53

Moon in the Day: Episodes 3-4

Ever since our leads have met — both in the past and the present — not a day goes by without some event mucking up their lives. From jealous rivals to a glory-hogging father, there are plenty of obstacles standing in our couple’s way, but the biggest hurdle they have to overcome may be themselves.

 
EPISODES 3-4

A lot happens this week from kidnappings, murders, and multiple near-death experiences, but for any of these crazy shenanigans to occur, Do Ha needs to find a way to keep Young-hwa by his side. In order to win the bet, Do Ha resorts to “cheating” and forces Young-hwa to participate in his public advertisement which means the interview for her upcoming transfer is canceled.

While Young-hwa marches to the film site to confront Do Ha, she finds him unconscious inside his car. She notices a syringe on the ground hinting at foul play, but someone knocks her out before she can make sense of it. By the time she wakes up, she is tied up in an abandoned building alongside an unconscious Do Ha, but luckily, she has her pocket knife and frees herself.

In the meantime, Min-oh enlists the help of the police to locate his missing brother, and they corner Tae-ju who they assume is behind this kidnapping. Their guess is not too far-fetched since the idiotic actor did intend to kidnap Do Ha, but he was beaten to the punch by ex-CEO Seok Chul-hwan who orders his hired men to kill them both.

After a quick tussle, the kidnappers recapture Young-hwa and decide to beat her up instead of killing her because Chul-hwan is a cheapskate and didn’t pay them enough. However, before they get the chance, Do Ha wakes up. The kidnappers are no match for the seasoned general, and he leaves his enemies at death’s door. If anyone is going to kill Young-hwa, it’ll be him. (The show is so ridiculously serious that it’s becoming funny.)

Moments later, the police arrive on the scene and find Young-hwa surrounded by a group of badly beaten men. In a rather unfair turn of events, the police interrogate her for using excessive force, and to make matters worse, Yi-seul leaks a video of Young-hwa manhandling Jun-oh. Soon, his fans take to the streets demanding her resignation, and as punishment for her actions, she receives a three-month suspension. No more penguins for Young-hwa.

Digging through Jun-oh’s memories, Do Ha realizes that the mastermind behind the kidnapping also tried to kill him the first time by the river. He follows the breadcrumbs of clues all the way to Chul-hwan, but karma seems to catch up to the washed-up CEO as a malicious spirit chases him off a building and takes over his dead body. Guess there’s another ghost with a 1,500-year-long vendetta.

Since Young-hwa is technically free, Do Ha demands Min-oh to hire her as his bodyguard, and his brother complies to his rather absurd wish. Min-oh convinces Young-hwa to accept the offer by revealing Jun-oh’s terminal illness, and after confirming the truth with Do Ha, she agrees to stay with him for one month (AKA, the length of his life). In exchange, Min-oh promises to restore her tarnished reputation so she can resume her duties as a firefighter once this all ends.

Her first task as Do Ha’s bodyguard is to accompany him to the script reading of his upcoming drama, but everyone there, especially the director, has very little faith in his acting abilities. Their dismissive attitude, however, is exactly the motivation Do Ha needed to succeed, and he amazes everyone in the room when he starts reading the script with gravitaaaaas.

The script reading ends early thanks to Do Ha, and in his exuberance, Manager Jang accidentally spills water on him while going in for a hug. Young-hwa leaves to fetch him new clothes, and in the van, she finds his bloodied shirt. When Do Ha comes to check on her, Young-hwa asks if he is responsible for hurting the kidnappers and threatens to get it DNA tested. He tries to stop her, but the force field pushes him back, making it impossible to touch her.

As he stares at Young-hwa, Do Ha notices the bracelet on her arm: it’s the artifact that has been protecting her this entire time. Distracted by this discovery, Do Ha fails to notice the speeding car headed in his direction, so Young-hwa jumps in and pushes him to safety. As she gets hit by the car, her bracelet breaks, and Do Ha cradles her in his arms, begging her to wake up.

While Young-hwa flatlines in the present, her conscious returns to the past, specifically the morning after her first assassination attempt. Do Ha recognized her as the Gaya general’s daughter and spared her life, claiming that it would be too easy to kill someone who already accepted death. Though irked by his haughty attitude, she vowed to make him regret this decision one day and entered his household as a servant.

If it was not enough that Do Ha allowed his assassin to live under his roof, he even went out of his way to train her in how to kill him. After giving her a lesson on using a bow, he turned his back to her — a perfect opportunity to attack— but Ri-ta only watched him walk away with a look of confusion and curiosity.

Hailing him as a war hero, the Shilla king offered Do Ha a reward for his achievements, but Do Ha gave all the accolades to his father — correction, stepfather. The old codger accepted the praise without a hint of shame, and then he had the audacity to tell Do Ha to return with a wound next time. If the message wasn’t loud and clear, his stepfather also sent him a gift of yew berries: a highly poisonous seed often used by those who wish to commit suicide.

Ri-ta learned of the tumultuous relationship between the two when she discovered Do Ha acting as his stepfather’s food taster, and for a moment, she seemed concerned for him. However, any sympathy she may have felt soon disappeared when the other maids bullied her and ordered her to follow Do Ha on his trip.

The two of them rode into a forest, and though Do Ha told Ri-ta to stay behind and guard the horses, she ignored his commands and chased after him. She found him holding a memorial service, and enraged by the sight, she berated him for his pretentious actions: did he think all those people he killed would forgive him if he did this? Answering her question, he addressed Ri-ta by her full name and told her to never forgive him since he knew better than anyone that his feeble attempts would heal nothing.

As they returned to the path, their horses had escaped since Ri-ta forgot to tie them up, and a sudden rainstorm forced them to seek shelter for the night. While they sat by the fire he made, Ri-ta asked if he doubted her skills to kill him, but he told her that it was the opposite: if anyone could kill him, he thought it was her.

At first, she questioned his claims, but when Do Ha called his life a living hell, she realized that he meant everything he said. Brimming with indignation, she accused him of using her to ease his own pain and threw his words right back at him: it would be too easy to kill a person who expected death. She ordered him to survive, and once he learned to value his life, she promised to kill him then.

The show returns to the present timeline where Do Ha wakes up in a hospital bed after nearly losing his life when Young-hwa almost died. Back on his feet, he marches to Young-hwa’s room, and without the bracelet to stop him, he grabs her neck. As soon as he makes contact, Young-hwa opens her eyes, and instead of Jun-oh, she sees Do Ha standing in front of her. She calls him “my lord,” and Do Ha disappears before she can fully register his presence.

While Young-hwa recovers from her injuries, the news reports on the accident and how Tae-ju remains at large for the crime. Though he is a bad man, Tae-ju is not evil enough to kill someone, and the true architect is the ghost inside Chul-hwan who hypnotized the agitated actor into doing his bidding.

Besides Tae-ju, Yi-seul also gets entangled in this case as the police investigate her as a possible co-conspirator. She meets with Min-oh to cut a deal for the blackmail photos he has of her with Tae-ju, but Min-oh asks how he can trust her. With a huff, Yi-seul storms out of the meeting, but then an idea hits her: what if she pretends to be in love with Jun-oh?

Unlike her previous nightmares, Young-hwa remembers the dream she had, but she assumes it was all a childish fantasy about Jun-oh. When her sister teases her about it, Young-hwa denies having any feelings, but when Do Ha drops by later to see her, she smiles at him brightly. Looking up at Young-hwa, Do Ha realizes how similar she looks to Ri-ta and leaves before she comes down.

That night, Young-hwa goes to his house to meet him in person but finds his pills scattered on the ground. Worried, she rushes inside and discovers him unconscious on the stairs. As he loses his balance, she catches him, and Do Ha wakes up. He imagines Ri-ta in front of him rather than Young-hwa and asks who she is. She tells him that she is the person who came to save him and assures him that he will not die as long as she is around.

While I do think both actors are pretty, I’m feeling nothing between them. While the acting is part of the issue, my biggest gripe is with the characterizations and directing of their budding relationship. As a viewer, I do not understand why Ri-ta started to feel butterflies for Do Ha after some physical contact, and her sudden attraction to the man who murdered her family sort of belittles her resolve. Also, it does not help that her anger feels misplaced. I’m assuming she is mad at him for killing non-combatants like her mother as a way to end the war quickly, but I think the show made her outburst too generic. She blames him for killing so many people, but at the same time, he was merely a pawn in a larger sociopolitical game where the true individuals in power waited safely off the battlefield. In some ways, Do Ha is no different from her father who was also a general killing Shilla soldiers. In essence, the show paints their backstory in such broad strokes that everything at the moment feels slightly superficial and forced.

In theory, Do Ha should be a compelling, angsty lead, but he comes across as emotionless and flat. While I understand what the show is aiming for with the guilt-driven general who wishes to atone for his sins by letting the daughter of the man he killed end his life, it all feels so contrived and formulaic. The whole scene where he broods by himself over the fact that the only person who told him to live is the same one trying to kill him was heavy-handed, and I blame some of this emotional disconnect on the director. Everything is treated so seriously that the characters are coming across as farcical, and I’m starting to wonder if some of these scenes (particularly in the present) are intended to be comical because the directing is so dramatic. The music, the close-ups, the gravelly delivery! Am I supposed to swoon over our hero or hate him? Is he trying to instill fear or just being over-the-top because he’s a 1,500-year-old ghost who couldn’t get over his first love?

I’m sure there are people watching the show who are enjoying it immensely, and more power to them — don’t let the grumblings of this viewer ruin your experience! Just to be clear, I don’t actually think the show is bad, but I do think it’s dull. Thankfully, I find myself chuckling at it from time to time (probably not the desired reaction), and on a positive note, I think Pyo Ye-jin has really expressive eyes. I doubt I’ll find myself in love with the show at the end, but if you’re all right with reading my rants (or skipping over them, that’s fine, too), I hope you guys continue this journey along with me as we see where this show leads us.

RELATED POSTS

Tags: , , , ,

53

Required fields are marked *

I totally agree, this drama is SOOOOO DRAMATIC, but unfortunately it is a paint by numbers predictable dramatic. It is tropey, but not fun tropey. It is trying really hard to be a serious drama, but it just isn't. I don't know if it is the actors, the director, or the music, but this drama is fairly mid, as the kids say.

That being said, I don't hate it enough to stop watching, so here I am. I do hope they stop trying to kill our leads though, even the one that is already "dead." Confused face, lol.

16
0
reply

Required fields are marked *

I'm pretty new to k-drama, so I am not yet able to determine when it's over the top. So far everything I've watched is "out there" in some way. I think that's what I love. This is the first one I've been able to watch week-to-week and I was drawn to it because I wanted to support the female lead. I've liked her in lesser roles and was happy to see her getting the top spot. I still don't know exactly what's going on, but I'm invested. Thank you for the honest recap, I refreshed all day hoping it would show up.

10
0
reply

Required fields are marked *

Yes, the setup is absurd and the ML's acting is as flat as his abs probably are. Unlike Pyo Ye-jin

--

(The show is so ridiculously serious that it’s becoming funny.)

Moments later, the police arrive on the scene and find Young-hwa surrounded by a group of badly beaten men. In a rather unfair turn of events, the police interrogate her for using excessive force

Few things in kdramaland seem as ridiculous to me as S.K.'s excessive self-defense laws. And in what strange universe do police not figure that kidnappers might plan to kill so the victim is in a fight for his/her life?

--

I blame some of this emotional disconnect on the director

Asianwiki doesn't even list a director, which I could spin a couple different ways. He's ashamed to admit his involvement, or there isn't one.

9
4
reply

Required fields are marked *

KD-land should have the equivalent of an “Alan Smithee” pseudonym but with so few last names, it might not be as easy.

3
reply

Required fields are marked *

I don't know why Asianwiki doesn't list the directors for this show. Anyways, can't let them hide so here are their names: Pyo Min-soo and Park Chan-yul. Pyo in particular is a pretty well-known PD.

3
reply

Required fields are marked *

the directors are listed on mydramalist
https://mydramalist.com/31211-the-moon-that-rises-in-the-day

I think it's up in the air who is responsible for what parts. I'm more interested in who is writing the adaptation since it's barely anything like the webtoon.

2
reply

Required fields are marked *

I also don't get how FL was told by the police that "she only had one small cut" after all she's been through. She lost conscience after being beaten at least twice during the episode, FFS.

1
reply

Required fields are marked *

Main takeaways from Ep. 3-4: We thought we were watching Moon in the Day, but we were actually watching "Kill Me in My 19th Life.” Also, a couple that wakes up in hospitals together stays together.

My fav kinda dialogue in kdramas is when someone asks ”is she ok?" Sir, she is bleeding out on the ground… what do you think?

I’m like the kdrama version of terminally online. I see the backdrops and locations and I’ll be like, “Isn’t that the same tree from My Sassy Girl?? Aren't those the caves from Joseon Attorney?”
I get Ri-ta has legit grievances (like the murder of her entire fam), but ma'am, your father was a general too. How many "precious lives" did your dad take on the orders of *his* king? Plus, your entire life of privilege and comfort was made possible by work and labour of the servants you look down on. Pipe down. (Sorry, everyone, this account is proudly and loudly pro-peasant & pro-commoner)
That being said, Do-ha really said "I'm sorry for killing all those people 🥺🥺 I was just following orders", that’s crazy

I *do* feel bad for Doha, what a life of suffering and toxicity he must experienced. Is the evil stepdad just jealous of how Doha is eclipsing him? Or is it something deeper bc simple jealousy doesn’t explain him having such a centuries long hate-on for Doha and his wifey.

Poor Taeju cannot catch a break… imagine getting your life & reputation ruined, losing your job, and then you get capped by the ghost of someone else’s daddy issues.

so Mun-oh ruining Do-ha's plans unintentionally… but the beads are broken and she doesn’t have any protection now?? A chance for Doha, the 1500yo wife guy, to show his mettle ig. Speaking of Mun-oh, his convo with "Jun-oh" about being the elder sibling was genuinely moving. I do hope he doesn't turn out to be a secret antagonist.

Yet again, they made the SFL absolutely deranged lmao. I do hope we’re not in for some DWY style love triangles… Tho I doubt this woman can top Nayeon (can anyone?)


Ok KYD's acting in the staircase scene was genuinely good I think? He gets better in every episode imo

My theory: Doha and Ri-ta teamed up to take down evil stepdad. they failed and Ri-ta had to mercy kill Doha, but without telling him why bc kdrama reasons.

15
5
reply

Required fields are marked *

also, wait a minute did she forget about his bloodstained clothes?? the thing that could get most of the heat off her? did the Car of Doom knock that particular memory out of her?

and this is the first time I've said this, but I have to agree, I genuinely do not feel any chemistry between the leads. The entire story itself feels emotionally bereft. I'm just here for the where the story goes, though I could just read the webtoon at this point.

5
reply

Required fields are marked *

Lol, I love that you are pro peasant and commoner. I loudly and proudly tell people I am a peasant all the time. I would always rather be a peasant than royalty(most of them are awful human beings living off the suffering of others), so peasant for LIFE!!!

4
reply

Required fields are marked *

Just want to be sure you know about
koreandramaland.com
You may be able to help them identify filming sites!

3
reply

Required fields are marked *

@Dylan: They do recycle locations as well as tropes but unlike my exasperation with the ‘done to death’ing of some tropes, I understand that scouting and securing locations is hard work and after all, SK is not that big. If only suicide wasn’t such a heartbreaking reality otherwise I would like the repeated uses of the same cliffs of doom much more as in RL, if anyone jumps from that height, they will likely sustain abdominal injuries if not die oitright.

3
reply

Required fields are marked *

That's what always sucks about these war plots: soldiers following orders. People are in no win situations.

0
reply

Required fields are marked *

Between the potential of this drama and what we got, there is a a big gap...

Both actors are not good in their role and the writing doesn't help.

I was happy we got several scenes if Silla and not just very short flashbacks that didn't help to understant the characters. But sadly, the FL's anger was expressed in a childish way, there were in war, she should have known better.

KDY doesn't have the charisma to play a great general. He has only one emotion... The reading scene was very funny.

This drama is like Perfect Mariage Revenge, except that PMR knows it's a makjang and has fun with it. Moon in the Day takes itself very seriously and it's ridiculous.

I recognized Lee Kyeong-Yeong's voice before the rest. I'm not used to see him in a sageuk and not as villain CEO/manipulator.

4
11
reply

Required fields are marked *

I mean he is the saeguk equivalent of a villain CEO/manipulator. I have never seen the man play against type, lol.

4
2
reply

Required fields are marked *

Not to mention being an abhorrent person in RL. Horrifying that he keeps getting work and protected by the this industry.

5
1
reply

Required fields are marked *

a villain off screen and on screen. the Korean justice system is wild.

1
reply

Required fields are marked *

The reading scene is so meta, and when the audience and the director applaud JunO becuase he is SOOOOO good 🤣🤣🤣🤣🤣 oh I love the comedy style

5
2
reply

Required fields are marked *

The reading scene was pretty cringe! I'm glad Jun-oh shut those people down who made fun of his dyslexia, but I don't think Kim Young-dae is a good actor either. He's got his moments, but nothing that would a director go gaga over his talent!

5
reply

Required fields are marked *

Glad you brought up the meta-ness of the scene. While the table read scene was funny, it feels like every time someone in the drama makes a comment about Jun-oh's difficulty emoting and reading ancient Korean, they're making fun of those who criticize KYD's own acting lmao. real subtle, team.

1
reply

Required fields are marked *

As soon as I heard him, I knew the show was going over the top. He is a makjang villain so if he’s cast in a show, that’s where it’s going.

0
3
reply

Required fields are marked *

He's not a makjang villain. He dit a lot of dramas that weren't makjang like Dr Romantic 3, My Lovely Boxer, Why Her?, The Veil, etc.

He always is a villain but in every types of dramas.

0
2
reply

Required fields are marked *

He's always over the top though. (Which top? The VERY top!) To me he lends a certain excitement to things, because I know he's always going to do something HORRIBLE!

0
1
reply

Required fields are marked *

I don't agree. I think it's a pretty calm villain.

Not like Uhm Ki-Joon, who always is over the top.

1

Thank you! Lee Kyeong-Yeong. That's him! I, too, recognized his voice first. It haunted me. I looked up his name and the mystery is now solved. I watched "Again My Life" not too long ago. LKY plays a great "I-want-to-smash-his-face-in" villain.

1
reply

Required fields are marked *

It really feels like the entire cast is just going through the motions. Maybe they didn't work well with the director? The storyline though... it's just funky. Good in synopsis, but the details do not hang together.

6
0
reply

Required fields are marked *

As someone who is not watching this drama, but who IS enjoying reading the recaps, this sounds wild in a maudlin way. Thanks for the fun read, @lovepark!

5
0
reply

Required fields are marked *

It cracks me up whenever Do Ha has his deadly thoughts about Young Hwa and that no one else can kill her in their world. Maybe that wasn't the drama's intention? LOL, whoops.

The script reading scene was nice. I like it whenever the underdog or immature character surprises everyone else and puts on a good performance/successful show of skills (despite it not being Jun Oh..)

Young Hwa learning about the past is good. More even ground for the leads.

I'm glad Do Ha and Ri Ta had their conversations and she confronted him about his actions. His explanation and reasons aids his story, but it doesn't mean he is forgiven. The way she responded made sense. Telling him to live... Pyo Ye Jin was fierce in this scene!

I'm still not hyped up for any romance.... The timing and backstory between them doesn't encourage it. Plus he's a ghost??! XD

I like that there is another spirit, an unknown variable, going around.

I also appreciated the manager looking into lost souls and searching up information. It would be cool if he believed in it and wanted to help Do Ha.

The brief brotherly scenes with Min Oh are bittersweet. He's trying so hard and he always supports his brother, but Jun Oh's not actually present.

6
0
reply

Required fields are marked *

Yeah, I agree the present-day scenes are really killing the angsty, complicated vibe between Doha and Rita. I skipped over most of the modern scenes in the actual webtoon the first time I read it as well bc some of the content was just getting boring (cough, Min-Oh, cough) so I'm not surprised it's the same way for the drama. I'm just here for the historical section of the story which is obviously better but I just don't feel the pull between the leads and still wish they cast a different, more experienced Sageuk actor as Doha (cough, Junho, cough) since Jun-Oh and Doha DO NOT look the same at all.

3
2
reply

Required fields are marked *

Do-ha would be much better played by an actor like Namgoong Min but he's busy with his own angsty historical drama T-T

1
reply

Required fields are marked *

I said it again and again...
Heavy or sad saeguk need a hero that is more mature or more experience. The rating for this drama is 1%++ so far and there are complaints made abt Knetz about the acting

So far, I can think of Lee Ji Hoon, Ju Ji Hoon, Im Shi Won, Kim Nam Gil, Ji Sung who are more suited for this role as they have the experience in saeguks.

0
reply

Required fields are marked *

Part of me felt annoyed that Doha is all upset that he was killed when he was pretty much asking for it. I do wonder why he became a lost soul.

The plus sides - the drama is keeping me interested and Pyo Ye-jin is giving it her all - serving a wide array of expressions and emotions,

The downsides - too overdramatic in some parts. Seems to scream "tragic times to come!". And Doha/Jun-ho being too flat at times, though at the same time Kim Young-dae's eyebrows are acting in overdrive.

Also, was the magic bracelet cushioning Yeong-hwa against all the deadly things that have been happening to her? I can see it preventing a ghost from killing her, but it also works on Car of Dooms?

5
0
reply

Required fields are marked *

Even though the first couple of episodes didn't engage me, I watched Eps. 3-4 (admittedly with some ff) to see if it would get better. It didn't. For me, the main problem is the central premise of the show--the ML wants to keep the FL alive so he can kill her and the FL wants to keep the ML alive because it is her calling as a firefighter but in the past life she wants to kill and killed the ML. It is hard with this narrative through the constant voicing of the ML's desire to kill the FL and showing of the FL killing the ML in the past to root for any type of romance between the two. To pull this storyline off, one needs the type of sexual tension and attraction that Brad Pitt and Angelina. Jolie had in Mr. and Mrs. Smith or the leads had in Hyena. But this doesn't have that. There is no spark between them, maybe because one or.the other is unconscious a lot of the time. This drama seems to be going the little moments of softness or caring that is making the couple fall for one another but this fails because the ML is always saying how he wants to kill the FL.

There was one. bright or at least shiny spot(s) in Ep.4--the MLs snap bottom jeans. It was fun to see the jeans in the midst of so much assault and severe injury. So kudos to wardrobe for that,

1
0
reply

Required fields are marked *

I think this drama is not. working for me because it is hard to root for or see the romance between the main couple when the central premise is the ML wants to kill the FL and the FL killed the ML in the past. To pull this mortal enemies to lovers story off, one needs to have a high level of attraction and sexual tension. like in Mr, and Mrs. Smith (or maybe you. just need Brad Pitt and Angelina Jolie at their peak) or Hyena. This drama doesn't have that palpable attraction--it doesn't help that one or the other is unconscious much of the time. If they are going with the moments of caring or lifesaving to show their growing attraction, it is stopped cold by the constant voicing of the desire to kill the FL and showing how FL killed the ML in the past.

One bright spot (or spots) in Ep. 4-- the snap bottomed jeans were a fun distraction in the midst of so much assault and injury. So kudos to wardrobe for that.

2
0
reply

Required fields are marked *

I said this during week 1 and I'm saying it again: this just reminds me of Kokdu. I don't know how to explain it. It's watchable (which is argubly more than Kokdu but even that was watchable to a point) but it's lacking at the same time.

There's nothing dynamic about anyone, individually or together (except maybe the manager who seems to be somewhat the comic relief). For me, I could *just* finish watching it and forget I saw it.

Story wise: I get both sides (ugh that phrase is so tainted but that's all I got) because Do Ha has no choices in his situation. He was brought into that life and he has to do what he's told. Clearly no one actually cares about him and it's just a sad and lonely existence. Ri Ta's entire family and I guess everyone in her household was murdered. That could lead to wanting revenge and having a grudge even if it's a reality of war.

Now I'm wondering if Ri Ta killing Do Ha was her doing him a "kindness" or mercy because if she really did end up falling for him, why would she kill him? Just to keep a threat/promise she made when she barely knew him? Also weren't they running from people when his death occured?

In present day, I don't understand why the actress treats people the way she does. She's just a manipulative opportunist that we're suppose to hate?

I don't get the deal with the murderous ceo. He almost died in a fire -> tries to kill Joon Ho -> tries to kill him again -> gets chased by a spirit(?) -> dies only to come back and try kill Joon Ho again?

3
0
reply

Required fields are marked *

Oh man, lovepark just described what I totally feel about this drama. It feels so dramatically serious that it's so ridiculous and funny because the contrasting tone of the drama (I blame the directing) and the flat acting from the ML just make it childish and amateurish. Feels like a very childish piece of directing work.

And I feel like I've given enough benefit of the doubt over the course of his several dramas, but now I am ready to say that KYD really can't act, period. That scene where he and the FL were supposed to be emotional when exchanging their innermost vulnerabilities about wanting to die (and her angst over granting him an easy death) was acted so flatly and emotionlessly by KYD (and his expressionless face) that I felt no emotional connection. Probably gonna drop this.

4
0
reply

Required fields are marked *

You are not alone in your grumblings @lovepark and thank you for expressing them in a clear way. I practically push myself to finish the episode.

2
0
reply

Required fields are marked *

Comment was deleted

1
0
reply

Required fields are marked *

To quote lovepark . . .

"She blames him for killing so many people, but at the same time, he was merely a pawn in a larger sociopolitical game where the true individuals in power waited safely off the battlefield. In some ways, Do Ha is no different from her father who was also a general killing Shilla soldiers."

Exactly! I kept yelling at the TV, "You don't understand!" to Young hwa. Of course, she doesn't listen to me. And the police? Are they really that stupid? They don't listen to me, either.

And then there's the accident. She is bleeding profusely from what I thought was a head injury. In the hospital, she's OK with a full head of hair. Maybe I missed some occult hocus-pocus?

Writer? Director? I will finish because of the ML and maybe we will have a decent end. 🙏

3
0
reply

Required fields are marked *

I love both the leads and so was exited for this show. But unfortunately when they came together, i hardly could find any chemistry between them. Also the series is giving Bulgasal vibe, the FL killing ML in past and then on present ML being "I will not let anyone kill her but just me". I love the past grudge troupe so I will continue to watch next week's episodes but the disconnect is the I feel no emotions on the main leads face and the lack of chemistry. Thanks for the review. You wrote down everything I had in my mind.

1
0
reply

Required fields are marked *

Thanks very much for the recap, @lovepark! I love reading recaps … and all the comments, because they always give me new and other point of views. Ultimately, they help me to understand something better, which I like.

I share @KellyCasa’s view in comment #2. I can’t quite determine yet if it’s over the top. I am still getting sucked into the drama, although I did realise that «Moon in the Day» is taking itself very seriously. Yet for me, emotion + drama + reincarnation + love/hate/revenge — is somewhat serious, I must admit. Or I would be watching an outright makjang, as has been argued in this thread. So far, I don’t feel this is it.

So what storytelling elements do we find in this K-drama? Let’s start collecting a list …

1) vengeful ghost(s) / protection from ghosts (via amulets, or bean wrist chain in this case) / Buddhism
2) reincarnation
3) Silla / Gaya Confederacy war (war crimes)
4) father / (adopted) son conflict (transported through time, apparently) / mean-to-male stepfather trope
5) conflicted historic female lead (loving/hating historic male lead) and killing male lead while telling him that she loves him
6) this conflicted historic female lead in 19th reincarnation female lead in a «saving lives» profession (firefighter), who has nightmares/dreams
Side remark : is there a particular meaning to it being the «19th» reincarnation ? (otherwise the comment made in this thread seems to be very valid)
7) budding caring/grudgingly caring relationship of female lead/male lead in present-day timeline
( I agree that it’s not really a «love» relationship yet)

I don’t know the webcomic/webnovel. So I can’t tell where the writer and the production started off with the story and how different it is, from what was written. I also don’t know, how much atmosphere a webcomic/-novel prescribes. I suspect it often won’t be as detailed and sophisticated as a full-length conventional novel, so a script-writer using the material will be creating a lot more around it.

I would not compare it to «Kkokdu» as yet, since there I found the ML/FL interaction utterly unconvincing (she was particularly annoying in her role), whereas here I still find the FL solid and convincing (also in her being conflicted in her past incarnation), the ML occasionally too brooding (in his ghost-turned-human-for a month present-day incarnation), but getting better. I agree, when he decides to go for the script reading, I also felt that was a triumph for his character …

So I will carry on watching.

4
0
reply

Required fields are marked *

Comment was deleted

0
0
reply

Required fields are marked *

1. The script reading scene made me feel bad for Joon Oh. Someone mentioned that he was dyslexic or something and the bullied him about it? WTF.

It was cute watching Do Ha be all clingy with Young Hwa.

I also liked how she kept waiting for him to call her after getting hurt. And it was hilarious that she thought he did well at the table reading because of her. LOL

Oh, and I can't say it enough: I love the manager.

2. EP4 made laugh:

—I'll kill you.
—Okay. But let me help you with that.
—Okay. *Badum*
—Tbh, I wanna die because I feel bad for killing your people.
—Beach what? I'm so NOT going to kill you now. Live and be happy. Then I'll kill ya.
—Okay, fine. *Badum*

I love this show. LMAO

8
3
reply

Required fields are marked *

I like their crazy dialogues. You kill the enemy when he wants to live, not when he wants to die. And the best way is to kill his loved ones so that he suffers and lives with this suffering. Therefore, their history ended 1,500 years ago. The moment he loved her, she loved him, and they both knew the love was mutual, she killed him. She punished him, but also herself. It's poetic in its pathology. Such things only look good in literature and movies, dramas, etc. That's why such things should only be in fiction and should not be taken seriously, but just for entertainment and enjoy the plot as simply a fictional plot.

5
1
reply

Required fields are marked *

I think that's why I'm enjoying it so much I never took it seriously?

2
reply

Required fields are marked *

Now we just need to have Jun Oh's original spirit reclaim his body, and then convince Do Ha that he's being an idiot.

I also think that Do Ha is just so tired after hanging around for that many years that he's just super apathetic, and KYD is just projecting that through his acting by being emotionless. It's like, ugh here we go again...zombie-walk...

0
reply

Required fields are marked *

I have reached the 4 episodes threshold. As much as I love to learn more about the historical part...I find the acting and script horrible. So long drama....I will just stick to the Goryeo-Khitan War and My Dearest

0
0
reply

Required fields are marked *

This is one of those dramas where I don't really care about the acting. What's important to me is that it's a drama with real people, not, for example, an animation. After these few episodes, I feel like I don't even care if the drama is well-made. It's enough for me that there are actors, there are dialogues, there is a story of the characters. My imagination works so well with this plot that I am uncritical when it comes to this drama and I just want to watch the episodes and can't wait for the next ones. This plot is my guilty pleasure.

1
0
reply

Required fields are marked *

I am enjoying this drama so far. I liked the lead actor in Sh**ting Stars, which I watched to the end. I thought he was funny in the historical comedy he did that I didn’t finish. I feel like he got cast here because this is somehow a blend of those two characters. I like his deep whispery voice and comic facial expressions. Don’t know whether this weird show will continue to hold me, but I don’t blame any of the actors if it doesn’t.

1
0
reply

Required fields are marked *

It's true that the ML is not a strong actor, but I knew that already, and frankly, I'm surprised there's so much criticism directed towards him this time when a) he's giving roughly the same caliber of performance he's given before and people were much more charitable then and b) he's hardly the worst kdrama actor out there who was clearly hired first and foremost for his looks. This may all seem like faint praise, and it is, but I'm also expressing some confusion as to why this role and this drama--again, not great, but hardly the total dumpster fire similar performances/kdramas have been this year--are inspiring this kind of negativity. I know "Come on, it's not THAT bad" isn't really a vote of confidence. BUT. Come on, it's not THAT bad!

4
1
reply

Required fields are marked *

I wouldn't say I'm complaining, exactly - ML indeed looks great (his stylist deserves a raise!) and I'll be sticking around for future episodes. That being said, I think that given he's supposed to carry the drama (FL is less of a main character than him), the weakness of his acting skills is more apparent. That's especially because the lacking script needs some serious acting chops to make up for the repetitiveness, self-importance, etc.

Also, the gap between rest of the cast's acting abilities - especially the brother and the long-suffering manager - and ML's acting is rather glaring.

0
reply

Required fields are marked *

Watched today ep 6 ,don´t shoot me ,but i like KimYoung dae , maybe his looks . The storyline is a little weird, doesn´t have enough depth. There is no attraction between the male and female ,no tension, no romance i can´t believe it .
I find that face from the FL so boring , her acting is like schooldrama ,then rings my mind.
I didn´t like her from Fight my own way, her hair like a Dutch waffle, and expressionless face.
She never convinces me, Our blooming youth, , Taxi driver etc why didn´t pick Han So Hee, or that new one from heartbeat Won Ji An .
But PYJ looks like an old English sheepdog to me,no grace , no flair,and definitely not feminine .
Sorry guys for the harsh comments , from now i drop this one .

0
0
reply

Required fields are marked *

Wow ... I am totally on the board with Moon In the Day contrary to many of you! I find Kim Young Dae and Pyo Ye Jin deeply compelling in their roles.

First of all, exactly how much of kdrama is realistic ... authentic ... true-to-life ... really? Isn't the vast majority of it a bit over-the-top ... but that's why I enjoy it so much!

Second, aren't we all here for the escapism in any event??

Finally, I feel like Kim Young Dae's performance is outstanding ... he's supposed to be portraying an aristocratic man who was a killing machine without love from his 'stepfather' / adopted father (?) ... I don't expect him to be anything other than imperious and ferociously and singularly focused on one thing, and that is how he portrays it.

End of rant.

0
0
reply

Required fields are marked *