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Beans of Wisdom: A deeper look at female leads

This week in Beans of Wisdom…

In “Tomorrow With You: Episode 1,” gummimochi asked how the hero can time-travel in public without raising suspicions. lina answers in comment #16:

Korean people always starring at their cellphone’s screen on the subway, hence they will never notice a cutie time traveller appear and disappear on the subway. Lol

 

In #54.1, transient talks about the struggle of actors to maintain privacy:

I really like how this drama highlights the struggle of child actress that failed to transition into adult actress. To see her struggle from her point of view, makes me feel secondhand guilt (not that I have ever posted any negative comments on any actors online before). It reminded me that no matter how publicly visible the actor/singer is, at the day, they are just human with feelings and how they live their life is solely their decision, and we have no right to judge them.

transient adds:

Child stars had it the hardest. Regardless whether they continue working in the entertainment industry or not, people will always be curious and tend to forget that they are their own person and not the character that they portrayed on screen. Coupled that with adolescent and growing up issues, emotionally inexperienced child stars usually succumbed to the pressure.

In this case, Ma Rin’s alcoholic issues may be traced back to the pressure from the society by being a child actress. She must’ve had it hard when even her mother failed to recognize her for the person she is, instead stuck to identify her as Bap Soon.

While I do not condone excessive drinking, I can understand why she did that and felt sorry for her.

 

In “Tomorrow With You: Episode 2,” Emsel writes in comment #25:

I would like to take time to appreciate dialogue writer. The line where So Joon says, “Present is a joke” and his friend replies, ” You travel between present and future but all we have is now”, is so beautiful.

Isn’t this why we should all stop worrying about our future and stop getting distressed of the choices we took in the past? Only present exists and it is up to us to make the most of it because life is short. The key to life lies in understanding that nothing is certain because everything is susceptible to change. Living would be a hell, if you were to see everything beforehand because you miss out on happiness by trying to alter the events that lead to a specific future. That being said the lead trying to prevent his death in the future is only resulting in causing heartache for both the girl and himself. So do what your heart wants rather than confining to norms. It is better to be surprised of what life may hold than be disappointed by expecting things in the future. YOLO!

 

And Wanwen notes in #32:

It’s interesting how So Joon only lives in the future while Marin lives in her past. So do they both cancel out each other’s tendencies and start living in the present?

 

Mindy answers a fellow beanie’s question in last week’s “Beans of Wisdom: A healthy K-drama-watching life,” comment #2:

Ahhh, the challenge of balancing drama watching with school and your social life. I’m a Junior in college and think I’ve learned a lot about this. Let me give you some tips.

– Don’t make the mistake I did: watching dramas or even just reading recaps while waiting for class to start. At least not during your first year. You might also want to avoid doing it while eating lunch. These times are great times to strike up a conversation with the person next to you. Trust me, you don’t want to find yourself having no one to talk to in your class halfway through the semester because you didn’t bother to talk to anyone at the beginning.

– Any time someone invites you to do something, don’t use drama watching as an excuse even if you’re in the middle of a really good episode. The drama can wait!

– Don’t try to take drama watching breaks in the middle of studying or writing a paper. It won’t work. You will end up watching way more than you intended to. Instead, figure a reasonable amount of work that you should get done that day and THEN, once you have completed everything, watch your dramas.

Ar adds:

It’s also better to save marathoning for long weekends and vacations. I remember sticking to on air dramas so I only have 1 or 2 hours of new material to watch each day.

 

While acciokdramas expounds on a quote about misinterpreting silence in comment #10:

I’d like to add my two cents to that people interpreting your silence discussion:

The quote does not mean for you to actively change who you are in order to not be viewed as rude/aloof/depressed. I saw this quote before on Instagram, and it struck me deep. I’ve always been shy since I was a small kid, but it’s been slowly fading away. However, in new situations with new people, I’m still considered quite shy. Thus I spoke out more, to the point where my words didn’t quite ring true and my energy was drained trying to be someone I was not comfortable with being. So the moral of this is please don’t change who you are, because that’s not the purpose of the quote.

On one hand, this quote can be taken as an eye-opener. Humans are egocentric by nature, so we’ve always viewed our worlds according to us, how stuff affects us, etc. It takes a lot for us to realize that how we view ourselves may not be how others perceive us – so we have to tell them. This can remind you to be more open and vulnerable to your loved ones or close friends, especially at those times when you tend to bottle up your feelings more or whenever a misunderstanding occurs (you won’t believe how many problems occur just because two people believe that each’s perspective about the other is the correct one and thus do not communicate).

On the other hand, this quote can also be a firm reminder for you: that no matter how much you try, you will never be able to control how others see you. You simply can’t. People will form opinions of you based on their own perspectives, experiences in life, judgments and things they’ve seen/heard about you, which may or may not be true. They fill in the gaps about you using their own feelings and instinct. Hence, who you are in their perspective is NOT who you are in real life. This is why I keep telling others not to base your self-esteem on others’ opinions and be firm in knowing who you are. If you know who you are and who you aren’t, opinions of other people will roll off you like wind. You’ll be able to live life more freely, with a much more open heart. For me, that’s how I perceive this quote to be.

Ms Lee shares her situation and asks for advice in comment #13:

Hi guys, since we are discussing finding balance,I thought I would ask for a little help.

I’m new to kdramas (started watching BOF in December 2016 & my life has never been the same)

I feel like im struggling with being emotionally Balanced when I watch dramas. E.g. I’m watching hwarang at the moment & my heart literally beats faster at the story line (FYI it’s frustrating) I had the same feeling when I was watching Descendants of the Sun. I get really nervous especially when something huge is happening or things are not going the way I expect them to.

I have watched a lot of TV shows/series (not kdrama) & I don’t think I have been this affected by anything else. (Is this a kdrama side effect that I should be worried about?)

I think I’m struggling with getting too emotionally and mentally involved with these dramas & I want it to stop. I just want to watch a good show without feeling drained because of the story line. How can I stop myself from getting so involved?

Any advice will be welcome.
Thanks,
A Kdrama Newbie

shamrockmom:

Dear Newbie: Before I started watching Kdramas 4 years ago, no US/UK TV show was even mildly interesting. Then my son introduced me to BOF. I was completely sucked in. I cried, swore, and cried some more. Why did it bring up such powerful feelings? I thought maybe it was a one time thing. Then Secret Love Affair happened, and it pushed nearly every emotional button I had and then some. I knew when I threw my tablet into the local riverbed after the last episode I had gone way too far emotionally. I literally cried for weeks after show ended. I finally found my way back to some semblance of balance after writing 100K words of FF, taking up the piano, and starting a blog where I can write my emotions about Kdramas in a (hopefully) constructive way instead of destroying electronic devices.
I highly encourage you to write when you get those nervous feelings when you watch dramas. Even if no one but you reads it. You might be surprised at the insight you will gain in other areas of life. There’s a reason you feel the way you do, and the show is bringing it to your attention.
I agree about choosing your shows carefully. If you find the content disturbing, drop it. Life is too short, and there’s too many other dramas available!

 

While Sakura shares this cute meta story in comment #9 of “Defendant: Episode 5”:

Sooyoung commented on Yuri’s selca “Whatever, is Ha-yeon alive or not just tell me that.” LOL she wanted them spoilers xD

Glad to know Sooyoung is invested in Defendan’t story too!

 

In “Top 10 favorite drama directors” comment #38, sorrynotsorry writes:

I usually focus more on writers and a few favorite actors than PDs though I’ve learned many writes and PDs work together since the trust has been built.

I’m glad DB mentioned that often PDs are given a drama and they have to get it done. Often I see when new dramas come out and the PD’s previous works are mentioned, they get dissed because of faulty stories which they don’t have much control over unless they are upper tier PDs. I think it’s important to realize a lot of times they are not given a choice of dramas.

I also think that the actors are the most vulnerable. They get a a few episodes and a synopsis and constant criticism of “they need to choose more wisely” when it doesn’t go well. The more I learn, the more I realize it really is a crap shoot.

 

Mandy writes her reservations about leadership in “Hwarang: Episode 15” comment #18:

I liked Ji-dwi a lot at first even if I found Sun Woo always much more charismatic as a character. Of course that might just be the difference in acting abilities, but Ji-dwi feels too tame and puppet-like even if the whole time he was fighting to not be one. He screams about wanting to cut off the Queen and yet it feels like he’s too scared of consequences should it truly happen. I understand his fears, and his realization of the kind of political uproar it would bring should he announce his real identity. But him thinking of consequences meant lives were lost. And to people, a King who can’t protect his people isn’t worthy of being King.

Sun Woo, on the other hand, always felt so much more fitted to be King. He’s courageous, loyal and truly cares for the people – not just through words, but also through action. He’s fearless in a rash way but it always feels like he’d never lose a battle despite being in the weaker side. He’s also extremely smart when he needs to be understanding how to deal with difficult people and situations. I find him extremely fascinating and charming. But more than anything, he’s trustworthy. And to people, putting your trust on someone who puts everything in line to save others? That’s someone really worthy of being King.

I know what history tells me, and yet this story is written in a way that I feel Ji-dwi is completely underserving if Silla has Sun-woo as another option for King. If Sun-woo truly is royal, then it makes it even more difficult to accept someone as cowardly as Ji-dwi (in comparison to Sun-woo). I know why Ji-dwi did what he did – and I understand too. But it still doesn’t change the fact that someone else is more worthy and capable of the title he so desperately wants.

Kim replies:

I agree with all the qualities you listed of Sunwoo, and I can see where you’re coming from, but I don’t see Sunwoo as king though. To me he’s indeed a leader and most definitely more charismatic, much more than Ji-dwi at the moment, but looking in account of his character, I think he’s more fitted to live a free and careless life, like the life he has in the begin of the drama. Being a leader does not mean he has to be king. He has always have that leadership quality, from the way he helped and protected his friend Makmoon, to his void for revenge for the death of his friend, to taking the responsibility as the son of his friend’s father and brother to his sister, and of course to all the things he has done now such as faking as the crown prince to help his people.

But instead of thinking he’s more deserving to be king, I think it’s more accurate to say he’s deserving to he called the hero. He doesn’t have to bear the title as the king to be the leader/hero of the story.

 

While jen raises questions about how we view female leads in comment #22:

I have been reading comments about ppl not liking Ahro which is simply astounding to me.

This poor girl practically raised herself (her father was MIA), she taught herself medicine!, she started earning money from her storytelling and the aforementioned doctoring skills because her father was MIA and treated ppl for free (which is usually great, but not so great when your teenage daughter has to earn for herself and you). At every turn she is shown to be kind, generous and intelligent. It is no wonder to me that everybody in the drama likes her. And by the way while she was doing all of that, the boys were playing football and seducing women.

It is ok not to like a character of course; everyone has preferences but so much of the hatred against Ahro stems from the fact the a) she needs saving, b) she cries and c) she didn’t pick Ji dwi who a lot of ppl like better.

a) she needs saving because ppl are constantly kidnapping her because of the stupid boys. It sucks that that happens but it is not her fault. Would it be nice if she knew self-defence? Perhaps, but I am glad she doesn’t because most girls don’t. She got thrown in the jail because she was being kind to a little boy (the person who actually got them thrown into this mess was ban ryu). Whatever the male leads do in reaction to her is their decision. You don’t like the decision, blame your favorite oppas, not her.

b) she cries a lot because she has a lot to cry about. It is not like she has another outlet. So now girls can’t cry because that means they are not “strong”? Bullshit. I have zero problems in my life and yet I still cry. If I were in her situation I would be crying a lot more and lets be honest, so would most of you.

c) A lot of the vitrol against her comes from the fact that she rejected ji dwi. Lets not even pretend that that’s not true. In most drams, the girl often gives the second lead hope and strings him along but that was absolutely not the case here. She doesn’t like your fave, please get over it. She is not a vessel for his happiness. She is her own person who deserves to choose the person who makes her happy.

The misogynist nature of ppl’s hatred towards her is what bothers me. Let the girl breath and be. Try to give her the quarter of the leeway everybody constantly gives the male leads. There are always hundred and one excuses for why the guys in the story act the way they do; most of their failings are quickly and easily excused. Try and give her the benefit of the doubt too. She is more accomplished than the guys, she has the guts to do the right thing and always stands up for what she believes in. She has literally never done anything wrong.

Is Go Ara’s acting the best in the world? NO. Is it the worst? NO. Is Ahro used as a plot point? YES. Is she used as a prop for the male leads to react to? YES. All of that is unfortunate but this vitriol against her is even more unfortunate.

I apologize for this long post. But…

Kayla replies:

I see where you’re coming from and I agree with some of your points, but overall, I still do not like Ahro–as a WRITTEN character. The blame is not on the actress herself, but the shitty writing/directing. Hear me out:

I do not like her NOT because she rejects Jidwi. If anything, her rejection of him has been the most constant thing about her throughout this tiring drama. Her one saving grace (to me) is her loyalty to, and love for, Sunwoo. Like you said, Ahro is a plot device. Thus, she is an extension of (mainly) Sunwoo and is only relevant to that extent. She’s a one-dimensional cotton candy heroine who’s only as important as the love she has with and for the hero. THIS IS WHY PEOPLE DO NOT LIKE HER. Not because she rejects their oppas (or whatever) they do not like her because she is a badly written character that lacks depth and can’t emote to save her life (I say it’s 80% bad directing/characterization and 10% bad acting.)

I do not blame Go ara that her character is written as a TSTL damsel in distress. That’s not her fault. BUT, I can say that she is clearly lacking in this role. Both male leads are acting circles around her and many people cannot connect with either lovelines because of HER, not because of either male leads. They have more chemistry with each other than they do with her. That’s when you know she’s the problem; that she’s the weak link.

But again, I don’t completely blame her, like I said. In the beginning episodes she overacted but was bearable. She started off as a spunky character but became a puddle of water (them tears though, lol). You see, it’s hard for viewers to reconcile the spunky girl they EXPECTED with the damsel in distress she came to be. Again, I blame this more on bad directing/writing than Go ara as an actress but I can’t entirely let her off the hook right? She was weak in this role, we just gotta accept it.

I love that you analyze this deeply and humanize her but seriously, you are giving this drama (its writers/directors) too much credit. They basically wrote her as a weak damsel in distress and as part of both male lead’s story arc. They’ll remember that she’s her own person and throw in the fact that she knows medicine or that she’s kind to kids here and there BUT it is not organic. It feels out of place. It’s like they’re trying to tell us we should like her but we can’t BECAUSE they wrote her so badly.

*That scene where the princess tried to shoot her & she just stood there like O.O was like the last f’in straw. I was done with that girl lol.

Overall, the bad writing/directing is the root problem. I say she deserves the hate because out of everyone, she is the worst written. I will not excuse her poor behavior “she cries alot cuz she has reason to, she needs saving all the time cuz of the male leads, etc.” NAWH, it’s just poor writing & she’s a shitty character. Let viewers hate on her so the writers will know they dun royally F’ED UP.

We won’t quote the whole thread here, but it’s a good read with merits on both sides exploring our feelings towards certain characters in dramas. You can read the discussion in full here or join with your own views.

 

Thanks for another week full of insights!

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I dropped Hwarang but Kayla's comments is sooo good,
Thank you a lot for this well written comment *clap, clap*

You expressed everything about AR's character perfectly.

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I'm glad that jen and kayla's conversation is here this week because it gives me the chance to bring over another comment from that same thread that's been sticking with me, from Greenfields:
"For such a superficial show, Hwarang attracts some pretty deep comments. ^^"

It's so true.

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I don't think it's a matter of us as females being more critical of female characters so much as there being a HUGE void for strong, relateable female characters in Kdrama land. And therefore I think viewers SHOULD express this frustration when we wind up with yet another dull flowervase Candy in a drama.

I would love to be able to root for and support every single female lead out there; my favorite dramas are those where I adore the female lead (for instance I would never rewatch or recommend a drama where I dislike the female lead, even if I loved the male lead -BOF and countless others come to mind). So for the purposes of my own enjoyment, I am all about loving female characters. But then reality hits, and you get writers of Kdramas centering their stories and character development around the males, and essentially shafting the female character, and darn it I get so frustrated, and yes I do vent about the weak female characters, because it is something that distracts from my ability to enjoy a drama.

I think people need to continue to voice these frustrations, because otherwise we'll never get the progress needed to make leading ladies interesting and worth watching on their own merits. And similarly, when we get bad idol actresses or lacking actors/actresses put into a role that they then proceed to butcher, we should also voice that frustration, because otherwise that's all the industry will continue to do. Let your thoughts be heard loudly and widely, in my opinion!

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I think the problem lies in a mix of a lot of things: the void of strong female roles, the male-centric stories (even when the drama is a romantic comedy), and the tendency to become more critical of female characters (when compared to the male characters).

And because of the nature of the kdrama audience being female - it seems like it's more important to have a strong, appealing male character than it is to have a strong and/or relatable female to identify with. And I don't get why they can't have both? And if one must be sacrificed, why the female role? I think in addition to voicing frustrations with certain female characters for being annoying, we should also voice frustrations with the industry for often giving female characters the shaft and with the social conditions that makes the industry consider this acceptable storytelling.

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Cannot agree with you two enough. This is why I liked the protagonist in Pride and Prejudice (the drama not the book/movie[s]) because even though she was brash and insubordinate, those flaws were also her strengths where she is brilliant and relentless.

I haven't really seen another female lead stand her ground the way that girl did. It was such a breath of fresh air.

I also do this thing all the time where I face a really annoying female character and I think, if she was a male character, would I have been as annoyed? (The answer is usually yes; I think I actually have less patience for annoying male characters than female ones.) I don't feel like a lot of people liked the female protagonist in P&P but they probably would've given her a pass if she was male. I'm not hating cuz everyone is entitled to their opinions but it is interesting.

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So many of the male parts are not well written too, they are the same blah blah tropes meant to press women's buttons. And yet when I come to the comments everyone is like the actor hit it out of the ball park when said d actor is merely looking handsome and acting just about OK. And often when there are strong female characters or female centric shows those shows are not reviewed here.

The shows themselves are at fault, Japanese and Chinese dramas don't short change their actresses like K-dramas do. And so are the viewers. The relentless negativity towards actresses is pretty much the reason I stopped commenting on K-drama sites. Its unpalatable to viewers to be told this (good on you Jen) but that's how it comes across to many a viewer.

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Meh, I don't agree with Kayla. Everyone's free to dislike whatever character they want, but I don't like it when people hate female characters for being "damsels in distress." I always viewed that as hating and blaming the victims instead of the offenders. What opened my eyes to this was reading an account by a poor woman who was kidnapped in real life. Instead of blaming the actual kidnapper, people blamed her and asked why she didn't save herself or run away on her own. People have no idea how terrifying it is to be caught in such a horrific situation, and it's unfortunate that women tend to the the victims of such crimes.

There are times when Ahro does cry too much, but I don't blame her. Her whole life is so sad, and I respect her much more for being able to smile and still be kind to everyone. And that incident with the arrow. . . I know, I was screaming at her to move and hide, but I also understand why she couldn't move. She must have been terrified so her legs froze, and she couldn't move. I know, it happens, and I don't blame her at all.

Seriously, if you want a different type of female character on your screen, just watch any other Korean drama. I have no problem with Go Ara or Ahro or any other female character in Hwarang so just stop hating them. If you don't like them, watch something else, please.

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You are free to state your opinion no one forcing you to agree with her, but it's not up to you to tell people what to watch, i read this line a lot whenever some viewers show a frustration about something, people say "stop watching if you don't like it", saying negative things doesn't mean we have to stop watching everyone is free to say whatever they want this is what the comments sections are for, not all of us have the same opinion.

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Also
1: Some shows are just so much fun to make fun of *cough*Cinderella and the Four Knights*cough*

2: Once you invest enough hours, you want to finish so you'll have the extra bean-vote to cast at year-end. Or you hope the ending will be worth it.

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Exactly, I finished watching dramas I was frustrated about the plot, and i am always wondering why I didn't drop them like:

Vampire Detective, Heirs, LOTS, Blood, Goodby Mr. Black ...etc

And some I just drop them like Hwarang.

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Ahhh, we had some fun times in the C&T4K threads.

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I wonder if this is a problem with the writing (again).

An attempt on Ahro's life should've been a significant plot point. They should've reminded the audience (maybe?) of her freezing spell and made it as huge a deal as Sun-woo's fainting. If not during the attack, then after. This way the audience will feel Ahro's panic and frustration at her inability to move, forcing Sun-woo to block the arrows. (But as pointed out in another thread, he didn't have to do so. He could've pushed Ahro away from the arrow's path! So again, lame writing. Let's put Ahro in danger and make Sun-woo swoop in to save her because looooove.)

As an example, there's Yoon-hee in Sungkyunkwan Scandal who always gets in trouble. Bullied, accused, kidnapped... but she doesn't look damsel-in-distress-y to me. She's the "brains" of the group and the writing always reminds you of that. She's solving puzzles and answering difficult questions fuelling and starting moral debates... Her role isn't just to get in trouble and be saved. We're always reminded of who she is.

Ahro has a miserable life, yes. Crying is natural. But is it necessary to highlight her crying that much? Why can't the writing focus on her as a person too? Why can't they make her more integral to Hwarang?

For example, in the last ep, instead of making the villagers stop because they're "happy" to be released, the writer could've made the escapees aware that Prince Psycho is on their tail. But a lot of them are wounded or dying, so Ahro insists that they stop or at least leave her behind to treat some villagers, because as a doctor, she can't let any of them die on her watch. Then the Princess insists that they leave, because Silla needs its King. Moral dilemma while a psycho prince is on your tail = ♥

That's just one example of the small things the writer can do to make Ahro more "real" and justify her getting into dangerous situations. It's not that we're victim-blaming (I mean, f*ck the Queen Regent and Princess for using Ahro to control Sun-woo and also boo Sun-woo for letting them get to him), but it's like the writer gave up on Ahro's character beyond the "she's a good person who deserves to be saved because shitty Shilla people keep trying to kill her". She's not a random citizen who's just there to manipulate us into wanting the Hwarang to be better warriors for the people. She's the lead character. She deserves more.

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mary, this writer could have really used you to help her! It's sort of sad that you put more thought into writing the drama than the writer has for her first full-length drama, which should be her baby!

I love Yoon-hee from SKKS! Now that was an amazing youth sageuk! Yoon-hee was incredibly brainy and smarter and more resilient than all the boys. She is my kdrama heroine crush!

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Yas Mary. I'd watch that drama.

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loooove "Psycho Prince". Would watch that drama as well ?

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I don't what's the case with Kayla, but the reason why I didn't like Ah Ro's character is mainly because of her, being constantly a damsel in distress. I can accept bearable amount of knight in shining armor moment.
Female leads can be more than being a plot device & a romance interest of two men & just like kayla, I wanted to point it out over & over again because in the future, I don't want to see anymore of it.

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There is more to this drama than Aro (like the too many characters and subplots for a 20 episode drama).

Like someone mentioned above, I think people watching this superficial drama led to some great discussions about writing, social issues, and Korean history. A great point you brought up was the re-victimization of kidnap victims by blaming the victim that is a very real-life issue. I'm also guilty of blaming Aro's kidnapping on Sunwoo - when really, the people who should be castigated are the goons who kidnapped her. I also like the discussions on what the writer could have done to make our lead female character (and other characters as well) more likable and useful. And not to meniton all those who helped shed light on Silla royal history and made known the existence of Hwarang Segi. So I hope those people who don't like Aro but are contributing to these discussions in a thoughtful manner (even when I don't completely agree) will continue watching the drama and will continue contributing and listening (even when they don't agree)

I hope the korean viewers are having similar discussions in blogs and forums that the writer can peruse, and hopefully improve upon her next drama. This writer definitely has some potential, but needs guidance.

As for my own personal stance on Aro: I'm on Team I-like-Aro-despite-her-flaws. While I can see why she is hated, I'm uncomfortable with the amount of hate she is getting.

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Ahro is not a real person, you know. She's just a character that someone wrote. I don't think that the people who hated Ahro as a character can be considered victim blaming like you said. They just want a strong, smart female character to root for. You can't compare this with a real life kidnapping scenario, because that involves real people.

Also, aren't you angry that a good, smart and potential female lead in the beginning now is just an accessory to the male leads and a mere plot device? The "damsel in distress" trope iss an outdated trope that shows female characters is weak and always need a 'prince' to save them.

I don't mind actually if Ahro faced danger over and over again, because this is Silla after all. Things were not as safer back in the day. But there should've been a follow up or a consequences to Ahros psyche. How does she feel after she was kidnapped? How it affects her actions in the future? The writer showed us almost none of that. She instead focus on the boys and ignore her altogether. That makes me mad. Just like when Sansa from Game of Thrones keep getting tortured and raped only to advance her male co-star arc. Imagine if Ahro is a character in a US tv series, I'm sure there would be many backlash and criticism from the female community. And that's not because they're victim blaming. It's not a great representation.

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I think it is the sign of a good writer when we find the characters in a drama or movie similar to real people, or we feel that they are "real". I do not need the heroine to standout, I just need her to feel multi-dimensional and real, so I can root for her. So I have no problem applying "real" to Aro's character or any character in a drama I get invested in. That being said, unfortunately Aro is not a multidimensional character, because of the writer.

However I agree with you a 100% that the story isn't focused, and we don't see things from Aro's perspective. As the female lead we should've seen many things from her perspective, and seen her reactions and feelings after going through those bad things. However the writer (and maybe director) seem to be ignoring her character. I feel one of the main reasons for that is the presence of too many supporting characters that need to give screen-time. Even Sun Woo sometimes feels a little underdeveloped. In my opinion, the only character who has been constantly given these quiet moments of introspection, emotion, and self-realization so far has been Ji Dwi (and it took him 16 episodes to grow a spine). The end result of having too many characters, is that in the end none of them will feel fully realized or explored. By the end everyone feels under-developed to varying degrees, especially Aro as the female lead.

In conclusion, I think that this writer has good potential, but that she still has a long way to go to hone her skill. I also think that the huge cast affected the writing in a negative way, and like I said the end result is an interesting main cast that is never given enough time to develop.

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Yeah, I have no problem with people who feel a character is "real" and really root for her/him. That is indeed a sign of really good writer. And if a character can motivate and inspire someone, that's really great. However I don't agree with people who judge everyone as victim blaming just because we criticize a fictional character's story, that's not the audience's fault, that's the writer's fault.

I personally think it's because the writer's too green. She doesn't have the skill to pull of an ensemble drama yet. 20 episodes is a lot of time. It's not that there is too little screen time for the supporting characters, she wastes too many screen time with useless stuff. The set up was too long, the angst was too much. We don't need to see Jidwi and the Queen having the same conversation over and over again. We don't need to see the fake brother angst in more than 1 episode when there is more interesting stories with the supporting casts that they left out.

Most of Japanese drama has max 12 episodes, but they manage to develop each character while also move the plot forward. Dream High is an 16 episodes drama with a lot of cast, but the writer have the ability to give each character a satisfying arcs and personalities, so that we as an audience can relate to them and root for them like they're a real person. Why KBS hire this writer, I don't understand.

Well, they said high anticipation can lead to big disappointment so I guess I should've keep my expectation very low from now on.

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I don't watch Hwarang, but it sounds like Ah Ro needs a major Kim Bok Joo upgrade

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No thanks... I couldn't get past the first two eps of that drama...

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Yep! Now thats a drama that knows how to keep its focus on its female lead and not sacrifice her for 'Oppa time'.

Granted, Hwarang is different cause its an ensemble but if any character has to be underdeveloped, it shouldn't be the lead.

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This one is for @JEN

If you are going that extra mile to accuse people of not giving ahro a second glance because of "oppas" and that viewers should blame their "oppas"..

then respectfully, i'd like to say that maybe.. noona truly sucks at what she does..and that is the reason nobody bothers with her character..

For you she may not be the worst and the "oppas" at fault.. i'd say.. she is grade A horrible an actress.. absolutely incompetent of emoting simplest of the expressions... and her incompetence is so much that what or who ahro is.. many a viewers wouldn't want to spend a dime of an effort to figure that out.. because its futile

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Yup agree kayla articulated it well

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I think one thing Kayla said is important in this discussion: "I still do not like Ahro–as a WRITTEN character."

If Ahro was a real-life person, and this were a 100% true account of her life, we would just be chalking it up to bad luck and being at the wrong places at the wrong times. We'd probably overlook the excessive crying and say well, she's had a rough time, she deserves to let it out by crying when she wants. If she lived down the street from me, I would like and admire Ahro immensely, and maybe only once in a while lovingly tell her to snap out of it when she was crying over Sunwoo ignoring her.

But, as a written character for a drama for our entertainment, she could use some work. She started out as a great character, tough and working a million jobs no sweat and guzzling a liter of soju when it called for it, and then her character did an about-face and just ended up in too many situations where she had to be rescued, and was shown for episodes on end crying and crying (much of which might be justified but still is not great fun to watch). So we're not really disliking Ahro herself, we're saying the writer did her character a disservice by writing her this way. Which is a shame because I love the way she's written when she's just being a daughter and BFF and doctor. The same was true for the female lead in Cinderella and the 4 Knights, by the way.

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>She started out as a great character, tough and working a million jobs no sweat and guzzling a liter of soju when it called for it, and then her character did an about-face and just ended up in too many situations where she had to be rescued<

... as kdrama characters used to say all the time, Bingo! I recently happened to rewatch the first few episodes of Hwarang and Aro is a completely different girl at the beginning. The girl who kept a big metal candlestick with her for safety while telling stories to Sammaekjong to earn silver, we lost her. Then again we also lost that swaggering confident sexy Sammaekjong, too. I think the difference is that Sammaekjong's swaggering was always a put-on personality (and he's is here to develop his true character before our eyes) but Aro's original personality was the real girl, or so we thought. She wasn't supposed to UN-develop.

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Just to chime in on the "crying issue"with Aro. Yes Aro's life has been difficult and she should be allowed to cry about it.

But come on! must we watch her make the same crying noise for 5 minutes of an episode whilst walking down the street?

Also, because she cries the same way about everything, we the audience, do not get the depth of her sorrow. Whether it is about her brother, her lover or her mother. It is all the same. There are other ways to convey deep sorrow and heartache - excessive crying in this case is not helping.
We watched her cry for ages whilst doing nothing but walking down the street. if that's not overkill then i don't know what is.

That is the problem with the writing and direction of this drama. Her crying scenes are way longer than they need to be. This gives the audience (or myself at least) the feeling that time is being wasted on her crying when there is still so much story left to tell.

Hwarang is a drama that is full of wonderful potential; just read the comments section of any recap to see how the audience have constructed better story lines than the professional writer. What hurts most about this drama is the thought of WASTED potential.

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I agree with this wholeheartedly. I'd love to see her using her medical skills for awesome rather than just as a way to keep her occupied during scenes, or a plot device to put two people in the same room as each other.

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About Hwarang, Ahro gets scrutinised a lot though when Ban ryu being bad quite a lot of times, is still given the benefit of a doubt instead of being labelled bad. Lots of people take Ah ro's at face level but being so much more thoughtful when it comes to Ban ryu.

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Maybe it's just me. But I already gave up on Ban-ryu as a character and didn't think much anymore about whatever he did even since the writer apparently also gave up on giving him a proper arc that make sense. While Ah-ro, on the other hand, she still has burst of brilliant scene where we could see the original her. Like when she talked about hope with Silla people inside Baekje's jail, or when she produced food after the delegates got raid, or recently when she firmly told Sammaekjong to stop using her as an excuse for not reclaiming his throne. THAT was what makes me angry, because the writer is still able to produce thoughtful storylines for her, but just choose to ignore her completely most of the time.

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I would really like to appreciate Mindy and Ar on their advice to fellow college students. I realized that marathoning is far from reach when you're in the middle of the semester when once I chose to marathon kill me heal me over finishing a lenthy paper.
Moreover, I've also noticed that reading recaps right before the class starts has at times left me in isolation. So all of this was very relatable and helpful.

Plus sorrynotsorry has such an apt and wonderful comment. I would also think that the writers may also not have full control over how their story goes and completing it in live hectic schedule would definitely have an impact on how the story would have proceeded in a relax environment or being pre written. Even knowing all of these things we take no time to criticise these people who bring us lots of entertainment.

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I've just spent some many minutes deep in thought(heh) about @mary's alternative drama scenario. Even though I'm not even watching Hwarang!

I think I'll go and write something down using mary's plot. I'm an awful writer but I lobe to think up different scenarios for things I watch and read. I only started putting it on paper due to CITT ( forever opening doors)

So thanks @mary!!!

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Dear Ms Lee the Kdrama newbie,

I have been watching Kdramas since 2004 but I still can't sleep after watching a good drama. That includes the sleepless 10 weeks ++ of Goblin watching thinking what will happen next episode.

Then there's also the hollow feeling lingering after that, it still lingers until now, followed a sense of being betrayed after watching the ending, which leads to denial that it has ended (for this, I still haven't watched the ending to some Kdramas, refusing to believe it has ended.) Only recently did I finally watch the ending to Its Okay, Its Love. I can say I am happy with the ending and made peace with it.

I am still not in peace with Goblin though. This one takes at least one year or until I see Gong Yoo in a new drama. Hmmmm.

Don't worry about your overwhelmed emotions. It comes with the package of being a Kdrama fans. Hehehe. You'll get used to it.

P/S: If I have to name the drama lead throughout my career as Kdrama addict, I would vote for Kim Sun A anytime for being Kim Sam Soon. Love that drama to bits.

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The thing that bothered me about Hwarang is the forced kiss between Ahro and Ji dwi ! Since the first episode she never liked him or chased him around, she kept on pushing him away and saying NO in a clear way so i dont kn why she should like him now, guys its not about the actor but about the character we're talking. Also i dont like sunwoo, he just pushes her away anytime he wants and then comes out with the excuse that "he was sorry...." LAME.

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I agree, that was a totally weird kiss. The atmosphere did not call for it at all... I wonder if k-drama writers imagine that it's somehow a popular fantasy to have slightly non consensual kisses forced on people, because this seems to feature all too much in k-dramas. (I've mentioned it on another thread but even when its a coupling that like each other on a mutual basis, there is often a tendency in dramas to make such a thing about the woman struggling or being shocked and finally 'succumbing' to the kiss. It does my nut in!)

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I have been behind on Hwarang and just got caught up this weekend. Since I didn't want to be spoiled I've stayed away from the message boards related to them. So it's surprising to see people don't like Go Ara or her character Ahro. Or that people are not happy with the show. It's so not accurate to history but me and my Mom are both loving this drama. I also really like Go Ara and she is actually one of my mom's favorite actresses. There are definitely some weak points of the show and some cheesy moments, but overall it's a fun show that is keeping me highly entertained. It sometimes surprises me how different my opinions seem to be to the general beanie population.

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Where do I start? I bet all the commenters lamenting (and rightly so) the quality and quantity of well written female characters in Kdramas are all from Western countries. Pardon my second hand aka English as second language style of writing, but what part of diversity don't you understand? That's what diversity feels like in a real world, out of our "safe zones", in countries that don't really give a rap about women's rights, only lip service.
Korean drama writers pander to local and Asian audiences' sensitivities and tastes. Period. Why? Follow the money. Kdrama is a revenue driven industry. It's very hard to get financing from broadcasting companies for a drama without rating producing writer, actors, director. Netflix deals won't last nor produce steady stream of product placements nor ads - therefore not much profit. We can demand better written, less "oppa" depended, less sickly materialistic female characters all day long. Nothing will change. Female viewers (fangirls) that matter for ratings are vicious and shallow audience. Their lives aren't the pleasant ones. Why shouldn't the heroine suffer and be aboused just like they are? That's the main driving force for ratings, not you.
I once commented with empathy about some ladies' opinions on this blog. I feel for you. How oppressing must be the situation in your neck of the woods, if you don't boil inside while watching all the (female, children, poor people) abuse made normal and even enjoyable in Korean dramas. Western ladies try hard to mindlessly submit to the rein of handsome, rich male actors/characters ruling the Kdrama world? Then it downs on them and they bail out. That's why I can't get my American born friends get hooked on Kdramas. They are spoiled by decades of freedom. They enjoy some of dramas in a beginning, then refuse to watch. And it's the same ladies I got hooked on Bollywood in 2006-2008. You can put on vagina heads on and march all day long for women's rights, western ladies. You still have it better than any other women in the rest of the world. So enjoy the diversity of Kdramas and shut up.

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Hi Everyone!

Newbie to kdrama here! I just watched my 1st k drama I remember you/hello monster. The lead actors are very very good at acting and the story so good.

I am watching the voice now, as stylish and edgy it is doesn't seem to have any subtle romance.

Are there any more recommendations in the same genre, thriller rom coms?

Thank you girlfriday and javabeans for having a wonderful forum for all people interested in K Dramas! Happy 10th Anniversary

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The dramas I recommend are:
I Hear Your Voice (suspense/romance/drama)
W Two Worlds (thriller/fantasy/romance/drama)
My Love From The Stars (romance/comedy with elements of suspense)
Queen In Hyun's Man (time travel/romance with some action)
Nine Times Time Travel (time travel/thriller with some romance)

Happy watching :)

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Thank you soo much :) Cant wait to get started

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I hope I'm not repeating anyone when I say this but I wanted to add my two cents about the whole AR x SW loveline. I agree with some of what's being said about AR - I do feel like she's been written as too much of a candy 1 dimensional character, although I don't think she's devoid of all depth entirely. I don't really have an issue with the acting - I haven't seen her in other dramas and from what I can tell she really doesn't have much to work with in this one. But on the issue of annoying stereotypes, I can't have an issue with AR without also having a problem with SW. I just don't understand the loveline from either angle. SW is supposed to be a strong (read: masculine) character, and they have done quite well at giving him some fairly believable motives for some of what he does. But as much as I 'believe' him because the acting is quite good, I just don't feel that invested in him at all. And I just don't understand his random bouts of ignoring AR for seemingly no reason at all. ('I just like you so much that I couldn't even look at you for a temporary stretch of time.' Um, what?) I think he is, in many ways, just as 1 dimensional as she is. Maybe that's why they like each other so much - because they're both kind of boring. And this is not to say I'm bashing PSJ - I think he's a great actor and I very much enjoy looking at him. I just no longer have any interest in this part of the plot...

To summarise my rant which I worry has gone off topic -I do have a problem with the way AR's character has been written/portrayed as I do feel like it makes her really hard to sympathise with. It's a real shame she couldn't have been a strong female lead who is more than just a plot device. Don't get me wrong, I appreciate a small dose of cliche'd romance every now and again, and I have a particularly high tolerance when it comes to K-dramas. But I can only swoon so many times in one drama before I start getting a headache from all the misogyny. I feel like this drama is falling back on a lot of societal stereotypes - the girl likes the guy because he keeps saving her from random life threatening situations, and the guy likes the girl because she constantly needs saving.

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Yesssssss Kayla!

I have been struggling hard with the character of Ahro. That comment definitely expressed how I've been feeling. The writing/directing/acting of the Ahro character has been subpar. There are several issues with the show regarding the plot but as a lead Ahro was a waste. Which is sad because her character had great potential!

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Interesting discussion on female leads in dramas.

I recommend watching Pleasantly Surprised. It is a Taiwan rom com from a few years back starring Puff Guo and Jasper Liu. It has been a few years but from what I recall, the women characters were strong (lead and 2 supports) Very rare role structure overall.

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Also known as "Love myself or you" (DramaFever)

Anyhow, if I got the names mixed up. This drama is situated in a restaurant (French?) and the three strong female characters are the two aspiring main chefs and the head waitress.

It's a pretty good drama overall.

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