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Captivating the King: Episodes 5-6

Let the games begin! Back in each other’s orbits, our leads spin tight webs around each other while delicately navigating those spun by their mutual enemies. But when everyone’s playing 20 steps ahead of everyone else, the lines between ally and enemy become blurry indeed.

 
EPISODES 5-6

Three years have passed since Lee In became king and Hee-soo escaped. After plunging down a waterfall and being presumed dead, Hee-soo was rescued by her old servants and reunited with CHU DAL-HA (Na Hyun-woo), the spy whose commission and capture triggered the whole debacle in the first place. Dal-ha lost an eye via torture, and he was in love with the late Hong-jang, so for the past three years, he and Hee-soo have been plotting revenge together. They even have a few palace contacts, including PRINCE DEOK-SEONG (Sohn Jong-hak), who’s privileged enough to play baduk with Lee In himself.

Except, Lee In knows Prince Deok-seong is backed by his uncle, Lord Park, and thereby also the QUEEN DOWAGER (Jang Young-nam). After Prince Deok-seong makes the mistake of remarking that Qing’s Prince Rui has stepped aside to let his nephew assume the throne (i.e., he did the opposite of what Lee In did), he gets *mysteriously* murdered. Lee In subsequently warns Lord Park not to plant anyone else in his inner circle.

Captivating the King: Episodes 5-6

Lord Park and his associates have also been trying to get Myung-ha strung up on various charges of incompetence over the years. They finally convince Lee In to summon him to the palace, but instead of risking yet another failed accusation, Lee In appoints Myung-ha Sixth Royal Secretary. This position has a singular duty: revive the dying peach tree the former king planted while Lee In was in captivity. Many previous sixth secretaries have failed, and Myung-ha will face grave consequences if he can’t save the tree, either.

Finally, Lee In invents a new palace position, which he calls a gidaeryeong. More than a teacher, this person will serve as his personal baduk partner. Thus, they’re selected through a baduk tournament. Seeing Mong-woo’s name on the list of first-day winners, Lee In tries to convince himself it can’t possibly be the Mong-woo he knew. But curiosity wins out, and he attends the second day to see for himself.

Only a few finalists remain, and by chance, Hee-soo ends up without a partner for the next round. Normally, this would be counted as an automatic advancement, but Lee In orders her to play against the only other eligible person present: Myung-ha, who has yet to officially assume his new position. Though both Hee-soo and Lee In are visibly shaken by the other’s presence, she tamps down her nerves and wins the game. When Lee In pointedly observes that Myung-ha would have won had he sacrificed a particular stone, Hee-soo disagrees. Just as pointedly, she says there’s always a way to save a cornered stone if you look hard enough — Myung-ha’s fatal mistake here was giving up on the stone too soon. And so was Lee In’s, being the clear implication.

The guards threaten to cut out her tongue for insolence, but Hee-soo doubles down. Baduk is a conversation between equals, so if Lee In is going to punish people for challenging him verbally, he’ll need a new gidaeryeong every time he plays. Both insulted and impressed by her sheer audacity, Lee In lets her keep her tongue — provided she wins and becomes gidaeryeong. And that’s exactly what she does.

Captivating the King: Episodes 5-6

If the tension between them was thick before, it’s practically suffocating once they’re alone. Having guessed that the “cornered stone” was Hong-jang, Lee In explicitly accuses Mong-woo of plotting revenge. Hee-soo denies it, so he leaves her with a warning: he killed Mong-woo once, and he’ll do it again if he catches her deceiving him or making alliances with other members of the court. But since Mong-woo only plays baduk when a bet is involved, he agrees to grant her one request if she wins. Given the stakes and their respective skills, however, that first day ends in a draw.

In the meantime, Hee-soo approaches Myung-ha. She says, rightly, that he should beg her for forgiveness, but he refuses to apologize for doing what he believed he had to. Instead of getting angry, Hee-soo tries to recruit him to her and Dal-ha’s revenge force, figuring such brazenness means he’ll have no qualms going up against the king. Myung-ha turns her down, so she promises to prove her capability by helping him meet his cousins, the children of the former king.

Captivating the King: Episodes 5-6

As Lee In predicted, it’s not long before the queen dowager extends an offer to Mong-woo. She does so discretely, using Lee In’s frail, neglected queen (Ha Seo-yoon) as a shield in case Lee In gets wind of the meeting (which he does). Instead of being played, however, Hee-soo manipulates the scene to look like the queen wanted her to tutor Lee In’s nephew in baduk. Thus, Hee-soo gets out of accepting the queen dowager’s proposal, and the poor queen isn’t punished for being a powerless pawn. (Plus, it gives Hee-soo the perfect opportunity to arrange that meeting between Myung-ha and his cousins.)

Lee In sees through Mong-woo’s ploy. But since he’s the one who ordered her not to accept his mother’s patronage, he can’t fault her for it. Nor can he hide that he’s touched that his nephew wants to learn baduk. So he promises to protect Mong-woo — his person, he calls her — from his mother’s wrath that’s sure to come. Now he’s anxious to play baduk with her again, but by the time he clears an afternoon to do so, she’s convinced Myung-ha to join her plot. Lee In arrives just in time to see the two embracing, and he’s too far away to see the coldness in Hee-soo’s eyes.

My goodness, these two and their feelings for each other are so deliciously tangled. They see right through each other, and yet they still manage to one-up each other at every turn. Alongside the obvious animosity, I think they’re also both angry at themselves for how things ended three years ago — her for trusting him and him for betraying her and Hong-jang — even though they’d likely make the same choices given the chance to go back and try again. Meanwhile, he’s already fully admitted he craves the way her presence helps him tune out the world and its troubles, and I suspect she’s still searching for glimpses of her old hero in him, at least subconsciously. And just imagine how much more complicated those feelings will get once he finds out she’s a woman — and Lord Kang’s daughter, no less!

I also really liked the moment of solidarity between Mong-woo and the queen, and I hope they remain on relatively good terms as long as possible. Though, again, Lee In finding out Hee-soo’s identity and potentially falling deeper in love with her will most certainly complicate everything. In the best and worst ways all at once.

Captivating the King: Episodes 5-6

 
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The intensity of those yeongchwijeong scene is soo…. While watching that scene i’m afraid Lee In suddenly turn into mad king like his brother and started draw a sword or something.. excited for this week 4 episodes!

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My issue with this show is I can't bear the FL and Shin Se-Kyung's acting is not helping.

She wants revenge but the situation could have been different, if she thought before acting and told the truth about her meeting with Chu Dal-Ha.

I really dislike how she thinks she's right and better and every other people are wrong. I don't like how she's a baduk genius but acts recklessy in the real life.

I was happy when Myung-ha refused to help her but disapointed at the end of the episode. He doesn't really have reason to get revenge. His father was plotting against the King and lost, it was a battle for power, not for injustice. He was lucky that he wasn't killed and the King defended him against the ministers.

JJS's scenes are the best. It's so nice to get a King with power and not the usual puppet! He's very charismatic in this role.

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I agree. She is so terribly one tone, so miscast. To top it, she is not investing anything to make the character look authentic. The make up team has done a dismal job.

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Yeah, her mannerism, her voice, her lipstick, everything is the same as a girl or as a boy. It's so obvious.

I'm happy at least that the one who saw her in her both outfits recognized her from afar. Myung-ha is not completely blind!

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I agree the FL definitely looks like a girl still. However, this isn't the first kdrama to do this and it won't be the last- I think that if they want to really build up sexual tension between the leads without leaning too heavily into the question "is the kind homosexual" then it's an understandable directing choice.

As for Myung Ha recognizing her, I drink he has a distinct advantage over everyone else: he saw her at close range with his full attention fixed on her for a long period of time rather than the king, who got maybe a minute from a distance when he was very focused on something else. So I don't blame him for not immediately putting 2 and 2 together, although I do think he may know she's a woman.

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The other dramas, at least, tried. In this one, it doesn't look they tried at all.

I said Myung-Ha was the one who saw in her both outfits, it's why he could recognize her.

The King's bodyguard could recognize her because he watched her at her house when Lee In was focused on her father.

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I rewatched a couple of episodes because after reading the Dramabeans recap, I realized I had fallen asleep also and missed a lot. Rewatching FL trip/fall in EP 3 (I think) -she fell so gracefully and with these high pitched "oh!" "oo' "eep" 🙄 And she continued while they put her foot in the stream. It's like somebody's not even trying between Shin Se kyun and the director...

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You're definitely right about Myung-ha. Except that is in theory. In theory we expect Myung-ha to be thankful he's not dead. If not for the negotiation of the previous Queen he'd be six feet under.

In Myung-ha's eyes, his father died an unjustly death and in the most undignified manner. And with the aid of selective amnesia, he's forgetting that he forged the confession letter that prompted the scenario play out that way. In Myung-ha's eyes, it was a failed attempt that cost his father's life, but in no way was it unjust in Myung-ha's eyes.

If anybody has a right to come for Lee In's head, it's Hee-soo and Chu Dal-ha. Add in Myung-ha's selective amnesia of the version of events and we see him delusionally thinking he has a right to point fingers.

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Ah, yes. Selective amnesia and delusion. I still wonder, however, if deep down, Myung-ha knows that his father was wrong. He just might not be willing to acknowledge it.

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I always hesitate to criticize an actor because I'm afraid of how other people might react, but this time , I decided to overcome any reluctance and agree with you here. Of course it goes without saying that I have nothing against her personally (and I shouldn't even have to put that caveat, but I'm just being safe), but I am frustrated with Shin Se-kyung's performance. She has a lovely voice (which is perfect for Saeguks), but I'm continually left wanting more from her. Her expressions never really change, and I'm just not convinced by her performance.

Regarding Myung-ha: I can understand the pain of losing his father, but I hope he knows deep down inside how much of a snake his father was.

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Agree.. FL and her acting, also SML and his motives make no sense
( i don't know which show of FL's have people been watching to say she is a good actress.. she has such a long history to show she is not a good or versatile actress)
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she , as a character, thinks she is super smart.. when all her decisions are just so off

again agree.. ML is too good, as always.. the voice modulation, nuanced expressions.. all good

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Shin Se kyung is definitely a hit or miss actress but this time I purely fault the director. Is he afraid to direct her? To tell her to leave the lipstick and eyeliner in her dressing room? To instruct her how to walk and sit, to lower the inflection of her tone? To over dub or cut all those little squeals when she fell?

A list of my opinions on her shows that I've seen:
She was very, very good in Six Flying Dragons (now known as Roots of Throne).
The viewers hated her in When a Man Loves but that director stepped forward and said that was how he directed her (I think that was more about the audience wanting her character to react differently to be ML.)
I loved her in The Girl Who See Smells.
I thought she was good in Blade Man but the show was absolutely terrible.
Most people didn't like her in Fashion King but, imo, that was the character's traits - to be wishy-washy.
She did a good job in Rookie Historian although admittedly, it didn't require much.
She did a good job in Tree with Deep Roots.
The Bride of Haebuk lost me with it's illogical story line but before I dropped it, she seemed to be playing the role okay.
IMO she doesn't stretch well but she has her moments of good teary eyes when it's called for. I don't think I've ever seen her play angry that I can recall but she can do subdued fear very well.

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I agree that the directing is part of the problem.

I remember liking Shin Se-kyung's performances in Tree with Deep Roots and Run On.

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she is more than bearable in six dragons.. run on actually is the only drama where she fits the character.. overall the casting of 4 main leads and interactions played well

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I didn't watch Run On. I couldn't figure out what it was about and the trailers Netflix was showing gave me nothing to make me want to watch. Also I knew it had more than only Shin Se kyung and Im Si-Wan as stars but I didn't realize the co-stars were Soo young and Kang Tae-Oh, both of whom I like. If i had known they were the other stars maybe I would l've checked it out. But nothing grabbed me enough to try to be find out... until now. I might check it out now.

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run on - dont expect some plot per se.. its just interactions.. second leads r awesome

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She was good in Rookie Historian Goo Hae Ryung, also a sageuk.

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ok.. haven't watched it.. its the one with cha eun woo right?

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Shin Se-kyung's acting isn't the problem for me. Her facial "gestures" are always there and you can tell what she's thinking - show irrespective. The whole time, the ML and FL are playing baduk, board or not. That's been evident since ep1 - her "poker face" is awesome - it is in every show I've seen her in.

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I can't tell if this is a sincere compliment or sarcasm. 🤣🤣🤣

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Sincere compliment, however left handed it seemed. We think she's adorable.

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There’s indeed something I dislike about our heroine. Acting is fine for me but her character’s quiet moralizing about how she’s right and the king is wrong is a bit off-putting. I don’t think the writer made a convincing case for the revenge. The stakes are just not high for me. I understand that her best friend died but I really didn’t see much of their friendship to get invested in that friendship on a deep emotional level. All I know about Hongjang is that she’s a friend who helped her dress up as a male and gave a good advice here and there. Because I’m not yet on her side, I find Heesoo dislikable, making a lot of assumptions about what happened to her without trying much understanding the King. If she really loved him (like she fancied herself) and really held him in high regard, why didn’t she even make an attempt at getting an explanation from him? Trying to understand a situation as a bigger picture? That BOTH of them were pawns of this tragic political dangerous game? Again, she just made a lot of black-and-white assumptions, and this is why I find her character a bit two-dimensional and off-putting. And whatever happened to her hostage rescue “hobby”? I’m a bit confused about her background and what does she actually want to get from the king apart from some misguided grand notion that Hongang death must be avenged. 🤔

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Hong-jang meant a lot to Hee-soo. Out of the women that were taken to Qing that Hee-soo redeemed, she was the first set of those she brought back.
It is very easy for her to form a deep bond with her. Also do not forget that Hong-jang is a noblewoman.

If I'll pick apart a character seeking a person's head because someone they liked died, it'll be Lady Yoo in Bloody Heart. I can't believe she raved mad at the King because of one of the dumbest maids I've come across in dramaland that died. The said maid has been at her beck and call since younger years. Looking back, both Hee-soo and Lady Yoo share similar fates and circumstances. Both also had their original names hidden from the world. Both had persons dear to them die thanks to being caught in the cross hairs of the machinations of people in power - both good and evil. But unlike in Bloody Heart where it didn't make any sense, I perfectly stand behind this one.

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Hong-jang was also one of those women that was outcast by her family and her brother wished she was better off dead. I feel that Hee-soo felt guilty that she died, after surviving the Qings and her family, because of her, being taken and tortured only because the FL conection with the ML. And this ML did not help Hong-jang although she suffered being tortured without betraying him. Hee-soo witnessed first hand the "true" character of this new king ( although we all know or hope at least that this is not the case ) and, by being the daughter of one of the most important man at the court, probably feels is her duty to not let him be the king. I wonder about her father though, for sure he is not out of the picture and we will see if he had another role in the past events or if he will influence the future ones.

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"Hong-jang meant a lot to Hee-soo." Intellectually, I understand this. But emotionally - I'm not really invested. I am a lot more invested into King-Prince brother-brother relationship than Heesoo-Hongjang friend-friend relationship, largely because Show dedicated a lot more time to brother-brother relationship (e.g. last words before exile, peach tree, intense convos between them, Prince's resulting drinking and visible pain at being rejected by his brother, etc.) So it's easier for me on an emotional level to get behind the King's own revenge (that what it seems is happening) rather than our heroine's revenge. This is quite a problem (thankfully, the only problem, lol) for me at the moment with this series.

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Why did I have this feeling a couple of times that he suspects her of being a female?
The way his eyes reacted, so subtely, when their fingers touched....it was beautifully captured.
However, I do have difficulty in understanding all of JJS's motivations. I know he uses that cold persona to intimidate his opponents. Whoever killed his brother wanted him to be the King, yet he does not know who that is. So is he distancing himself from everyone to find his brother's killer? Or is he just a mistrustful, angry king because of what happened? Or maybe he wants to ensure people are so afraid of him that they would not dare harm his nephew? Plus the guilt of doing wrong by FL? I might have to go back and watch the first four episodes again because I seemed to have lost something somewhere. Though matter what the motivations are, he is just smashing as the powerful, intimidating King who makes people quake in their boots.
I can't wait to see his reaction when he sees the sword scar on FL's back.

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When the King said to Mong-woo in that menacing tone that he "remembered everything about" her, I thought perhaps he did put two and two together long ago, perhaps when he went to visit her father. But there are other times, as when he's speaking to himself and using "he/him" pronouns, that I think we're supposed to accept that this is some sort of brilliant disguise that has fooled everyone. JJS is definitely playing an awareness of her as a woman, whether or not the character himself has realized the truth. That is, there is obvious sexual and intellectual attraction there, and it's possible the King is fully aware of it and why he feels that way (i.e. he knows that she's a woman).

Both leads seem to have one main personality trait in common: they're both very good at rationalizing what they want or feel they need to do as unselfish because it also benefits others. The King lies and goes against his brother's wishes so he can take the throne, and tells himself and others that he's doing so because a young Grand Prince easily manipulated by corrupt officials would be harmful for the People. Hee-soo tricks everyone into believing she's a man and puts those around her in harm's way first so she could help out the less fortunate and now, so she can spare the People a deceitful King. In both cases, the two of them are genuine victims of political and social mores and are also at times correct in their presumption of their own ability to do good. At the same time, they use other people as pawns, have a very narrow view of justice (and that view benefits themselves), and act as though their primary desires (to rule and to play baduk) never came into play.

I do like that they're both gray characters in this way, and they're well matched on this level.

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Korea does not have he/him pronouns, so that's English translation (and that also confuses a lot of people). So when he is thinking, he is actually using uni-gender. Unfortunately I don't understand Korean beyond some oft uses phrases so no way to know what his musing innotations mean.

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Interesting that you describe his tone when he said "I remember everything about you" as menacing. It was definitely intense, but I got more anguish/haunted vibes from it than menace towards her. He definitely came off as menacing a but later though talking about deciding to kill her again though. I think it's a front though- both to keep up appearances and to try and convince himself he doesn't care.

That still doesn't make it right to threaten her however, so I don't want to come off like I'm defending him haha

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I see what you're saying and you might be right about the intent of the scene. In the preview, I did think that line came off more haunting and wistful than threatening, but in the actual scene, it seemed more like a warning. For the romance--should it come--to work for me, I do need to get more of that longing, yearning, lonely sense from him, and less of the aggressive, powerful, threatening vibe.

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Right now he definitely gives off more threatening vibes than anything else- I am also struggling to see a way for them to end up romantic leads together, for all that I find every interaction between them electrfying/captivating.

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Whether the King was being threatening or just intense - whatever he was doing, II was fanning myself and thinking "Cho Jung seok and that whisper - WHEW!"

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I thnk my problem stems from the fact that one has so much power over the other that they can kill if angry. It upsets the dynamics to a point it would never work in a love match. I wonder how theuy would address that.

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I 100% thought he'd figured it out a few episodes together when they played baduk and then he had her help him get dressed after getting cut by the ruffian dudes.

Their interactions have always been fairly loaded with tension either good or bad. And it's only just occurring to me now that if he really doesn't have any inkling, then he thought his male baduk friend was good friends with a gisaeng who died. Interesting.

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"Why did I have this feeling a couple of times that he suspects her of being a female?"

I really wish that would be the case. In my comments for the first two episodes, I wondered if he might have realized she was a woman during the scene in which she was helping him dress.

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During the dressing scene, I felt like it was more like 'this guy does not know simple tasks' and the Grand Prince had this flummoxed expressions through out. The only time I truly felt the current was when their fingers touched and the confusion reflecting in the Prince's eyes.
And yet I don't know. He sent her to death once, thought she was dead for three years, and yet now that she is back, he is restless and always thinking about her, is possessive about her wthout knowng why. But I am uncomfortable with the sense of violence I feel when I see him with her. I see raw passion when he comes to know she is a woman, but love? I don't know.
When he threatened her, I felt he was challenging her as well as himself. Perhaps trying to distance himself from the uncomfortable thoughts he has about this mysterous young man? And here is where my confusion lies. Has he somehow sensed he might be a 'she'? Then why is he not acting on his hunch to find out?
I hope the reveal comes soon because it will be fun if the King knows who she is while others don't and he has to continue to pretend.

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@Minnie - You say "I see raw passion when he comes to know she is a woman, but love? I don't know."
That's why I'm hoping for a later reveal. We need time for him to deeply care for her whether platonically or romantically so she doesn't literally lose her head once he finds out!

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i think he does not know she is female based on ep 7 preview.. but then i think we have a case of coffee prince..

he has had his feelings for him and it is confusing given he is a man

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This is an extremely well plotted show that knows how to build and maintain tension, and I'm enjoying it very much. The best scenes are those in which we see the leads, whether together or apart, trying to think 10 moves ahead of the other. I like watching them rely on their intelligence and cunning to impress and challenge themselves and each other.

I'm trying hard to get over my continued frustration with the fact that such an obviously talented production team didn't do more to make the FL believably pass for a man, even a very effeminate one. I've always found Shin Se-Kyung to be a perfectly fine actress, albeit one with a very consistent and identifiable style that might make others see her as lacking range. But to my mind she's more than capable of pulling off a more nuanced performance with gestures and facial expressions and other physical movements that could signal a more masculine presence. I'm baffled as to why that's not happening. More than that, why does Mong-woo immediately change out of her costume, as it were, the moment she goes inside her home, and go through the what must be extensive process of turning back into a beautifully attired and coiffed Joseon woman? Not only is that time consuming, but also, not safe! She knows the King's men are following her home and looming outside. They could all burst in at any moment!

But that aside, I like all the complicated moral issues that permeate the narrative, although I admit that I feel for Myung-ha way more than Mong-woo does. His father was awful, but he did struggle to balance his deeply ingrained filial piety, loyalty to the King, love for Mong-woo, and moral compass in a realistic, understandable way. Mong-woo, though, is so black and white about everything that now she doesn't bother to see him as a real human being, but only as a pawn.

As far as the romance goes, as many know, I love romance and will root for it under most conditions. But here, even if the King later reveals that he knew all along that Mong-woo is a woman, and that he did take steps to save her, I'm not really feeling much between these two beyond a kind of primal physical attraction that happens naturally between two attractive, heterosexual people. That is, the King did all but order her death, so I'm not feeling the potential love line here. Their scenes are filled with tension, but I'm not getting longing, and the King seems potentially violent to me in a way that makes me scared for her when he does discover she's a woman.

Finally, I feel sorry for the Queen! Had these girls/women known what they were in for, and had any real power, I don't think any of them would ever have wanted to be in that role.

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I also feel so sorry for the queen. She just looks so pale and terrified all the time. I hope she gets a happy ending.

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I really hope she can be good friends with Hee-soo. The palace is a lonely place for the queen.

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It's so fun to watch them push and pull and plan ahead of each other. On the king's part it definitely feels like every move he makes is designed to show Hee-Soo/Mong-Woo that he is the one in control and has the upper hand in their relationship. Which is super interesting because I think it betrays more than anything that he is still so fascinated by Mong Woo. So even with all his scheming it really doesn't help him if I think about it. It just shows that he sees Mong-Woo as someone he needs to think about a lot.

And then on Mong-Woo's side its fun to watch her try to plot for the king's downfall is so interesting because whenever she's NOT with him I believe her- she wants him off the throne. But when I see her together with him, it feels obvious that she's got more feelings left than just anger. So that's fun.

I also loved that her first big play was to save a cornered stone (the queen). The king likely would have sacrificed the queen and had her punished. But Mong Woo found a way to save her and may gain a valuable ally in the process.

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Love the cornered stone analogy!! That ought to show him lol

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I also think that she is a talented actress. But I do think that she plays the role very well. I mean, she is a nerd. What kind of a noble women would have played baduk in that era? Certainly not one with a lot of charisma or charming qualities. Or fun to be around. She has other qualities that match a baduk player, inteligence but also the ability to keep a straight face while thinking/playing/planning her moves. Think of her as a modern chess player, the only thing that is missing are some glasses. That is her role and her mind and talking are the qualities that make her attractive to our king.
Strolling through the twitter feed I stumbled upon a translation of a BTS segment and it made me laugh thinking about the bad reviews she has been getting lately here and elsewhere. Literally, the director says that she is supposed to say the line with a flat face. Damn if she does, damn if she doesn't, right? I know that everyone has a right and should say anything, but when it gets overly repetitive, one must also think of recent suicides blamed on the reactions of netizens.
I am posting a link to that BTS twitter translation, I don't know if is the correct because I don't understand korean but maybe someone does and will confirm it.
https://twitter.com/__simba10/status/1754417946175107129

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She was told to do just that indeed. Like a cold, I don't feel anything here kind of expression. I think she nailed it.

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"i know everyone has a right and should say anything, but when it gets overly repetitive...netizens"

In any profession, if your performance is not good, you are given a second chance and then thrown out. So, i don't see a reason why you should guilt trip netizens or audiences of media content when actors and actresses profession is to impress the audience with their acting.

If they don't improve, repetitive or not , they will be criticized and that is not audience's fault. they can be thankful that unlike other professions they get multiple chances.. and some can actually bank on other aspects besides talent to succeed.

basic point - do not guilt trip audience

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Well, I will do/write what I want/feel and you keep on doing/writing what you want/feel. Ok?

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this reply happens when a person knows he/she/they were wrong in their original comment..

i am glad that you realize that.. but you being stubborn to keep saying what makes no sense is indeed your choice

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@alasecond
No, it is not, I am never wrong! 🤣

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You totally are ! :D

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Next weekend will be a feast, when four episodes will be available instead of two.

The fact that the king ignores the queen and the concubines only reinforces my assumption that he is only sitting on the throne temporarily until he hands it over to his nephew. To do this, he must ensure that he does not produce an heir.
The question that interests me most is what sacrifices the king is willing to make and how unscrupulous he really is. I don't think he had the prince murdered, but he probably cares very little about the feelings of the frightened queen.

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I know we can't look for too much realism here, but it would a total political crisis if the King truly has not slept at least once with the Queen and any of the concubines. The whole ceremony of him taking them, as it were, is that there is a First Night. So even if, in his mind, he's just a placeholder for his nephew (and I do believe he's probably telling himself that even if he's open to circumstances demanding that he stay on as King in the future), it's hard for me to fathom that he's managed to avoid having sex with any of the various court women. And if the rumors are true and not a ruse, then he's sleeping around with non-Royals, a situation that also could result in a heir, albeit an illegitimate one. So it's hard to know exactly what's going on here. My sense is that he has slept with a variety of women, but in typical kdrama fashion, it's all happening off-screen and will not result in a pregnancy.

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I rather suspect that it's just a deliberately spread rumour that he spends his nights with women and drinking. Presumably to distract from the fact that he doesn't sleep with his wives. The lack of offspring seems to worry them, as we saw in the first scenes of episode 5. One of the concubines was cast out because she prayed in a ritual that she would become pregnant. A few sentences later, we are told that the king ignores all his wives and is only interested in the court lady, whose name I have forgotten.

This is probably just as realistic as the fact that nobody recognises that FL is a woman.

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This is probably just as realistic as the fact that nobody recognises that FL is a woman.

That cracked me up hahaha!
I think the spread of rumour is on purpose for sure. He spends playing baduk by himself and spreads the nonsense that he is sleeping around and drinking himself worthless. Which is why he does not allow even the court woman in there. No one knows what exactly goes in there except for his guard, which is why their relationship has remained unchanged.

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Lol good point on the FL/sleeping around comparison. This show definitely has a fee thongs that require suspension of disbelief, but I will gladly give it if I'm gifted with such intense acting from JJS ahahaha

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for sure.. he is holding the throne and won't have a child else his mother will do more damage

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I don't know if it is only me but I had to do a lot to bear through this week's episodes. I dislike the female lead both character and actress. Even Jo Jeong-seok can't save this sinking ship for me. Btw the king's paranoia is slightly over the top. I don't know if he is pretending or he suspects everyone beside him. I am a fan of political schemes but this one isn't hitting it for me

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It is weird because it is so obvious that SSK is a woman, but at the same time people see what they want to see. The King is obviously very smart, but he is also obviously hampered by whatever revenge plan he has in mind. He is a very lonely individuals whose only confidants are below him in station. He only trusts his body and he has no choice with the main maid, who is half in love with him. So he is stuck between a rock and a hard place. He obviously wants to trust Mong Won, but recognizes that, that is foolhardy, but he misses him, but now he thinks he might be gay. WOOF, there is a lot there.

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i mean what can costume dept do? fake adam's apple..

ofcourse no woman is going to pass off as man in joseon dramas

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It is obvious she is woman because of other reasons other than a lack of Adam's apple. The way she talks, walks, and her mannerisms. The only thing that is overtly manly are her clothes.

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you didn't get the gist of the comment..
she is woman, what is costume dept going to do.. not every woman can be morphed into a perfect man..

on acting - that's upto the actress.. however, in this case i think she doesn't act that way because she is not even practicing.. she hangs out with only women, they help her dress up.. so her mannerisms will continue to be woman like..

For men of that society, they can't think of woman pretending to be a man because of grave circumstances... and then you do have men with feminine behavior and aura

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I consider myself genderless, without even looking like a man, people sometimes think I am a man until their see me in person. 😄 these gender stereotypes is more than cloth or mannerisms, they already penetrate into human subconscious hah

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This is a very scary king, JJS creates so much tension with his excellent acting. I like how his character is written. Myung-ha is also very well developed, his fears, hesitations, cowardice is all there and relatable.

I wish I could say the same about Hee-soo. I do not blame Shin Se-kyung for this, I really like her as an actress. She may be too feminine in body to successfully impersonate a man, but I would be prepared to overlook it, if her character were better written. She may have been naive and young before her father's death, but her new 'plan' has me in dismay: Go to the palace, play Baduk with the shrewd and ruthless king, find his weakness and expose it! What Kindergarten plan is that?

It will naturally all work out, because we all know that the king will fall in love with her and will not execute her after finding out that she is a woman.

I do feel a little sorry for Myung-ha. He knows it is a bad plan, but gives in, just for her. No doubt, he will suffer the consequences.

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Myung Ha is bound to suffer the consequences. I doubt Hee Soo has forgiven him his part in that fake testimony that lead to Hong Jang's death. I highly doubt she is only after the King. Myung Ha, the principal director and his cohorts will all have their comeuppance.

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I actually think the revenge plan for Hee Soo feels really in line with Hee soo's character so far and purposefully not super thought out (as like a writing choice not just shoddy writing).

She's a brilliant baduk player, yes, but she has 0 political scheming experience. She's also proven she can be a bit risky when she thinks she's doing the right thing (by dressing up as a man in the first place to gamble for ransom money).

I also think she's not as firm in her resolve for revenge as she thinks she is. She also strikes me as hurt and confused about what happened to change the man who she thought she'd deeply connected with- the man who put himself in physically in harm's way to save her once before- into someone willing to sacrifice her and her friend overnight. After he'd specifically told her he'd save her, no less.

I think she wants revenge, but she also just wants answers. And if the answers put her back on his side, then it'll be easier to believe the switch if we didn't buy her revenge plans to begin with.

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Imagine if the writers really make Hee-soo realize how foolish her plan for revenge is---or even make her come to recognize that she is not thirsty for revenge, but just feeling anger at Lee in, guilt over her own actions that catalysed most of the problems, and grief for her friend Hong-Jang. Hmmm, I'm afraid that the writers will lean on other tropes. Is it too much to hope for them maintaining, even improving the writing?

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THIS. Her reason for revenge isn’t convincing for me yet. She’s acting like an angry and confused child with a “kindergarten plan” (thank you @heikicampbell for an apt analogy!) rather than a rain-fire-on-hell woman with a well-earned fully-deserved case of revenge.

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Jo Jung-seok breathes fire on screen. And when you place his fire side by side with Shin Se-kyung's stillness, it does some crazy wonders to the scenes.

I love the way the script developed the identity situation. They went right down to business, saving us the stress of knowing things ways before Lee In gets wind of it.

So I finally get to meet the Consort mentioned on Asianwiki. She's so frail I'm so sad she's caught in the middle of the political turmoil and pissed she's the daughter of one of the entitled evil trios.

I don't think Lee In killed Prince Deok-seon though. That was the designs of the principal director, or whoever his patron is.

The ending of episode 6... Jo Jung-seok conveyed a lot of emotions with that glare... murderous intent, hurt, shock, wonderment. Unless men hug men in that manner in Sejak's era/world, I'm guessing this is the scene that finally has him critiquing her gender. I do hope they do not play it for dumbs.

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I totally forgot about jealous Court Lady Dong. Her antics at Yeonchwigwang breathed jealous girlfriend whose boyfriend won't allow her share the same spoon with him. Be content with being the Queen of the King's quarters ma'am. Yeonchwigwang has its own Court Lady Dong.

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Yes that was her name, lol, I called her the main maid. She has loved him since she served his brother.

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I didn't realize she was in love with him! What a strange dynamic. I've been confused about her as a character but if she's not entirely loyal to Lee In, seems like she's a ticking time bomb for exposing his lie

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They aren't super obvious about it, but he was kind to her when she served his brother, and she would look at him lovingly. That is why she is so strongly possessive of him, the secret holds him, but she isn't stupid, she does know he could just have her killed. He is hers and no one, not even a queen or concubine has stood by his side longer.

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It's unrequited love for sure. And he intentionally kept her close - close enough to work the palace rumor mill overtime with charges of moral depravity

Love the taut economy of plot beats and insinuating dialogue that allow audience to connect dots and work out the hidden implications

Sang Hwa (to King): "Did you use me as an excuse against Court Lady Dong again?"

Lord Min (to Mong-woo): "She served the last king, and the current one too." ["serve" is an euphemism here. It is not referring to serving herbal medicine let's just say]

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I also think Lee In didn't kill prince Deok Seon. I think you're right- his patron killed him because he'd been found out or something. I could be wrong though. If I am, I'll be super disappointed in Lee In. I'm holding out through the angst on the premise that he's playing somewhat of the long game and won't be murdering people left and right. That he's still a little bit of a good guy I can root for ahaha

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Ohhhh I thought it was clear that he didn't kill him but the uncle did.

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correct.. ML clearly spoke to his uncle that he knows who got DS killed.. definitely not ML

But i do not understand ML and his mother's relationship... i guess the one who really killed the old king is ML'smom.. but why is so hell bent on having her people around him.. she should be his supporter now that heis the king and she got what she wanted i.e. making him the king

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Probably coz he's not making an heir and is keeping the previous king's son in the palace. They should have been killed as per sageuk logic but they're there and kept their titles. She knows he's going to give the throne to the son when he's ready.

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"I don't think Lee In killed Prince Deok-seon though. That was the designs of the principal director, or whoever his patron is."

I agree.

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I am looking forward the complications and entanglements of the interrelationship of the leads and the people around them. Its deliciously entertaining. But for some reason, I do not feel anything for the FL's quest for vengeance. I am more in the King's camp. JJS is just so charismatic as the morally grey and very deceptive King.

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“I do not feel anything for the FL's quest for vengeance.” For a time being this is the biggest problem of the series. Her revenge quest isn’t “well-deserved” for me. It comes across as petty and a bit amateurish and childish, giving way to all sorts of off-putting moralizing. Girl, have you even asked the King WHY he behaved the way he did?

I like everything else about the series, including many awesome references to Baduk.

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Yes exactly. It felt shallow. she comes across as petty and selfish somehow. Also I thought how arrogant she is of actually daring to take down a King which makes her no different from his other power hungry enemies.

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Yep. Hopefully, we get more of our heroine's motivations clarified or her realizing that she indeed didn't want a revenge but was sad and guilty and hence petty and arrogant. Meaning, hopefully we will get a more flashed-out character from her. I'm not holding my breath yet.

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The story is becoming as interesting and intertwined as a game of baduk

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As Mong-woo, our female lead would have lived in hiding, but she also has her identity as Hee-soo, daughter of the late Chief State Councilor (was his death confirmed or could he possibly still be alive?).

What has Hee-soo be doing all this time? After the death of her father, has she been living alone for three years? What about her extended family/relations? Would extended family members have tried to see to her marriage? I mean, how i she supporting herself as Hee-soo?

So far, the show hasn't exactly told us how she has been living/surviving these past three years. I'm just curious.

For some reason, I keep thinking about these questions.

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She attached herself to one of the ministers. At first glance, I think it is the one who was acting like he was financing none of the applicants. I'm guessing he's the same person who's directly in Cahoots with the Queen Dowager and also the Lee In's uncle plus Prince Deok-seon's patron.

But then, it seems like she approached Principal Director because he's tied to Deok-seon and she had a direct access to Deok-seon. So I'm guessing the man who took her in is the minister who resigned during the whole fiasco 3 years ago who is also a close friend of Lord Kang. She was always dressed as a female when in the presence of that person and I don't think she'll reveal that aspect of herself to Principal Director.

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"So I'm guessing the man who took her in is the minister who resigned during the whole fiasco 3 years ago who is also a close friend of Lord Kang."

Are you referring to the character of Kim Je-nam (I'm looking at the Asianwiki page for reference)?

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Yes. That's him. I've just confirmed it after fact checking the face with the nobleman in the beginning of episode 5.

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Maybe it's that I have so much going on IRL. Maybe it's that I'm just. so. tired. right. now. But I've decided to enjoy this particular show without overanalyzing it.

In the big picture, I find Captivating the King to be an outstanding production and a highly engaging story. The complex emotional situations, and the characters' strategies for dealing with them, are playing out masterfully, both in the script and in the acting.

Jo Jung Suk's performance is electric. I'm also enjoying Shin Se Kyung, and see them as an excellent counterpoint to each other, much like the black and white pieces on the baduk board. Personally, I find her poise and gracefulness to be refreshingly different, and they serve her well in this role.

I've been looking forward each week to seeing where the writer takes us on this journey. And that's good enough for me, for now.

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"Personally, I find her poise and gracefulness to be refreshingly different." Me too, @zindigo! Well said.

JJS is incredible here and gets to bring a lot of fire to his performance which is great to watch. But SSK is having to play someone who has tight reins on her emotions, and who is respectful of the King. She doesn't get to be as explosive as JJS...That's just the nature of the role.

Totally agree they are great counterpoints and their different energies are creating some amazing chemistry!

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Thank you so much for the recaps!

Yoooooo how long had it been since I felt so strongly for a show that I came here to read through what everyone thought of it as well? Thank goodness for Netflix recommendations for showing this to me. I didn't even know it's happening but dangg, I'm enjoying it so much.

I'm usually very critical with technical stuff and why characters do this and that but for some reason, the obvious things here (her not being manly enough as the baduk gambler) don't bother me at all. It flows so smoothly that I'm just captivated (ha!).

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TVN will release 4 episodes this week :
Friday : 1
Saturday : 1
Sunday : 2

I'm not sure, if it's only this week or for the rest of the drama.

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The heavens have blessed us. Praise the dramalords.

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Not sure that @mistyisles will think the same when she will have 4 hours to recap 😅

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Lol you're not wrong about that haha

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😅

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Fighting! 💪

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From what I understand, it's only this weekend because of the Lunar New Year (or something like that). I read somewhere that the KKW is not showing this Friday so they are trying to get their ratings high. That works for me great, I cannot wait for this weekend, these coming episodes are supposed to be even better from what they are saying. JJS sayed that it will be like a glass filled with water that will spill any moment and than there will be flooding. Episode 8, specially, is mentioned to be just as great, or even better than the fourth one.

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I was initially wondering if they would preempt this week's episodes for Lunar New Year special celebration programs.

It's Friday morning here in my part of the world. By noon it's public holidays and everyone rushes home to prepare for New Year's Eve reunion dinner.

Saturday would be the LNY 1st Day, Sunday 2nd Day, and Monday public holidays in lieu of Sat. So it's really a treat to get 4 episodes, instead of 0 LOL 🤣🤣

Logging off to prepare for the New Year now!

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Happy New Year to you and yours! 🎉🎊🎉

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Happy New Year! May you and your loved ones have a great and blessed one! And thanks for sharing some bits of how this holiday is celebrated, you got me, I must shamefully admit that I was unaware of its importance. It sparked my curiosity and I have updated myself. 🤣
So happy they did not delay it but instead they gave us more, last show I was so captivated was MD where it had a hiatus of 5 weeks in between parts and it was torture.
I must live right across the globe from you, I get to read al the spoilers about it when I wake up tomorrow. What can I say, I am weak, cannot wait until Netflix airs it. Unfortunately for me, I will work all weekend, but for sure I will be watching it during my breaks. 🤣

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What a gorgeous treat and great news! You just made this girl very happy. 🥰

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Jjs the actor that you are. I could only marvel at your talent. That last scene in ep 5 when he confronted ssk I was legit scared. His eyes seems to just.. breathe fire.

I do continue to enjoy the chemistry between the leads. But I get the criticism. Maybe the fl could have been better cast.
While ssk is a perfectly servicable actress I think her limitations are stark contrast to the other talent on screen. Everyone is doing an exceptional job and production quality is top notch. Her okayish performance does sort of put a damper on things.
That said the show continues to enthrall me.

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I enjoy the show but there are some things that I can't wrap my head around. Why is the Dowager going against her own son? In most shows the queen dowager's keep plotting against the King when it's not their own son on the throne. Here she has everything, what is she getting from interfering in politics? Hee soo's revenge should've been on Myung ha's dad and Myung ha. All lee in did was promise that he'll come to save them but he didn't. Her friend did from the injuries inflicted by Myung ha's dad and her brother. Yes the rest got punished because of Lee In later but still her revenge's reasoning seems paper thin and is not directed at the right person. Especially when it comes to her father, Lee in even stopped him from going. So she is being very naive here. Idk about Lee In's motivations behind becoming the King but at least JJS is a delight to see here. He has a wide range but I guess I've seen the biggest variety of expressions on him in this show than any other.

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I looked up how baduk is played. It's quite complicated but the rules are simple. Very interesting. I can see how it can go on for days.

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This show is getting on my nerves because she obviously STILL looks like a woman and how can any man not see that? That's so lame that even the KING cannot see this. If maybe they show us other young men that she could look like then it would be maybe believable. But most of the men are aged and look like men and have facial hair. She is still wearing lip gloss and eye makeup. This is ridiculous.

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1. LURVE the tension-wrought and electrifying screen presence and totally loaded dialogue (with subtext and innuendoes galore) between our OTP whenever they are alone. "Suffocating" is the operative word here. I can hardly breathe.

2. On "cornered stone": During the competition and game analysis, Mong-woo makes a veiled allusion to her friend Hong-Jang, a stone "cast aside" to advance a greater interest. Lee In perceptively read it as her resentful admonishment of his abandonment then.

3: "which cornered stone are we really talking about?"
But when the King next references this phrase of hers (when they were alone) the veiled allusion for him is to Mong-woo herself: while ostensibly talking about Hong-jang he acknowledges that the wrongful death of a friend who trusts and relies on him, a friend who makes life meaningful for him, and whom he wishes to protect at all costs, is "enough to drive one mad" (directorial cue: CU shot of king who turns his face and gaze away from Mong-woo) -- it was SO GOOD

4) The function of "time" & playing 4D Baduk (aka the shadow of the future and do we actually have repetitive play?)

If we think about what Mong-woo says in her post-game analysis, the move to protect a cornered stone will only pay off when the 4th dimension comes into play -- the function of time. As Mong-woo rightly points out: Had Myung-ha built up the territory around the cornered stone subsequent to the save, he would have won the game, not Mong-woo. BUT he did not (or rather, he did not have the game proficiency to do so and so he lost)

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CONT'D

5) Lee-In's initial betrayal of Mong-woo was classic game-theory move -- cornered, he felt he did not have the luxury of the function of "time" to work to his benefit. When every play is a one-shot interaction, you can only seek to optimize your pay-off in that one shot (as though this is a snapshot of time, with no past or future to speak of).

In such a case, the only pragmatic thing to do is to "defect" (where prisoners must all defect and betray each other for optimized play). The tragic pathos happens because Mong-woo held on to a promise he made her: that he will save them (promises are actualized in the future, unforch)

6) So when there is a time leap of 3 years -- I thought that is very interesting. Because time (the 4th dimension) is needed to win a game, after saving a cornered stone. You need time to build up and expand your territories (stones). Notice the opening credits: the stones on a Baduk board are people.

In these ensuing three years, both Lee-In and Mong-woo are busy and quietly building and expanding their control of space on the board, just biding their time to make their killer move.

The deep irony is of course, NO ONE saved them. No one took pity on them and saved that "poor cornered stone". They both saved themselves -- Lee-In changed the King's last words and elected himself king; Mong-woo escaped the sword and survived a plunge into the depths.

Callback to: the two pebbles in the river bed that Lee-In once picked out for Mong-woo in happier times. One white, one black. He smiled and said he would gift it to her. She told him to hold it for her. She would claim it the next time they play.

7) I thought it was very intriguing how a bet midway through a game changed their dynamics and decision making. When Mong-woo suggested to the king they should make a bet he became flustered and then asked if it would be too rude to sweep the stones off and start a fresh game. It makes me anticipate how their Machaivellian strategizing would evolve both on the board, in love, and in life itself.

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8) and no, I do not believe for a moment that Lee-In knew Mong-woo is a woman. That is what makes it soooo good, and delicious to watch.

His next-level fondness for her is front and centre -- even in the pilot episode (and THIS, is even before he sat down to play against her for the first time). I went back to re-watch the pilot just to confirm my suspicion and theory. Watch the scene where he chases her all the way to the courtesan house and a ruckus ensues and he has to out his Grand Prince identity.

Those who say it has more than a whiff of the Coffee Prince dilemma - I place my bets with ya 😉 Part of that edgy tension is driven by his growing attraction for this cross-class baduk friend he cherishes. and the confusion it engenders in him.

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I just love your analysis, you have expressed eveything I love about the show. Thank you. Yes, their interactions are breathtaking and what sets this show apart from others for me.
You are right on point when discussing about time needed for the rescue just as is needed when playing the game. Time and people (stones if we think of the game) that he just didn't have with the events in his life happening at lightning speed.
And I think you are right about him not knowing that she is a woman until now. Finding out not only that, but who she was (the daughter of his mentor) and what she did (rescued people from Qing) will certainly add tones on his guilt and feeling she has for her, and that will make him vulnerable if she decides to atack. I can't wait for him going through all this madness.

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Great analysis of the two leads, I think the FL just hasn't tuned into the ML baduk game EVEN THOUGH she knows the "corner stone" gambit. She's lacking some key details in the strategy because she's hell bent on revenge - that always screws with ones strategy...

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"Had Myung-ha built up the territory around the cornered stone subsequent to the save, he would have won the game, not Mong-woo. BUT he did not (or rather, he did not have the game proficiency to do so and so he lost)."
THIS! In retrospect, it confirms that our King is a great strategist and thinks the things through long-term (so refreshing to see in men, lol!). He's such a great politician. He’s saying basically, had Myungha had more territory=power=influence he’d be able to protect the stone but could not because he was powerless, meaning the newly crowned King was powerless to rescue Hongjang at that time.

I love your BADUK analysis! I'm going to re-read it again to once I have time.

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YAYYYY! I'm finally caught up!
But this weekend has 4 new episodes, hahaha. ^^""

I'm enjoying all the delicious, tension-filled scenes between Lee In and Hee Soo! It's fun to see how their moves play out.

Jo Jung Seok is amazing here. His previous role was in Hospital Playlist which feels like ages ago and where his character was completely different so my last memory of him was a nice, cute, funny guy. I wondered if he would be convincing in a menacing, intimidating way. He definitely delivered.

Random note, I like him best with facial hair! XD He looks so good. And that rich purple outfit is beautiful and vibrant!

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Yes, the facial hair really suits him.

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