadis for the beautiful essay. Welcome back to the world of sageuks. I am really a sageuk punk. (I learned that one of the definitions of that favorite kdrama word is "novice"). I have been watching sageuks less than 3 years but it has become one of my favorite genres.
2019 was the Year of the Sageuk. Btw it continues with QUEEN: LOVE AND WAR which I am watching and enjoying
Both HAECHI and NOKDU FLOWER were top notch as was MY COUNTRY. Kudos especially to Woo Do-hwan.
If it was Park Hoon that brought you aboard that's wonderful.
What a year PH has had. I watched 4 of the 5 dramas he was in: HAECHI, NOKDU FLOWER, DS:60D and WATCHER and he was excellent in all 4.

I would like to give a little plug for THE CROWNED CLOWN.
Let me just say that taken as a whole I enjoyed it. Were there problems? Sure. One of the things that was not a problem was the performance of Yeo Jin-goo. TCC was my first YJG drama and I was in awe of what he did particularly episodes 7 and 8. That has to be some of the finest work in his career.
I am glad you have overcome your sageuk allergy.

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I'm still on the fence about My Country since I've read many people complained about the writing. But the acting seems to be really good (at least from what little I saw on the fan wall). I'll probably watch it for that, if nothing else. And the deliciously angsty friendship.

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but the BEAUTY!!! the beauty of the 3 men..... writing? what writing...
: D

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The acting was top notch even if the writing wasn't.

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and they were so pretty while acting so well....
; )

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A final TCC thought. Jang Gwang gave a memorable performance of one of the great sageuk characters of the year in Eunuch Jo. He has set the standard for eunuchs if you will. It is a role he also played in MASQUERADE which was the precursor film to TCC.

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My Country is one of the most recent sageuks that really left such a good impression. In everything.

The Crowned Clown had such powerful first few episodes that highlighted Yeo Jin Goo's acting ability (as if he still needs to prove anything!).

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This was a lovely read. I didn't think reading about someone else watching sageuk could read this nice.
You have now reaffirmed my decision to watch the superior nokdu someday.

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@gadis You’ve pushed me to expand my to-watch list (which only ever seems to grow 😢) with saeguks. I haven’t touched any since Empress Ki.

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Congratulations on getting published @gadis! It’s great to hear that 2019 brought you back to sageuks. NOKDU FLOWER is going to be hard to beat, but hopefully we will get some good sageuks in 2020 too! 😊

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I love a good sageuk. I watched The Great Queen and fell in love with Alchin and Bedam. (I'm probably killing the spelling of their names.) I've watched Historical dramas where a person hatched from an egg, where a princess fought with spiderman abilities, and two baby boys traded places. I probably know more about ancient Korean kingdoms than I do of my own country's history. For me, there's nothing better to forget the present and get lost in the past than a well written sageuk.

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Now thinking about a good sageuk... The last one I truly enjoyed was The Princess’ Man that was the true masterpiece! I rewatched it several times before... before the scandal broke out. Sadly I can’t rewatch it now that I know what I know about Park Shi Hoo for which I resent him greatly because he ruined the drama that was precious to me.

I haven’t watched any sageuk with such devotion since then but your post inspired to me give this genre another chance. I think I might start watching Haechi since Jung Il Woo is great in sageuks.

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