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Race: Episodes 11-12 (Final)

It’s fast, tidy, and satisfying wrap-up for our drama this week, with the reminder that good business practice and gumption always come out on top. In the world of Race, our heroes are rewarded for their hard work and honesty and are given the hope of lots of success to come. And that love line? Well…


 
EPISODES 11-12

Is is possible for a drama to end in a completely satisfying way and yet leave me completely unsatisfied? Because that is the very mixed emotion I am feeling after our finale week.

Like I’ve said about a dozen times now, I was here mostly for the character relationships, so the ending “maybe in the future we’ll get to together” understanding between Yoon-jo and Jae-min did not work for me. It was realistic, mature, and wonderful, yes. But this is a K-drama, and as such, I would have much preferred a couple of heart-fluttering stairwell meetings, a stolen office kiss, and a freakin’ solid ending for our OTP. But at least their careers end on a high note? *Sigh*

Our finale week opens with the disciplinary hearing of Yoon-jo and Jae-min, which is serious and scary and probably means they’re both about to get hung out to dry — but then the drama takes us a few days back in time and we see that everything is actually quite under control. The end point of the protein powder fiasco, fed by nepotism, bribery, greed, and lies, is brought to light by Yi-jung and our crew.

She’s not only the hero of the day — and a role model who actually deserves to be one — but she’s super competent in getting: the guilty parties to “resign,” the proper apology out of the CEO, and a company reorg that shakes up everything in a (mostly) good way. Even Team Leader Song gets a bit of a redemption arc, and I really loved that Yi-jung was able to reach him with her “don’t let Seyong determine your values” speech.

Indeed, the lousy corporate culture of Seyong, as we’ve seen over the course of the drama, just continues to seek its own level, and it’s not until earth-shakers like Yi-jung and Yoon-jo appear on the scene that they’re able to push the people around them to do better. We see Yi-jung do this with the culture more broadly, and we see Yoon-jo do this — unwittingly – with her very own Jae-min.

The disciplinary hearing might be dead in the water with Yoon-jo and Jae-min free to go, but Jae-min busts out of his seat to praise Yoon-jo’s moral gumption (which motivated him to be a better person) and make sure the VP knows that the culture at Seyong sucks. Well, not for long, because Yi-jung and her culture project become a company priority — and a huge success — and the aforementioned reorg and culture changes happen.

The CEO wants Yi-jung to take the newly-opened VP spot, but Yi-jung has another (better) plan for herself, and that’s quitting Seyong and working on repairing her relationship with her daughter. We see the first seeds of this thanks to Yoon-jo’s hero(ine) worship of Yi-jung and her goofy scrapbook. It makes Yi-jung’s daughter just curious enough to learn about the other side of her mother that people so look up to.

As an aside — and a compliment for the writing — the overlapping character relationships in the drama really work well and feel more realistic that the usual drama interconnectedness trope. The different ways our characters relate to each other makes everyone feel more human, and gives us a few different lenses by which to see each of our characters. Yi-jung, for instance, is seen as an old flame, a role model, a dear friend, and a woman that abandoned her family for her dreams.

Back to our heroines at hand, though, like Yi-jung, Yoon-jo also has better plans for herself than battling it out at Seyong forever. But first, some emotional roadblocks! Yoon-jo is “dating” Dong-hoon, but it’s dating in name only and watching her try to force this relationship to happen is downright painful.

However, it was worth dealing with the totally dry and flat character of Dong-hoon for one scene and one scene only: Jae-min wants to celebrate his and Yoon-jo’s promotions, but his face drops a mile when Yoon-jo walks into Utopia with Dong-hoon. Then, Dong-hoon proceeds to act all doting on Yoon-jo, and Jae-min’s agony is palpable. Then, later, Dong-hoon asks what Yoon-jo was like as a little girl and the truth comes flying out. Jae-min says she was the first person to wipe his tears, and thanks her for always being there for him. *Swoon* It’s as clear a confession as any I ever heard, and Yoon-jo is just as flustered as me. She runs out of the bar leaving both men in the dust lol.

This little interlude makes it hella awkward between Yoon-jo and Jae-min (again) until the sudden death of Yoon-jo’s grandma forces them together, and we get another look into Yoon-jo’s personal life. Yoon-jo’s family life has always been a bit too far in the background of this story for me, and if I could get a redo, I would have liked a better balance of office and home life, since there was so much mom baggage to unpack there! However, Yoon-jo’s mom baggage was used in a clever way to give her an inroad to talk with Yi-jung’s daughter. Again, that was a nice character connection that helped this speedy finale week feel more solid.

At the funeral of Yoon-jo’s grandma, Jae-min finally learns that Yoon-jo has long broken up with Dong-hoon, and his coughing fit tells us all we need to know. But Yoon-jo has been busy cooking up plans for herself: she’s quitting Seyong and going to grad school. Bolstered by Yi-jung’s encouragement, she wants to do better for herself, and so… there go all the endless months of toil at Seyong.

It’s here that we hit Jae-min’s true confession scene. Yes, in our final episode, and yes, it takes place at a convenient not-seen-before playground. As Yoon-jo tells Jae-min of her plans for school and how she’s got to study hard the next two years, he smiles. He says he won’t take up her time while she’s studying and pursuing her dream, but when she’s done, he wonders if she can spare him some time.

Yoonjo: “You don’t have to ask me to spare you time — we’re friends.”
Jae-min: “Not as friends. As lovers.”

*Fans self*

While Yoon-jo is shaken at first, she then laughs it off and says that two years in the future is too far to know what will happen between them and essentially says they should not think about it now. Jae-min insists waiting two years is nothing compared to how long she wanted for him, but they agree to be friends and smile shyly. Ugh! After all the flirting, pining, and cross-office stares — and deep affection between them — I really deserved wanted more than a swoony confession and semi-rejection across a swing set in the drama’s final minutes.

To sum things up, we check in on everyone one year later, which cements all the healthy growth that has been set into motion for our main characters. But if you think we’re doing this time jump so we can finally get our OTP together, you’d be wrong. Psych! Closing out our drama, what we get instead is a job offer to both Jae-min and Yoon-jo from Yi-jung. Together, the three stand in her brand spankin’ new floor in a massive skyscraper and await the great and exciting things coming in their respective careers. Yay??

Don’t get me wrong, this is an office drama above all, so the genre necessitates our characters’ career trajectories and satisfaction being the major thrust of the action. But this drama also presented such compelling characters and relationships that I feel a bit underwhelmed with where we have landed for our OTP. It’s a bit of a cop-out to string us along with this slow and steady flirtation between the two of them, only to have them seem more like friends then ever before as we close out.

Perhaps, in the end, the drama took its ideas about career dreams and purpose a little too literally. After all, our heroine Yi-jung is forgiven for choosing her dreams over her family. It seems like that logic also stretches to Yoon-jo, who could very well jump into the arms of the guy who’s her perfect match, but finds grad school more attractive. In fact, I could even take this argument and stretch it to Yoon-jo and her little sister — rather than take care of her in their dysfunctional home life, Yoon-jo’s focus was always on herself and on her work.

Is the drama telling us pursue our dreams, because that’s the heart of life, or is it showing us that when you do, you’ll have to give something else up? Can you have it all, or will you just always have some of everything? In retrospect, the drama actually leaves a lot of food for thought behind as we look at our characters and how they defined their happiness. And as for my happiness, while I enjoyed this drama very much, I’m going to be salty about this unconsummated OTP for a very, very long time.

 
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Thanks for the weecap @missvictrix I agree the lack of closure on the main love relationship is the one element of disappointment for me.

This has been my favourite drama because it was an ‘only in Korea’ drama:
The feature film like award winning cinematography.
The OST which was a perfect match for capturing the mood.
The long term nature of the friendships, and the complications of family dynamics.
The second lead who can’t read the room and assumes they can charm the lead enough to win their heart from their true love.
The two people who personified nunchi; Yijung climbed the ladder and used it to her advantage time and time again but was genuinely thoughtful not at all manipulative whilst Chuljun was like the social narrator but still fell victim to the systems and was unable to prosper.
The fact that Yijung had to explain gender politics to her daughter.
The friends to lover trope beautifully done until …
The friend’s meeting place that was empty most of the time.
The childhood connection that made sense, and had Fight for my way similarities.

This was the highlight of my week, the two episode drop was perfect but I wished it was a Netflix whole series drop, I would have gladly stayed up all night to binge watch this one.

The only thing I am not liking is the infiltration of smoking into K dramas these days. I can just about handle that alcohol is the liquid of choice, with very little long term consequences ever shown but smoking is a massive trigger for me.

My 2023 Korean drama of the year, yes I am calling it at the halfway point.

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This is also what I miss from K drama from yesteryear, they tried to not to promote smoking in plain sight. I know there's many people smoke in SK, but at least do not promote it and act like it is what cool people do. It is not.

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*there're uups

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I so agree with you. I wish it wasn't so blatant now. (smoking in plain sight and by male and female alike)

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It was a good drama but it was frustrating too because it could have been better with more episodes.

My favourite moment of these 2 last episodes was Jae-Min's speech to the Vice-President : I never felt ashamed to work for Seyong because I didn't care enough. I think it's the issue with big society, there are so many issues (nepotism, favortism, fraud, etc.) that the employees are just here for the minimum.

I liked how the office worked and how they handled each character. Chul-Jun was quite surprising, I thought he would be more on side to keep things like they were.

Yoon-Jo's familly plot was not very well handled. I understood the anger of her sister, she never tried to protect her from their mum. She was quite naive with her mum.

Yi-Jung has different facettes and it was nice to see her as a badass boss, bad mother, ex-wife, good friend. But I still can't understand what happened between her and Jae-Min...

Dong-Hoon was a nice second lead but Yunho kinda made him bland.

I was expecting more about the "romance". They aren't young anymore. They could date during her studies. It's not like they will stop to see each other in the mean time. They don't have to go to the usual Korean dates like the amusement park. So I don't think it makes sense to wait again.

The PD did a good work with this drama. He suits romance office!

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Absolutely. The drama should have been either longer or cut some of these poorly developed elements. JaeMin and YiJung's Santiago fling. YiJung's difficult choice between family and career. YoonJo and her family (where'd that grandma come from?). HeoEun's loveline (yay for the rep at least). Etc. Etc.

Despite my grouses on how it ended, it was a good drama and I'd have happily stayed with it a few episodes more esp. if we got more of the main couple as well.

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I was really annoyed with Dong-hoon as he appears too eager right from the start, almost like a puppy-kind-of-crush on Yoon-jo even though he is way too old for that and everyone else plays it cool, that I start to overanalyze the reason I hate this character. I think he is supposed to be charming and charismatic and we are supposed to be sympathetic towards him but I cannot associate any of these attributes with him. And clicking on his tag in db opens a floodgate of reasoning.

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A good recap. Overall, this was a really enjoyable watch me, but yeah, these last two episodes were a little underwhelming. I actually thought the drama was clear the lead couple were going to get together, and not a "semi-rejection" at the playground.* Was I wrong? But I agree, the events after the confession were pretty unsatisfying. I'd loved the friends to lover arc thus far, but why spend most of the last episodes on her tepid relationship with 2ML. I get jealousy as the motivator, but this much time, this late at the expense of the main couple? And why do they have to wait till she completes grad school? Couldn't they have given us something to indicate their status in the closing scene? Uff.

(*I swear if I visit Korea and there are actual children in a playground instead of beautiful young couples in midst of some drama, I will be so disappointed.)

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First of all, totes with you on that playground thing. Each swing set had better contain (desultory) grown adults from dusk to dawn!

Second—and I admit to only following the weecaps due to Hulu being an a$$—can we call Jae-min’s behavior a “spade?”

This sounds like the worst form of noble idiocy evar. Like people can’t study and date? I know, yes, I know, this is a cultural thing, but I call malarkey.

Grad school is part of life, not an exception from life. Learning a good work-life balance starts now.

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So, I was in Hanoi a month ago. I know it’s not Korea, far from it. But it’s as close to Korea as I’ll get from my faraway country.

We arrived late, late night in the old quarter, mostly deserted, mostly dark. And then, our taxi passed by a brightly lit convenience store. A young woman, gorgeously dressed, sat on a plastic chair outside drinking (I think) beer and bawling her eyes out. A bowl of instant noodle sat forlornly on the table.

I swear it was a moment out of K casting central.

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This is definitely the opening scene to a drama did you see any signs of a crew even a lone rookie filming on their iPhone!
Poor woman she probably came back from a failed night out and couldn’t face going back home to lecturing parents that she needs to get married and give them grandchildren😆 I have definitely seen too many dramas.

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Ha! Entirely plausible scenario. I was thinking of Bora’s many drinking scenes since it was airing then.

Mostly, I was in awe the woman felt safe drinking alone late night wearing what she did. Where I live now, or even in the US, I never ever did. Sad state of affairs.

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Whenever I watch dramas and see women drinking to the extent they are not aware of their surroundings feeling safe enough to walk home alone. Yes there is CCTV everywhere but it’s a bit like that and mobile phones are seen as safety devices but they can’t do anything except provide evidence after the event.
I used to love walking early hours in local parks and wooded areas watching the sunrise until I met two men on separate occasions. They were probably just going about their business but I started to feel uncomfortable imagining all sorts so I did not wait for a third incident I just stopped going to those places and stayed on the residential areas or went later in the day when it was busier. The air feels so lovely in the early morning sunshine I miss it and lament that this is the kind of world we live in.

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It's not enough to like this comment. Because it just sucks (and that's the nicest thing I can say about this.)

There's this moment on The Power (on Prime) where a teen goes running and is euphoric she doesn't have to consciously/unconsciously take measures to protect herself. Then she wonders what it would be like for her little sister to grow up never having to fear for her safety. Indeed.

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Yes so sad. One of the beanies was talking a few months ago about the traumatic impact of living in a world where its accepted as something women have to tolerate when encountering the attitude of certain types of men who think it’s ok to make sexist comments to young women and girls. Considering how many men think this behaviour is outrageous it is shocking that it still exists. There were a group of ajummas who agreed that when we reach that age of not being victims of it you realise how much of an impact it has had because walking past boys/men immediately puts you on edge so when nothing happens you realise you have become invisible.

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Thanks to Race, I was kinda cured of my aversion towards Hong Jong-hyun. My drama first drama of him was Wild Romance, and he was stiff and awkward on the screen. I think he is suited to playing characters that do not show extreme emotions. Jae-min was competent, but never boastful. He dislikes office politics but knew he has to play the game a bit. There was so much groundedness and humility in his body language, and also jadedness, that I was really surprised that it was Hong Jong-hyun that plays this character. Maybe my bar was really low. But he makes Jae-min very charming and endearing and I can totally understand why Yoon-jo has such a long crush on him.
I also love the friendship between the three friends. They do not overshare and they respect each other's boundaries. They don't share everything with each other but it was more of a constant companion throughout their life, which was really nice and realistic. Compared to other shows that depict this trope, I found that this is the mature version of it. It's like, these people have been in my life since forever, and I hope we can stay like this for a long time to come. Although they went to different high schools and universities, and Jae-min at some points went abroad and did military service, their friendship withstood the tests of time and distance. There is a sense of familiarity and comfort in all their scenes, whether as a triplet or duo, which warms me.
I don't think I would love this show for a long time but I loved it while it lasts.

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Thanks to Race, I was kinda cured of my aversion towards Hong Jong-hyun. My drama first drama of him was Wild Romance,

HA!! Are you me?? This is exactly how I feel about him and I have avoided all his dramas since Wild Romance. Should I watch Race then?

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I think this would be a good one to try because when trying to get over an aversion to an actor the rest of the story has to hold your interest long enough to give the actor a chance to win you over. I think there are enough positive factors in this drama to keep you engaged.

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Thanks, I think I will.

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You should! I was really impressed by his portrayal of a world-wearied salaried man that I started to watch Stockstruck. Let's just say he is limited and suits slice-of-life dramas more. Also, the office politics in Race is very watchable, at least for me that absolutely detests office politics, thanks to the myriad of interesting characters played by very good supporting actors. As I mentioned, I love their quiet friendship too, as opposed to the many loud, in-your-face, we-are-bestie-type of friendships that are usually found in k-dramas.

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Thank you! I really wanted to watch it for Lee Yun Hee but I didn't because of him. I think I'll try it!

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Oh gosh. I'm sorry to hear that. I quite liked him in Race so was thinking of catching more dramas with him in it. Maybe I will try Stock Struck even tho it's not really my kind of drama.

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I enjoyed Stock Struck. I highly recommend it.

The FL is very good and funny.

Bonus... you get to learn about the stock market because they have tutorials at the end of most episodes.

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For most of its run, this was almost as enjoyable as my favorite office drama Misaeng. But the ending almost ruined it for me--not so much the lukewarm resolution to the main romance, but mainly by Yoonjo's decision to resign and pursue further study. To me, it completely went against her character and experience. One of the reasons I was rooting for her and one of the tensions in the show was to see how Yoonjo would survive corporate culture without the usual educational qualifications/connections. And so it was great to see how her integrity, wits, skills and experience got her through all the challenges. But then suddenly she quits just so that she can study more? After turning down an offer of a big promotion? What a thoroughly unsatisfying, nonsensical capitulation to the conventional wisdom on how to succeed in Korea or how to measure success in Korea! I thought if anyone could succeed in a place like Seyong without the conventional qualifications it would be Yoonjo, but no, the writers had to make sure that Yoonjo becomes just like all the other people running the rat race in corporate Korea. I for one don't believe for a second that taking some more business classes (probably much of which can be learned online these days for free) will help her do her job better; in fact, her mentor Yijung had already acknowledged that she's more than qualified by offering her the promotion.

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I agree! I was disapointed by this turn of events. I thought the whole point of this drama was to show some value to people with experience and hard working.

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but study is fun 😁 I always understand people who quit their work for continuing study. Some people do find it as stress reliever.

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The drama was very enjoyable as long as it focused on the office politics and business practices. The romance and family relationships were written and acted poorly, so many side characters remained a flat caricature, from the most boring SML to the promiscuous mother.

This is why the last episode was so disappointing. The office part took a backseat and the relationships the front seat. No escape from tropes either (playground and swings, time jump, mother and daughter reunion brought about with this ridiculous scrapbook, grandmother's funeral giving ML an opportunity to offer a shoulder to cry on). At least it made me understand why I had trouble liking the FL. It was the discrepancy between her professional ability and the often immature, childish manner of speaking, I don't know if this was supposed to be cute. She was the most credible when she was not cute.

Another nice drama that I should have finished by only reading the last recap.

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I really enjoyed this drama. I am sorry it ended, it needed a little more. Also if you were going to have a romance, have a romance. I am sad we never got to see the bartender decide to date the newspaper writer. I wanted to see her make that decision and follow through. Also if you are going to do a time jump, do the 2 years and lets see our leads get together. Outside of that though, I really enjoyed this drama and hope to see more like it.

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Good series. This is one of my favorites for 2023.

Liked the open ending. I like the main characters so I wouldn't mind a second season with these characters.

Good work by actors in front of and staff behind the camera.

Personal note... I enjoy the work of Baek Ji-won. She is outstanding and she appears in a lot of good k-dramas. She always brings her A game.

I expected the identity of Chul-jun's ex-wife to be revealed, but it didn't happen. I was thinking his ex-wife was someone the audience would know. In fact, I was thinking his ex-wife was going to be team three leader: Eun-jeong.

RACE. Does everyone know what it stands for?

Last two series (RACE, and Call it Love) on Wednesday have been outstanding. I hope the next series is just as strong.

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It may be referring to race to the top, rat race, something like that...

I agree with Disney beginning to find its footing with these two offerings, just in time to scale back their kdrama investments. Oh well.

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