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Oh Hae-young Again: Episode 13

How set in stone are Do-kyung’s visions, and can the future (past?) be changed? It’s time to find out, as Do-kyung decides to take a more active role in his own life. It will take some serious soul-searching and courage, and it will mean taking some scary chances, for a guy who’s always held his feelings very close to the vest.

 

 
EPISODE 13: “The heart I’ve understood”

After having a premonition that showed him that he will die having never told Hae-young that he loves her, Do-kyung decides that he’s no longer willing to sit back and accept his fate. He speeds back to town, calling Dr. Park on the way to tell him that no matter what happens, he refuses to die with regret.

Hae-young is busy packing away all of her possessions that remind her of him. Her friend Hee-ran drops by to see her, and drags her out to do something normal. Hae-young is quiet, and the song Hee-ran plays in the car seems to reflect exactly how she’s feeling.

They go for a walk, and Hae-young muses that her life isn’t anything like she thought it would be at this point. She never expected earning money and having love to be this difficult.

Hee-ran asks if Hae-young is ending things with Do-kyung, and she smiles feebly that she got dumped. Hee-ran disagrees that it was a dumping, since Do-kyung was very considerate about it, accepting the role of “bad guy.”

Hae-young argues that that’s only because he doesn’t love her as much as she loves him, but Hee-ran disagrees again. “It’s not because he doesn’t love you. It’s because he doesn’t know how to love.” Lady speaks the truth. She expounds that men just don’t understand that women would rather hang in there, and stand by their man even in hard times.

She jokes that Hae-young should date someone and then dump him, just so that she can be the dumper for once. The thought cheers up Hae-young immensely, and the two friends laugh over the idea until a strong wind whips Hee-ran’s hat off her head. Hae-young runs into a fountain to retrieve it, and when the fountain sprays water all over her, she laughs for the first time in a long while.

She catches a cold from wearing wet clothes, and Mom brings her hot tea and tells her that she and Dad are moving to the countryside. They want Hae-young to quit her job and come with them, but Hae-young says she’s strong and wants to go back to work.

HAHA, Dad jumps in front of the video monitor when the doorbell rings, to keep Mom from seeing Do-kyung on the doorstep. He nervously runs out and shoos Do-kyung away, saying that he’ll have Hae-young call him, and grabs his wrist and runs when Mom comes outside.

It works, and when Mom runs looking for them in the wrong direction, they come out of hiding, relieved. Then she pops back up and sees them, and hee, Do-kyung only gets halfway through a bow before Dad grabs him and runs again. The guys are faster, but Mom is wily, and she finally corners them.

Mom glares daggers at Do-kyung and says that he had her fooled, that she fed him not knowing how her daughter would fall for him and be rebuffed. She’s deeply disappointed in him, and says that what goes around comes around — he ruined a couple with a bright future, then broke Hae-young’s heart, and he’ll be rightfully punished.

Dad sneaks away to alert Hae-young that Do-kyung is outside, and she goes out just as Mom is entreating the heavens to cancel what she just said and just let her punch Do-kyung once. Dad drags Mom inside, and Do-kyung tries to hug Hae-young, but she steps out of his reach.

Do-kyung says he came because he missed her, and apologizes for coming too late. Hae-young doesn’t look at him, and sneers that he wouldn’t move a muscle when she was begging him shamelessly, but he’s come now that he’s feeling better. She says that their timing is off, and tells him not to come anymore.

She turns to go, but Do-kyung quickly says that he’s made mistakes and he was wrong. He promises not to go back and forth on her again, and never to let her go. Hae-young turns back and says that she won’t go back and forth either, because she’s letting him go.

She’s calm and collected, and says that this is not a game. Do-kyung argues that they both know he was pushing her away even though he has feelings for her, but Hae-young repeats that it’s over, completely and utterly over.

She blames her sniffling on her cold, saying that she’s not crying, and adds one more thing… “I’m grateful to you for letting me end things and dump you.” And like that, she’s gone. Do-kyung stands outside the house late into the night, but when Hae-young eventually comes out, it’s only to give him the bag of items that remind her of him.

Later, Do-kyung’s mother begs him to ask Chairman Jang for forgiveness, just as she did in his vision. He tells Dr. Park about everything he saw in that vision, worried because so far everything he’s seen has been unchangeable. But if he can’t do anything about them, then why is he seeing them at all?

Dr. Park muses again on his theory of Do-kyung’s visions: that when we die, we look back on our lives and relive them as if they’re happening right then, and Do-kyung is somehow “remembering” things that haven’t happened yet in his current reality.

The good doctor’s advice is for Do-kyung to look into his heart and determine what it wants, but that’s easier said than done for Do-kyung, who’s never opened his heart easily. He admits that he’s always done the bare minimum when it comes to relationships, always letting the other person’s actions guide his own. Never once has he revealed his heart’s desire.

He tells Dr. Park that he’s not scared of dying anymore, he’s just sorry he didn’t give Hae-young more love when he had the chance. Now she’s suffering from his reluctance, and that’s the thing that bothers him the most.

Hae-young shows up back at work with a cheerful mask on, playing it like she was just on vacation, explaining away her pale face and lost weight as if they were intentional. She insists a little too stridently that she’s fine, just fine, really!

Soo-kyung knows the truth and apologizes in private, and Hae-young admits that everyone’s “sorrys” just make her feel worse. Soo-kyung just apologizes again, then apologizes for apologizing, then stops before it gets even weirder.

She says that Do-kyung is in a lot of pain, but Hae-young thinks he should be relieved now that it’s all over. From now on she plans to live like Soo-kyung, not needing a man, independent and strong. But then she notices that Soo-kyung is dressed very conservatively, and that “mole” on her face is actually food. Ew.

The other Hae-young also approaches our Hae-young to apologize, but our Hae-young says that her public humiliation actually made her feel better in the end. She has nothing left to hide, and this is what she’s worth. Awww, that’s sad.

She talks about their teen years, and how she always felt like a sore loser. She laughs ruefully that she still feels that way, and looks the other Hae-young in the eye as she says that she wants to overcome it.

The other Hae-young smiles that she hasn’t changed, the way she can get up and move on so easily. Our Hae-young seems a bit stunned to hear something so complimentary from the woman she’s always felt interior to, and this time she agrees to have that drink with the other Hae-young. Some day. She tells the other Hae-young that she and Do-kyung are over, and wishes her luck with him.

The other Hae-young thinks about it, that our Hae-young and Do-kyung broke up, but not because they didn’t care for each other. It’s clear to her that they love each other, so why did they split? It makes her sad that she’s not Do-kyung’s most painful love anymore — just when I was starting to think she wasn’t a selfish brat.

Hoon and An-na are back together and snugglier than ever — did I miss something? Anyway, Hoon rushes out when he gets a call from Hee-ran regarding his script, freaking out because if she approves of it, this could be his big break.

That peek up Hee-ran’s skirt still rattles Hoon, and this time he focuses on her low-cut shirt. He snaps out of it when she says she likes his characters, and promises to send the script to some actors. She leans in to discuss a certain scene, giving Hoon an even better look down her blouse. He has a hard time focusing, but promises to make the needed changes in two days.

The neighborhood ajummas are shocked to see Soo-kyung step off the bus sober and demurely dressed, but they still don’t offer to walk her home safely, even when she asks politely. She mentions her pregnancy, which works, and the three of them end up in a cafe discussing the fact that Jin-sang thinks it’s another man’s baby.

Soo-kyung’s biggest concern isn’t that Jin-sang is a notorious player — she hates the fact that he defends lowlifes in court. She gets herself all worked up about it, then remembers the baby, and whispers that the babydaddy is complete trash… but she still likes him.

The ajummas think she should give him a chance to do right by her and the baby, but Soo-kyung is against telling him. He doesn’t even know they slept together, and it would be too much of a shock.

Jin-sang calls Soo-kyung just then, from a bar, naturally. He tells her that he’s polled his friends, and they all said that if they got a woman pregnant in a one night stand, they would tell her not to have the baby. And as for him, he says he would flee the country.

On Soo-kyung’s request, he tells all his friends that she’s forty-four and wants to have the baby, and asks them this time — would they rather know they had a child out there, or continue to be unaware?

More guys vote that they would rather know about the baby, and Jin-sang says that he feels the same way. He urges her to tell the father of the baby right away, and Soo-kyung says softly that she’ll definitely tell him.

Hae-young and Do-kyung’s deal regarding the house (where Do-kyung promised to pay her rent when she moved out) is discovered by the landlord, and he is not happy. He assumes that they’re still antagonistic and that Do-kyung kicked Hae-young out, but he tells Hae-young that she’s still on the hook for the rent for the length of her lease, refusing to accept Do-kyung’s agreement to pay it.

He says that he’ll see Hae-young in a year when her lease is up, but she barks that she wants to end this now. I don’t think she’s talking about her lease anymore, and Do-kyung hangs his head, remembering the part of his vision where he’d discussed this with someone we don’t see. But this time he goes against his vision, and asks, “Can you just move back? I’d like it if you moved back in.”

He follows when Hae-young storms off, but she refuses his offer of a ride home. Her phone rings, and Do-kyung remembers this from a vision too, and knows that it’s Tae-jin calling her. He turns away, and so he doesn’t see that she doesn’t answer the call as he expects.

Hae-young does meet Tae-jin for dinner, and blames her subdued mood on her cold. Tae-jin apologizes for hitting Do-kyung, saying that he assumed he’d ruined his business in order to get to Hae-young. Hae-young shuts down any talk of Do-kyung, then apologizes for being too harsh. Out of nowhere, she breaks up with Tae-jin, but he asks for some time to hang out and see what happens.

Hae-young falters in the morning when she reaches for a pair of shoes, and finds Do-kyung’s shoes in with hers (the ones he put in her entryway to deter overenthusiastic suitors). She pulls herself together, but she broods on the bus ride to work.

Tae-jin visits Do-kyung at work, and muses that he was a CEO once too, until someone took all that away. He makes not-so-veiled threats that he can do the same thing to Do-kyung if he chooses, but Do-kyung invites him to do whatever he wants — he’s not scared.

Tae-jin reminds Do-kyung that he admitted his ruining his business was an accident but hitting his car wasn’t, and asks, “You were already falling for her then, weren’t you?” Now he understands why Do-kyung attacked him then, but he doesn’t get why he’s still dragging this out.

He says that now, they all need to go back to their rightful places. The implication is that if Do-kyung does as he’s told, Tae-jin will let all this drop and not seek revenge. As he leaves, he turns back and says the words he said in Do-kyung’s vision: “Somehow we’ve ended up back with the right people.”

Hoon fails at fixing the problems with his script, and he knows it, so Hee-ran suggests they work on it together at her place. Hoon has trouble because of Hee-ran’s scantily-clad legs, and when she lies down for a nap and tells him to keep working, it doesn’t help his concentration. In his defense, she’s wearing a slip and not much else.

He panics and falls all over himself when Hee-ran’s bare legs get too close for comfort, practically throwing himself down the stairs in an effort to get away. She finally realizes what he was thinking, and kicks him out.

Do-kyung goes to the movies, and a fight scene onscreen morphs into his tussle with Hae-young, when he’d kissed her. He recalls their brief happy times, then their breakup, when she’d asked him to just stay with her a little longer. As he’s walking home he sees her coming towards him on the sidewalk, but she walks past him without saying a word.

He asks where she’s going, and she just keeps walking. In his vision of this moment, Do-kyung had turned and apologized for speaking to her, but this time when he speaks, it’s to tell her to change her shoes, because they sound uncomfortable.

And this time, instead of meeting Tae-jin and taking his hand like she did in Do-kyung’s vision, Hae-young refuses Tae-jin’s outstretched hand. But again Do-kyung turns away too soon, and misses this change.

Jin-sang tries to cheer his friend up, saying that he has exciting news that will make Do-kyung forget everything. Soo-kyung pops her head out of her room to say that she has news that will shut Jin-sang up, but Jin-sang motions that he’ll talk to her later.

He offers to take Do-kyung out, but Do-kyung just lies on the floor in defeat. The position reminds him of the end of his vision, where he’s lying in the street dying.

Do-kyung was right about Hae-young’s shoes — she hobbles him with bleeding feet from wearing the heels all day. She’s still feeling run-down and says she’ll be sleeping the next day, and Mom wonders why the medicine isn’t working.

As Hae-young lies in bed exhausted and ill, she thinks that at least wearing those uncomfortable shoes distracted her from thinking of Do-kyung all day. Everything reminds her of him — the shoes, even her bra insert that went flying when he caught her. Everywhere she looks, she’s reminded, and she almost welcomes the painful distractions.

She thinks about seeing him today, and how even as she walked away, her mind was crying at her to turn back. The pain her shoes cause keeps her going, because the physical pain distracts her from her emotional pain, if temporarily. “Even if I’m sick, I feel better.”

The next morning, Mom sees that Hae-young hasn’t been taking her medicine, and finds her unconscious and unresponsive. She’s rushed to the hospital, and in her fever-driven haze, she thinks she sees Do-kyung there. Once she’s a bit better and wakes, she’s angry that her first thought is of him.

She sits up and the nurse pulls back the curtain around her bed, to reveal that Do-kyung is there in the next bed, getting an IV for exhaustion. They look at leach other for a long moment, then Hae-young reaches out… and pushes her curtain back in place.

Do-kyung stands to leave, then stops, and remembers his vision where he’d called back to her Don’t get sick. Instead, he says, “I’m glad to see you. It was unfair that I was the only sick one. I’m so glad you’re sick, too.” You tell her, buddy.

He continues that if he could turn back time, he would ruin her wedding the exact same way. He’d make sure she moved in next door and meet her again. “I’m sorry. I’m really sorry. But I’m not sorry I ruined your wedding, dammit!”

He almost leaves then, but he turns back a second time, to deliver a softer apology. He says this is how he truly feels, and that he got sick because he couldn’t hug her. This time, he really leaves, but as he walks home he hears running footsteps behind him.

He turns, and catches Hae-young in his arms. They hug, then pull back and smile at each other, and Hae-young kisses him.

COMMENTS

Okay, putting aside any advice I would give if these were real people and remembering that this is “just” a drama… at the point that these two are making themselves sick just to avoid feeling their emotional pain, I just want them to get together to make the hurting stop. They can just be dysfunctional together, and everyone will be happy, right? This level of self-abuse can’t be good for either of them, and they seriously needed to either give in and get back together, or someone was going to end up dead. Oh wait…

Strangely though, our Hae-young’s very public humiliation seemed to have somehow given her an emotional reset, and she definitely has come out the other side calmer and more accepting (still damaged, but better, you know?). Maybe it wasn’t the best way to do it, but she seemed on a dangerous emotional spiral, and feeling like the whole world was laughing at her sort of caused her to just stop everything and think. She’s realized that embarrassment isn’t the end of the world, and being compared to someone else isn’t the worst thing that can happen. Sadly, it also caused her to give upon Do-kyung, though I can’t blame her — she hung in there a lot longer than I think most people would, considering that he wasn’t just pretending to be apathetic, but actively pushing her away. In Hae-young’s defense, Do-kyung’s actions have been confusing from the beginning, the way he would care for her like a boyfriend then tell her he didn’t want her that way. But I do think that this is what needed to happen, that they both took a step back and did some serious thinking.

It’s a step in the right direction that Do-kyung is finally thinking about how he relates to others, and how he never opens up his heart. Ever since his father died (because young Do-kyung seems like an open and happy child) and he was left with his needy narcissist of a mother, he’s had to shut down inside just to survive and grow up mostly sane. It’s been his primary problem ever since he met our Hae-young — that she’s forcing him to confront his inner feelings, and he’s never done that before. I think that all of his excuses not to get close to her were really just walls he was throwing up to protect himself once again from actually feeling anything, because if he feels something, he might get hurt. But our Hae-young got in anyway through sheer determination, and now Do-kyung has some hard work to do, because while he’s gotten her back, he still has to figure out how to keep her.

I do believe that Do-kyung thought he loved the other Hae-young, as much as he’s capable of loving anyone that isn’t Hoon, Soo-kyung, or Jin-sang. As he explained, he felt pity for her, which is as close to love as he’s ever let himself get. She loved him, and made him basically happy, and I think he was willing to settle for mostly-happy. I believe that his hurt over the way she left wasn’t so much true heartbreak, as feeling that once again, he let himself open up even a little to someone, and they left him.

So it was good to see him fighting his visions, making small changes and refusing to do or say what he saw himself doing and saying. He’s finally taking responsibility for his own actions, making his own emotional choices and moving out of his comfort zone. And it worked, the small changes affecting small reactions, such as when he changed the vision and asked Hae-young to move back in, and soon after, she didn’t answer when Tae-jin called as she did in the vision. Then later he said something different to Hae-young when he saw her on the street, and she didn’t take Tae-jin’s hand as she did in the premonition. I practically cheered when he yelled at her that he was glad she was sick too, and that he’d gladly ruin her wedding again, because it was the first time he’s let himself act out on his own anger and frustration at this situation, and you know it felt good. I was starting to get frustrated myself at how Do-kyung keeps missing the altered results of his actions, but then that hug happened, and I got goosebumps. There’s still the small matter of Do-kyung’s looming accident, but by proving that he could change what he saw in his visions, I have faith that he can find a way to avoid his death, as well.

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Am I the only person who thought of annoying school dress codes for high school girls (like no exposing bare shoulders or wearing skirts that are less than fingertip length) when Hoon was ogling Hee-ran's body?? Is Korea really that conservative with what women wear? I get that she was sort of suggestive with her behavior, but I sort of have a problem with this scene... Otherwise, I loved this episode.

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I wouldn't mind If this drama end at 13 because it has happy ending, im enough, thank u so much xD I've gone thru so much

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I've been on a linguistics kick this week, and have been mulling over the significance of hugs. In episode 10, DK first asks OHY, "Just for a little bit... Could you hold me?"

She looks him in the eye and hugs him without hesitating, on tip-toe, and he in turn fathoms her in the archaic sense (encircles her with his arms).

The fathom as a measurement of water depth at sea is based on the span of a man's outstretched arms. Originally the verb form meant to take a depth sounding, and later to discern meaning/understand, as well as to wrap one's loving arms around someone. That last meaning has dropped out of English, but it's still used in quite a few other languages.

The image that comes to mind is understanding someone you're holding in your arms. No wonder metric measurements leave me cold. I'll take a fathom over two meters any day...

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Thanks for sharing that interesting linguistic factoid. I like the idea of fathom meaning the ability to hold or grasp both in the mental sense as well as the physical. Makes sense to me.

There's something incredibly touching (haha) about the hugs in this drama (actually, in other stories as well). More so than the kissing, at times, it's the hugs and companionship that make me feel warm and fuzzy and say "awwwww".

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@Eyes,

Glad you found it useful.

I agree about the "touching" aspect of the hugs in this show. The "simian grooming behavior" between AnNa and Hoon cracked me up, too.

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Now that the accident scene has been repeated for thousand times, i cant help to not thinking, is that TJ who hit DK? You know, that white car.

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I threw my pillow to my laptop screen when they hug, not because I'm mad but because they're SOOO cute that it drives me crazy. can Eric and Seo Hyun Jin just date in real life too?

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and is that Haeyoung's lipstick stain on Dokyung's shirt on the barley field scene? lmao

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But imagine what else you will throw at your laptop if you read Eric-SHJ dating news. :O

RIP laptop. You have served falalalala well.

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There are too much skinships in this series that I don't know again whether it's accidentally or intentionally. Eric touched Seo Hyun Jin bo*bs several times and Seo Hyun Jin touch Eric's d*ck during their drunk and those hug scenes. The more I see, the more I think this two has something going on the set.

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me too... they are just too natural doing alot of skinship and kissing.. Too comfortable... They look like they enjoy doing it so much. I'm the one who feel uncomfortable, because as if we are witnessing real life couple on screen... >.<

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Wait what? The boob touches i noticed but when did SHJ cop a feel?

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Maybe during Do Kyung drunk in earlier episode when she tried to make him sleep comfortable on his bed.

I saw that Eric really touched her sorry boobs few times because the camera were zoom in that area especially in episode 14. I was like, what?! Of course he wasn't intentionally doing that. But still..........

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Remember about Other Hae Young colleages says that, Do Kyung ruined actions toward Our Hae Young's wedding plan with Tae Jin because Do Kyung loves Other Hae Young so much?
I think when Do Kyung says the statement that he won't feel sorry to ruined Our Hae Young wedding, even once again, is remarkable.
That clearly a great statement that Do Kyung loves Our Hae Young a lot more than Other Hae Young, even just a brief relationship than he and Other Hae Young have.
If I'm other Hae Young, I would feel offended.
Gaaahhh,

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I'm just happy that DK is finally doing something... I cheered when he started saying different things than what he had seen in his visions.... and showing his affection for HY...

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Ok. So finally I have time to write about what I really want to write about.

Does anyone else notice at 52:23 (when Do-kyung is having the vision of his death)...the scene immediately reverses for a second?! Freaky. I wonder if it really means what I think it means...

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@Chandler,

Great catch! I went back and looked, and you're right.

Just as DK has missed subtle changes in his premonitions, I think it's easy for viewers to miss them, too. I also think that Writer-nim is being very tricky and not showing us the whole scene. Plus there's the possibility/probability of intentional misdirection.

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oh god
what am I doing
I even skipped my job today for OHYA xD
guess this has turned me into kdrama junkies xD
i dont even mind

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True. Its getting boring and I feel like their going back and forth. Once I knew that Oh Hae-young is an episode 20 drama, I knew from that point that this drama certainly gonna drag. There's not much story to tell. Starting from previous episodes, it seemed like it was a different drama focused on something which I cannot explain. The sparks died down and the so-called "visions" of the male lead has been rigged. He's been seeing other things now asside from Hae Young and what's that? whats the point? Im starting to get tired. They should have made it a 16 episode drama. If they keep doing this, then that "magic" that this drama has brought to the viewers will slowly died down and disappear and will turn this into another "ordinary drama" which "started great but loses its impact from the middle towards the end".

And I just dont understand or is it just me that has this feeling because I told my sister the way I see it but she disagree, you know I feel like the show has not shown the me against the world love of the main leads, yes they love each other but it wasn't that great of a love as i felt/saw shown in the drama and I felt like all these "I cant live without you" all those "dilemmas and cryings and disappointments are exagerrated. I really cant feel it. Sure I can feel their love but not to that point. You know, as I was watching this drama, I suddenly thought of that drama "I'm Sorry, I Love You". The girl committed suicide and died along with the male lead's grave, but I never questioned it. Its not like I am justifying what she has done (I condemn suicide) but I can really feel her pain, their pain, her love, his love and all those challenges they went through. I know where those loneliness and actions came from. But here, especially DK, I don't know. Even for Hae-young its questionable but mostly its on DK.

-On the side note, Eric should really step up his acting, his straight up monotonous voice/acting with no facial expressions and stoic body language isn't disrupting, really. It was bearable in the beginning, and I somehow did not mind it but seriously, as the drama move episode to episode, his acting has not change and it becomes more and more visible.

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18 episodes you mean?

Yeah..you should probably stop watching it.

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Nothing wrong with Eric's acting. It's his character, Park Do Kyung, who is stoic, awkward and even rarely speak.

I think you should stop watching this drama if you're not enjoying it. For your health XD

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I suggest you to stop watching the drama no need to torture yourself with something you don't enjoy peace ;)

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Excuse me, who are you guys to command me? Can't somebody even say negative about this drama? Its a drama meant to the viewers and if there is something you dont like about it, you are always free to vent your frustration. Its not like I am attacking the actor - I just felt he needed to improve - just admit it no matter how much you love Eric, he isn't the best actor! You will be delusional to think otherwise. I have seen so many comments about his acting but I bear with it until the last 2 episodes. Seriously, you can be stoic and all but not like that. Even the way he conveys his love, and the way he talks to others is Almost the same.

I liked this drama at the start, I was just venting my frustration because I feel like they really drag the story. The drop in ratings are the receipts. Anyways its all up to me, what I will do thanks for your concerns. lol

BTW, in most comments, Eric's name is used instead of his character name in the drama since either his name is long, we cannot remember his name, forget how to spell the name, while his stage name is just 4 letter word.

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What kinda of rating drops do you mean? How can you expect ratings will continue to goes up, right? After 13 episodes, this is the first time rating drops. And it also increased again in episode 14. It has reach 8% more, which is the highest mon-tue drama in history of TvN.

Eric isn't the best actor. I admit it. But the way you describe him is like he's the worst actor while everyone seems enjoying his performance. You should compare his lovey dovey scenes with another Oh Hae Young so you can see he can emote before the tragic wedding happen.

I'm getting bored with few person complaint about Eric's acting because the way they express usually looks like they're his haters.

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It dropped ratings ONCE. Then it rose right back up again. It was clearly a reaction to some event (either the depressing nature of 11-12 or the Euro Cup), and not because the story has become dragging.

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Agreed about his acting, It's annoy me as well.. He isn't even making effort to add depth to the character it's bother me so much... And the worse part is His character is the central of the theme.... If only he act better, this drama will be have more feeling to convey for viewers sake...

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Ask the writer to develop his character then. Why blame on the actings. Other characters are easy to show off their ability on actings since they use words and sentences and even sometimes I think they're overact. Until this episode, I don't see significant development of Park Do Kyung. The gloomy side still on his face. He even rarely speaks. So, for me Eric did great job to potray Do Kyung's character.

Actings doesn't mean yelling, shouting or overdoing reactions. In this case, Park Do Kyung uses his gestures, facial expression and eyes. Deal with that because it's his character.

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add depth to the character means actor ability to bring his character something more to the table than the script suggested. I'm not even refering to yelling, shouting, or over reaction. just emoting properly, He can't even do that often times. Actor who act as Jin Sang emoting so much better than eric even in quite moment.

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I agreed with what Anna said below, he isnt the best actor and no one ever said he is but he has been delivering throughout the 14 episodes and I could not think of any other actor who fits the roll of "cold hearted, problematic" guy. He's definitely not the best actor but he is a great actor.

The rating drops in KOREA because of EK2016, btw what about ratings of those who don't live in Korea? (I don't live in Korea, therefore I stream dramas online - don't you want to count that?). I believe there are a lot of viewers who don't live in Korea but had to stream online.

Sorry, but if you expect this drama to be loveydovey, cheesy with sweet words, sweet expressions, sweet talks.. I don't think this drama is that.

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If this goes on, they will never be able to break Signal's record (which I know, I know you fans will say "they are not trying to break a record", lol I am just using it for reference. Well, lets see if it breaks 11% cause you know, the drama becomes stagnant for especially ep13-14. I know you will still argue that so many things happen, how can it be stagnant? Well, maybe we are watching different dramas if you cant see that.

Eric's acting, no he is not delivering. He can never have an acting trophy for that, (pls don't again tell me that he is not aiming for one, he is an actor after all). I can see so many actors playing his character as DK, his character is so simple to portray "cold hearted, problematic" guy you mean? I cant see him being a cold hearted, I can see him as someone who doesn't give expressions, when he is smiling, as if he was just smirking, lol. His monotonous voice, no pitch, bland no emotions in his voice. Even when he is declaring his love to Hae Young, to talking to his employees to just saying "Mianhee, Saranghae" its Almost the same and he failed to convey the proper emotion. You dont need someone who is so lovey dovey guy to feel that. I dont want to drop actors name. I am just saying my opinion but seems like most fans of this drama are ever protective of its male lead. Look at his sister, she is such a cold hearted at the same time problematic character but she delivered it, mind you she aint not screaming, yelling. The Pretty Oh Hae Young's acting though a bit lacking but definitely protrayed her problematic, charming girl properly that you can feel for her. And I agree with the comment above, Jin Sang, Jin Sang, that actor has so much body language and emotions, facial expression that when you put them side by side with eric, nah, you can see the difference. I guess, my problem with eric is his body language, sooo stoic and his facial expressions which is non existent.

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@nicole and missjb, Jin Sang say words. He acts thorugh sentences. While Do Kyung, No!!! He needs to use his eyes most of time. The guy doesn't talk oftenly! Jin Sang character is light while Do Kyung is gloomy and tragic. The characters like Oh Hae Young, Soo Kyung, Hoon and Jin Sang even Anna all can easily attract people because they're quirky characters. They need overact to deliver their emotions. So, stop complaining Eric's acting and just deal with that.

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That is called, the art of smizing and not all actors can actually smize to interpret what they want to say.

Yes, he don't need dialogues to speak what is in his mind. Not everyone in the world are talkative, outspoken & extrovert.

Some just use eyes to speak, actions to prove, hand gestures to explain.

Have fun watching til the end! (Btw it is only 18 episodes, not 20 episodes as you mentioned earlier..)

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I will complain, people will complain, they have broadcasted it publicly so expect opinions here and there. His eyes? His eyes doesn't act. Can't even notice his eyes because of his hairstyle, lol. He really lacks something in the way he acts. But since its all there and 4 episodes left till the end, I guess we'll have to deal with everything. Hope this show wraps up nicely.

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Also @ Hhah, Jo In Sung can do that smize way better than Eric, clearly and neatly. And by the way, talking about eyes, Kang Dong Won has perfectly portrayed that eye drama (little to no dialogues, only actions and gestures) in The Duelist. Now that is what you call "eye acting". Not this kind of acting where if you have not point out his eye, I would not even recognize it acted.

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What kept me intrigued is still the main character that always take a certain extreme act (OH Hae Young!) and how DK future will be play out and what writers true message is behind this saw the future think... So far, this narrative is the one that interest me the most. and how Oh HAe Young's character will take apart in it. OHY once said : "just pick up a person for real, I will kill him/her for you" Frightening... I really wish this drama is a melodrama for real LOL...
we got one more clue : "Someone hurts themself
and someone dies. So those things won't change, huh?" Yess, you won't change their action, because action is relate to other person's heart.

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This site is full of oppapologist...don't expect them to be rational

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This episode was such a breather compared to the earlier few. I love the scene between the two friends. That's the kind of friendship and relationship everyone needs. The right concern, the right advice and discussion, yet bringing in the lightness.
That scene with papaOHY running away from mamaOHY was so hilarious. The way she ran and then from her talk to PDK you know where ourOHY gets her craziness and sweetness from. Finally after cursing him she takes it all back. So sweet. Her statement about his eyes...oh man really the only reason iv'e been forgiving Eric has been coz of those damn sweet/sad eyes :P

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I just realize this. Everytime Eric make drama comeback, viewers keep calling his name instead of his characters even in korean website while never happen with his co-stars. Sometimes I confuse whether we talk about Eric, himself or his characters because people keep mentioning his name instead of just say Park Do Kyung XD

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In this episode, I saw Eric in black shirt, Eric in white, Eric in shades of grey, Eric's eyes (couldn't agree more with what mom said about his eyes), Eric's wide chest.. distracting, too distracting ..

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+1

Hee hee. ~cue Eric's smile~
? ? ?

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Do-kyung is in a rebellious phase where his visions tell him what to do and that he needs to do everything the other way around.

Our two leads are just crazy. This is too extreme. Did they just get back like that? Oh, well. Still love them.

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Geez, I can't even go to sleep without OHYA running around in my mind. Sheesh...

Re: DK's vision of impending doom -- with apologies to Chandler in strand #59 ;-)

The vehicle doesn't look like a taxi to me, but for some reason, the Bonzo Dog Doo-Dah Band's "Death Cab for Cutie" has been in the back of my mind. (It's on YouTube, but I'm remembering their appearance in MAGICAL MYSTERY TOUR. Viv Stanshall's send-up of Elvis is right on the money.) In the song, Cutie goes off on the town without oppa, and ends up getting killed in a crash.

Put a twist on the song, and Cutie is DK in the crosswalk. And maybe we aren't seeing the whole scene. Just suppose that he's with JS, who's about to get flattened, and he shoves his niece's/nephew's father out of harm's way so the child will get to grow up with a dad -- unlike Uncle DK...

That scenario would dovetail nicely with the theme of love that Soo-Kyung introduced in ep. 10. See strand 46, above.

DK has been making progress as a human being. He's finally told OHY how he feels, and so will not die with regret. But since all beings who are born will inevitably die, he makes a quantum leap to spare not only JS and his child, but Noona, as well.

“Greater love hath no man than this, that a man lay down his life for his friends.” (John 15:13, King James Version).

Please pass the tissues... Unless it turns out to be a rewind day a la DOLLHOUSE. In which case I'd be mightily pissed off.

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Was about to re-comment to ask what was the song from the car scene in the beginning. But decided to google it myself. lul

https://www.youtube.com/watch?v=gKVjvqIg1Yo

for anyone who's curious and love it like me. haha :>

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So my question is this. Soo Kyung's "apology" to Hae Young in the office has always bothered me. Your opinion is that she just stops apologizing before it gets to weird. But I see it differently. She apologizes twice, then actually says "never mind, I'm not sorry. That is not stopping an apology, that is taking one back. I never understood this and still don't. It actually made me dislike Soo Kyung even more. Our Hae Young definately deserved an apology and it should have not been withdrawn. What say you?

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Please who knows the song that was playing in Hae Young's friends car in the beginning? I can't find it!

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Freaken love this story, constantly crying my eyes out for these two people. And then laughing out loud when they do get somewhere. Never commited to watching a subtitled this much lol xx ❤

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