30

[2022 Year in Review] Unhappy endings

I’ve heard a lot of complaints about endings this year. In fact, I’ve doled out a lot of those complaints myself. It’s true that every year I expect a certain number of stories to turn out nonsensical, but I also pretty much take it as a guarantee that the leads will end up together somehow. Where there’s a romance, there’s a way, right? Sure, how they got there might not make total (or any) sense, but we’ll have our happy ending.

Happy endings (in the fairy tale sense) are the hope and fate of most drama couples for a reason: they make us feel good. (If they didn’t, I’d be out living my own life instead of squeeing in front of my laptop.) And yet, 2022 had no qualms about trying to make me feel bad. Again and again this year, the leads did not end up together — and I was dumbstruck each and every time. It wasn’t always that the endings were terrible — they often made sense for the story — they just went against the long-held laws of romance. They were unhappy endings.

In the spirit of ending the year (and to question my own assumptions), I wanted to pick apart some of these unhappy endings. As I listed the ones that surprised me the most, I started to wonder, is it still an unhappy ending if it didn’t leave me unhappy? With that, I saw that things didn’t always turn out so bad for these characters — and maybe all I needed was a change of perspective. So, as I make my way to 2023, these dramas are a reminder that things won’t always go as I expect, but, hey, that’s okay. Even if I can’t rewrite how things turn out (as I can’t in real life), I can always reframe the endings so they don’t hurt quite so much.

*Spoilers ahead*

[2022 Year in Review] Unhappy endings

Twenty Five Twenty One

In this case, I knew from the outset that the leads would not end up together. And yet, I wanted to believe I was mistaken, as I stuck to the idea of an OTP. This is a story about disaster — beginning with the IMF crisis, alluding to the Sampoong collapse, and ending with the attacks on New York’s Twin Towers. It’s about how people survive, but also about the individual-level disasters that come with day-to-day living. And it makes total sense that a heart-shattering breakup would count as a disaster.

When the end came and reality hit, it took me a minute to adjust. But afterward, I was surprised to realize just how okay I was with the breakup. While I loved watching Hee-do and Yi-jin be in love, the New York events didn’t just pull them apart geographically, they stressed the weak spots in their relationship. Hee-do wanted to share their burdens, while Yi-jin cut her out in moments of crisis. All their conversations (and silences) made me feel that staying together would hold them back — right when they were both realizing who they were and what they wanted.

Thinking back, the ending feels like a happy one to me even though (or because) they didn’t end up together. Hee-do went on to have a successful fencing career, found love again, and made peace with her mom. And Yi-jin also followed his dream and gained success as a journalist. In such a disastrous world, that feels like a fairy tale ending.

[2022 Year in Review] Unhappy endings

Yumi’s Cells 2

I’ll start by saying that the end of Season 1 really shocked me. But I loved it — not only because I knew that another season was a-brewin’, but because I loved the idea that the story was about Yumi (“There’s only one lead here” became my mantra). However, when Season 2 hit and I was exposed to Bobby’s spell, I truly believed Yumi and Bobby were end game. It was a romance drama, after all — and I obviously hadn’t learned anything that Season 1 tried to teach me.

When the pair broke up and then got back together, I treated it as further proof that they were meant to be. Yumi was gaining momentum in her writing career (i.e., growing) and Bobby was already perfect. (Just kidding. Sort of.) So when there was another breakup and this time it was for good, I was baffled and distressed (as if I was the one blindsided by the breakup). I couldn’t understand Yumi’s motivations. She had said yes to marrying him after he lied to her — what could have possibly changed?

After rewatching the drama two more times (when Bobby’s enchantment had time to quell and I felt I could get my researcher’s rationality under control), I had a different perspective. Yumi ended the relationship because she wasn’t in love — not because of anything Bobby did. He may have masqueraded as perfection, but he wasn’t perfect for her — and she knew herself well enough to know that. In the end, Yumi went on to be a huge writing success, with the hint that she will find someone better suited for her. When I think back on my Season 1 mantra, I can’t help but be happy for Yumi.

[2022 Year in Review] Unhappy endings [2022 Year in Review] Unhappy endings

My Liberation Notes

This drama had a lot of things going on but my attention (in terms of the ending) was on Mi-jung and Gu. I started to veer toward disappointment as soon as Gu’s backstory was revealed and his character sort of spun out of control. But all that craziness took him out of Mi-jung’s life and (even within the course of the show) the breakup had a positive effect on her.

Mi-jung realized that she does have passion for things, and began to progress toward a fuller life without so much anger. Gu undoubtedly helped her move toward that point, but it was their time apart that allowed her to grow. The surprising thing for me was that they started seeing each other again at the end. My unhappiness in this case came from feeling like Gu’s lifestyle had become too toxic — and that Mi-jung would be better off without him.

This one had a very open ending, though, and on second thought I realized that Mi-jung’s newfound moments of happiness were what really mattered. Rather than worry about how Gu affected Mi-jung, I wanted to focus on how Mi-jung affected Gu — and the philosophy she taught him for noticing and adding up the good things seems like a pretty positive way to live.

[2022 Year in Review] Unhappy endings

Snowdrop

This is a strange one for this list but it nonetheless had an unhappy ending because the leads don’t end up together. In this case, though, there were two options: to end up together in life, or in death — and the show chose none of the above.

Snowdrop is a quintessential Romeo and Juliet story smacked into the political turmoil of North and South Korea. The leads come from opposing sides, making their love both forbidden and impossible to sustain. Like any story of this ilk, they have a short, whirlwind encounter, are overloaded with emotion, and face death to prove their love. In my viewing of this drama, there was only one correct (let’s say romantic) ending — and that was the death of both leads.

So, when I watched Soo-ho take a storm of bullets, while Yeong-ro survives unscathed, I felt cheated. Where the hell was my Bonnie and Clyde ending? Having one survivor felt worse than none at all.

When I tried to rethink this one without changing the end, I realized that had they both lived, they would have been on the run forever — and that’s not so happy either. Had they both died — sure, it’s romantic, but they’re still dead. At the risk of sounding morbid, Yeong-ro escapes two horrible fates in her separation from Soo-ho. I don’t know how she’ll go on to live, but just being alive means there’s still a chance to be happy.

[2022 Year in Review] Unhappy endings

20th Century Girl

I’m sneaking a movie onto this list because the end surprised me more than anything else I saw all year. I went into this brightly colored flashback of a movie thinking it was going to be all the happiness of Pez dispensers and cotton candy. And for the first three quarters, it was.

When the time comes for Woon-ho to move back to Australia and leave Bo-ra behind, I still had a happy ending in mind. Even when it was clear that they’d lost contact, I could imagine two endings that would leave me able to function in the world. In the first, they meet up again as adults (kind of a cop-out but happy enough) and in the second, they never talk again and get on with their lives. I actually preferred the second because — even though it wouldn’t be a happy ending — it spoke so much to the era in which the drama is set. In the 90s, it was common to lose contact (forever) after a friend moved away.

So, I was prepared for either ending — happy or unhappy. But what we got instead was so melodramatic! He died?! What?! They already weren’t going to end up together, so why did he have to die?

Well, in an unfair world the film does its best to be upbeat about it. Bo-ra, after holding onto so much anger for so long, finally gets closure. She learns that she wasn’t rejected or abandoned, and that her first love was as real as she imagined it. She doesn’t spend the rest of her life with resentment — she makes a happy memory out of the time that was.

And at the close of 2022, that is what I hope we all can do with our own disappointments, resentments, and regrets — because no matter the circumstances, there’s no need for an unhappy ending.

[2022 Year in Review] Unhappy endings

 
RELATED POSTS

Tags: , , ,

30

Required fields are marked *

I think that the thing that hurt the most in Twenty Five Twenty One ending was that we all saw signs of how different Hee-do and Ye-jin were in terms of character and those differences were significant and would have strangled their relationship sooner or later.
After Yu-rim's controversial issue about changing her nationality, Hee-do went to find Ye-jin and emphasized her real feelings. She didn't want to be left in the dark about his hardships. She wants to shoulder the burden with him. They ought to share both happy and sad moments. However, Ye-jin took the decision of moving to the New York branch without even discussing it with Hee-do which is really infuriating. If Hee-do's mother didn't tell her, she would have remained in the dark until much later.
As @dramaddictally said, there weren't pulled apart only geographically but that trip brought all their differences to the spotlight. Going on with their relationship under these circumstances without addressing those issues would have resulted in a more heart-breaking and destructive breakup where our once lovers would have come to hate each other and their differences.
For me, I hoped they addressed those matters sooner and I wished Ye-jin would take a different stance and fight for his love for Hee-do even more. Maybe then we could have a happy ending for a unique couple that wrote a new definition of love and gave us one of a kind story.
One thing for certain, this drama will live for years to come and if one day I could get over the pain I felt from the ending, I would gladly rewatch it and enjoy once again such a great masterpiece.

11
0
reply

Required fields are marked *

@dramaddictally thank you for sharing this reflective piece and I agree with your thoughts on the dramas I saw. I also agree with this movie inclusion because it was such a shocking element to an otherwise beautiful story. It was a unique way to bring resolution and was the perfect fit for the show.

4
0
reply

Required fields are marked *

Comment was deleted

0
0
reply

Required fields are marked *

i never logged on this fast to share my thoughts on this before.
im surprised at myself cuz I watched all the shows stated on this list and personally, I found those endings quite refreshing as not everything in life has to have a happy ending. Of course each show had its flaws with their ending and opinions may vary depending on the viewer.

Personally, out of all the shows on this list, 20th Century Girl really gave me that chest-tightening-heart-throbbingly-painful-ugly-crying-multiple-days-of-pain-didnt-know-how-to-move-on feeling with their poignant storytelling, cinematography & ost. Even though it had a straightforward plot, the way the actors portrayed their characters (KYJ nailed bo-ra's innocence & freedom as a youth) and made the show absolutely shine MY GOD i was a mess for weeks and till this day (its 30dec as Im writing this) i still occasionally think about it (esp that scene with bo-ra looking at woon-ho outside her store in the rain when he tells her he's working at the ice cream store across the street THE WAY THE MUSIC JUST MADE IT SO FJIWOEHTNFQIEODHMFAOWIURCWIOE) the way I know a show has made an impact on me is that I still think about it for a long period of time after it airs.

ahem anyways, have a happy new year yall! I look forward to what 2023 kdrama department has in store for us (nervously sweats as AOS part 2 is ending in two weeks and idk what to expect anymore hahahahahhaahha)

6
0
reply

Required fields are marked *

25 21 : for me, the issue was more about Hee-Do being so different as adult than the break-up because it wasn't a surprise.

Yumi : I found Bobby's actions at the end didn't make sense with his character. It's why I didn't like the breakup, because it wasn't natural, they forced it in a weird way.

20th Cenrury Girl : even if the communication ways were different, I found weird she didn't know before. Otherwise, I don't think it brought anything to her character because it wasn't really developped. The whole story was already a misunderstanding between who loves who, so his death was just cruel.

5
4
reply

Required fields are marked *

Agree with you Adult Hee-do was totally different from the one we saw throughout the show

7
3
reply

Required fields are marked *

That's why the 2521 ending was an unhappy ending for me. The break-up makes sense to me, but Adult Hee-do doesn't. Adult Hee-do seemed to have lost her spirit and had been relegated to settling for a marriage with someone who is always gone rather than falling in love again with someone better.

6
2
reply

Required fields are marked *

Yeah I also sensed it wasn't a marriage out of love

4
reply

Required fields are marked *

Oh gosh guys, I'm sadder now! Present day Hee-do felt so out of character. Especially how she reacted towards the struggles of her daughter that were very similar to how she grew up as an athlete. Brb I'll be crying my eyes out again...

3
reply

Required fields are marked *

Oooh, I appreciated the way you re-frame these "unhappy" endings. We often forgot that in the story world, the final eps isn't equal the real end of a story. I like to imagine these characters kept on living their lives in their particular pocket dimension. That means, the unhappy ending was merely an unhappy interval in their story, and that there's always another chance for happiness down the road. Even if it doesn't take the shape we viewers wanted.

I also like the optimistic reminder you got for us at the closing of this year. May we all find a way to reframe the disappointment of this year (whether on screen or in real life) with a more positive spin, and turn it into a powerful motivation for a better 2023.

10
0
reply

Required fields are marked *

I think Red Sleeve and Big Mouth (yuck) also belong here, in some way or another.

Thoughts : unhappy endings were all the rage for earlh Hallyu dramas. Think Autumn in my Heart, Stairway to Heaven, and god-forbid What Happened in Bali. And not gonna lie, I'm actually OK with these sad endings - Jdoramas does it all the time, and also, sometimes sad endings reflect life itself : more than often we might not get what we wanted.
And it makes us grow up.
And that is actually a good thing!

However, in terms of storytelling, it needs to be done correctly, both in plot and characters, to make us think that these sad endings are the natural progression of the story; jt shouldn't come as twist shock for the sake of twist.

Out of all sad endings of 2022, I liked Red Sleeve, Twenty Five-Twenty One the most; those twos resonate the most for me and I think will stay in my mind for quite a long time. My Liberation Notes is debatable whether it is sad or not; although I prefer Gu and Mi Jeong to be separated rather than back togehter.

That's all for me.

6
3
reply

Required fields are marked *

👉🏼 “However, in terms of storytelling, it needs to be done correctly, both in plot and characters . . . “ Yes! I don’t have to have a happy ending, but it needs to make sense.

6
reply

Required fields are marked *

Yes, I totally remember all those early Haley drama endings that seemed designed just to rip my heart out, and What Happened in Bali blew my mind!

Red Sleeve is a perfect example of a sad/bittersweet ending done well, so true to the characters throughout.

4
1
reply

Required fields are marked *

Hallyu not Haley ;)

1
reply

Required fields are marked *

I think what disappointed me most about 2521 is that Hee Do lost her gusto for life I didn't care if she ended up with Ye Jin, but I guess that is life.

I agree with you about the rest, particularly Snowdrop. He had to die, there was no other way out of that.

7
0
reply

Required fields are marked *

I know many of the dramas are a reflection of real life and therefore a happy ending doesn’t always make sense. I think my biggest gripe is I have felt lured into believing things are going to work out and then bam! We’re hit with a surprise ending. That’s just rude and disrespectful to the viewers.
On the flip side, yeah, there are times I want an improbable happy ending. Precisely because life is hard and we don’t get many of them in real life. If I want to watch something true to life I can watch the news or reality tv. My reason for watching dramas is to escape the harsh realities of life. But like I said in a previous post, we all have our different reasons for watching.
As far as 25-21, I don’t think I’ll ever get over the ending. It didn’t look to me like Hee-do and Yi-Jin were thriving apart. So, what was the point? First loves don’t last? Still smh.

7
3
reply

Required fields are marked *

2521 is my all time rotten ending...still mad about that! It didn't have to go that way.

6
reply

Required fields are marked *

I agree with you if they showed them as happy adults, then their breakup would have made more sense in the vein that we can always find love again and your first love doesn't have to be the last. But what is the point of a breakup between two people who clearly remain in love with each other despite being separated?

7
reply

Required fields are marked *

SO well-said, espeically "disrespectful to the viewers"! I also detest "fake-outs" for the same reason--"being lured, then bam." Even the "wedding" at the end, even when I sorta know it's probably one of the secondary characters are disgusting. I especially agree with your statement that this is entertainment, NOT reality TV.

2
reply

Required fields are marked *

I like the way you considered Gu and Min-jeong's relationship as a transition from the self-empowering lessons he taught her to those she taught him, and that in both cases, it resulted in them living happier, fuller lives (we're shown this in her case, and in his, although the ending was open, it seemed clear to me that Gu was ultimately going to get there). To me, this relationship personified the saying "I may not be perfect, but I'm perfect for you" and I had no trouble imagining that they stayed together and had a bumpy but healthy (for them) relationship after the curtain fell.

I also think you've nailed what the writers of 25/21 wanted us to see and feel in that ending, and I do understand it was likely intended to be bittersweet. I still hate it, though.

With "Snowdrop," I didn't mind the ending, and I think that's because that despite a very good first half where I was hanging on every moment the main couple spent together, I couldn't stop wishing they'd written these two as already together when the truth of his identity was revealed. Because they had only just met, and barely had time to develop more than a mutual crush, the life-or-death urgency of them ending up together wasn't there for me. Imagine how much more satisfying the whole drama would have been---and how devastating the ending would have felt as well--if these two had dated for at least a month before she found out he was a Northern spy, and viewers had to truly guess as to his real feelings and motives (and we would have eventually seen that he was as sincerely in love as she was). Writing their history as a couple in this way would have also made the power dynamics between them more interesting and nuanced, and her devotion to him more believable from the start.

9
0
reply

Required fields are marked *

Recently I've been thinking of 25-21 a lot, probably because I broke up with someone who reminded me of Ye-Jin in many ways. As you mentioned Ye-Jin cut Hee-Do off in moments of crisis and did not allow her into his emotional space. In the process, he also neglected her needs. I remember when Hee-Do said that their love isn't supporting her anymore or when she thought that her support isn't reaching him. I'm learning so much from Hee-Do to empathize but also to stand up for yourself. I don't think that's an unhappy ending and life never really fits into the happy-unhappy binary. I'm so very grateful for this drama!

1
6
reply

Required fields are marked *

ok, i feel your comments about him not allowing her into his emotional space... in light of my being broken up with out-of-the-blue five days ago (oof it hurts). it is hard to sustain a relationship when your support isn't reaching them. and i guess for my own selfish reasons, i would love for a drama (or this drama) to explore why the person doesn't let you in.

3
5
reply

Required fields are marked *

I hope you have the support you need at this time.

1
2
reply

Required fields are marked *

aw, thanks for saying this. i am very well supported and loved, even though my world just got upended.

2
1
reply

Required fields are marked *

That’s good to know, take care.

1

I'm really sorry and glad to know you are well-supported and loved. I hope we get through this!
As for wondering why a person wouldn't let you in, I'm not sure... Ye-Jin's situation made sense, he had been through so much loss, abandonment, and taking responsibility for his father's mistakes, etc. What I wish is that he could have reflected on their break-up later and perhaps shown that he worked on these issues later in life. Instead, the drama made it more of a 'chasing your dreams' thing.

1
1
reply

Required fields are marked *

aww, you and @reply1988 have been so kind to me <3 it's been a long week, but i shared in your hope that we will get through this!
also, thank you for finally articulating what's bugged me about the drama. i saw the why but by the time the breakup happened, the narrative shifted to 'chasing dreams' in a way that didn't make sense with what i had watched and understood of the character. i feel more satisfied now.

1
reply

Required fields are marked *

@dramaddictally I loved this write up! Every word resonated with me cause I like to see the positive in things and the growth of characters who stay true to their convictions to the bitter end. Growth does not always come with roses but it does come with a better ending than the beginning was. It is painful but necessary sometimes. I watched My Liberation Notes and 25 21 and agree with your comments on both. The story ended as it should cause, not all relationships endure the test of time and sometimes are for growth. There is a saying that I can't remember verbatim but it is like: some people are in your life for a little while, some for a season and some forever. They are there to help you for a little while or to love you for forever. They come when we need something to help us learn or overcome or develop a trait we need.

6
0
reply

Required fields are marked *

I, for one don't mind unhappy endings especially if it is the logical outcome of the story or in the case of 2521 - is already a foregone conclusion at the start of the show. Same with Yumi's cells 2 - it was very clear from the start that it was not love for Yumi - she was flattered and felt loved but she was not ready. What I actually mind are happy endings that are forced just to make fans happy even if thaf twist does not make sense or too much deus ex machina to make it happen.

2
0
reply

Required fields are marked *

twenty five twenty one: i don't know. i must be missing something because the breakup makes no sense to me. or maybe i am stuck because i don't see Yi-jin's motivation for the breakup. he didn't seem so career-centered that he wouldn't be able to be a journalist and be with her. if anything, that would have been true for hee-do and i can understand her not wanting to wait anymore. i can see that he shut her out, but i wish the story would have explained why.
yumi: i am with you. i was only ever invested in yumi and didn't care much for season 1, in part because i wasn't invested in her first relationship. season 2 felt different because her and bobby felt like a real relationship. even him being tempted and the breakup and his lying-- it all felt real. it seemed like they were working through it. i can't quite see how she arrived at the decision that she wasn't in love with him. BUT i was not devastated because i think the story was very clearly about yumi and her ending up with someone altogether different was real and satisfying enough.
my liberation notes: it felt very much like a love story and not at all like one, which made the open ending work for me. and i agree that if i have any lingering curiosity, it is about how Mi-jung affected Gu.
20th-century girl gave me trust issues. i was babysitting my newborn nephew on a breezy fall day, only to have my soul crushed. i am convinced my nephew could feel the drastic shift in my energy and that's why he was crying at the end too. who could see that coming? i have no words of understanding to give this one.

1
0
reply

Required fields are marked *