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Signal: Episode 5

If you thought things got real personal last week, things are about to cut even deeper into the heart. If there’s one thing anyone should know about time is that one little change can carry severe consequences. And it isn’t only time—knowledge can be a dangerous concept to mess around with, too.

So while determination and relentlessness can be admirable qualities in a cop, too much of either can lead any officer to make a hasty decision and act recklessly. And no matter what happens, all that they’re left with at the end of the day are the choices that were made and the outcomes that one can no longer change.

SONG OF THE DAY

INKY – “떠나야할 그사람 (The Person That Should Leave)” from the OST [ Download ]

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EPISODE 5 RECAP

Soo-hyun runs into the National Forensics Service building, where forensic scientist OH YOON-SEO asks if she’s here about the skeletal remains. Soo-hyun is told that although this man was in his 30s when he died, there were no signs of a metal pin in his right shoulder—a unique feature Soo-hyun is looking for.

She doesn’t answer when Yoon-seo asks just who it is she’s looking for. Soo-hyun’s purposeful visits to the NFS has Yoon-seo surmise that the man in question must either be someone she misses dearly or that she wants to confirm his death.

Looking at the night duty room jogs Soo-hyun’s memory of her first day at the Violent Crimes Unit back in 1995. She had been the first female officer to join the team, and the other cops were ordered to clear the off-duty quarters of their hanging underwear and racy photos out of consideration for her.

Sleep-deprived and wrapped in a blanket, Jae-han had spoken out against this injustice, only to be told to put up with it. He’d also been stuck with the task of confronting Soo-hyun in the night duty room, where he reminded her that the moment she put on that police uniform meant that everyone was treated the same, regardless of gender.

So she better not pull the ladies card on them again, he’d warned. With that, Jae-han had settled in to catch a few winks, telling the newbie to turn off the lights and leave. Those are fond but sad memories for Soo-hyun now, as she leaves with heavy steps.

We see more of Hae-young’s conversation with Won-kyung’s aunt (not mother—our mistake!), who had said Jae-han came to Won-kyung’s memorial every year. She’d been relieved to see Jae-han still happily working in the police force, but she adds that they’re no longer in touch, and he eventually stopped coming to see Won-kyung, too.

Hae-young had asked if that was from the year 2000 onwards, but Won-kyung’s aunt doesn’t really remember.

He follows up with Section Chief Ahn, whom he knows worked with Jae-han on the Kim Yoon-jung case. When he asks why Jae-han was relieved from duty, he’s astonished to hear that it’s because Jae-han went missing.

Burning with curiosity, Hae-young inquires about the details of Jae-han’s disappearance. He’s sent to the Office of Internal Affairs because they handled the case, not the Violent Crimes Unit. The paperwork lists the following details: Neither his cell phone nor credit card were used after August 3, 2000; his car was abandoned alongside a highway; and a large amount of cash was found in his desk drawer—money that he allegedly coerced out of someone.

Hae-young reads one more key detail: Jae-han had a scar on his right shoulder due to a metal pin.

So while Hae-young’s curiosity into the matter doesn’t sit well with Director Kim, Section Chief Ahn assures him that the compiled documentation (which essentially undermines Jae-han’s integrity) is flawless. What he doesn’t understand, however, is how Hae-young knows of Jae-han because they have no mutual connections, and Hae-young would’ve been a young boy at the time of Jae-han’s disappearance.

Still, Director Kim wants Section Chief Ahn to keep a close eye on Hae-young because no one must know the real reason why Jae-han went missing.

Section Chief Ahn learns that the evidence regarding Jae-han’s case was long disposed of—on July 27, to be exact. That’s the same day Hae-young found the walkie-talkie in the back of the disposal truck… which is what Section Chief Ahn sees when reviewing the CCTV footage of that night at 11:23 PM.

Hae-young returns to Seonil Psychiatric, where Jae-han claimed to be on August 3, 2000, during their first transmission. That means Jae-han possibly couldn’t be on the run like the missing persons paperwork had claimed, so the only explanation is that he was framed for all of his supposed misdeeds… and murdered.

While the cold case squad is awarded for their efforts in solving the South Gyeonggi serial murders, Hae-young is still fixated on the well-placed details used to frame Jae-han for bribery: a key witness, pictures, and physical evidence—everything seems nicely packaged into a neat, little bow.

He may not know who did it or why, but he’s sure that whoever it is, they had internal help from the police. His eyes shift from Section Chief Ahn to Director Kim to Soo-hyun.

Detective Kim feels pretty good about the team’s string of successes in their short time together, though Soo-hyun counters that it’s all thanks to Hae-young. She adds that all those specific details used to crack the cases were a bit too fortuitous, and tries reading him for any clues.

But Hae-young shrugs it off, citing that he simply tapped into his profiling skills. Since the team has been awarded a vacation for their hard work, he hightails it out of there.

After learning that Hae-young paid a visit to the witness that claimed to be a victim of extortion, Section Chief Ahn tells the man to keep a low profile.

At home, Hae-young reviews everything he knows about his connection with Jae-han so far: the transmissions always take place at 11:23 PM regardless of location; the maximum duration of time is unknown. Jae-han has been the only person he’s been in contact with, and he’s unsure whether the two-way exchange could be successful with someone else on the other end.

Additionally, he’s spoken with two different Jae-hans—one from the year 2000 and another from 1989. Although he can guess what started the transmissions (the Kim Yoon-jung case) and how the connection is possible (via the walkie-talkie), Hae-young still doesn’t know why they’re speaking to each other. Believe you me, we wanna know that too, man.

We see that Hae-young’s insatiable curiosity started at a young age, back when he’d waited for his hyung at the bus stop so they could head home together. He would peg his big brother with endless questions, wondering why the human body gets tired or why their parents never say that they’ve brought money home that day.

He’d get patient replies in return, though his hyung doesn’t realize that some of his stranger questions (“Why does a stolen apple taste better?”) are adult movie titles. Ha.

Hae-young has set up an alarm at 11:22 PM in case the radio comes alive a minute later. He knows the transmissions aren’t daily and the window of time is short, but their brief interactions have already made some significant changes: one life was saved, but others were lost as well.

The bottom of his whiteboard reads: “If the past changes, the present will change.”

September 10, 1995. A man discovers a burglar in his home, and the dozens of detectives on stakeout give chase. They pounce on a man in blank, but they’ve caught one of their own—Jae-han, who was on a bathroom break.

Back at the precinct, the disgruntled cops are ordered to follow up on some ex-cons who are skilled with a crowbar. Four wealthy homes have already been robbed, and their boss believes the burglar has to be among one of these men.

Jae-han appears to be on friendly terms with one of the ex-cons on his list, enough so that the ajusshi reminds him that it was his arrest four years ago that got Jae-han promoted as a detective. He insists that he’s living an honest life now and isn’t the burglar the cops are after.

They’re joined by the ajusshi’s daughter, Eun-ji, who fixes up dinner for everyone. She’s a smart girl, and she figures the cops are after an amateur crook. Ex-con ajusshi thinks the same and notes how weird it is that the robber was so easily able to break into those rich households.

The ajusshi thinks it might be someone the victims know, but Jae-han tells him to leave the detective work to the actual detectives.

Eun-ji sees Jae-han out to reinforce the idea that her father is innocent. He believes her, and she has one more parting gift: a mixed tape.

Jae-han makes a quick stop at home to change clothes and notices that his father has put up yet another talisman on the wall. His father believes that those talismans have protected him from hearing those weird transmissions again. Jae-han hasn’t heard anything since, right?

Bringing up that topic makes Jae-han curious, as he takes out the radio to try and reach out to Hae-young. He gets no response and stuffs it back into the drawer, scolding himself for trying something so farfetched.

Soo-hyun has been spending her break at home, where her rambunctious nephews jump all over her. Her mother hopes that the written markings on her face isn’t permanent since she’s set up an arranged date for Soo-hyun the next day.

Her sister frowns over how their mother insists upon dressing Soo-hyun in all-pink, and when the boys knock over a bookcase, Soo-hyun discovers an old case notebook that once belonged to Jae-han.

Hae-young returns home just before his 11:22 PM alarm goes off. Just when he figures tonight will be another silent night, he hears the familiar static noise. He runs over to speak with Jae-han, who asks where Hae-young has been these past six years.

That answer initially confuses Hae-young, who then asks, “Is it… 1995 there?” It’s 2015 here, he adds, and it’s been a week since their last transmission. When Jae-han asks if this is really Hae-young, the latter confirms it by saying they solved the South Gyeonggi serial murders together and have spoken five times now.

Neither can understand what’s going on, but Jae-han decides to put this conversation to use: does Hae-young know who the one responsible for multiple burglaries in 1995 is? Hae-young replies that one’s still unresolved in his present, which Jae-han finds preposterous—his fellow cops have dedicated so much time and resources into this case.

Hae-young explains that although the robberies were well-known, the case files couldn’t be retrieved. So he built a profile based on newspaper articles, and when Jae-han doesn’t understand the term “profiling”, Hae-young says it’s an investigative skillset that developed beyond Jae-han’s present.

Hae-young can’t risk teaching the method to Jae-han either because changing the past at their whim can have serious consequences. But what Hae-young can share is that the fourth house was the last incident, which frustrates Jae-han further.

Jae-han asks for something, anything to go on, but Hae-young replies that there’s little to no information and the stolen items were never found. To that, Jae-han tells him to use his profiling skills then—-it’s not like catching a petty thief will endanger world peace or anything. At the end of the day, they have to catch the bad guys, don’t they?

When Hae-young asks if any of the suspects knew the victims, Jae-han says they haven’t been able to lock on a suspect. Furthermore, they’ve eliminated family members and employees from their persons of interest list.

So Hae-young tackles the incidents from a different angle: if the burglar was an outsider, he would’ve needed inside information to swipe the expensive items he made off with and escape the properties. He would’ve left his fingerprints on the security system, checked out the property for entry points, and rifled through the trash or checked the mailbox to learn more about the victim.

Jae-han hurriedly jots all this down, and Hae-young reminds him that everything he’s telling him now are vague assumptions based on old newspaper articles. Hae-young stresses that Jae-han must only use this intel as reference points, and reminds him to be careful: “These transmissions… have also led those who shouldn’t have died to their deaths.”

As the night passes in the present, we see the changes being made in the past: Jae-han arrests the ajusshi, which has Eun-ji in tears. His car follows behind the bus she’s on, then the bridge suddenly collapses, sending the bus tumbling down below.

In 2015, the news headlines reflect the change, and back in the past, Jae-han rushes out of the car to see Eun-ji lay amid the wreckage. Moments later, there’s an explosion, much to Jae-han and Eun-ji’s father’s horror.

Hae-young wakes the next morning to see the astonishing news that a man has been arrested for the burglaries. It’s the ex-con ajusshi, who we see being released from prison with a solemn look on his case. Oh man, that can’t end well.

Soo-hyun is slightly amused when she returns to work to find Detective Kim and Heon-ki list out their team’s “future” aka all the unsolved cases in Korea. Rookie officer Eui-kyung asks what they think about Jack the Ripper, the unidentified serial killer in London in the 19th century, but he’s cut off by Hae-young’s entrance.

He asks his team about the man convicted for the 1995 robberies, who was given a severe sentence and his prison term was extended after his attempted escape was a failure. As far as his team members are aware, that’s a closed case and the man has likely been released by now.

Eui-kyung says there was conclusive evidence, but the man insisted that he was innocent. The others back him up, as Heon-ki explains that the man’s fingerprints were found on a mailbox.

Hae-young wonders if his tips had something to do with it and asks to meet the task force who tackled the 1995 robberies. His curiosity makes everyone else suspicious, and Hae-young takes a long pause before saying that it’s been 20 years. What if the cops arrested the wrong man?

“That wouldn’t be right,” he breathes. That’s enough for Soo-hyun, and she calls Hae-young out to follow her. They head straight for a nightclub, whose owner pleads that he’s done nothing wrong this time.

She gets straight to the point, inviting Hae-young to ask his questions. The owner recognizes Hae-young’s name as the young cop who likes digging into cold cases, but Soo-hyun reminds him to show Hae-young some respect—he may be young, but he’s a detective too.

Either he can talk to the detective or live by the law, Soo-hyun tells him. Hae-young is told that the ajusshi convicted for the 1995 burglaries is none other than OH KYUNG-TAE, whose name is a legend among the criminal circles for being so meticulous—he never left a single fingerprint at the crime scene.

Oh Kyung-tae’s usual strategy is to linger around his target’s neighborhood for a few days and find his entry point. We see a sickly woman bidding her wealthy parents farewell before heading inside, unaware that Oh Kyung-tae is moving through the darkness.

As she reaches for her medications, she’s struck with the traumatic memory of the bus explosion back in 1999. She struggles to get up, only to see Oh Kyung-tae behind her. Next thing we know, she’s unconscious(?) and Oh Kyung-tae leaves a fingerprint on the bathroom mirror.

As they leave the nightclub, Hae-young remarks that something seems off—situational changes don’t alter a person’s very core of their being. Someone as exact as Oh Kyung-tae wouldn’t make such a careless mistake like leaving a fingerprint behind.

He declines Soo-hyun’s offer to look into the matter some more, telling her that he’s a big boy cop. She tells him that if Hae-young thought she was offering to help, he’d be dead wrong—she came out here to find out something about him.

“I can’t work with someone who keeps secrets,” she says. What’s the real reason why Hae-young is investigating this decades-old burglary case? Before Hae-young can answer, they’re both called back to the precinct.

There’s been a kidnapping—the woman we saw is a college professor and her father is a CEO. Detective Kim is about to share who the prime suspect is in this case when everyone is called into the briefing room.

Section Chief Ahn reports that the kidnapping took place on November 1 at 9:00 PM, and the CCTV footage recorded a man dragging a bag out of the property. The suspect’s face was caught on camera and a fingerprint was found on the scene… which belongs to Oh Kyung-tae.

The getaway van was found near Icheon, but the suspect and victim are both missing. Furthermore, GPS tracking is out of the question since her cell phone hasn’t been used.

Seeing as Oh Kyung-tae was released a few days ago, Director Kim believes the suspect is a repeat offender looking to get some money. Much to the other cops’ displeasure, Hae-young speaks up, citing that Oh Kyung-tae has never physically hurt a victim before.

He was only previously convicted of larceny, and it’s apparent that his once meticulous methods have changed. This was a sloppily done job, getting caught on camera and leaving behind prints. Hae-young believes that Oh Kyung-tae must have a different motive this time around.

Soo-hyun steps on Hae-young’s foot before it goes any deeper into his mouth, as Director Kim orders to find the suspect within 24 hours, their prime window of opportunity. Section Chief Ahn mobilizes every cop to focus on this case, then punches Hae-young for acting like a hotshot.

Hae-young counters that he forgot how hard it was to get through to people here, a comment that earns him a swift kick to the shin. Soo-hyun apologizes on Hae-young’s behalf, and Section Chief Ahn tells him to get lost.

Now that they’re alone Soo-hyun asks if he feels better after talking back to their superiors. But Hae-young argues that this isn’t a simple kidnapping case and repeats that the once precise Oh Kyung-tae is leaving deliberate clues behind.

The victim could be in greater danger if Oh Kyung-tae is acting on his emotions, Hae-young adds. But Soo-hyun has had enough of Hae-young’s rants—if that victim ends up dead, then her death is on his hands.

He should’ve tried harder to convince the other cops otherwise, but if he keeps up his hot-headed attitude, no one will listen to him. And if that’s the case, more people could lose their lives.

She turns away from him, but she barks: “I don’t know why you hate the police so much. But I think that if you don’t know the agony that comes with not being able to catch a culprit, then you have no right to criticize the police.”

While Soo-hyun and the other cops examine the crime scene, Hae-young visits the jail where Oh Kyung-tae was imprisoned. The prison guard remembers Oh Kyung-tae as a quiet man who picked up some electrical skills behind bars. The other inmates kept their distance because Oh Kyung-tae occasionally launched into a fit.

We see that the trigger was fire, which Hae-young points out wasn’t recorded at the time of his arrest. That’s when he learns that Oh Kyung-tae’s daughter died in a fire.

The kidnapping victim wakes in an icebox and is unable to grab the nearby phone without suffering from another stress-induced episode. Her father explains to Soo-hyun that his daughter suffers from PTSD following the collapsed bridge incident twenty years ago.

Even though Hae-young reads up on the collapsed bridge and bus explosion incidents, he doesn’t understand what happened back in 1995. When his 11:22 PM alarm goes off, Hae-young anxiously waits for the walkie-talkie to light up.

Over in 1995, Jae-han watches Oh Kyung-tae being escorted by the police, and the latter charges at Jae-han when he sees him. “If you hadn’t arrested me!” he cries. “If I’d been by her side, I could’ve saved her! It’s all your fault, you bastard!”

Jae-han can only choke back the oncoming tears. Once he’s in his car, he inserts the mix tape with shaky fingers. The walkie-talkie comes alive at 11:23 PM, and Hae-young desperately asks what happened.

The past has changed, Hae-young continues—was Oh Kyung-tae the culprit? It takes all of Jae-han’s willpower to issue a reply, and Hae-young tells him that Oh Kyung-tae has kidnapped someone in 2015. “What exactly happened that day?”

“We were wrong,” Jae-han ekes out. “No… I… I… was wrong. Everything is ruined because of me.”

The sobs are caught in Jae-han’s throat, and he says haltingly, “These transmissions… should’ve never started.”

 

COMMENTS

Oof. Watching Jae-han break down the first time last week was hard enough, so to see him lose another person dear to him is utterly heartbreaking. And unlike the other times when Jae-han had to wait to hear from Hae-young about how the case ultimately turned out, the consequences of this 1995 burglary case was swift and severe.

What’s even more tragic is that Jae-han blames himself for the mess that surrounds him now. He’d acted on a hunch he heard from Hae-young, which led to multiple negative consequences including death, a man behind bars for twenty years, and various people suffering from PTSD, just to name a few. The magnitude of that is certainly overwhelming, even if some things were out of his hands. For instance, I’d think that Jae-han wouldn’t be responsible for the collapsed bridge (which oddly enough wasn’t an event that existed before Jae-han decided to act) and it’s difficult to tell whether Eun-ji would’ve been on that bus in the first place if her father hadn’t been arrested.

But if she had gotten on that bus all the same and the collapsed bridge incident had taken place, Oh Kyung-tae would’ve placed his resentment and grief elsewhere. Then it’s possible that he wouldn’t have sat in prison for decades and kidnapped a woman days following his release. His change in motive and methods make sense when you take into account his loss of a family member, a considerable factor Hae-young only learned recently.

Speaking of timelines, it would help if we knew what the timeline in the present was, other than being occasionally told that we’re still in 2015. Ever since the first episode, I had a hard time placing what month and year we were, especially when the law concerning the abolishment of the statute of limitations was passed. Again in this episode, we were given hints that it was mid-October or early November or that a week had passed between transmissions. To the show’s credit, a part of me wonders that we’re meant to follow more of the past, as the changes made there affects the present Hae-young lives in. It must still be weird for him to remember past events change overnight, and everyone on his team thinks nothing of it.

Stepping back, I’m glad that Signal has more to offer than just the South Gyeonggi serial murders. The 1995 robberies became personal for Jae-han once Oh Kyung-tae became involved, and it’ll be interesting to see if we continue to see the aftereffects on the rest of the cold case squad as we move forward. Not that I wish for anything terrible to befall upon our trusty team, but when you’re messing with the past, it’s virtually impossible to tell how that might impact the future.

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oh man, I thought we had it bad last week but this episode was actually devastating.

Though Eun-ji's introduction practically telegraphed 'WILL DIE SOON', it was still a wrench when we see what happened to her, especially when we've seen her and her ex-con dad (and Hae-han) as a happy family unit just moments before that.

I'm glad we've moved beyond the South Gyeongi murders now, it feels like this is the next arc so to speak - and that we'll ultimately end up with Hae-young's hyung's story coming into play at some point.

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Not sure if you have already seen it yet, but episode 6 gets even more heart breaking:-(

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Ah, let's not go there yet. Waiting until ep. 6 is subbed.

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Episode 6 is already subbed.. @ myasiantv.se

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Eps. 5 and 6 are both sad :( And to think that the people responsible are still walking around free, wealthy, and powerful. Aarghh! I can't wait until next week to see Lee Jae Han and Hae Young take down_____ (Don't wanna say the name; it may be a spoiler).

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Maybe this would be like the butterfly effect. Hopefully not. Thanks for the recap. ^^

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The drama has alot of butterfly effect thing going on.. just like haeyoung said, when the past is changed the present changes..

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I always love Jo Jin-woong's performances, but he's especially good in this. The scene at the end where he's crying, which we see more of in ep 6, was so well done-- and devastating.

This is one heck of a compelling drama.

Thanks, gummi!

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I, agree he's great, butmy favorite crying scene is still the theater scene, he didnt say anything there just cried.. each of his scenes are heartbreaking, but that ones my favorite

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I'm sure it's been said, but I'm getting strong 9 vibes from this drama. Which is a great thing! The main difference is that this drama doesn't hinge on one critical event in the past, but on the whole trajectory of Jae-Han's life and Hae-Young's influence on it. I was surprised when the first two cases wrapped up so quickly as I was expecting much more of a Two Weeks kind of time frame, but now I think Jae-Han's fate and the reasons behind it will be the end game. I hope they also explore the reason behind the time anomaly itself as well and don't just leave it as an unexplained, magical event. Well, I don't mean I want them to explain it in a scientific way, I mean I hope we get some sense of the larger cosmic/karmic/whatever force that's driving the transmissions. That's something else 9 did well in my opinion.

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IKR

I've been feeling a lot of "Nine" vibes because of the how the past will change the future. Those small hints that HaeYoung gave did change the past, like a lot, but haven't had a big effect on the future yet. Same like Nine when the lead saved his big brother in the past, so the big brother would still be alive in the present and so on.

tbh, Nine was THE first drama that got me noticed TVn a lot. It felt like I opened a Pandora Box of these new original plot, better than all those romcom dramas I've watched (which mostly came from the Big 3 - KBS, SBS,MBC). Then came the Reply series. And Misaeng. No wonder I got picky watching dramas and dropped watching a lot of them after the first 2 episodes.

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Isn't this a fabulous drama? Great, strong leads both for males and the one female. You connect with the characters. A refreshing take on the subject of past connecting with present. Well-written, intelligent, suspenseful. Just stuff that good dramas are made of.

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+ 1

Well said. This drama is riveting in the best of ways and so well made!

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Next week can't come any faster!!

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I wonder why something bad has to happen when people try to change the past. In God's Gift:14 Days, the story said that it is not possible to trick fate and change the past. That there is always a price to be paid. Why does it have to be like that? It's not like people who are trying to change the past is trying to harm another person (at least not deliberately). So if things are gonna change for the good of the good people, why can't it happen without a price?

I think the only thing in the drama that I didn't understand was how JH knew he had spoken to HY before but HY had no idea of it. Also from the way the story is told, it seems like the transmissions in 1989 happened after the transmissions in 2000. If so, how is it possible for JH to know that he has talked to HY before? I do hope they explain that and also the reason why these transmissions are happening? Is it simply a reason to correct the errors of the past?

Thank you for the recap, gummiochi!

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You have to remember, HY is fixed in 2015, whereas JH is moving forward through time. JH in 2000 can tell HY about the transmission starting again because it's already happened to him, but its just starting for HY. From JH's perspective he's been through all this by the time HY talks to him for the first time. First time for HY, that is.

Hope that makes sense.

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Thank you!

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For some reason (yet to be explained), Hae-young is the one on a linear timeline: as Grayden says, he's moving forward in time (at a uniform rate), and the transmission times are fixed to 11:23 pm.

But Jae-han is different -- he's the variable. When he connects to HY, the time of day is always different (i.e. the last time at the end of this episode, it's clearly daytime), the year is different and the flow of time is different AND non-linear. It's looped back on itself, with JH's last two transmissions being HY's first two.

The deus/fate serves *JH* -- he's the changeable factor, the one whose actions are the most critical. If you think of it in maths terms, HY is on the x-axis and JH is the y-axis. HY can't change the past with his actions, he can only serve information to JH, who can (in his present). It's a really fascinating coupling, and I think the "rules" tell us something, although we're still figuring out what.

When HY told JH that they'd talked 5 times, I wasn't sure if he included the very first two of latter-JH. I went back and counted, and in case anyone's interested, this is the list of transmissions so far:

2000 - sunil hospital, discover body (e.1)
Aug 3, 2000 - "last transmission" -- shot? (e.2)

1989 - first ever transmission, gyeonggi murder prevented (e.2)
1989 - after JH catches wrong person (e.3)
1989 - Wong-kyung's going to die (e.3)
1989 - after WK's murder (e.4)
1989 - they've caught the killer (e.4)

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Well said!

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Thank you for this. I love time travel dramas but they can also be a doozy haha!

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Thanks Gummimochi! And Thanks @ snailshell for helping me get the transmissions straight.

Is is right that for every series of transmissions about a case, one person is saved but one person dies? Or is it one person in the past who dies and one person in the present who dies?

So painful to watch, but so riveting!

Our only hope... that there will be a chance to change enough of the right bits of the past, so that in the future we will still have some of the characters that we lost along the way ... including of course Hae Young's brother and Jae Han himself.

If the writer has planned how several deaths could be prevented just with a subtle change in the past, that would not wreak havoc, what a great way it will be to end the show!

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Yes, I also hope that the writer finds a way to prevent tragedies. Because it just doesn't make sense that when JH/HY catches the real culprit or try to catch the real culprit (which is the right thing to do), JH/HY loses his loved ones.

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Butterfly effect maybe? Maybe to show that you can't change the past, even subtlely?

IDK, everytime I watched the transmission scene, I'm like always on the verge screamin to HaeYoung to just give JaeHan the clues (or something usefull) already, but that always change the past and the present so powerfull (someone in the past and present dies) yet so subtle, I kinda get the "butterfly effect".

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Thank you for explaining that in detail :) I understand it now.

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@snailshell - Thank you for explaining that in detail :) I understand it now.

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"For some reason (yet to be explained), Hae-young is the one on a linear timeline..."

Maybe we should say that Hae-young is in a linear timeline only when you see from Hae-young's point of view. Which the drama is making us to do from the sequence of the events unfolded. If you look from Jae-han's point of view, it's Hae-young's timeline the inconsistent one.

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I guess with these kinds of stories, when you "try to trick fate", there will always be a cause and effect phenomenon. Despite how minor the changes are, these could eventually lead to fatal results.

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I understand that but it feels so sad and unjust.

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Things are not going so well for the guys.
At the rate they are going in changing the past the whole world could end up going up in a puff of smoke.
They are seriously on a run away train in the Twilight Zone.

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Doesn't really have anything to do with this show but I love the Twilight Zone, Rod Serling was so far ahead of his time.

I suspect things will get worse before they get better.

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For telling which time period we're in I have noticed that in 2015 they use a cool color palette, lots of blues, greys, blacks. When we're in the past the color palette warms up with more yellows and greens.

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Yeah, I noticed that too. I actually that it was kinda strange that the past was a little brighter and the present was more washed out, as it's usually the opposite. I wonder if that's a telling design choice?

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This is the saddest thriller ever, seriously. Just like people said: It hurts, but it hurts so good.

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It does indeed.

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I was reading that the bridge collapse was an actual event in Korea in the year 1994 the Seongsu Bridge. I wonder if they are going to continue using real life events or basing the stories on them. Will they also do one for the mall collapse? While sad it would be quite interesting.

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Hmm.. maybe it could also be the reason they are having the transmissions/connections? Because of the significance of those cases in history?

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gotta agree with all the comments here -- Signal leaves me dying each week because I don't know how I'm meant to make it to next weekend. I half-wish I hadn't started it until it finished!

I think the endgame case is hyung's as well -- that's the great wrong that the universe is giving them a chance to right. And it's so tantalising when you think of little Hae-young and past-Jae-han crossing paths in the very first kidnapping case -- will they end up "meeting" properly in the past? And then would we come full circle and somehow save the little girl, too?

This show hurts in all the right ways, and the best, best part is that it's so different that there's no predictability to it. All of the trope staples that korean dramas come attached with, bam, no relevance. And it makes it so, so exciting. And excruciating. And omg.

If anyone knows any other shows (in any language!) in the genre, please recommend!

Thanks for the recap, gummimochi!

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Not a time travel drama and a very short 4 episode mini series I can recommend is Sirius. You can find it on the KBS World Youtube Channel. Its from a few years back, but a great crime/psychological drama about a set of twins.

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I love Sirius! Awesome show and great acting

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If you're looking for time-travel/time-bending shows, the current iteration of Doctor Who (2005-present) is a good place to start. One character's storyline plays out over several seasons, and shares some similarities to the Signal timeloop. But Doctor Who is also sci-fi and monsters of the week and more than 50 years of television history all sort of jumbled together, so be prepared to commit. Sherlock's showrunner was the Doctor Who showrunner for multiple seasons.

If you're looking for a crime thriller, Missing Noir M was pretty good. I Remember You was one of my favorite Korean series of last year. I'm looking forward to watching TEN when I get some time.

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Have you watched nine times time travel? It is really good. Also I started watching an anime called Erased, I am not usually into anime but this show is great so far, I wouldn't mind if it got made into a Japanese drama, or if it even had a Korean drama adaptation. It is about a guy who travels back in time to stop people from dying, he gets a second chance to fix it.

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These are my favorite animes:

The Girl Who Leapt Through Time (time travel)
Grave of the Fireflies
Cowboy Bebop (the film)
Paprika

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I have seen the first two, Grave of the Fireflies made me so angry, and so sad. I loved The Girl Who Leaped Through Time I wasn't expecting the ending. The last two I have heard a lot about them but I haven't gotten around them. I guess I will have to check them out now, Thanks for the suggestions.

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Im just wondering about the hyung case though because if they somehow right that wrong in the past, then hae-young's future changes ends up changing doesn't it? Will HY no longer become the detective/profiler he has been throughout the show? And thus subsequently create a paradox? (if he never became a detective, he never found the walkie-takie to change the past etc)

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Someone mentioned the Miryang gang rape case in one of the other recaps. I hope that that was not the case in which the hyung was convicted. I looked up that case, and it's absolutely horrible.

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completely off-topic but for anyone wanting to see just how horrendous this case was, check out this article on it: http://populargusts.blogspot.com/2008/06/justice-for-miryang-victims.html
what really made me mad about this was the audacity of the police and etc to blame the victims instead of the perpetrators. a few parents of said perps, apparently, even went to the lengths of saying "Why should we feel sorry for the victim's family? Why don't you consider our suffering? Who can resist temptation when girls are trying to seduce boys? They should have taught their daughters how to behave in order to avoid this kind of accident." or. you could have taught your sons to not rape????
this is why I need feminism in my life.

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I still don't understand why Jae-han is communicating with Hae-young as the seemingly evil higher police say they have no apparent connection it would make more sense for Soo-hyun to be getting the transmissions. Unless connections have nothing to do with it and it's just a magical time traveling radio.

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I wish we had an edit button so I could edit my post instead of having to reply.

I don't understand why Oh Kyung-tae kidnapped that woman, unless her father's company made that bridge that collapsed. Otherwise she's just another victim, surviving but still victim, and his anger's misplaced.

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....er that answer comes out in ep 6 by the way. So maybe...you should put a spoiler alert @ Thao?

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Does anyone know the name of the title song? It's gorgeous but I can't find it anywhere.

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I'd like to know this as well. It's really evocative.

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Me too. I love it.

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For me, it reminds me of the HBO True Blood theme. Nothing I found on YouTube really felt like the right one.

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If you're talking about the song in the beginning of each song I wanted to know really badly too so I googled Signal in Korean and got an ost list with some YouTube links. It's sounds a little different but after listening a couple times I think the song is 정현 (Jang Hyun) - 나는너를. I don't now Korean so I can't translate the song name but if you use the characters you can find the song on YouTube. A quick translation gives "I thee" and a comment on YouTube mentioned it was Jang Hyun- "I, For You".

Please correct me if I got the wrong song though!

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Agh I meant beginning of each episode*, sorry!

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It took a few cut, pastes, and backspaces but I got it. Thanks!!

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Your welcome! I really do think its the opening song.

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I love how smart Haeyoung and Jaehan are. Haeyoung (of course, he's a profiler) would write everything in a whiteboard and collect his thoughts while Jaehan would re-enact what happened, going through the places again. It shows that they are both competent and it helps me understand the show as well.

The Oh Kyung Tae guy has been in a lot of dramas for smaller roles but he's REALLY good. I remember him as Ddolbok's father in Tree. Eun Ji is the young Yeon Hee in Dragons. ><

I finally got my Mom to watch Signal and we watched 6 episodes in 2 days. She was so mad at me when I told her that she has to wait another week for episode 7. lol.

Thanks for the recaps, gummi!

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Oh yeah! He was so sweet and heartbreaking in TWDR.

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I love this drama so, so much. It's just so damn good and deeply satisfying. Keeps me at the edge of my seat and screaming into a nearby pillow. In a good way, of couse. I'm dying of tension created by this drama!

What can I say? I'm absolutely furious with Jae han for ignoring very sound advice from Eun ji and her appa, Oh Kyung tae. I was afraid that as she was talking to him, he would disregard her sayings, and he did just that! Who better to know of a robbery by an amateur than a professional expert housebreaker? Just because sound advice comes from a teen that one is close to is no reason to disregard it. Instead he listened to a disembodied voice at the other end of his walkie-talkie and ignored the second piece of sound advice he received in two days! Not to mess with history as it only brings death.

The first time I saw Jae han cry after the death of a loved one, I was so sorry for him. Now, I am just livid and heartbroken that such a precious girl had to die and in such a horrible manner!

So it's like playing Russian roulette? Each time they change the past, two people die as a result? One in the past and the other in the future?. What's the point, then?

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Balance. 1 for 1. Remember the first case, the number of victims at first didn't change. And, even w/all that effort, the girl JH liked died at the end.

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Hmmm...actually ep 6 will reveal a little more about the case so you might want to reserve your right to be mad for later...

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I've watched ep. 6.

I am still mad.

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JH is a cop; so he naturally wants to solve a mystifying cop. But he was careless in this case. He should have paid more attention to the suggestions from Eun Ji/Kyung Tae/HY, studied the details, done the drawing on the map, etc. to figure out that the killer was actually someone from the inside. He moved too quickly.

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I wonder if... HY will save JH and JH gets to live until 2015 forward.. but HY will die because for every life they save in the past, one life in the present has to be sacrificed. :(

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Just te thought of that.... is so sad already... :(

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@ Snowy

Was that explicitly stated anywhere? That for every life saved another would have to be sacrificed?

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No, sorry. It's not stated anywhere. Just "paraphrased" Hae Young's speculation.

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Oh this show! It's just so awesome! Goosebumps every freaking episode, especially when the boys cause ripples in the present after changing the past. It just hurts to wait for a week for the next episode haha. I love these kinds of shows and after Nine, tvN has really been doing such a great job. It can be done in kdramas.

As others have posted here, I too think that these events will lead up to HY's hyung's case and the little girl as well. And maybe in the next episodes we can begin to understand the involvement of the chief, and that other shady police, in the disappearance of JH.

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Exactly!! I am NOT a patient, happy camper waiting for the next episodes. I'm totally still hoping against hope that Jae-han is really just missing and Soo-Hyun doesn't actually need to be looking for a body, because I really like him! Hahaha I'm bracing myself for when we find out what happened.

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I just watched the Ep 6. This weekend is a tear jerker for my favorite dramas. Please Mom and Signal.

Signal writers have decided to make us cry every episode.

Can't wait for this weekend.

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This drama is so intense and heartbreaking. Huhu...

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I watched this drama because of the rave but I found it bit irritating since the police and criminal dramas always involve corruption issues and higher ups. The plot is just the same. Apart from time travel I think Signal is ok. I love missing noir more in alots of matter. The case is more heart-breaking and intense.

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Not really give any comment on the time-travel paradox since my brain already hurts enough lol

One thing i want to complain tho; why everyone is such a jerk????
YES Haeyoung is hothead, brass young kid who belittles others and not trusting police force in general. YES he acts like know-it-all, and borderline annoying. But this ep really angers me.

He is voicing an opinion. Not the gentle way but still, everyone mocks him the moment he opens his mouth. Does the youngster doesn't deserve respect and the right to say any? And after two mega-succesful cases solved, i really hope that Detective Kim will respect him, not for who he is but for what he is capable of. I understand if other officers mock him. But Det. Kim worked with him and witnessing his skill firsthand. Even with all the arrogance and whatnot, it's obvious that his analysis is spot-on. Why those men behave like he is such a useless bug flying around the office?

Ugh idk why this irks me so much. HY probably needs anger management therapy or some secret-spilling session with Soohyun, either will work. But seeing him treated like that kinda bothers me. Anyone willing to shed a light? Or scold me for being overthinking?

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You are not overthinking. I was very irritated by the scene too. I did not think that Hae Young was arrogant. He voiced a very genuine possibility to the crime. If there is anyone who needs anger management class it is the chief who punched him. It is no wonder Hae young thinks the others are useless because they are. They dismiss his own opinion just so they can have their egos as seniors preserved. Soohyun was very problematic in this scene too. After kicking him twice she actually scolds him for not convincing others. And here I thought we finally have a no nonsense rational heroine.

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Okay-- let me just rant a little bit here. I'm so baffled by why people are SOOO pissed off at Hae-youngs personality in the PD. I get that he's not like the most charming guy but honestly most of the guys in the police dept are prickly. They think he thinks he's a hot shot? He doesn't think he's a hot shot, he just thinks the PD is a bit dim and tbh, they are. That scene where Soo-hyun stomps on his foot to shut him up, then yells at him for not doing enough to get everyone to pay attention to what he was saying was really frustrating to watch because SHE LITERALLY MADE SURE HE DIDN'T! I have a feeling that the drama is going to make him jump through hoops to get people to take him seriously when the people he works with has as much as an attitude problem if not more than he does (not counting Soo-hyun--minus this rant I actually like her). But man, Hae-young is right--they suck at their job AND they have too much pride. soooooo frustrated. I can't believe he literally got punched for doing his job. How is pointing out something that's SO OBVIOUS him acting like he's a know it all?? Isn't that what a good detective WOULD do?

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Thank you for writing this. The scene was so illogical it really pissed me off. I scrolled down to find a comment which would point this out.

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There was one section in this episode that I simply cannot understand. When they were in the briefing room going over the details of the kidnapping, Hae Young had offered his theory very respectfully as a fellow police officer. What was disturbing to me was that the others in the room were more interested in preserving their heirarchy rather than consider an idea which can save someone's life. I really hated the heroine cop in this scene. She kept kicking Hae young when he was trying to talk and then blamed him for not convincing others. What kind of behaviour is this? How is Hae young responsible for the victim's death when it is the others who are not doing their jobs properly? She asks why Hae Young hates the police so much when she can see herself that the heads of her own station are highly corrupt and not interested in procedure or work? While I expected this kind of dismissal from the two corrupt higher ups ( can't remember their names) I did not understand the heroine's stand on this. In this drama, they make it look like the death of the victim is always on the hands of anyone except the actual killer who made the choice of killing.
Even though I am quite late, I hope someone finds this comment and explains the briefing scene to me. It just resonated on a personal level because I have faced this situation at work where you are not supposed to pitch in any ideas because you have worked for a shorter time at the office/institute

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