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[Choose your epilogue] The epilogues of our dreams


Buam-dong Revenge Club

By Chingumode

It is said that the moral arc of the universe bends towards justice.

It’s a concept that comforts us through the world’s worst periods, but also one that seems to be far from true in this day and age. Many things have happened in the last few years that have made the concepts of fairness and equality seem like artefacts of the past—nostalgic remnants of our late 20th century dreams.

Nowhere is this more the case than in Korean television. The Chinese have a saying “Much law, little justice” and this is an underlying theme in many Korean dramas.

You could list many differences between Korean and American storytelling – and we could argue about those differences for however long Dramabeans brings us together – but at their core we can say that North American television tells us fantasies of a small group of people changing the world while Korean dramas are about finding a small group of people with which to survive it.


Angry Mom

There are cynical undercurrents in both worlds but in K-dramas they tend to be portrayed as immovable and immutable truths – what Lee Dan-ah in Strongest Deliveryman referred to as “Hell Joseon.” Not able to be changed, just endured. The rich dominating and exploiting the poor in a system designed entirely to their benefit. The rich get richer, the poor get poorer. Much law. Little justice.

The solutions to these problems tend to be framed in fairy tale narratives that tell beautiful fantasies of the poor rewarded for their hard work, usually a Candy marrying a chaebol. Want to survive Hell Joseon? Be hardworking, cheerful, and plucky and a rich man will marry you. Happy ending!

But the world remains the same.

Not to say we don’t all love a good Cinderella tale. But great romantic fantasies are still fantasies after all. Who hasn’t watched a K-drama and thought, “Forget the tsundere chaebol, what this woman really needs is universal healthcare and a living wage.”

Of course there are dramas that deal with people fighting Hell Joseon instead of just surviving it. Shows where a wedding isn’t considered the final goal in life. Shows even where there’s little romance at all, just Life. And of course I mean shows like Life and its slightly-better sister, Forest of Secrets. Shows where people fight back and try to change the world rather than just survive it.


Forest of Secrets

When Forest of Secrets ended, there was initial disappointment there seemed to be no resolution. What happened to good prevailing and the victory over corruption? What happened to blazing, satisfying victory?

Of course, that’s not how the real world works, and the writer of both shows succeeds where so many others fail because their shows are so real. You can’t completely defeat corruption, just like you can’t singlehandedly stop the privatisation of healthcare. If both shows told us anything, it was that the fight continues so you still need to live your life. TV characters may be able to put their lives on hold while they fight the bad guys, but when the final curtain drops, not everything will be wrapped up in a neat little bow.

Nowhere is this more stark than at the end of the very underrated Angry Mom. In the final scene, however satisfying, there were so many plotlines left to tease out. Would Hong Sang-tae find the evidence he needed to truly destroy his father’s corrupt business dealings? Would Jo Kang-ja head back to her restaurant or find another fight?


Angry Mom

When thinking about epilogues, shows like these spring to mind. There’s a reason why Forest of Secrets will likely get a second season, but with shows like Angry Mom or the similarly satisfying Buam-dong Revenge Club likely won’t. But with those shows there are little stories that remain untold, the kind of stories encapsulated in vignettes and throwaway lines.

We can envision a secret epilogue scene where we see the Revenge Club celebrating their 10th victory. Or an Angry Mom epilogue-flash forward where Oh Ah-ran becomes a human rights lawyer, Hong Sang-tae a forensic accountant exposing corruption daily, and Go Bok-dong fulfils his (and viewers’) dreams of romance with his Noona. Even if the last scenario would rend the fabric of space-time and destroy the universe, it’s the possibilities inherent in these justice dramas that fire our imaginations and lead us down untold paths.

Our small group may not have changed the world, but they managed to make it better—even if it’s only a little and even if only for a short time. Their story doesn’t end with either love or with fulfillment, instead it ends with options. Real options. A crack in the world. A sliver of light. The descent into Hello Joseon forks into a new road and the arc of the universe bends, however slightly, back toward justice.

So while we spin epilogues in our inspired brains, it’s probably best not to write them down. These characters don’t need to be limited, any more than you and I. Their lives continue, as do ours. And maybe, just maybe, we too can create a few new paths through our flawed world for others to tread behind us.

And through our dreams of their unfolding, imaginary lives, we can dream our own dreams too.


Forest of Secrets

 
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Thank you, @leetennant for an engaging thoughtful piece with so many great ideas to absorb. I completely agree with leaving it open ended.....

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Thanks so much, Beantown. I'm glad you enjoyed it.

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Whoa @leetennant, thanks! That was a great read. You're so right in your comparative analysis of North American shows and South Korean dramas. Its partly why dramas appeal to me so much - characters live their lives in the context of the world around them. They make the best out of events, rather than influencing events. Much more relatable. In addition, J-doramas, imo, put ordinary people living ordinary lives, in extra-ordinary situations. Just for a little bit, before they go back to their ordinary lives.

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Jdoramas will forever be the dramas with too real people...it always feels like am peaking into someone's window and watching them leave thier normal boring life...

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I admit I sometimes find it frustrating that kdrama characters shrug their shoulders on the injustices around them as though they're unchangeable. I think it's why I like shows better when the people involved at least try to change things.

That's an interesting point about Jdoramas. I haven't watched a lot of Japanese shows because certain elements - in particular kawaii culture - grate on me. But I do have one or two I'm interested in and will bear this thought in mind when watching them.

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@leetennant, in jdramas, you might find Border a good watch. It's a thriller with some pretty deep psychological elements, and it really tackles some pretty dark stuff head on. (And it's like, only 11 or 12 eps...or was it 9? anyway, it's short and you can watch compulsively. @pogo1 recommended it to me a while back.)

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Great read @Chingumode @leetennant
That was so poetic!

Something you said reminded me of Healer and how the writer may have said that she left the ending without a big revolution of 'changing' or healing the larger world, the way the parents' group with their illegal broadcasting had tried to do, because it was meant to be about how one person took the steps to do the little he could to change and heal his own world.

It's more true-to-life and relatable and offers hope that we too can effect those changes that are in our control. This actually was the topic I discussed with children: how we can make a difference and bring about great good. Little by little, drop by drop, over time, we would have contributed to the great transformations of the future. Ahead there's so much hope. 😌 😃

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Love your analysis and so glad you are teaching children this valuable lesson :D

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Thanks @goldenaddiction! You've made my day!! :D

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Awww!! Hugs all around 🤗🤗🤗

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Do you watch the American show, The Good Place? Because your last paragraph reminds me of the show's most-recent philosophical conclusion - that if life is inherently meaningless then you should try to make it better for other people through acts of kindness.

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@leetennant No, I hardly watch any or dare I say have not watched any American shows in years! The Good Place sounds nice. Can I stream it from anywhere?

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Netflix

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Thanks, @leetennant ChinguMode, for a lovely essay. I haven't seen any of the dramas you mentioned, but I like what you've written about the underlying philosophical differences between American TV shows and Kdramas. Those differences are what attracted me to Kdrama in the first place. Give me a good story with memorable characters and a lot of heart. So much the better if it culminates in a relatable, realistic ending. While I enjoy a good fantasy as much as the next person, I live on planet Earth, and appreciate uplifting tales that feel like they could happen in real life.

Thanks again for writing. ;-)

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You haven’t seen Forest of Secrets? Buamdog revenge club? I don’t why that surprises me, but it does! Well, what are you waiting for?

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So many Kdramas, so little time. ;-) I was already fully booked up with my live-watching back then, and am back up to 9 Kdramas. Just added a Jdorama, too. ;-)

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Yes, I agree the depth of characterisation is the strength of Korean writers. In some ways it's also their weakness as they sometimes put so much effort into them and get so caught up in them that they sacrifice the coherency of the plot. I think what distinguishes the shows I mentioned is that they have both and that's what I like about them.

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Well said, @leetennant ChinguMode! I cannot agree with you more about the all-too-common trade-off between characterization and plotting that hampers many a Kdrama. It is truly cause for rejoicing when one show is blessed with both tasks done well, as are your examples.

Sometimes a great deal of screen time and effort goes into developing one or two main characters at the expense of most of the supporting roles, to the point that some of them could have been dispensed with entirely because of all the underutilized plot threads that are left hanging. Maybe I'm expecting dramas to be less-messy than real life when it comes to unfinished business. This may be my own inadequacy as a viewer, if I think in terms of slice-of-life art imitating the real thing. On the other hand, why go into so much detail for something that grabs the viewer's attention, but ultimately adds nothing to the final resolution? It becomes so much useless padding, and feels like a waste. I always feel bad for actors in such roles, but for them it's at least a paying opportunity to (hopefully) gain experience and extend their dramatic range.

Certain writers, such as Hwang Jin-young, author of REBEL: THIEF WHO STOLE THE PEOPLE as well as THE KING'S DAUGHTER, SU BAEK HYANG, are masters whose nano-characters linger in the memory because of the impact they add, even in a single scene or two, to the overall plot and emotional landscape of a drama. Her treatment of the main, supporting, and minor characters -- in conjunction with a well-planned plot -- made me a fangirl for life. ;-)

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Beautifully written @leetennant. The American in me is often frustrated by the openendedness of many Korean and other Asian dramas, but I do think what keeps drawing me in is the truthfulness of small groups of people drawing together and finding their way to surviving despite the corruption and hellishness around them. Much of North American entertainment is about success and winning, with a clear and happy ending, but this is a mythos that props up and sustains a culture ridden with inequality. Though much kdrama is formulaic, and I now can see and even anticipate when the expected beats will happen within the sixteen episodes, it is the stories of people just doing their best to live. And frustrated as I sometimes am with a story, they still resonate, and they keep pulling me in for more.

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That's a really good point about American shows being about success and winning. It's particularly interesting in light of the recent obsession with superhero shows and tangentially reminds me of Martin Luther King's quote "it's all right to tell a man to lift himself by his own bootstraps, but it is cruel jest to say to a bootless man that he ought to lift himself by his own bootstraps".

Superheroes are born with better boots. So, in many ways, they're a symbol of the idea that people with power should fight to share their boots.

In many ways, kdramas are instead the stories of people without boots. I just sometimes find it dissatisfying when the solution to that problem is to marry someone with all the boots so they'll give you some.

Drama viewers for boot redistribution! (It's all getting a bit socialist now).

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Thank you for your citation of Rev. Dr. King's quote, @leetennant ChinguMode. It is indeed apropos and applicable to the realm of drama. @egads, like you, I am attracted to tales of normal human beings who inhabit a realistic dramaverse and survive on the strength of their character in ways that resonate with me emotionally. Some of them may not be very nice people, but are imperfectly human, as in real life. When they overcome their own inner limitations, it inspires me. Kdrama also features many an uplifting Everyperson and Underdog, archetypal characters I can relate to far more closely than superheroes.

The ubiquitous superhero genre has been a huge turn-off to me since the final curtains fell on HERCULES, XENA, BUFFY THE VAMPIRE SLAYER, and ANGEL. (All of them featured great writing and memorable characters, along with humor.) Maybe it's because I rarely read comic books as a kid. I was busy reading "real" books back when dinosaurs still roamed the earth BPCV [Before PCs and Videogames]. Alas, my literary snobbery was engaged even at a tender age, and still is. I used to read folklore and mythology, both ancient and modern. That's where one still finds "real" superheroes, whom I enjoy seeing in Kdrama, too.

Ms. Crankypants me is also turned off by the endless stream of comic book remakes, be they American movies or TV shows. Can't anyone any longer use their own brain cells to go where no writer has gone before? I realize that bean counters are calling the shots. That doesn't mean I have to watch what they are willing to fund after they conduct their infernal marketing surveys.

The worst offenders are the recycled simulacra of cherished older films and series that are butchered and bastardized while being updated. They should be forced to carry a warning akin to cigarette packaging, with an FDA-like statement:

"Be advised that watching this Imitation Drama Product containing shamelessly recycled components, and gratuitous sex, nudity, profanity, and violence that have absolutely no logical relation to the plot, nor any redeeming social value whatsoever, may negatively impact the viewer's intellect. Continued viewing over time and in conjunction with other Imitation Drama Products exponentially increases the risk of mental decline into utter stupidity.

Pregnant and nursing women should avoid exposing their fetuses and babies to Imitation Drama Products to protect their IQs."

/rant off

Even though Korean scriptwriters recycle tropes and plots like crazy, they often still manage to concoct fresh shows whose old dogs display clever new tricks. And they do it with heart and warmth instead of relying on lots of gratuitous sex, nudity, explosions, cussing [which is probably cleaned up in subtitles anyway], and brain-damaging inanity. I do, however, hail recent improvements in the realism of Kdrama screen kisses. ;-)

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OMG, that rant/warning, lmao!!!

I happen to enjoy the superhero movies, I just love them.They are the perfect representation of escapism to me, akin to fairytales. Some are dreadful, some are really good. I love the MCU because it has strong characterisation and memorable characters. One of my favorite Superhero movie is CA: Civil War because of the deep conflicts( character- based and personal) that started in AOU and came to head in the movie. The climatic battle between the three major characters was absolutely brutal but very emotional.
I also happen to love Superman Returns even though it received universal bashing. I would sooner watch it 20 times than endure one viewing of that cold, mechanical and dreary Man Of Steel( handsome as Henry Cavil may be).

I keep following the X-Men reboot because of one person and one person only, James McAvoy. He made me fall in love with Professor X because he plays him with such heart and honesty. I feel his emotions and I'm drawn to whatever cause his fighting in the movie. I liked Fassenbender's acting in Apocalypse, that scene where his family were.....offed. Very sad.

Sorry, didn't mean to hijack the post.

Thank you to the writer of this article, very deep and thoughtful.

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Chingumode, I wish there's a like button for article in DB. A very thoughtful read. And yes, there's no end to this fight which is exactly why we need to continue living our life and fight back, and find our contentment and small victories there, whatever it might be.

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Thanks, gadis. I'm so glad you liked it. I think the idea that the fight never ends is both inspiring and depressing. Inspiring because it suggests the fight makes a different and depressing because it means you'll never win. I think the shows I enjoy contain both of these ideas.

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This was such a delightful read. Thank you! And I totally agree on 'kdrama being the one telling us to stay and fight with the underdogs we like'.

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Thanks, fay. The sense of found family and community is great in kdramas.

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To me it seems like American and Chinese movies (especially the Wuxia) solve one local problem and assume that everything is now OK. Korean shows solve one little problem, but are well aware that there are a lot more problems to solve. They have made it better but also understand that there is a lot more to do.

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I expected you would come up with something thoughtful and unique, @leetennant, and you don't disappoint! It feels like this should be the post to cap off this month.

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+1!

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Thanks frabby, although I hope not. I still want to read what other Beanies have to say.

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@leetennant This was brilliant and beautiful thank you for the amazing read!! Makes me want to watch Forest of Secrets even more.

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Oh yes, do. It's a flawlessly-paced drama with great characters and almost perfect plotting. It and My Ahjussi are my only two 10/10 dramas.

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@leetennant
Chingu, can you please bless us with these at least once a month?

"These characters don’t need to be limited, any more than you and I. Their lives continue, as do ours. And maybe, just maybe, we too can create a few new paths through our flawed world for others to tread behind us.

And through our dreams of their unfolding, imaginary lives, we can dream our own dreams too."
This was my favorite part, especially since we all connect to these stories and characters in a different way. Sometimes it's nicer to have *my* mind run wild with an epilogue in my head and not have the writer's displayed differently than what I'd hoped.
Thanks for sharing! <3

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Thanks, Natz - I don't know about every month but I'm happy to try. Glad you liked it!

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Thank you sooooooooo much for such a nice and well thought reading. Plus, your English is just classy! 😍
I haven't watched forest of secrets nor Angry mom, but Strongest Deliveryman yes... very good. And very true what you say..
You could have add "My Ajusshi" to your list, by the way. A very realistic drama with a very subtle and open relatively happy end, where the rest is or could be however we want to imagine; but with an improvement over a specific situation for both of our main characters. I love that I found them almost dead and left them full of life, it gives me hope. But again, like you say, for small changes that bring writhin a measure of happiness.
I don't watch American shows, but thanks for give me more reasons not to 😂😂😂😂
I don't have time anyways. I barely watch one or two kdramas at the time.

So, anyways... thanks for your great article..loved it!! 😍

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Thanks for commenting Javinne. I'm glad you liked it.

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*applause and a standing ovation!*

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*takes a bow*

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This was a superb read. Thank you, Chingumode.

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Thank you!

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Lovely!

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Glad you liked it

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Over the years I have grown away a lot from American movies and TV, especially the super hero genre. Not because they are bad, but because I find them boring and 99% unrealistic. They don't deal with real people or the real world with few exceptions, such as Gladiator. American movies now it seems are very similar to Chinese movies - a hero, or a few heroes, save the world - but ignore the fact that "the world" they know is a tiny little slice of the real world - and 99.9% of that goes on as usual. In the end they have really done almost nothing, but the problem is neither they nor the audience seems to catch onto that fact.

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Windsun, I also find the superhero genre boring. I got very tired of them making the same show over and over again especially when the idea isn't interesting or original enough to justify it.

It's interesting you draw the parallel with Chinese movies. I can see that. The injustices of the world are represented by one bad guy in their local area and defeating him means you've succeeded.

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The difference between Chinese and American drama/film is (at least what I've noticed in the ones I've watched) the Chinese moral of the story seems to be against greed (capitalism).

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Ohhh, this is so interesting!!! A good reason why not to watch any Chinese movie.
And apart from the "hero" thing and saving the world, I also find American shows/movies superficial to an extent I can't put up with.
Recently I was watching some scenes of old classic comedy movies from the 2000's and no, they were not exactly bad, and they made me laugh again, at least some parts, but I couldn't help to compare to Koreans, because I only watch Korean productions, and guess what? I found the way these Americans act is (or seem to be) very shallow and without meanings (at least for my taste).
I know there is also very good actors and great productions like the Titanic, if I could mention one. But in general, it would take long to find that something I find in almost any Korean drama (even those which are not so good): feelings.
For me, that's it: in our K-world, it is like they convey feelings way more and way better, and because of that I don't watch Northamerican or Sputhamerican productions anymore.

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@javinne,

I think you would greatly enjoy the original ROCKY (1976). I loved it, and I don't even like boxing. It captured a time in America when everyone was on the ropes with "stagflation," especially the residents of run-down inner cities infamous for their political corruption. The story of how the film came to be made is itself a tale of persistence against the Hollywood odds.

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I appreciate your suggestion. Maybe one day.
As a matter of fact, I do have a list of very few American movies I want to watch, but almost never get the time. I will have to add Rocky to that list, Hahahaha...
Thanks again.

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You guys should watch "Forrest Gump" staring Tom Hanks and "I am Sam" starting Sean Penn and Dekota Fanning. Very good American movies.

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This was a great and thoughtful read @leetennant! This is such a rich topic to analyse and discuss that it would've taken you a while to write down! I'm so impressed!! :D Thank you for writing!

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I really like this. Lets keep their options open and let them live their lives. 😊

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This is a great post @leetennant.

I really liked the ending of Life - where they didn't get to defeat the Big Bad, but made the decision to keep trying and to keep doing the best they possibly could. That seemed a much more powerful and realistic (and maybe hopeful?) message than anything else that could have happened.

Thanks for writing this.

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Standing Ovation!! What a great read

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This was an awesome post @leetennant! *clap clap clap* I used to hate open ended endings before but somehow that changed over the years of watching dramas. Could relate more to it rather than the fairy tale endings.

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Excellent!

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Heh, I really liked Angry Mom. It did sort of seemed unfinished in some ways, like you said, a nice epilogue would have helped. But in and of itself the show was so quirky and funny that it always brings a smile to my face when I think of it, in spite of the serious subject matter and the not entirely happy ending.

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I really liked how it blended heightened physical comedy with drama. It was the kind of tonal shift that hasn't always worked - like in SWDBS - but here it did. It wasn't perfect but I still really liked it. At first I thought it was strange that they highlighted several unresolved plot points in the final episode but then I realised that's part of the show's appeal - you don't fix corruption, you just keep fighting it.

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