25

Gyeongseong Creature: Episodes 1-7 (Part 1 Review)

Part horror monster story and part something akin to a heist drama, Gyeongseong Creature is a tale about human experimentation set during the Japanese occupation. Park Seo-joon and Han So-hee form the core of a ragtag team who set out on a mission of their own and uncover a much bigger, more disturbing plot along the way. While the story is engaging and at times thrilling, the uneven pacing and underdeveloped characters keep it from reaching its full potential.

 
EPISODES 1-7

Gyeongseong Creature: Episodes 1-7 (Part 1 Review)

Gyeongseong Creature is a dark, brutal exploration of colonization and what it means to be human. The story takes place in 1945 during the final years of the Japanese occupation. Desperate to turn the tide of the war, Japan’s military undertakes a secret mission. They kidnap and experiment on Koreans as they strive to create the perfect monster they can unleash on their enemies. But creating a controllable, fully functioning monster isn’t so easy. Unfortunately, they crack the code when they find a female prisoner who is able to integrate with one of their “najin” – a tiny worm-like creature that burrows into the brain and mutates the body.

The plight of Koreans during the occupation is front and center in this drama with various forms of brutality by the Japanese soldiers regularly on display. Koreans are tortured, kidnapped, and killed with little to no provocation. Horror is a natural medium to explore this dark period of history, making the stripping of humanity literal through the human experimentation at the core of the story.

Gyeongseong Creature: Episodes 1-7 (Part 1 Review)

The experimentation serves as the first plotline of our intersecting story. The second starts when a young Korean woman, mistress to a high up Japanese official, goes missing. Locally famous pawnshop owner JANG TAE-SANG (Park Seo-joon) is brought in to help find her. Used treasures aren’t the only things that pass through his shop; he’s also the area’s most notorious information broker. Knowing his life is at stake if he refuses or doesn’t succeed, Tae-sang has no choice but to throw himself into the task.

Luckily for Tae-sang, two “sleuths” known for missing persons investigations come into town. YOON CHAE-OK (Han So-hee) and her father YOON JOONG-WON (Jo Han-chul) are searching for a Japanese painter named SACHIMOTO (Woo Ji-hyun) who might know something about Chae-ok’s mom who disappeared a decade ago. Tae-sang needs their prowess and they need his local intel. It’s a match made in heaven, even if it gets off to a bumpy start.

All roads lead our team to Onseong Hospital where the disturbing experiments are taking place. Keeping a dangerous creature in a dingy cell underground goes about as well as you’d expect. But the experiment is worth some dead soldiers and heaps of dead prisoners, apparently. With some help from others sympathetic to the cause, including Tae-sang’s secret independence-fighting friend KWON JOON-TAEK (Wie Ha-joon) and Sachimoto, the crew gains access to the Japanese-only hospital and begins exploring what’s going on in the creepy basement.

Gyeongseong Creature: Episodes 1-7 (Part 1 Review)

It’s not smooth sailing for our crew – character differences lead to some conflicts along the way. Chae-ok’s idealism and empathic approach instantly clashes with Tae-sang’s pragmatic survivalism. He worked his way up from the streets as an orphan and built himself into a man whose wealth and knowledge lend him some level of protection. He’s no idealist, and his only goal is to take care of himself and his few friends. Chae-ok, on the other hand, is the stubborn and idealistic type who wants to save everyone she sees and bristles at Tae-sang and his selfish ways.

Despite the conflict between Tae-sang’s desire to survive and Chae-ok’s desire to help others, Tae-sang is smitten with her pretty much from the start. That combined with the fact that he’s more caring than he likes to pretend means she usually wins any argument. This brings us to the weakest aspect of this story: the romance. It’s not a huge part of the story, and I have no idea why the drama even bothered seeing as there’s no development whatsoever, so the suggested feelings seem to be conjured out of thin air.

I think part of the issue is that Chae-ok’s character is underdeveloped, particularly in comparison to Tae-sang. Her primary character motivation is finding her mother, which is fine, except it’s basically her entire personality. And they don’t even give us much in the way of flashbacks or anecdotes to establish their relationship. Consequently, Chae-ok comes off as bland and her character falls emotionally flat. Seeing as her connection to her mom is core to the emotional angle of the drama, that’s a problem.

On the whole, the drama is well-made and has a cinematic flair, giving it a strong sense of atmosphere and styling. However, for a drama billed as horror suspense, the pacing felt off. We spend a lot of time with the setup, planning, and sneaking around which kills the suspense at times. Our protagonists don’t even face the creature until the fourth episode. I think the drama’s length is to its detriment – I almost feel this would’ve been better as a movie where the pacing could’ve been more even and the story tighter. In general, nothing is surprising or hard to guess here, mostly because we’re given the revelations too early. Since we know what is going on before the protagonists, it’s less suspense and more waiting for them to catch up. This undercut some of the more emotional moments like when Chae-ok finds out what happened to her mom long after the audience does. Had we found out with her, certain scenes would’ve been much more powerful.

That said, Gyeongseong Creature is by no means a bad drama; it’s just not as gripping as it should be. I like a lot of the elements – the setting, themes, and overall plot are compelling – but something is missing emotionally for me. The characters, aside from Tae-sang and a couple of others like Joon-taek and Tae-sang’s right-hand woman MRS. NA-WOL (played by the consistently good Kim Hae-sook), come off as two-dimensional and underdeveloped. But I’m genuinely curious how the story ends and will absolutely be tuning into the final three episodes, especially given they left us on a cliffhanger with one of our leads in grave danger and a second possible monster on the horizon.

Gyeongseong Creature: Episodes 1-7 (Part 1 Review)

 
RELATED POSTS

Tags: , , , , , ,

25

Required fields are marked *

Thanks for the honest recap quirkycase. 
I was waiting to see what everyone thought before giving this a go.
I'm not a fan of the female lead but would try if it was halfway decent.
I might wait until all the episodes are dropped as I'm annoyed with this current trend of breaking up a series.

6
1
reply

Required fields are marked *

I'm glad im not the only one who feels this way about the recent trend in Part1-Part2 series. I feel that the momentum of the show is ruined.

3
reply

Required fields are marked *

The human experimentation the Axis committed is some of the horrific things I've read in a war full of horror. I don't think I'll be able to stomach such a grim story, but I might consider watching this drama in its entirety once the second part drops.

7
1
reply

Required fields are marked *

Yeah 100% - I defs found the fact that it's based on things that happend irl made it quite hard to stomach the 'horror' and 'gore' aspects here. I ended up skipping through some parts where I truly couldn't handle it.

5
reply

Required fields are marked *

I think you've summed it up really well quirkycase - by no means a bad drama but it's not as good as it could've been. It does feel like it's lacking something on the emotional front and I think the underdeveloped characters and odd pacing are the reasons why. By the end of the episode, I feel like I still really didn't know much about our leads and though a lot had happened, it didn't really feel like much had happened at all. And because of that I feel like I've got not much to say meaningfully insofar as plot goes because I just watched things happen and didn't have any thoughts beyond that.

Overall though, I am a little disappointed because I wanted to really love this. It doesn't help also that I kept comparing to Sweet Home 2 while I was watching - I know it's super unfair & I shouldn't compare since that's like comparing apples to oranges, but it's the most recent Netflix 'webdrama' I watched and some very slight overlapping themes meant comparison became inevitable in my mind - and unfortunately it just only further highlighted some of the flaws in this drama.

That said, like you, and I assume others as well, I'm curious to see how we 'end' this in the last three eps (or if we even 'end' it at all if rumours of a second season are true) so will be tuning in for that!

6
2
reply

Required fields are marked *

I stopped at episode 4, precisely for the reasoning you gave in your first paragraph and decided I had no desire to go back. There was just nothing there for me.

2
1
reply

Required fields are marked *

Yeah fair call! I kept pushing through despite not feeling it early on because I was hoping it'd pick up down the line, but alas.

2
reply

Required fields are marked *

Thanks for the review @quirkycase.

I tried to get into this. I really did. I gave it one episode, quit, the decided to give it another. Suffice to say that, after two episodes of it failing it to be as awesome or decent as I'd hoped, this drama is not for me.

I find neither of the main characters compelling. I hate the romance aspect and find it unconvincing. The fact that he's smitten with her so quickly makes it feel like a run of the mill kdrama instead of something more.

I was hoping for something dark and mysterious. Instead it's almost silly at times. And once again, I'd like to point out how much the romance annoys me, and how unnecessary it is.

Chae-ok is your standard prickly but scrappy heroine who's unreasonably antagonistic toward the male lead based on a single somewhat negative interaction. And he's in love the moment her cap comes off in the street when they come face to face for the first time. Really??

I'm probably being to harsh, but I spent months looking forward to this, hoping it would be one great drama in a year of mediocre kdramas, but no.

I won't be wasting my time with this one any further.

9
2
reply

Required fields are marked *

Looking at this now it doesn't read as smoothly as I'd have liked. But I was driven by my enthusiastic distaste for the drama so I'll forgive myself for it 😅

1
reply

Required fields are marked *

Nah I'm with you excluding the part that I was able to finish the series.

I think I just tuned out the romance of it as it, as mentioned, happened SO quickly for no reason at all. I was mostly invested in the monster aspect of the show.

2
reply

Required fields are marked *

Since I already completed the first 7 episodes (Part 1) during Christmas hol recently (because I have nothing -kdrama- left to watch) I can confirm that @quirkycase has covered everything needed to say about this drama. Thank you for the recap 👍

I'm not a fan of HSH too and it didn't help that bad reviews about her keep popping out in socmeds but I'm glad that it wasn't that bad like what the amateur reviewers mentioned. Just take PSJ as your motivation for watching this drama and it will be less stressful and scary. Oh I forgot to mention, other than action and funny PSJ, its also a horror drama.

5
5
reply

Required fields are marked *

I wasn't prepared for the ghastly intro scenes because I thought "this one may look like Mr Sunshine, right" .. Yes, we get straight to the mass murders in China by the Japanese army .. which, made me realise that this is nothing like Mr Sunshine (I still love MS though).

I actually skipped most of the torturing scenes which also reminded me of our own (my country was also invaded by the heartless Japanese Military starting from 1941 - thank God for the end of WW2 in 1945). The drama contains some disturbing imagery, like the prisoners being mass gunned down, to the consequences of human experimentation by the Japanese Military including babies, limbs and heads in jars. The experiments including the nitrogen and anthrax might be based on Jap's Unit 731.

4
4
reply

Required fields are marked *

Comment was deleted

0
reply

Required fields are marked *

PSJ's character has been written as a highly confident character and he brings the swagger with ease (and also fun 😂). I didnt take his character very seriously until ep 5. I actually like HSH in this drama coz she reminds me very much of My Name - action drama suits her very well.

I'm not expecting to see Wi Ha-joon in this show, really! And it is unusual seeing him running away (coz I've seen him a lot in action dramas) while PSJ fighting and saved his ass from the Japanese soldiers.

4
3
reply

Required fields are marked *

The most emotional parts in Part 1 is HSH's character meets her mom and her mom, despite of her situation, recognises her daughter and protects her. Part 1 ends with a mystery, who is the ticking time bomb? I suspect the pregnant mistress coz who with the right mind will drink anything random found on the table in a dangerous building.

Last but not least, I think by now the Korean productions should employ language coaches to guide the actors when they need the Koreans to act as foreigners. Perfecting an accent or dialect of a foreign language may take years but a language coach can guide these actors within 3 to 6 months.

2
2
reply

Required fields are marked *

I think that was drama weakest point for the reason mentioned earlier, underdeveloped female character, and with that they didn't established connection between her and mother, plus the 10 year period of her being missing. I now they wanted to show how persistent she was in looking for her mom and where her skillset came from, but at the same it weakend emotional connection and sense of urgency for me.

3

@shach Exactly., that's why the final episode felt rushed.

1

I watched most of this first part of the drama this week, so I've been turning it over in my head. I thought, "What if this had been a fictionalization of Nazi human experimentation, would I be OK with it?" The answer is, probably not. Except we have had literally that fictionalization in some of the Marvel comics mutant stories. Also, aren't some very popular Japanese animes a fictionalization of these war crimes? Maybe I'm wrong to find this uncomfortable.

Your point, quirkycase, "Horror is a natural medium to explore this dark period of history, making the stripping of humanity literal through the human experimentation at the core of the story," is a good one.
Except that I'm not sure that I now agree that these war crimes and atrocities are a reflection of dehumanization. I remember reading The Half Has Never Been Told, a recent book on chattel slavery in the US. The author, Edward Baptist, makes the point that you can't torture people with anxiety about their families if you don't understand them to be humans who have such feelings. The book shocked me in that the author seemed to feel he needed to defend the humanness of enslaved people to readers in the present (2015!) more than he would have needed to assert it to the enslavers of their own time.

I guess I'm getting hung up on the issue of evoking dark history in popular fiction. I wonder whether Korean show-runners have avoided treating these themes in dramas in order to avoid offending a Japanese audience that eagerly watched their shows.

2
0
reply

Required fields are marked *

Awesome services and actress is gorgeous

0
0
reply

Required fields are marked *

Awesome series scenes are great same as love story and gorgeous actress as well

1
0
reply

Required fields are marked *

I watch this as a historical (take-off) action horror drama. Love Han So-Hee's athleticism (she was fantastic in No Name!), but you are right about her character not being developed. We see her going from all business competent woman to weak, emotional barely functioning mess. Hopefully, she pulls it together in remaining episodes. Having read about Japan's war in SE Asia for the past 8 years or so (Unit 731 is in the mail from Amazon!), the cruelty and dehumanizing of the Korean ppl is not surprising. One of the few dramas that keep me engaged and fully awake.

2
1
reply

Required fields are marked *

I don’t know if this is an entirely fair criticism of Chae-ok’s character. I read something similar about her before I watched, so I was expecting her character to devolve into someone incoherent and useless, but I thought she did amazingly well considering the emotional pressure she was under! To find out that your mother, who you’ve been searching for for the past decade, has been turned into a monster, and that monster still has enough of her personality to protect you, and then to turn around and be a key player in an elaborate escape plot in the space of a couple of hours? I was amazed at her fortitude and her ability to pull herself back together enough to stand upright let alone fire a gun. The action scenes in this drama definitely make me want to watch My Name though!

2
reply

Required fields are marked *

@quirkycasee Thanks for the recap. This has been on my watchlist for months and for several reasons - the vintage era, Park Seo-joon (purely due to WWWSK), intriguing teasers/cinematography.

But I can't handle cruel violence and gore (horror) - especially if there is some basis in-real-life. Once all episodes drop, I might try it with a very heavy finger on the FF button - because it does appear that there are intriguing characters and an intriguing, albeit shallow plot.

1
0
reply

Required fields are marked *

Thanks for the summary!
I had nothing else to watch so I caved and gave this show a shot.
Its just as everyone else said, interesting but didn't pack the punch it should've, making it quite easily forgettable.
For me, it got interesting from ep 5 but by then we only had 2 episodes left.

Acting wise it was okay but the only thing I found weird was how calm the leads were upon seeing the monster. I don't know about yall but I'd be losing my mind. Even the captives had a better reaction than our leads. I could actually feel their fear.
Seojun's character felt a bit like his previous roles & Sohee was quite bland but by the end I was rooting for her survival as I got tired with Tae-sang lol.
One thing I didn't expect was how involved tae-sang's friends were on the outside. Usually once the leads enter the place we hardly ever see the side characters so I was pleasantly surprised with how much they helped our leads.

Most of the story & challenges faced by our leads felt really plot contrived and could've been easily avoided. (Tbh why did tae-sang have to stay behind lol could've been someone else or even Sohee, seeing that her character has a direct link with the monster)

Anyways, keeping my expectations for the last three eps low.

3
0
reply

Required fields are marked *

Oh this is really interesting. I just finished episode 7 tonight so I could finally come here and see what others thought! I totally disagree that Jun-taek is a better developed character than Chae-ok - I legit didn’t even know his name until I read this. It’s cool that he and Tae-sang are friends, and I loved their flashback because of what we learned about Tae-sang’s past from it, but we didn’t really learn much about Jun-taek, and I have a hard time sympathizing with him at all. When he was crying about selling out his entire organization I was just wondering what kind of drug they injected him with to make him cave like that. Maybe he’ll improve in the last three episodes? I hope so.

I honestly totally bought the romance. It didn’t seem like too much too quickly to me (as Soon-deok from the Matchmakers says, it only takes a moment to fall in love), rather it felt totally normal for Tae-sang to become attached to the first person who was 1. Not immediately interested in him and 2. More sincere than anyone he’d ever met. Add in a dash of trauma bonding and voila! A classic kdrama romance if ever I saw one.

I kinda disagree about Chae-ok’s characterization too. I don’t think it’s strange or bad that so much of her personality is wrapped up in her connection to her mother. That’s what she’s been devoting her whole life to for the past decade, and I really felt for her when she confronts Sachimoto about the drawing, when she finds the message in the cell, and when she finally has to face what her mother has become. Maybe I was just ready to buy into it more? It was working for me.

I’m bummed not many people seem as enthused as I still am about this show, but I was so looking forward to this and it has been really fun so far! Hoping the last three eps finish well. Fighting!

2
0
reply

Required fields are marked *