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Wedding Impossible: Episodes 11-12 (Final)

Wedding Impossible goes out with a lull, spending its time on questionably motivated separation, noble idiocy, and the easiest of side-story wrap-ups. But the central romance burns bright to the end — even if it takes its impossible wedding schtick a little too literally.

 
EPISODES 11-12
Wedding Impossible: Episodes 11-12 (Final)

We ended last week with all our characters determined to the take the blame in order to protect each other. When Ah-jung hears Ji-han’s press conference, she runs out to find him, but she’s too late. He’s already gone. He’s prepared to break things off with her and hope she forgets about him, and so, our lovers are getting into their second separation (and I’m baffled at how to make sense of this).

The other big news last week was that Grandpa already knew Do-han’s (not-so-well-kept) secret. Now, Grandpa knows that Do-han is about to go public with it and Grandpa is set to stop him. He tells Do-han that doing so would only ease his own heart and wouldn’t do anything for Ji-han and Ah-jung. Poor Do-han! He’s selfish if he does and selfish if he doesn’t.

Wedding Impossible: Episodes 11-12 (Final)

Ah-jung is in rough shape and hardly managing to keep it together. In a heartbreaking scene, she confesses to her family that the marriage was a fake — she just wanted to have the leading role for once in her life! And she really likes Ji-han. Then she sobs her heart out, Mom gives her a hug, and her supportive family is back to their normal selves.

Ji-han embarks on his plan to disappear by telling Do-han that he takes full responsibility for what he told the press, and now they should go their separate ways. Also, he just can’t bear to see Ah-jung in a state of despair after his decision to “save” her. So he runs off to the countryside alone, biding his time and pining over her, until the two of them are imaging they see each other at every turn, they’re so delirious with heartbreak.

Meanwhile, we get the chaebol-iest of chaebol scenes with Grandpa calling Ah-jung to his office to have a word with her. Except, rather than outright forbid her from seeing his grandsons, he implores her to marry Do-han. If she doesn’t, Do-han will publicly confess his secret — and does Ah-jung want to be the downfall of both his grandsons? Jeez, this guy with the guilt trips.

But uri Ah-jung is not our typical heroine. She gives her two cents, bravely stating that Grandpa should be nicer to his grandkids and stop saying he’s doing messed up things for their benefit. Then she bows and walks out the door, and I love this girl with guts who can just tell off the head of a conglomerate like it ain’t no thang.

When she walks out, though, Do-han has already gone ahead with his own press conference, where he comes out to the world and says the engagement was a fake. Then he’s at the airport, headed back to New York, and calling Ah-jung to say goodbye. It’s not about her, he says. He did it so he can live for himself. The important part is that they’re still besties — and even though we saw this coming from a mile away — it’s really great to see Do-han so happy and relaxed for once.

Ah-jung is on her own now, without either of the Lee boys to keep her company, but she wises up and realizes that Ji-han is probably hanging out in that seaside town where they had their awesome date. She goes there to find him and we’re walked through the most depressing date ever (I mean, when even sparklers seem sad, that’s saying something). They both know what’s going to be said, so they delay it as long as possible.

Then finally, Ah-jung comes out with it: “I think we’ll be miserable if we get back together. How can we get back together when Do-han did that for us?” (Huh? That’s exactly why you should get back together — so Do-han’s actions aren’t in vain.) Then she says she really liked him and bids him goodbye. All right, so we’ve got two noble idiots in the house.

Wedding Impossible: Episodes 11-12 (Final)

Then we’re off to a one-year time skip where our leads have gone their separate ways. Ji-han has started his own company, breaking off from LJ Group, and finally gets the validation he needs from Grandpa. As it turns out, the Choi siblings’ father was the cause of their mother’s death, but Grandpa takes full responsibility on himself because when he got to the scene of the accident, he pulled Ji-han out of the car just before it exploded into flames and his only daughter perished inside.

Ji-han learns that Grandpa just couldn’t look at him because seeing his face reminded him of what he did wrong to lose his daughter. He’s finally ready to settle the matter by telling Ji-han that if he had to do it again, he’d still save him.

Wedding Impossible: Episodes 11-12 (Final)

And just as I’m wondering what this information will do for Ji-han’s rain aversion, Ah-jung is there, waiting outside in the rain with a red umbrella on his mom’s memorial day. They smile at each other and end up going for coffee to catch up on what they’ve been missing in each other’s lives. They definitely still have rapport, but some of the tension is gone, and they seem like old friends.

But underneath, they’re both still pining for each other. We see that Ah-jung has gained some notoriety as an actress and that Ji-han has been watching her episodes on repeat, memorizing the lines, and making himself sick with longing. Finally, he waits outside her house all night in his car, supposedly to return the red umbrella she left with him, but really because he lurves her.

She hops in his ride and asks to be dropped at her shoot, where he sticks around to watch. He’s very worried she’ll be doing a dangerous action scene, but finds out it’s worse: she’s doing a kiss scene. His jaw hits the floor and she toys with him, “I thought you said you were happy I wouldn’t get hurt.” He shouts, “But my feelings are hurt!” Aaaand their adorable banter is back.

Ji-han is so jealous that he picks an argument with her kissing co-star (Ryu Kyung-soo) and Ah-jung has to get between them. But it doesn’t quell much aggression when she calls her fellow actor oppa. “Oppa? Oppa?!” Ji-han isn’t joking, which is what makes it incredibly funny.

Poor Ji-han is about to have an even harder time when Ah-jung’s acting friends tell him that Ah-jung is actually dating her co-star. They (along with Ah-jung’s family) are wary of Ji-han coming around again after all the heartache Ah-jung suffered because of him.

Ji-han goes out and gets wasted with Chae-won (who’s now a close friend of his with no feelings left, apparently) and ends up in Ah-jung’s care when Chae-won doesn’t want to deal with his drunken, cuddly nonsense. In his inebriated state, he tells Ah-jung, “I spent every day thinking about you. Staying faithful and loyal. How could your love change?” Then he begs her to break up with her boyfriend. And Ah-jung is eating it up with a spoon.

Wedding Impossible: Episodes 11-12 (Final)

It’s a sham of course. Ah-jung has no beau and being around Ji-han is making her wonder how she ever held back all this time. After confessing he loves her in front of her entire family, Ji-han ends up proposing on a park bench. “Let me be your husband,” he says, while detailing the kind of daily life he hopes they’ll live together. They’ve already done the hard stuff (meeting of families, living under the same roof), so getting married should be the easy part.

They give each other a series of cute pecks all over the face before kissing for real as we cut to a wedding scene. Except, it’s not their wedding. Ah-jung is at the alter with a different groom (cameo by Lee Soo-hyuk), and when it starts to rain, Ji-han is grabbing her by the wrist and pulling her out of there.

It’s a wedding scene in whatever she’s shooting and the filming can’t continue with the rain anyhow, so Ji-han is there to “object.” They run off in the rain in their formal wear, meditating on the impossibility of being honest all the time and how living is a series of lies. We end with Ah-jung in voiceover, telling us that she can be herself when she’s with him and she’ll love him for who he is too. No pretending.

So, yeah, evidently a wedding really is impossible in this drama because even after a no-holds-barred proposal, we still get no wedding. Wouldn’t that be the punchline to the whole show? I wasn’t expecting Ji-han to boldly propose like that after a year of not seeing each other (I mean, they barely had a chance to date!). But if you’re going to have an engagement, then shouldn’t it be like, Wedding: Totally Possible?

As much as I loved this drama in its first half, the momentum really dropped off in these last episodes. The side stories were not interesting enough to fill the time, and even the plot points that got drummed up into serious melodrama fizzled out when it came time to explain them at the end (really? We find out what happened with LJ Group on a news clip?).

I appreciate that the drama knew it was a tornado of tropes and called out that fact every chance it got. But still, it didn’t do enough to subvert those tropes in the process of making fun of them. So, in the end, it didn’t win me over with its self-consciousness.

Wedding Impossible: Episodes 11-12 (Final)

The leads were the highlight here, with their sparky interactions and teasing rapport (even if there was over-reliance on Moon Sang-min’s looks when all else failed). Our second leads were also noteworthy, and I was disappointed that Chae-won’s character was so underutilized after building up her personality so much. And bringing Do-han back to Korea at the end was a nice touch, but still, I would have liked to see more of the aftermath of his coming out (I know. Not the point of the show. But it ended up feeling like nothing more than a plot device).

All in all, there were excellent moments in this drama. It’s just how they were strung together that didn’t always work. I stayed liking our heroine and her non-contract boyfriend right to the end, but liking all the side stories, plot circles, and filler that came with it? Impossible.

 
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I found the noble idiocy SO frustrating. There was no reason for them to "break up" for a year. And then him thinking that she was dating her co-star. Ughhhh. As I said elsewhere, if I had still been remotely invested in them as a couple, I would have thrown something at the TV. HOWEVER, it was cute how he watched her scenes to the point of memorizing her lines, and I also enjoyed him telling her that her love interest in the drama was terrible. Finally, I enjoyed the gender reversal in the "gets drunk and regrets what they said the next day" trope.

The Kim Bum part was... random and took up a lot of screentime, even though I love Kim Bum. Like, couldn't they just have introduced him in one scene and let us use our imaginations? We could have used more time for Do-han. I guess I shouldn't be surprised that we didn't get to see Do-han end up with anyone, but it still makes me sad.

What the heck was that final scene? Why can't Ji-han just let her do her job? Why was he wearing a suit just to be on her set as she filmed? Where were they running to? Why did they run for so long? Why did no one seem to care that an actress was absconding from filming? Was it actually raining? I get what they were trying to do, but IMO it made zero sense.

I'm never a fan of "character in the story writes up the story as an actual story in-universe," no matter what I see it in.

I had to laugh at "Grandpa felt guilty so he ignored Ji-han who also felt guilty." It's like trauma-related guilt inception.

Anyway, I liked the beginning of this drama but I agree that it lost momentum. By the end I was barely paying attention.

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Oh, and her wedding dress in that final scene reminded me of a Pnina Tornai dress (I hate Pnina Tornai dresses). I'm glad it wasn't her real dress

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I felt sorry for Jeon Jong-seo having to run in that dress, especially through a sprinkler.

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I was thinking that but assumed she had trainers on because s huge dress and heels would have been a big ask.

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@vienibenmio Lol am I correct in assuming that you are a fellow Say Yes to the Dress veteran? 👀

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You are correct, yes!

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It's just, in his life, if he sees her in a wedding dress, he just has to run off with her. Probably, he also has to jump on a bus, it just happens to not have been shown neither when she was trying out dresses for marrying Do-han, nor here in the final where she was marrying a vampire, obviously.

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I agree the wedding scene made no sense as an ending scene. As soon as I saw it I knew it was a set and at first I thought the rain was part of the show then I realised it was rain disrupting filming but if he was rescuing her like the other actor got an umbrella from his manager, her running without an umbrella was only going to ruin her hair, make up and the dress. I get that after the few minutes as manager on that set with the actor she was going to kiss he was always going to have a hard time allowing that to happen on his watch. So he should choose to be at his work place on those days, or they should have a rule that she won’t mention the shows with physical affection scenes during filming but let him know only when there is a airing date.

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I'm not sure, I feel like the time jump was necessary but the placement & execution of it was fumbled. The sudden HTHT grandpa had with Jihan after the jump could've happened before, allowing Jihan to heal properly too.
I hate those "okay I had a HTHT with you and explained why I treated you like utter trash so now you're miraculously healed and can move forward & be happy yay!" trope they pull.

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100% agree. I understand their motivation for staying away from each other - they were feeling guilty even if they knew they didnt do anytjing wrong exactly. the execution was the problem bcs it felt like the pace of a 16 ep drama and not a 12 one.

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Agree with:
- they had REAL chemistry inthe beginning
- that chemistry feel off somewhere along the line
- i really enjoyed the first half of this drama
- would have loved to have seen more of the affectionate best friends bit earlier in the drama to build substance

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Here is what I liked about these 2 episodes: Do ha seemed happy, and Terry, the Golden Retriver was shown eating at a nice elevated food and water bowl table, helpful for older dogs.

As for the other developments, I have a sneaking suspicion that my name came up in the writing room, and yes, I was too late putting on my protective tinfoil hat, so I'm afraid this really happened:

“There’s this guy, Hacja, who always rants about bad kdrama endings on Dramabeans. I have a feeling he’ll really like the character Ah Jung, so let’s have the ML totally abandon her because of some really poorly explained noble idiocy, then we’ll have a time skip, and then the ML will reappear out of the blue, demand she get together with him because he’ll always be there for her, even though he never has, and she, as if nothing happened, will happily agree.”

“That Hacja will be fuming for the full 2 hours of these episodes!” At this, the writer put her head back and roared with evil laughter, like a scheming left minister in a Sageuk.

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Or, in this case, like a smartly dressed evil half sister in episode 10. With Ji-han kneeling in front of her, begging her to keep mum.

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Always with these shows its not just that I hate noble idiocy as a trope, because we as viewers are supposed to sympathize with the male lead's self-centered assumption that he alone knows whats best for the female lead, without ever discussing it with her.
Its that the use of this trope is often in direct contradiction to the theme of growing love and understanding between the couple.

Especially in this case, where, the theme of their love was, I assumed, the leads' coming to an understanding of their personal identities and the line between "acting" and genuinely "authentic" behavior. But since Ji-han ran away without saying anything, after saying he wasn't going to run away anymore, its not clear whether that act was authentic, a sign of a deep character flaw, or acting, a sacrifice he believed was right for Ah Jung.

And then, I guess the knowledge that his grandfather didn't blame him for the accident somehow resolved this crisis, and allow him to pursue authentic feelings for Ah-jung. But why was his trauma more important in causing this breakup than his brother's circumstances, which I initially thought he was blaming himself for and had led him to abandon Ah-jung. Do-han had successfully resolved his own crisis by publicly proclaiming his authentic identity. So wouldn't that have been the time for Ji-han to return?

Then as far as the secondary couple, where the 2ML so identified with his girlfriend that he suffered morning sickness-was that supposed to serve as a "humorous" counter to Ji-han's inability to identify with Ah-jung's suffering (that he had caused)? But Ah-jung's suffering was just glancingly referred to--I guess Ji-han sort of apologized for it, but then claimed he'd always be there for her. As I said above, why would she believe that? He'd given NO evidence of it prior to that point.

From the beginning of this show, the character of Ji-han was poorly explained, so I guess its no surprise that it continued this way. But it was frustrating for me in terms of the romantic relationship, especially in these two episodes, since as everyone has said, the interactions between them had their genuinely funny and affecting moments.

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Has anyone ever had the occasion to ask writers why they make some of those most meaningless endings?
To me, this ending goes beyond just running out of ideas or having to make the HE happen fast. It was really *so* easy to make room for more fun, and the suffering made no sense.
Grandpa buying forgiveness - by paying not-Ji-han for the hurt Ji-han had gone through - was so extreme that it was actually deeply funny, though unsettling, but apart from that I am at a loss as to what would move the writers to make the leads, and us, suffer through so much painful boredom.
That they would have to take a break is not obvious at all to me, though is seems to be to other viewers. On a storyboard, maybe, but considering young people yearning for each other, I think you'd just have to cut the ropes holding them away from each other for them to end up in each other's arms like a couple of powerful magnets.
That magnetic force drizzled out as they staid away from each other for made-up reasons, drizzled out like a sad sparkler or crying umbrella.

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I have thought about this a lot, with a lot of especially romance shows, because at times it seems it really does seem as if the writers or directors are actually intentionally trying to cause viewers pain especially with noble idiocy and time skips, which, lets face it, are often totally unrealistic. As you say, if their love was so deep that one day together after a break up would result in a marriage proposal, then it would have resulted in repeated attempts to get together prior to a year.

So for this one, I just put it down to a total failure of imagination, as in "we have two episodes to go, and the happy ending we imagined only takes a half hour! What do we do?" "I've got it! We'll just arbitrarily pull them apart for a whole episode!!"

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I think they start out with a presumption that "Noble Idiocy is good".
If you want the audience to experience memorable emotions, not only K-Drama, but history, shows that dilemmas that make you do things that cause pain, - like pretending you don't like the one you love, or just, having to leave them, makes "emotion" happen, hence La Boheme, Moulin Rouge and other versions of that same story. But even if you, as an audience, actually like that kind of pain (maybe with the expectation that it will stop and everybody will the more happy) then it only works if there is a plausible reason for doing it. And K-drama writers have a habit of inserting it everywhere for no reason at all. This time even thrice, or at least two times more than reasonable. But also obviously in e.g. Because this is my first life, otherwise a favourite of mine.

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And ... any Koreans on this thread? I have thought there must be a Korean reason for all those time skimps - maybe a governmental wish to have a population willingly going away; to the military for a long time, or abroad for education or money making - bringing back money and/or knowledge but staying in touch and feeling that long distance is a natural and very possible way of being a young couple. Maybe this is a question for the Open Thread tomorrow.

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lmaoooo I love this

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We could have arrived at this ending differently. It was a bit tiresome to go through the mandatory noble idiocy, breakup, angst and time skip. I get it that given the mess, taking some time off helps. But wish it was a decision made by both and not just Ji An. I was surprised by how kind she was to him. I would have been super mad if someone did that to me and disappeared.
I would have rather seen more of Ji An trying hard to win her again after what he did.

The whole corporate takeover ended up being a bust. What was the point of it anyway? Let’s hope the siblings take time to heal and eventually form a bond.

That aside, it really was a lovely romcom with an admirable female lead. The leads were great together and their bickering was fun till the end. The main characters were well written. The show made fun of its own tropes and did them well. It gave us a very refreshing second FL!! That scene of them both pushing away Ji An to the other lady made me smile!!

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I loved the female lead, too. Glad to hear someone else say it, because I saw a lot of negative comments (especially on viki, and yes, I know, it's a bit like the yellow snow, don't eat it).
And yes, Hurrah! for having a totally lovely SFL!
I have the penduling drunk giffed on my wall.

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Yes, Viki comments are often very hard to take seriously.

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I refuse to read Viki comments (yellow snow indeed! lol). But I'm not sure how ready dramaland is for strong, plainspoken romantic female leads. They get coded as aggressive or dominating, unlikeable traits for women. A beanie in the last recap mentioned something along those lines about the reaction in SK towards her. And we get a whiff of that even in the comments here. Depressing.

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I loved ahjung. and I think the actress did a good job of bringing her to life. she got a lot of criticism for apparently not fitting the romcom type of acting, but I think she grounded an absurd plot and made me care (I always prefer more realistic dramas than your usual kdrama extravaganza)

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I loved how she looked a bit angry most of the time. It was like it was partly just a type she was, but more than that, things for her were serious in a way that reminded me of Alice in WOnderland.
If you go back to the original illustrations, Alice doesn't smile on any of them. Maybe there are some where she does not look very displeased, but generally, she looks worried, angry, or annoyed. And that is not because it's a sad story. It's just because Alice is not having it, with "getting a clean cup" by moving one seat left (or right), with houses that are suddenly to small to be in, and babies that turn into piglets.

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I love my romcoms and this was a pretty standard one so I dont know why but WI just lost me from ep 9 onwards. I’m glad to have Ah jung though, she’s a great FL and at least now i’ll look out for the actor’s work.

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Well, it appears that the show heard all the concerns I had about Do Han's sexual orientation being used as a plot propellant and nothing more and decided to have all the other character's come down to that superficial level (with the exception of Chae Won perhaps) instead of exploring anything of importance further. The grandfather was quickly forgiven after seriously messing up 4 motherless grandchildren by withholding affection out of his own guilt (and weirdly elevating the ex-husband who was at minimum guilty of leaving a scene of a car accident involving his ex-wife and a young child without calling for help when she was still alive). All his pressuring of Do Han to stay and take over the company so he could protect his loved ones now seems so wrong considering how his "protection" led to all the grandchildren feeling insecure, unsafe, and unloved. In fact, all the grandchildren only found some measure of happiness after they each found independence from the LJ group. I guess a post-it coupon (which oddly was transferrable) rehabilitates all his seriously misguided love and withholding of love.
The one year break up after a few days dating and then almost what felt like a year of my viewing time of the needless self-inflicted ("even though everyone and their grandfather says we should date, we don't deserve to date") separation to be quickly resolved with another I can't live without you speech (even though oddly both begin thriving and being happy professionally). The only thing cute about the makeup was the drunk Ji Han ticktock that Chae Won and Ah Jung played. Seriously, I wished the first half of the episode was an extended play of the drunk tick tock rather than the pointless separation. There were so many seemingly important things unaddressed like who beat up the ex-boyfriend and what happened afterwards and what was the drunk driving crime that the sister had to take the fall for and why that wasn't acknowledged by the grandfather, father or her brother in any meaningful way. Also, why was spirited, go-getter Ah Jung made so powerless here by Ji Han (I will leave you and not contact you at all after vowing to always tell the truth and be together), her friends (make up a fake boyfriend) and her family (not letting her talk when Ji Han was at the house)?
Whatever that ending is, I wish the two the best--they had the most spark bickering and running away from their promises so who knows, maybe this was their happy ending. And at least Do Han seems happy, is being an artist and has better hair--he's free at last from being a plot device.

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YES, his hair is so much better. I can't believe how handsome he is without that old hairstyle. It shouldn't matter so much, and yet it does.

My husband was really annoyed by the car explosion. He said new cars wouldn't do that.

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Yes I am glad it was not just me that was thinking why did the car have to explode does that really happen that often in real life and how horrific to witness that as a child.

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A couple of months ago, I saw a car that had exploded (before we drove by on the other side of the highway) and was on fire. It was truly horrific.

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Oh gosh, drive by accidents are horrible reminders of the unpredictable element of life and death. I always stare forward not at the scene and pray for their families, as no one knew when they left their house that morning that their day would turn out like that.

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I thought: "Oh, the car is gonna explode like it always does on film and never IRL." And then it did.

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"I wished the first half of the episode was an extended play of the drunk tick tock rather than the pointless separation. "
🤣🤣🤣
It would have been boring, but less so than the separation!

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I don't think that forgiveness coupon was actually transferable like that. It was fun, but also infuriating, and nauseating, that grandpa thought that paying the secretary a lot (maybe a chairman position?) for that coupon, given freely from a child to the only grown-up who took care of him - that buying that ...(and apart from the absurdity of paying for that, it didn't even benefit Ji-han in any way) ... could give him the right to DEMAND forgiveness for having given Ji-han a loveless childhood.
It was also funny, in a very dark sort of way, and considering Ji-han was so hungry for love that grandpa was more or less already forgiven, maybe you could see it a less dark way, as just a silly thing. But ... really ...

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The last two episodes certainly weren't perfect, but episode 12 at least brings the drama to a satisfying conclusion and I'm glad the makers deviated from the webnovel (I only skimmed the last few chapters because I wanted to find out how the whole mess was resolved).

I could easily have done without the break-up. I understand that it was necessary to resolve the messy situation somehow and that a cut was kind of necessary, but I would have preferred a mutually agreed break in the relationship, with the promise of seeing each other again after a while and reassessing the situation.

I'm not a fan of rushed weddings, so I'm not mad that we haven't seen any here. I can live with the proposal, I think it was a good compromise. I hope the two of them enjoy their relationship for now and Ah-jung can savour and build on her professional success. I'm glad that Ah-jung can realise her dream and that we don't have to see her having to give it up because of her marriage to a chaThe drama certainly wasn't perfect, but it was entertaining and I could sympathise and root for both FL and ML. Episodes 3 to 8 were the best for me. The chaos caused by Ah-jung and Ji-han was always my highlight.

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could you tell me how does the webtoon end?

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I only skimmed the end, so I can't say much. The wedding took place as planned, except that the groom was changed. And it ends with them having a baby, among other things.

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ohhh got it. thank you!

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It got a little draggy in the last four episodes that I was multi tasking while watching it. Oh well, we can’t have everything.

This definitely made me fall in love with Jeon Jong-seo and will probably watch future projects!

Also, the cameos for the last episode! Kim Bum! Lee Soohyuk though we didn’t get to hear him talk. And wasn’t one of the directors, JJS’s boyfriend in real life??

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How could they have Lee Soo Hyuk and not have him talk!!! They robbed us of his voice.

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Exactly! Not even a word. Goodness

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Can ANYBODY like the noble idiocy of this story? I had even a theory (A new thing: Revenge Nobility) that would have made the last separation a bit fun, but my theory was wrong.
I have four gifs about that, and episode 11, here: https://www.dramabeans.com/members/CecilieDK/activity/1558550/

And I have eight gifs about umbrellas crying over the separation, about drunk Ji-han being a metronome, grandpa buying and then demanding forgiveness, evil sister dressed in super fashion, and happy ex, here:
https://www.dramabeans.com/members/CecilieDK/activity/1558966/

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I really enjoyed the first part of this show but felt they lost some of the magic towards the end.
There wasn't enough rom com and it turned into a straight out melodrama.
Episode 11 was too angst filled and sadly while watching episode 12, I felt bored.
Perhaps if we had seen more romance or dating without everything hanging over their heads and the unnecessary noble idiocy then the wedding proposal would have made more sense.
The cast was fabulous but Do han was robbed of being a meaningful character, the writer didn't spend the time to make him three dimensional. So much so that it was very on brand for him to give a press conference and then in the next scene leave everyone to fix up the mess of a scam wedding and go overseas. Would your bestie really do this?
The grandfather also leaves much to be desired. If he'd only had a conversation with all of his grandchildren, especially the 'evil' one knowing her behaviour as well as Dohan's sexual orientation and the issues this would cause for Dohan.
The grandfather's behaviour was pretty appalling as a human being. How can you watch your grandchildren suffer so much trauma for 20 something years and say nothing?
Terry, my beautiful Terry, was robbed of scenes in this show. Why wasn't he at least taken for a walk with our leads?
I loved the cameos, it was a good week for them in kdrama land.

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The neglect of Terry in this show was criminal. He could have been the thematic centerpiece, as a dog who was always genuine in his feelings--no acting necessary. But, alas--he just popped up here and there like he was a piece of furniture or something. Its an outrage!

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When Ji-han up and disappeared, why didn't we see Terry living his best life in the countryside while consoling Ji Han as he moped around. A perfect opportunity for a bit of comedy and for Terry to steal a scene. So many wasted opportunities.

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With shows like this and Flex x Cop, it always amazes me that the writers think the viewers want to move from what we started with-light hearted fun-to melodrama.

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Grandfather was the worst. But I guess he can excuse his utter incompetence as head of the family because there wouldn’t be a drama without his having inflicted emotional abuse on his grandchildren.

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We can excuse him because he bought an expensive "Coupon for Forgiveness" that his grandchild (emphasis on child ) had given away while establishing a connection to a wage paid grown-up, since his family was treating him as bad air after the boy had been involved in a tragic accident, killing his parents.
So his grandpa could wave the coupon half-angrily at him and everybody would be happy.

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Each week we played the game of "Where's Terry ?"

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Haha, reminds me of Ghost Doctor where we would stress about where Man-du the sugar glider was (to be fair, that drama actually cared and didn't just forget about him)

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By the way, I actually giffed that, mostly cutting out the pauses between him tick-tocking, and also inserting an extra push so that it could run in a loop. It's on my final WI gif post.

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I don't know why I landed here. I was trying to talk about @pynyc
-s description of Ji-han being a drunk metronome.

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"I don't know why I landed here." --something I often thought about many things in the second half of the show. So this place may be right as any for you to land.

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🤣

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"I’m baffled at how to make sense of this."

Do-han ran away from his problems. So, Ji-han came up with a completely different and original idea and ran away from the problem. It is as if a universe exists where leaving the person you supposedly love so much to deal with everything alone makes everything better.

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Oh, boy.
This show really thought it was deep and powerful. Which is funny because it has more holes than plot in it, and more unnecessary angst than character development. 😂

Anyway...

THE GOOD.
1. Call me crazy, but, by the end of the show, the only character I genuinely liked was the noona.
She was the only character that managed to make at least one thing happening in this show make sense, imo.

I know that dead family members, especially mothers, are the ultimate card to give a male character some depth/personality. But this show didn't need that, at all. They didn't even know what to do with it so they throw the card to noona. And I'm glad they did.

She didn't only mention her mom when she needed to win the "who's the sibling with the worst childhood" contest. She actually cared about her mom, and what happened to her.
And the impact of loosing her was so big that when she finally came to peace with her death, we saw a totally different person. We saw some kind of change, liberation. No other character in this show can say the same thing. She's the only one that kind of earned that happy ending. Her story had a beginning, an end, and as much consistency as this show is capable of.

And I'm happy that she made everything go upsidedown when she found out the truth. She didn't get to do anything during her entire life because of her family. So, at least they have no power over her anymore.
She's doing whatever she wants, and she doesn't have a heavy heart.
She had this journey all on her own, to become a better person. Good for her.

THE BAD
1. Ji Han. Oh, boy.
I couldn't connect with him. At all.

The "trauma" was so shallow I don't even know what was the point of it.
The whole thing with his mom was there just to make him look pitiful but it didn't seem to actually have any weight on him as a character, and it definitely didn't have anything to do with the story itself.

At first I thought they were going to use the mom (trauma) to explain the bond between him and Do Han... 😂 Yeah, sure.

I wanted to drop the show after episode 1 because Ji Han spent the entire episode acting controlling and possessive over his hyung.

Why? Idk, cause Ji Han and Do Han had like two scenes at the beginning of the show (the first 5 episodes), and zero flashbacks, and you're telling I have to believe this guy loves his hyung so much he has the right to control his life? Heol.

And then they would have fights about Do Han being a bad brother and running away, but I literally can't remember one scene of Ji Han being a good brother either.
The "bromance" was so freaking painful to watch, it made the entire plot become air.

For real, why should I care about Ji Han's story? There's non. His relationship with anyone in that family was so thin that during the final scene with his grandpa, I had totally forgotten they were related and the entire show had started with JH wanting grandpa's approval. And...

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2. Do Han. OH, BOY. This man worked hard trying to put some plot in the holes, but being gay isn't enough to cover a drama of 12 episodes. 😂

I just want to ask this man, how does it feel that every single chaebol in kdramaland has the right to a contract marriage except for him? Isn't it ironic? 🤣
If this guy can't marry a man, and he also can't marry his bestie, then what do you want him to do? LMAO

Jokes aside, I literally don't understand why this guy was in the show. He was no character, just a plot device (and an awful one).

The show really wanted to put him in the middle of the leads, he had to be the big obstacle that made the romance impossible, and I think that's exactly why the show didn't work. He was never an obstacle, especially since for most part of the show he didn't know what the heck was going on. 😂😂

The "we can't be together because Do Han" parade was boring and made no sense.

3. The same way the bromance felt shallow, Do Han's friendship with Ah Jeong felt the same.

When near the end, the show started to show random flashbacks of Do Han and Ah Jeong, as if their marriage was about the true meaning of friendship I couldn't help but laugh. Sorry, show but I remember everything. Ah Jeong didn't decide to marry him as a sign of affection and care. This marriage wasn't about their friendship. She did it for her. Do Han who??? Idk.

Not showing those two have a normal conversation for the entire drama, and then show some random flashbacks of high schoolers being profound?

It's funny how Do Han kept saying that he could be himself and "breath" with Ah Jeong, but they never showed us that. Not even once.

4. And let's not even talk about him as a character, because noona's hair and outfits had more identity than Do Han.
He was there to fight with Ji Han and have everyone calling him a coward. That's it.

I'm not even gonna talk about the coming out because yikes.

5. Ah Jeong.
I loved her at the beginning. She's the reason why I continued the show but... Tbh, I don't want to blame her. What was she supposed to do?
Ah Jeong really had a hard time dealing with the men of that family. She has the most exhausting boyfriend, bestie, and grandpa in law ever. It makes sense she needed a time jump to get back to them. 🤣
Even the actress (JJS) looked so done by the end of the show.

Anyway, I want to remember Ah Jeong for her energy and brightness and passion for acting. I want to remember her confidence and assertiveness.

It's sad that they made her go on circles for six episodes straight, and made her make decisions that didn't make sense with her version of the first half of the show, but that's okay. At least she did made sense at some point.

THE UGLY
1. Grandpa. Just WOW. Real villain right here.

Sigh.

I really feel like this show had so much potential. Developing these characters and relationships would've been great.

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Well written tabong has two different tears🍉
Developing these characters would've really elevated the show.
The brothers felt very disconnected, they didn't feel familial and there was certainly no bromance.
They should have also spent more time building up the back story Do-han's and Ah jeong's besties friendship to make it at least believable.
 There was a decent script and solid foundation (compared to some other kdramas recently) but the execution made it mediocre towards the end when it had the possibility to be great. 

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For a show that was based on a guy's obsessive affection towards his hyung, they looked way to awkward together.

And I've never seen two besties that after a five year reunion, don't hang out even once. 😂

You should know something's wrong with your kdrama if the best friends don't have drinking scenes. Dude, this is drunkorea. It makes no sense.

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Drunkorea! 🤣🍻🥃🍶

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I really loved evil Noona, too.
And Ah Jeong, I was totally charmed by her.
Oh, and Noonas wardrobe. ❤️❤️❤️
Also, that thing with the "one mistake" coupon, that was just mindblowing. It was like one of those jokes where the punchline frames everything in a cruel way.
There was a "Shut up, boy, and ..." series of jokes going analogue (because, it was back in the day) like
"Daddy, how far is it to America?"
"Shut up, boy, and keep swimming!"
Some of them included murdering people and so on. THe coupon was that kind of dry humour.

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Noona's fashion sense had more personality than any men in her family, and for that alone, I love her.

Trying to figure out how her hair works was what helped me hang in there till the end.

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I usually don't gif about wardrobes - that's not why I watch K-dramas. But Evil Noona ... I just had to:
https://www.dramabeans.com/activity/p/1558966/#acomment-1558974
https://www.dramabeans.com/activity/p/1556116/#acomment-1556120
And, though less about the fashion and more just about colour:
https://www.dramabeans.com/activity/p/1558966/#acomment-1558973

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AMEN to all this. Watching this drama felt like I had missed some important scenes in the first episodes. Maybe I was distracted? XD I always felt so confused about the motivations behind these characters.
Anyway, you absolutely nailed everything that didn't work for me in this drama.

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"Watching this drama felt like I had missed some important scenes in the first episodes".

IKR? In what did they spent those 12h? I literally binged the first 10 episodes and I still had a hard time trying to figure out what was this show about and what were they trying to do with the characters.
After episode 12 I finally figured out: they didn't know what they were trying to do either. 😂

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So happy you are back and on point. I could literally hear you saying NEXT as the credits rolled! Hoping your next choice works out to be a better drama.

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At least I learned from this experience that serial killers aren't the ones killing the romcom genre.
See you on the next one!

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Imma hearing the flamenco music here! 😂

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You're killing me. 😂😂😂😂

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It might have worked better if the first three episodes had focused on the three leads' individual backgrounds separately and then brought them together in the 4th.

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Like a dog with a bell, kdramas have conditioned me to homestretch angst, and all the tropes that come with it: breakups, noble idiocy, time skips, etc. It’s lazy and I don't love it, but years of drama watching have worn down my resistance. Given that, I didn't mind it as much here as, umm, everyone so far and especially as I watched the last two episodes together cos I was happy by #12, Wedding Impossible returned to its romcom roots.

A romcom lives and dies by its OTP for me, and I really liked the one here, together and individually. Ah-jung (and JJS) stayed great, not only truth telling grandfather but also hunting down the noble idiot and claiming the break up for herself. (Given the public mess, I think the breakup and time skip more acceptable than usual.) And MSM grew upon me over the course of the show. OK, a little green still but he had his moments. (Yes, I may be influenced by his adorableness. LOL) While I hadn't quite bought their chemistry as a deep, committed couple until these last episodes, I loved them again when they returned to a fun, bickering one. The end scene was a little nonsense, but I’m glad they got their HEA.

And I really loved the 2FL not going down the pre-ordained evil path. Instead, she gets Kim Bum. Woo hoo!

Ooh, I know. Maybe I’m the more forgiving Terry. There were no serial killers, OK? 😂

Of course, it was hard to understand the grandpa redemption arc. I mean literally, not only as a statement on family values. (And what’s up with secretaries and/or butlers getting CEO positions these days?) The half-sister was a missed opportunity. Her learning her father was responsible for her mother's death and her punishment of him was ripe with possibilities, sadly never to be explored—along with Do-han.

It is true we never truly developed Do-han’s arc. And that’s a shame. At the same time, am I just happy that he didn’t die? Is my bar so low? In a way, yes. Given how poor a rep I’ve seen in South Korea, this marked progress in mainstream for me. It feels similar to representation in American TV a few decades back. It feels cringey now, but it was real progress back then—and perhaps Do-han painting happily out of the closet is progress in more conservative South Korea now.

But hey, if any of the streaming services want to produce a show where a chipper girl gets the girl, I think we all have an actress we’d like to nominate!

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For now, it mostly happens in the margins, but I am pretty sure that in "Weightlifting Fairy", her two best friends, when they say "We are a couple, too!" while laughing, are actually making fun of the truth. Or testing the waters. And they are pretty chipper.
Also, "Glitch", but those girls are not chipper. They are two determined and daring girls, contacting aliens.

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Nah, I don’t think either qualify as a straight-up gay romance. I’m talking about outside the margins.

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or inside, with margins on both sides. That *is* very rare. Though several leads or second leads have obvious things going on, it's made so you can claim it didn't happen.
Seo In Guk and Kang Tae Oh's characters in Doom, Kang Tae oh (one-sidedly) flirting in a non-creepy way with Siwan in Run-On, and most gloriously, Min Namdang and Dongha in Chief Kim.
But I have talked so much about that already.

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I believe this drama would be perfect as a starter kdrama for a brand new first time kdrama watcher.

From a kdrama veteran's POV, this was okay. A fun & light-hearted watch.
The first half was really entertaining but I agree that it fell off after Ep 10.

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BRB telling my friends whom I recommended this drama to to just stop watching at ep 10 :')

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All right, so we’ve got two noble idiots in the house.

That droopy, burnt-out sparkler should be the family crest of House Noble Idiocy.

I’ll just nod along with a lot of beanies’ frustrations about the might-have beens, but I loved the spark and banter between the leads and especially JJS’s terrific turn as Ah-jeong. So much of the show was both fun and thoughtful, although the balance of how it spent its time was off - I didn’t give a flip about the side couples and was sorry to see AJ’s sparkplug sister and Chae-won sidelined. Like @indyfan, I tolerate the cramming of worn-out tropes into the last few episodes as the price to pay for the fun we had in the beginning (but can’t writers find some way to reverse the order?). I didn’t mind a time skip, either, because there was so much noise that needed to die down. What I did mind: the scene near the beginning of ep. 12, when AJ and JH are talking over coffee after a year apart and agreeing that breaking up was the right thing to do and they shouldn’t see each other again, felt too right. It would have made emotional sense (for a different show) to end right there. For this show, there isn’t enough rekindling of the spark onscreen to make sense of how quickly they get back together after that painfully real conversation.

I’m glad Do-han’s ex didn’t turn out to be a villain, and also glad they didn't end up together again. DH never indicated any desire for that, it would have been too tidy, and there was no spark between them once the hostility was gone. I hated the coming-out press conference because it was so wildly unrealistic that it made the rest of the show look like a documentary about carp. However, I’ll swim upstream a little on his story’s resolution. Would it have been nice to see him with the same sort of romantic happy-ever-after as the rest of the characters, in a loving and openly acknowledged relationship? Or - if that’s what he wants - living a life of unrestrained sexual freedom in New York? Sure. But this is kdrama. A gay character is pretty darned unlikely to get that without being ‘punished’ by being made ridiculous or simply killed off. DH has consistently been shown wanting to pursue art, independence, and the ability to live as his authentic self without pressure from his family, and he does get that. He’s allowed the HEA of getting exactly what he says he wants and of eventually returning to open arms from his best friend and to being accepted by his family - or at least treated to no worse sniping from his siblings than they turn on each other. For kdrama, I’m gonna call that a win.

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That’s a great take on why for a kdrama Do-han’s resolution was a win. 👏🏾 And much better than my “he didn’t die” rationalization. 😂

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I agree with everything you said but still can’t help but want Dohan to at least have had a meet cute with Lee Soohyuk instead of the latter being relegated to saying “네“ in the fake-out wedding and Dohan having to leave to be able to survive and thrive.
It is for sure better than killing the gay characters, making them creepy, sad and extra tormented but it is still a hard message to see once again that as a queer person, there is no place for you in your country.

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A baby step for Do-han then while we still await the giant leap for LGBTQIA+ kind.

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Omo! wow just wow ! I have seen some bad landings in my time in dramaland but wow this was something else which is such a pity as while show is not without it's faults I was having so much fun and loving many of the characters. There were a smattering of gems in the final two episodes but they were too few and far between so in the end our characters were poorly served. @Dramaddictally thank you for your great recap and to all the posters here for you insights and comaraderie.

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Thank you for the clever wrap-up summary post! I don't agree with everything you said, but I love how you pointed out that they didn't actually show the wedding! It didn't register with me.

Almost no k-drama does a good job with the last episode in my opinion. Here, they did the plot wrap up in episode 11, a time skip to help us believe they matured or something, I don't know, and then the resolution of the main couple's unnecessary separation. I was happy that we saw evidence of character dynamism and redemption. The evil half sister understood that her father caused her mother's death, wept and became a volunteer. Do-han's resentful ex-boyfriend made up with him (and pointed out what I'd noticed, that his paintings' symbolism had changed.) I mean, it was all very nice. I am always happy if the happy endings don't make me cringe or want to fast forward. I did not cringe or fast forward, even when I felt like there wasn't any plot left and we were just smiling sweetly a lot.

I have no complaints whatsoever about relying on Moon Sang-min's looks to keep the sparkle going. The typically weak writing at the end did nothing to dull the shine of the two main leads for me. In fact, Netflix suggested that I watch Ballerina, the crazy action movie that Jeon Jong-seo from 2023, so I did. Very violent and bloody, but it was satisfying to see her in such a physically demanding role. But I don't want her amazing levels of commitment to take anything away from Moon Sang-min, whose velvety low voice, baby face and floofy hair are--what do they say? refreshing. He is so good at that necessary look of yearning. So yeah, the (unfortunately usual) weak-ish ending didn't detract from many fine performances, the main leads were the best, I definitely will recommend this one.

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No shame, no shame at all in appreciating Moon Sang-min's fluffy-wuffiness. And if you liked Jeon Jong-seo as the female lead here, you might like her in the rom-com Nothing Serious with Son Suk-ku. It's on Prime in my region.

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Yes, I thought Moon Sang-min was great in The Queen's Umbrella, too. Thanks for the rec for the other drama!

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@Dramaddictally Thanks for your perspective through all this. Good job. At least I’m not in the minority with this ending. When so many others kept praising the writing as well as the character-building during the series, it felt a little lonely sitting in the ‘underwhelmed room’ and wondering if my drama lenses were smudged because I was missing the stars everyone else had in their eyes. But there were some positives. The biggest one for me was seeing Ah-jung ratchet down the impulsive & explosive anger she began the series with. Her character was indeed unusual and fresh at the start, but then veered into ‘dominating’ territory for me; so it was nice to see her stay a strong determined woman, but without her often sullen attitude. It was the last third of the story that smothered my fun with this, as the plot began to sag under the weight of the back and forth discussions between Ah-jung, Ji-han and their worries about hurting Do-han. Then this was followed by even more dramatic & glum talks that led to their breakup because they would always feel guilty for betraying him. All very repetitious, but then it was actually nice to see Ah-jung able to talk calmly with Ji-han about those serious issues rather than lecture him. I also liked her efforts, and his, to be as fair and honest as possible to the people in their lives even if their decisions often weren’t thought out, ultimately leading Ji-Han to make the same weak choice that Do-han always did…walking away instead of ‘working through what you’re going through’. I had hoped that the trope of spending the year apart would kickstart some change in tone when they saw each other again, but those listless meetings replayed their earlier ones, neither making a move towards each other, each of them leaving the impression they were ‘ok’ without each other (so many useless filler scenes just to bulk up the episode count). So even though they had missed each other all that time, they still couldn’t be honest with each other. Instead we see yet more misunderstandings as Ah-jung deliberately didn’t correct him about her best friend’s lie that her drama co-star was her boyfriend. So when she and Yoon Chae Won kept pushing his drunk-self back and forth between them with mock indifference saying: “you take him”... “no, I don’t want him”…. it just didn’t land right for me as a comic scene. It felt petty of her because she treated his pain like it was a joke when their relationship was hanging in the wind at that point. Instead of being ‘funny’, it made me feel awkwardly uncomfortable at his expense. Yes, he was being a cute drunk, but Ah-jung knew it was caused by the devastation that he had lost her again; yet she mocked him to score ‘girl-buddy laughs’. Ok to be fair, drunk Ji-han likely didn’t even ‘get’ he was the butt of their joke, but the put-down humour was low-hanging fruit for the writers. I wish they could have reached higher than that for the last episode. Amazing how those small personal...

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...Amazing how those small personal quirks of viewing taste add up when you’re watching a drama. Ah-jung’s honest in-your-face personality was fresh at first for me, but during the middle of the series, before she began lifting out of her perpetual moodiness, and stopped her aggressively physical outbursts, these personality traits distanced me from empathizing with her as much. That’s when I actually began to feel sorry for Ji-han, who was the prince of jerks at the start, but then his red flag slowly (very slowly)faded into some green. So after all was said & done between them, I did see their chemistry but didn’t get the ‘feels’ of it. As for Dohan…I don’t have room enough to express how let down I feel by the writers for making his character so thin in nuance. Never a backstory for him other than he’s gay, an artist and has an unhappy ex-lover. Ji-han got all the layering of course because it’s a romance, but I was so interested in seeing Do-han the person, not just the label. What if he had been bisexual for this plot? Imagine the trail he would blaze as a second lead. Instead, he was the “gun left on the fireplace mantle” that the writers never picked up. If they had, this drama might have exploded into something memorable.

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This drama was good when the leads were chaotic together, so if you separate them... less chaos... less fun.

First, the past story was very not clear. Yeah, they explained the car accident but what happened before? The mother married a man, had 2 kids and suddenly left, found another man, had 2 kids and everything hidden from her father and first husband because of? They were found years later and she ran away as if she was being chased by the mafia. They put their child in danger for what? What was so important to hide?

The Grandpa messed so much! I can understand that Ji-Han reminded him the accident but he let the whole family acting like it was Ji-Han's fault, isolating him. So the fact Ji-Han was missing to the family's diner for Do-Han's return was weird. What's the point to make big discourses if you don't completely change the situation. I like the new acknowledgement of hardworking secretaries in Kdramas! The guys know everything, are competent, let them run the compagny! The Grandpa giving the note to Ji-Han to ask forgiveness was cute, the fact the secretary kept them and the Grandpa had to pay for it.

Do-Han found happiness but overall courage to face his fears. I never thought he had to make his coming-out public, it was his private life. But I think it was important he did with people he loved because he ran away from them and sadly he couldn't, his Grandpa knew and Ji-Han was told by the mean ex. At least, he had the best girl friend to support him.

I liked Chae-Won! She was the compass they needed!

I wished we could see Ji-Han and Ah-Jung dating but since they confessed their love, they were miserable... I found unfair the behavior of Ah-Jung's friends and family, they took the decision together. He was wrong to run away after the press conference but then they talked together. The mess was big and I understand they needed time. It wasn't completely wrong, Ji-Han finally could live his life for himself and Ah-Jung could focus on her career. But reuniting them so late and giving us so little was frustrating!

I like their relationship. They had an unique bond, she saw how lonely he was and hurt by his family, he supported her in her actress career like nobody (made her "failures" meanful, watched every show, came on set, etc.).

I likes the actors. Jeon Jong-Seo was really great in this role! Moon Sang-Min was really cute, I still think he was looking too young and was a little bit green, but his eyes made up for that.

With the all cameos, Jeon Jong-Seo's boyfriend was the most funny, he came in his real job, as a director :p

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Sadly ep 11 was just a tick-box exercise with the tropes for a typical penultimate episode with, but with no originality or wit. It was worth skipping. The drama recovered a little in episode 12 and, at last, the marriage proposal made me smile again.

The things I liked about the ending:
The family not being in charge of LJ Group anymore.
Ji-han grumbling that he thought he would have more time to do a good marriage proposal and Ah-jung pretending to think about it.
Chae-won and Ah-jung fighting over who has to take drunk Ji-han home.
Chae-won being a nice 2FL and rewarded with Kim Bum!
Grandpa giving up on pushing the grandkids around, but staying as grumpy as before.

What I would have liked to see is Do-han being able to lead a happy and fulfilling life in South Korea instead of escaping abroad again. Not sure why he wanted to come back to do an exhibition back home, but maybe they just wanted to give him screen time in the finale.

It was a nice drama with a boring ending, but the two leads did very well together.

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Wedding Impossible joins my sadly growing list of disappointing k-dramas this year. The first 8 episodes were a standout, but everything started to slide in episode 9 and continued to crash straight through to the end. Despite some enjoyable moments in those last 4 episodes, they really lost control of the story. Too many plot holes, too many lost opportunities for creative storytelling. Even the actors seemed to have given up. I'm so over pointless noble idiocy. And what the actual heck was that awful wedding dress? If they weren't going to give us a real wedding with our OTP, could they not at least have put her in a dress with more class, like the ones she tried on for her "real" fake wedding? Deep sigh. I will remember this only for the fun we had chatting and giffing about the first half.

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"I'm so over pointless noble idiocy."

I don't even know how much I agree with you. I started watching K-dramas during the pandemic and enjoyed them at first. Now, it's much harder to find ones I can watch all the way through because this plot device is used to tell so many of the stories.

The solution to my frustration has been to supplement with C-dramas. Although this plot device can still be found, it seems to me to be used less. I like dramas showing the couple sticking together and working through issues together despite forces trying to separate them. It is more compelling storytelling to me personally. Love isn't all about the good times when life is grand. It's also about staying by someone's side during the tough and trying times.

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This week I reached the point where the number of c-dramas I'm watching exceeds k-dramas 3/2. And it may go to 4/1 next week. There are things I don't love about c-dramas too, but right now they are entertaining me a whole lot more and I'm quite sad to say that. I'm really hoping this upcoming batch of new k-dramas in May/June turns the tide.

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Yes. C-dramas do have their own annoyances.

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The only positive was that Do Han was finally happy. I could never figure out what A Jeong saw in Ji Han. Ji Han made all the decisions till the end and A Jeon just agreed with him. The resolution with the grandfather- a coupon that he had purchased was enough for forgetting all that he had inflicted on his grandchildren? Then why did he say that Ji Han was his mistake?
The show was so frustrating to watch after episode 8.

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I think because he saved Ji-han instead of his daughter? Which is a terrible thing to think, but it's the only explanation that makes any sense...

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Except he seemed to be using it as a reason for ignoring Ji Han and not letting him have the company.. so it still makes no sense!

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it was a nice ride, but the pace of the drama was all over the place. it looked like the writers were working with 16 episodes in mind but suddenly it was cut. the build up to their romance took too long when we consider the latter part of the story. we needed more time if they wanted us to connect with the noble idiocy, the time jump and the change in characters but we had to deal with all of this in one final episode. the writing, which was one of the best things in the drama, felt a bit flat by the end.

one thing this drama did really well was the second female lead. it was consistent from start to finish and I liked every second of her.

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As a rom-com, I enjoyed this show overall but I couldn't bring myself to like the two final episodes. The noble idiocy I kind of expected from Ji-han but Ah-jeong going along with it when she finally tracked him down... It would have been more in line with character had she lectured him on this prime example of noble idiocy. Then when they met again, claiming to be over one another and then clearly not be, I felt it was contrary to their previously honest characters. It was plain idiocy at this point, separation for the sake of being apart.

While I love cameos, I did not like Kim Bum's character. He was anxiously thrown in the nick of time in scenes that made him come off as desperate and a bit creepy. I really liked Chae-won and she deserved better from the writer.

I also liked the transformation of grandfather's character, I just don't buy that it happened without there being some story of interaction between him and the brothers. The married chaebol couple I felt was the only characters who seemed to have a complete arc from beginning to end and they were adorable in their schemes.

So to summarize - the first half was great, the third quarter slow and the last a completely different show. But still a decent rom-com. The dashing Lee Soo-hyuk is how I choose to remember the final five minutes.

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Thank you for your recap! Agree with everything you've said. The couple had great chemistry but what an unoriginal ending, what a shame. Still it wasn't a total car crash of an ending which it could have been (e.g. Dodolololalasol etc.). The main thing that annoyed me when I was watching actually was that it seemed like they were saying: we tried separating for a year but we couldn't be apart so let's get married! I totally disagree with this concept - the way you know if a relationship works is if you try it not if you break up. But hey maybe that's just me and I realise it sort of goes against most rom-coms!

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The most fun part of this drama was watching the comfortable friendship between Do-han and our leading lady, and we got way too little of that. Jun Jong Seo pretty much carried the drama, and other than one of her besties and the second leading lady, the rest of the characters were pretty blah. This drama goes into the bin of 'what might have bins' (pun intended!)

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Title sequences tell you so much about the show... the couple run away to be married, but once they run away the wheels fall completely off and they are left without any forward motion, sitting in the rain, and we are forced to contemplate the other part of the title sequence...
Which has a Korean marine? Who is only mentioned as an aside right at the beginning of the show when Ji Han mentions he volunteers?
So even the people doing the title sequence animation had no clue what the show was about, and were probably just given a brief synopsis and a short trailer to work from...
I think the writer was actually ok, they did a good job with the main lead and snappy dialogue. But maybe the plot got messed up at the production stage somehow?

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You are so right about the titles which makes me think that story was hacked and slashed after sequence was created. It's fairly obvious that what was originally on the page is not what ended up on the screen...what a waste

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I haven't read the webcomic, but it sounds like the drama was quite different (some people seem to prefer the drama's depiction of the ML, though)

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Hmm, if Ji Han was actually in the Marines at the beginning of the story, instead of working as a team member in the family company, it would sort of make sense that he is not being considered to lead the company and noone knows he exists.
Still does not make sense to have DH who is an artist lead the company of course though!

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Was this written by a beanie or have they been checking out the dramabeans website? article from Soompi re noble idiocy used in this show -https://www.soompi.com/article/1643796wpp/5-types-of-noble-idiocy-that-episodes-11-12-of-wedding-impossible-used-to-wrap-things-up

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