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Mask Girl: Episode 1 (First Impressions)

A woman who is ridiculed for her looks makes a name for herself as a flashy masked internet personality — but what happens if her online persona gets shut down? Mask Girl promos promised murder and mayhem, but at least in this first episode, the twistedness lurks somewhere in the background, waiting for the right moment of vulnerability and desperation.

 
EPISODE 1

Mask Girl: Episode 1 (First Impressions)

I went into Mask Girl bracing myself for twisted, graphic violence — but I’ll be honest, I found this first episode to be rather underwhelming. I could see hints of intrigue to come, and I’m definitely left with questions, but I also don’t feel all that compelled to continue. (Especially since, I’m told, Episode 2 delivers on that promise of gore.)

The story begins with a peek at the early life of our protagonist, KIM MOMI (played in this episode by the previously unnamed rookie actress Lee Han-byeol). Since childhood, all Momi has wanted to do is perform onstage and bask in the audience’s applause. As she grew up, however, her dreams were crushed because everyone including her own mother declared her too ugly to be a performer.

The rest of this episode takes place in 2009, when 27-year-old Momi works a boring office job by day and performs by night as “Mask Girl,” a popular, mask-wearing cam girl. Her livestreams are glitzy, sexy, and energetic. The rest of her daily life, in stark contrast, is very gray and unexciting — monotonous commutes, sexist co-workers, and constant reminders that Momi is not considered attractive.

The one bright spot in Momi’s unfulfilling day job is her boss, PARK KI-HOON (Daniel Choi). Unlike the other male superiors, Mr. Park doesn’t fawn over the beautiful LEE AH-REUM (Park Jung-hwa). No, he’s different, Momi sighs as she gazes at him over the top of her cubicle. She admires how hard he works… unaware that he’s busy photoshopping a six-pack onto himself. As far as Momi is concerned, though, Mr. Park is the perfect man. There’s just one problem: he’s married.

After a company dinner one night, Mr. Park decides to head out early, and Momi decides to seize her chance. If he’s heading in the direction of her subway station, they might as well share a taxi, right? Mr. Park agrees to give her a lift. Curiously, when his wife calls, he glances at Momi before lying that he’s alone.

Mask Girl: Episode 1 (First Impressions)

That’s enough to send Momi into a frenzy of speculation. She giddily shares the story on her livestream and asks her fans’ opinions: could he be into her? She kicks out any commenters who shoot down her fantasy. But that’s exactly what it is, because the very next evening she returns to the office for her misplaced wallet, only to find Mr. Park and Ah-reum doing some very unprofessional activities in the back room.

Devastated, Momi goes home and gets very drunk — drunk enough to go live and perform a dance routine that ends with her stripping completely nude (except for her mask, of course). She’s promptly suspended from the streaming site, but people being people, the footage lives on in screenshots and video downloads.

The next morning, Momi is mortified by her own behavior. She decides it’s all Ah-reum’s fault, and in retaliation she spills the secret about Ah-reum and Mr. Park’s affair to her gossipy friends. She knows exactly what she’s doing, and yet she somehow still seems shocked when the rumor takes on a life of its own and both Ah-reum and Mr. Park are transferred out.

Perhaps she feels a twinge of guilt when she happens upon a very distraught (and also drunk) Mr. Park on the way home that night. So she helps him into a taxi, but because he’s too drunk to give her an exact address, she puts him up in a hotel room for the night. Except, she also joins him in the room. And undresses him. And climbs into bed with him. Whether she does anything more than that is left for us (and Mr. Park) to wonder, but he doesn’t stick around long enough the next morning to ask questions. And, regardless of what I may think about any of his other choices, I can’t blame him for that.

Then Momi’s world is rocked by a threatening message sent to her work email. It’s an explicit photo from her last Mask Girl stream captioned I know who you are. Her day just gets worse from there, as she’s groped on the subway. She drags the perpetrator to the police station, but they’re reluctant to do anything without evidence. Then she gets so worked up that she attacks the man, and the police wash their hands of it — as far as they’re concerned, she’s the one who committed assault.

Mask Girl: Episode 1 (First Impressions)

Momi returns to her dark home and suspended Mask Girl channel. The only person she has to talk to is a fan who happens to be online, who assures her she’s gorgeous and shouldn’t give up on finding love. Then the episode ends by panning over to show us that the reassuring fan is actually a co-worker of hers, and he has a very creepy aura, to say the least.

I think the biggest barrier to enjoyment for me here is that there just isn’t anyone to root for. Momi gets a few sympathy points for being unfairly degraded, but she pretty much lost me when she took advantage of Mr. Park. Even if she didn’t do anything, it was creepy of her.

To reiterate what I said before, part of me is a little curious where Momi will go from here. I think it might be slightly more interesting character-wise if she’d intentionally sabotaged her own show with the nude livestream, instead of it being a drunken mistake. But at the same time, I feel like it should take a bit more than a shattered fantasy about her crush to drive her to destroy her only creative outlet. Either way, though, I expect she’ll go to even further lengths to get what she wants by the end of it all — I just don’t think I personally will be along for the ride.

Mask Girl: Episode 1 (First Impressions)

 
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I think the biggest barrier to enjoyment for me here is that there just isn’t anyone to root for. And it doesn't really change after.

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My strategy for watching this show is to adjust my viewing lens similar to when watching Western psychopath shows like Dexter, Bates Motel, or You - there's no way I'm rooting for Joe Goldberg or Dexter Morgan but I'm watching just for the thrills, or shocks that come by :D

Similarly, here I have no sympathy for either Mo-mi, Oh-Nam, or even his mother, so I watch events unfolding as this bunch of characters deserve everything that comes after them.

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This is such an interesting way of thinking about it! It made me rethink how I view Asian dramas vs Western dramas too, I didn't really realise that I was subconsciously changing my expectations sometimes even if the genre is similar or the same. Like I didn't bat an eyelid with You (because like you said, just watching for what was unfolding rather than rooting for people) but I was finding it hard to go beyond a certain point with ep 1 of Mask Girl because I couldn't really root for the FL at all -> I never considered the 'why not root for no-one and just watch' option! 🤯 Although she's not like on a Joe Goldberg level, same viewer philosophy could apply for sure still.

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It is about show's self awareness.

You is VERY clear about Joe being a bad guy, even in the first season. Here, Momi convinces her supervisor that they slept together and the show focuses on her being pitiful because he ditched her with a short text message. Momi gossips about her junior, because the younger girl dared to prepare coffee for her supervisors and in a scene or two we find out that yeah, Momi was right, the girl was indeed a fox.

I am sure that the writer understands that Momi is not a good person, but I think she/he sincerely believes that this type of personality is just a direct result of being born with an ugly face. A statement, that is just extremely cynical, harmful and simply wrong.

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It makes me think a little that I was definitely rooting for Dexter in the later seasons. But only in the series, in the books he was too much of a psychopath.

With Mask Girl it was different. At best, I felt sorry for Mo-mi. And at the end I almost cheered for the main characters to kill each other.

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And that's one of the elements I like about some dramas. When you watch characters you don't root for, you might as well wish them bad things. That's when you're ready for a truly insane plot, unconstrained by sympathy for the characters.

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You're absolutely right. There are shows with characters we root for and we are able to TRUST them, so although we don't want them to get hurt, it's still a "relaxing" watch as we know they won't do anything stupid. On the other hand, there are shows where there are characters we love, but always feel nervous about what they are about to do because they are unpredictable, which makes our watch an uneasy one. The third type is like MASK GIRL, a show we watch for pure entertainment and the thrill factor, where there's no character we care about. It's kind of relaxing in its own way, isn't it.

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What I get from this drama is...... to recognize parasitic men from 1st few glances is a must life surviving skill for women. Hah!
And Jun!

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I started this on a whim, as opening myself up to new things became a personal goal for myself.

I just started ep3 and so far the show delivers on its marketed black/dark comedy albeit some scenes which made me uncomfortable (hailing from a conservative family those M18 scenes were lowkey jarring and sudden)

Lowkey looking forward to seeing Nana & how it ends.

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I didn't see the comedy part in this drama....

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There was a black comedy. If I were to compare it to something, it would be a type of comedy like it was in "Dexter", when, for example, the main character Dexter killed his victims there. It's kind of a slightly controversial comedy.

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For me, it's not a comedy, it's just dark.

They don't mock anything (characters, beauty standards, etc.), there is no humor (no jokes, no comedic scenes).

Dexter wasn't a pure dark comedy, it was principally dramatic, horror psychologic, suspense or psychologic.

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I wouldn't characterize it as a Dark Comedy either, but it definitely had humor. Just in episode 1 you have the ab photoshop gag, which is great.

There is some wild over the top absurdism in episode 6 that I remember (Mo-mi's feud with the "gang"), there are a few others. But yes it's much more a drama/thriller with only a small dash of humor.

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The comedy is in the absurdity (speciality of British humour). There is never a lol moment, but without that underlying comedy this drama would almost be unwatchable.

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neither have I but I could've sworn I saw it under the black comedy genre somewhere.

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The first episode had a slow, not very exciting start and I stopped after a few minutes. But I came back and it really gets much better - if an unstoppable spiral descent into creepiness is your thing. No fluffy romance here! I expect Momi and her co-worker to become a very dangerous team.

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Yeah, the first episode was interesting in that it really shows how terrible people are and the rest of the episodes reinforce that, lol. However, I did enjoy it by the end.

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I watched 3 episodes in one go, so I probably had a different reception of this story from the beginning. But the first episode intrigued me and I liked it because it presented the characters in a realistic way. The way they are, how they have an ordinary, uninteresting, unsuccessful life, how they want to be in a different place, be someone else, and reality keeps hitting them in the face.

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Like most shows, the first episode is mostly setting it up, it really starts to move plot-wise in episode 2.

However, yeah, it's much more like a Western show than a normal Korean one, Momi is not someone you're really supposed to root for. Understand how society (and her mother) messed her up so bad, but not root for. Same for many other characters, these aren't good people, and the point of the show isn't really to make you root for them, it's more a vehicle for character exploration and commentary on what Korean society expects, and tolerates, how insecurity and forced conformity effect emotional health, etc.

I really liked it, because, I don't need someone to root for, I am fine with a bunch of messed up people, and the acting is terrific, Ahn Jae-Hong is great as the creep co-worker, all 3 Mo-mi actresses (but particularly Nana) and Yeom Hye-ran.

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You know @firestar, while I overall agree with your assessment, I kind of disagree with you that its more like a western show than a Korean one. Sure, the sexual aspect was a little more out front, but the overall moral ambiguity of the circumstances, the sense of corruption throughout, seem very Korean to me. Not the conventional kdrama Korean tv show, maybe, but rather high end Korean films, from Oldboy to Decision to Leave. Now, I wouldn't necessarily put this show on that level, but I do agree with you that the acting was overall exceptional.

My one complaint with these type of shows, is that they would have hit a lot harder as even shorter shows because certain characters (such as the vengeful Mom) don't exactly need two episodes of exposition. (But that's jumping beyond first impressions!)

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Yeah, Korean movies are much more like this, that's a good point, it's not like a Korean show, but is like a Korean movie. It's somewhere between a Korean movie and an Western TV show, but quite far from a (non-Netflix) Korean drama.

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You can't call this a 'K-drama', its more an extended movie, and Korean thriller films can get VERY dark and twisty. Into episode 3 now and its taken me places I never would have expected, in a grim fascination kind'a way. The narrative structure more resembles the film 'Oldboy' than any K-drama I can think of. I'm in until it disappoints me, but it hasn't disappointed yet.

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Mask Girl is very much up my alley in terms of a darker, black comedy-esque, psychological thriller; but I’m not at all surprised by the mixed reception. It comes off more like an HBO show tonally (but not necessarily quality lol) rather than your average kdrama, especially in regards to its rotating cast of unlikeable characters and the somewhat heightened reality they seem to be operating in. Those factors have never been a strong turn-off for me so that might be why I found it appealing. It’s definitely an interesting show so far, even if I’m not sure the writer managed to properly convey what they were trying to say. I don’t think Mo-mi is a good person by any means, but I do want to see just how far she will go and what levels of insane depravity she is yet to sink to. I haven’t finished the show yet, but I’m intrigued to see where it ends.

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